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Ravens star Kyle Hamilton announces engagement to high school sweetheart Reese Damm

Ravens star Kyle Hamilton announces engagement to high school sweetheart Reese Damm

Daily Mail​9 hours ago

Baltimore Ravens safety Kyle Hamilton is engaged to his high school sweetheart, Reese Damm.
The defensive back shared an image of him getting down on one knee in front of a gorgeous waterfront vista in France with flowers, candles, and photos laid out to set the scene.
Photos also showed off the beautiful emerald-cut diamond engagement ring now on Damm's finger.
A number of his Ravens teammates, the team itself, and other NFL stars left comments of congratulations underneath the post.
The couple have been dating for a number of years and even went viral back when the former Notre Dame man got drafted in 2022.
Hamilton and Damm showed off a distinct handshake after he was selected by Baltimore 14th overall.
View this post on Instagram
A post shared by kyle hamilton (@kyledhamilton)
Damm and Hamilton both attended the Marist School outside of their native Atlanta, Georgia.
After graduating high school, she attended the University of South Carolina and graduated with a bachelors degree in Public Relations and Image Management.
While in college, she interned at a number of sports PR agencies in hopes of pursuing that side of the business as a career.
However, she also has pursued a number of more creative passions - such as music.
So far, Damm has released two EP's and a single, which are streamable on Apple Music, Spotify, and TIDAL.
Damm does work in PR for a day job as a digital specialist at Zest Social Media Solutions.
As for Hamilton, he's developed into one of the best safeties in the NFL in a matter of three years.
He's been named to the All-Pro team twice - earning first-team honors in 2023 and second-team honors in 2024. He was also named to the Pro Bowl in both those seasons.
Hamilton has tallied 250 tackles, seven sacks, four forced fumbles (one recovery), five interceptions, and one defensive touchdown across his career so far.

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PSG vs Inter Miami prediction: European champions to book quarter-final slot
PSG vs Inter Miami prediction: European champions to book quarter-final slot

The Independent

time42 minutes ago

  • The Independent

PSG vs Inter Miami prediction: European champions to book quarter-final slot

PSG vs Inter Miami betting tips Paris Saint-Germain face Inter Miami in the round of 16 in the Club World Cup this Sunday, with Lionel Messi hoping to spring the biggest upset of the tournament against his old side. European champions PSG have already been the victims of a surprise result, having lost to Botafogo in the second game of the group stage, though they recovered to beat the Seattle Sounders 2-0 and top Group B. And despite that early slip-up, football betting sites have the Parisians as 3/1 favourites to win the competition ahead of their match with Miami, who finished second in Group A behind Palmeiras. A 2-2 draw with the Brazilian side and a 2-1 win over Porto illustrated that the gap between Miami and the world's bigger sides is not as wide as expected, with Lionel Messi still capable of producing magic moments and the supporting cast – including Luis Suarez and Sergio Busquets among others – able to chip in at vital moments. However, this match will surely be a bridge too far for the American side, with Ousmane Dembele and co. hopeful of adding a world title to the European one they wrapped up so convincingly at the end of May. And the early Club World Cup odds are certainly backing the Champions League winners, with PSG offered as low as 1/14 to qualify versus 8/1 for the MLS outfit. PSG vs Inter Miami prediction: European champions to book quarter-final slot PSG will enter most matches as clear favourites in this competition after their performances on the European stage at the end of last season, with the 5-0 win over Inter Milan in the Champions League final showing what this team are capable of when it all clicks. The 4-0 win over Atletico was another example of what PSG can do to top sides in Europe, and while the matches against Botafogo and Seattle were far less impressive, this is a team that remains more than capable of turning up the quality when it matters. In fact, that loss to Botafogo was the first 'real' loss PSG have suffered since their second-leg Champions League loss to Aston Villa in April, with the Parisians only losing twice since then – though both were in games where Luis Enrique rested players having already wrapped up the Ligue 1 title. Overall, PSG have just four losses since 5 March, and have won eight of their last 10, scoring 26 goals across those matches and conceding just six. At the same time, though Inter Miami have been somewhat impressive so far at the Club World Cup, the fact remains that barring Messi it is a squad with players who are either past their best or simply not at the level of a side like PSG. Losses of 4-1 and 3-0 to Minnesota and Orlando City – coupled with draws against San Jose, Philadelphia and Al Ahly – illustrate that the American side can struggle to both score and defend at times, and though the 2-2 draw to Palmeiras was more encouraging, it'll take some real magic from Messi to get anywhere near penetrating this PSG defence. And to that end, we think a wager on PSG to win to nil offers the best value on the results market, with odds around 23/20 at various betting sites. PSG vs Inter Miami betting tip: Kvaratskhelia to prove the difference? Khvicha Kvaratskhelia proved one of the signings of the year after PSG managed to prise him away from Napoli for around €70m in January, and though four goals and three assists in 14 Ligue 1 matches appears a modest tally, goals and assists against Aston Villa, Arsenal and Inter Milan in the last three rounds of the Champions League show that the Georgian is a man for the big occasion. 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The same applies whether you're using new betting sites, slot sites, casino sites, casino apps, betting apps, or any other gambling medium. Even the most knowledgeable punter can lose a bet, so always stick to a budget and never chase your losses. It's particularly important not to get carried away by any free bets or casino offers you might receive, both of which are available in abundance on gambling sites, but must be approached with caution. You can stay in control by making use of the responsible gambling tools offered, such as deposit limits, loss limits, self-exclusion and time-outs. You may also want to visit the following free organisations to discuss any issues with gambling you might be having:

Back to the land: revisiting the streets of Aix-en-Provence, the birthplace of Paul Cezanne
Back to the land: revisiting the streets of Aix-en-Provence, the birthplace of Paul Cezanne

The Guardian

timean hour ago

  • The Guardian

Back to the land: revisiting the streets of Aix-en-Provence, the birthplace of Paul Cezanne

When I was 12 years old, my parents moved my sister and me to Aix-en-Provence, the birthplace of and inspiration to Paul Cezanne. In truth, Cezanne had nothing to do with their choice of destination. But his mountain was the one thing my father knew of the region. He was three years into a four-year fine art degree (he painted portraits of the two of us daughters for his finals), steeped in painting and its history. When we landed at Marignane airport in nearby Marseille on 29 August 1989, a wildfire was ravaging the Sainte-Victoire, that celebrated mountain subject of so many of Cezanne's works. In the tumult of the days that followed – our family unhoused, the mountain unrecognisable – my father hustled between estate agents with the sound of sirens ringing in his ears. 'Cezanne must be turning in his grave,' he remembers one saying. In the 119 years since he died, Cezanne (no acute accent; it's how he spelled it himself) has been crowned the father of modern art. It's the lineage a host of disparate painters claimed in his wake. For Matisse he was 'the father of us all' and for Picasso, 'the mother who protects her children'. Futurists, cubists and fauvists felt the same. The symbolists said his was 'pure painting'. And Gauguin, well: he bought six Cezannes when he was flush and only parted with them under duress when he wasn't, having said, of the fabled Still Life with Fruit Dish from 1879-80, that he'd sooner sell everything he owned than lose it. Aix, by contrast, has mostly been famous for hardly owning any Cezannes at all: first because it didn't care to and then, when it was too late, because it couldn't afford to. This summer the town celebrates Cezanne 2025, a season dedicated to rewriting that story. The town set aside a budget of €26m for the full programme. This has included restoring and opening to the public the Bastide du Jas de Bouffan (the family's country home of 40 years); the Lauves studio to the north; and the Bibémus quarries in the foothills of the Sainte-Victoire where Cezanne often worked. Also included is a major exhibition at the Musée Granet, which opens on 28 June, and reassembles for the first time works now housed in museums all over the world that Cezanne made in Aix; along with three other exhibitions in the town and a programme of live events. It is a family reunion. I have come back home to retrace Cezanne's footsteps, literally, in a kind of reductionary process I liken to the expert restorers' painstaking scraping off of decades of paint and paper on the walls of the old bastide. Growing up in Aix, 'Cezanne' was a local lycée, 'Bibémus' the rocks on which I learned to boulder, and the 'Jas', the neighbourhood in which I learned to drive. Returning to Aix, I want to walk where he walked to scrape these words back to their earlier meanings – to let these familiar landscapes be his once again. Cezanne was born in 1839 in the old town centre. He lived in various homes in these narrow streets and, at 13, befriended the author Émile Zola on the school benches of the Collège Bourbon, now the Collège Mignet. His hatmaker father, Louis-Auguste, made so much money selling rabbit-skin wares (the big Aixois industry of his day) that he invested in a bank, in the process becoming even richer. When Cezanne was 20, his father purchased the bastide as a country retreat. From then on, and until his mother's death in 1899, it would be what the president of the Société Paul Cezanne and co-curator of the exhibition, Denis Coutagne, calls 'the centre of gravity' of Cezanne's world. It is where he painted his first big works as a twentysomething, directly on to the decorative walls of the ground-floor Grand Salon. Recent restorations have revealed further Cezannes no one knew about – a scene of a port entrance he then partly painted over with a scene of a game of hide and seek. When the latter was removed to canvas by the home's new owner, along with the Four Seasons and other famous panels, and sold on to museums, these fragments were simply papered over and forgotten about. In 1880, Louis-Auguste, who definitely viewed the property as something to boast about, nonetheless built Cezanne a studio: an enviably large room on the top floor, with a remarkably modern double-height window that bluntly interrupts the symmetry of the mansion's facade. As Laforest puts it, that in itself puts paid to the myth that the father did not support the son's endeavours. I stand at the window. But for the military row of cypress trees forming an extra barrier inside the property wall to the right, I know the mountain is right there. On clear days, from the Jas, it appears as a perfect Matisse-like cutout in pale blue against a paler sky. Musée Granet director Bruno Ely, the other co-curator of the exhibition, tells me that the 1989 fire brought the Sainte-Victoire back to something closer to what Cezanne knew: the pine forest that was burning when I arrived is a 20th-century phenomenon. In the 19th century, all these hills were kept closely cropped by flocks of sheep. From the bastide to the Bibémus quarries takes about an hour and a half on foot. Cezanne would hitch a ride with a driver and a cart to get a bit closer, but once in what are now Aix's north-eastern heights, he'd still have to walk an hour to reach the quarry. As I'm walking – from the bastide to the quarry to the dam Zola's father built and down into Le Tholonet, where Cezanne lived later on; then back into town along the petite Route du Tholonet, which culture minister André Malraux had listed and renamed as the Route Cezanne in 1959 – I watch the mountain, this constant presence. You might say that the Mont Sainte-Victoire, as he called it, was to Cezanne what Rouen Cathedral was to Monet. However, his approach was completely at odds with the impressionists'. Monet recorded the changing light: it's right there in the titles ('grey skies', 'sunshine', 'at sunset'). By contrast, Cezanne's concerns, as Coutagne puts it, are 'never documentary', 'never meteorological', never about 'the instant'. In 1876, Cezanne writes to a friend about olive trees having a greyish colour that is 'permanent'. Matisse, Cezanne's junior by 30 years, understood this. He wrote to a friend in 1918 that 'the olive trees are so beautiful at this hour: the full light of day is magnificent, but frightening. I find that Cezanne conveyed it well, happily not in its brilliance, which is unbearable.' Light, sure, but not changing light; essential light. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion Art historians have long landed on the notion of 'thingness', to describe what Cezanne sought: not the way a thing looked, but what it was. His allegiance to the supremely local isn't about identifying with the place, but rather that every rock or tree or house he painted is one he saw. That specificity is what makes his work so profoundly, universally resonant. What makes Cezanne's paintings so radical is how he arrived, as Coutagne puts it, 'like a meteor … Nothing, no one prefigures him.' His oeuvre resolutely denies the illusion of all the figurative painting that came before him. It forces the viewer to reckon with his painted surface, to not be duped into thinking that said painting is a window on to the world. Cezanne's Lauves studio, which he built in 1901, is a building site when I visit, inaccessible until later in the summer. Fresh apples have usually been displayed here, much like the fresh lemon left on a pewter plate in the Kettle's Yard gallery in Cambridge, displayed to echo the yellow dot in Joan Miró's Tic Tic, which hangs on the adjacent wall. But perhaps this is why I've never been much inclined to go inside the Lauves studio: with Cezanne, I want to see his apples – that painted appleness – not fresh fruit. Virginia Woolf once wrote about her sister, Vanessa Bell, persuading John Maynard Keynes to lend them a tiny Cezanne he'd just bought – a 1878 still life of seven apples titled Pommes – because their friend Roger Fry wanted to copy it. 'Nessa left the room and reappeared with a small parcel about the size of a large slab of chocolate. On one side are six [sic] apples by Cezanne. Roger very nearly lost his senses. I've never seen such a sight of intoxication. He was like a bee on a sunflower. Imagine … us all gloating upon these apples. They really are very superb.' I finish with a visit to Cezanne's grave in the Saint-Pierre Cemetery. I add a pebble to a few already perched on its aged surface and think about Patti Smith. Her A Book of Days is filled with Polaroids of the headstones of authors she's visited: Rimbaud, Camus, Woolf, Jean Genet. While you can buy a novel for a tenner or read it for free at a library, visiting a writer's grave offers something else, something closer to the unique experience of holding a handwritten manuscript or seeing where the writer sat to write it. A painter's grave though? Standing here, I am both moved and left wanting. It's his actual paintings I want to see. And to see Cezanne originals, you normally have to go on a grand tour, a modern-day pilgrimage, to the big museums of the world. This July, they are, remarkably, all coming to Aix. So I'm heading home again this summer to see those, too. Cezanne at Jas De Bouffan is at Musée Granet, Aix-en-Provence, France, from 28 June to 12 October.

Joe Manganiello and Caitlin O'Connor set off engagement rumors as she flashes diamond ring in Sicily
Joe Manganiello and Caitlin O'Connor set off engagement rumors as she flashes diamond ring in Sicily

Daily Mail​

timean hour ago

  • Daily Mail​

Joe Manganiello and Caitlin O'Connor set off engagement rumors as she flashes diamond ring in Sicily

Joe Manganiello and girlfriend Caitlin O'Connor were spotted at a romantic dinner in Sicily this week. She was seen wearing a diamond ring on her left hand, fueling rumors the couple are engaged. The pair were also spotted holding hands as they strolled the cobbled streets of Taormina, where scenes for The White Lotus were filmed. SCROLL DOWN FOR VIDEO Joe, 48, and Caitlin, 34, were first linked in September 2023 just a couple of months after news broke that his marriage to Modern Family star Sofia Vergara was ending. has contacted Joe's representatives for comment. Joe and Caitlin were accompanied on vacation by his beloved chihuahua Bubbles, whom he adopted in 2019 when she was abandoned and suffering from cancer. The Magic Mike heartthrob showed off his musclebound arms and sprawl of tattoos in a short-sleeved shirt with a swirling Italianate floral print. Sweeping his long hair back into a man-bun, he allowed a distinguished touch of gray stubble to appear on his ruggedly handsome features. He teamed his fashion-forward top with a dark set of cutoff pants, bringing the look together with matching loafers for his Mediterranean holiday. Caitlin, an actress who has featured on such programs as Two And A Half Men and Tosh.0, cut a stylish figure while out and about in Sicily. She modeled a plunging, colorful summer dress with trendy cap sleeves, bringing the look together with a ruby drop necklace that added a touch of sparkle. Accessorizing with a quilted black leather handbag, she balanced expertly on a towering set of wedges that brought her closer to level with her 6ft 5in paramour. However, the standout element of her ensemble was the ring she was glimpsed proudly showing off at dinner, raising her left hand toward her face. Dazzling: Caitlin, who is 18 years younger than Sofia, was first linked to Joe a couple of months after he and his first wife went public with their split over the summer of 2023 Sharing a joke: Joe, 48, and Caitlin, 34, were first linked in September 2023 just a couple of months after news broke that his marriage to Modern Family star Sofia was ending Too funny: Caitlin, an actress who has featured on such programs as Two And A Half Men and Tosh.0, cut a stylish figure while out and about in Sicily Relaxed: She modeled a plunging, colorful summer dress with trendy cap sleeves, bringing the look together with a ruby drop necklace that added a touch of sparkle She appeared as besotted with Joe as if they had just started dating, reaching affectionately across the table to grab one of his forearms. Joe tied the knot with Sofia in 2015, when she was at the height of her Modern Family superstardom and he had become a sex symbol via True Blood and Magic Mike. They went public with their split over the summer of 2023, and two months later he was being linked to Caitlin, who is 18 years younger than Sofia. They were reportedly introduced at a hot tub during an 'unofficial' premiere afterparty for the hit HBO series Winning Time about the 1980s Lakers. A source disclosed at the time that 'the first time they met in the hot tub and they were talking the whole time!' according to People. By that December, they made their red carpet debut at the the 20th anniversary gala for the Children Of Armenia Fund held at Cipriani in Manhattan. Joe, who is one-eighth Armenian on his mother's side and was being given an award at the fete, beamed as he posed with Caitlin on his arm. A source explained that the duo were 'both so easygoing that they work really well together' as another dished that she is not 'high-maintenance,' adding that she is 'not a big drinker or a party girl,' according to Us Weekly. Radiant: A source disclosed at the time that 'the first time they met in the hot tub and they were talking the whole time!' according to People Shoulder check: By December 2023, they made their red carpet debut at the the 20th anniversary gala for the Children Of Armenia Fund held at Cipriani in Manhattan Bite to eat: Joe, who is one-eighth Armenian on his mother's side and was being given an award at the fete, beamed as he posed with Caitlin on his arm when they went red carpet official

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