12 Friends of Vogue Curate a 'Superfine' Playlist for the Met Gala 2025
Tonight, on the first Monday in May, some of the brightest stars from the worlds of fashion and culture (and much more besides) will be walking the red carpet for the 2025 Met Gala. But what will they be listening to while getting ready? Thankfully, we have just the solution.
Inspired by the theme of this year's exhibition, 'Superfine: Tailoring Black Style,' which examines the rich history and legacy of Black style—with a particular focus on dandies from across the centuries—we asked 12 friends of Vogue to recommend the perfect soundtrack to a big night out ahead.
From Miles Davis to Rihanna, here (and on Spotify) find the ultimate getting-ready mixtape for the 2025 Met Gala.
'Joromi,' Victor Uwaifo
Chimamanda Ngozi Adiche
'There is no genre more quintessentially West African than High Life; this song is a pioneer classic and I love its indulgently nostalgic beauty.'
Kind of Blue, Miles Davis
Dapper Dan
'The entire Kind of Blue album by Miles Davis. It is the all time greatest jazz record. It's not only the music, but Davis himself. He's always translating sound, and while the concept of dandyism never changes, the way it's translated does.'
'Back On 74,' Jungle
Edvin Thompson, Theophilio
'It captures a sense of revival and confidence stepping into your power with rhythm, grace, and unapologetic flair. The energy feels perfectly in sync with the bold spirit of the Met.'
'Movement 1,' Pharoah Sanders, Floating Points, and the London Symphony Orchestra
Rachel Scott, Diotima
'Drawn from the body of Sanders' final work, it feels at once historical and modern, powerful yet tender. Its nuance and complexity, to me, embody the elegance of the Dandy'
'L.O.V.E.,' Nat King Cole; 'Do U Lie,' Prince; 'My Jamaican Guy,' Grace Jones; 'Mas, Que Nada!' Jorge Ben Jor
Regina King
'Songs that I feel evoke the dandy vibe include: 'L.O.V.E.' by Nat King Cole, 'Do U Lie' by Prince (and pretty much the entire Parade album), 'My Jamaican Guy' by Grace Jones, and 'Mas Que Nada' by Jorge Ben Jor.'
'Three Piece Suit and Thing,' Trinity
Nicholas Daley
'My chosen song has to be 'Three Piece Suit' by Trinity, released in 1975. My parents played this record in the 1970s when they ran one of Scotland's earliest reggae club nights. It is such an anthem and the way the lyrics describe each part of the look, details and the attitude behind looking sharp. The LP album cover artwork is also so iconic and has been an inspiration within my collections. My grandfather was part of the Windrush generation and had such a sharp tailored style with his trilby hat, so this song is a dedication to him!'
'Mr Bojangles,' Sammy Davis Jr.
IB Kamara
'Sammy, for me, was a Black dandy, within the tradition of dandyism that includes heroes of mine such as Miles Davis, Sam Cooke, and Louis Armstrong, among so many others.'
'Int'l Players Anthem (I Choose You),' UGK (Underground Kingz)
Torishéju Dumi
'This song just makes me feel so alive, present and hopeful. It just makes me so happy.'
'Bitch Better Have My Money,' Rihanna
Erdem Moralıoğlu
'Rihanna, dressed in tailored trousers—not a gown—stomping on the main table of the 2015 Met Gala singing 'Bitch Better Have My Money' felt rebellious and bold. And in the trousers, very much 'tailored for you.''
'Young Forever,' Jay-Z & Mr. Hudson
Dynasty Ogun, L'Enchanteur
'Creating legacy that surpasses lifetimes. Remaining present throughout time and space.'
'Good Thoughts Bad Thoughts,' Funkadelic
Soull Ogun, L'Enchanteur
'It feels like a mantra, a practice that realigns my thinking and the way we can view the world with a deeper and birds eye's lens simultaneously.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
34 minutes ago
- Yahoo
Barron Trump's friend Bo Loudon claims he got ICE to detain TikTok star Khaby Lame
Bo Loudon, the purported 'best friend' of Barron Trump, has claimed he is responsible for the arrest of the world's most famous TikToker who was detained by ICE and later forced to leave the U.S. The MAGA, Gen-Z influencer, who has been pictured numerous times with the president and his son, said he had 'personally taken action' to have Khaby Lame deported. 'No one is above the law!' he wrote in a series of posts on X, later adding: 'I've been working with the patriots at President Trump's DHS to make this happen. He was just ARRESTED in Vegas and is in ICE CUSTODY!' Despite a community note on the post calling Loudon out for false information, ICE confirmed that Lame had been detained at the Harry Reid International Airport in Las Vegas for violating the terms of his visa on June 6. The 25-year-old star had entered the U.S. on April 30 on a temporary visa. A spokesperson for ICE said he had been granted 'voluntary departure' following his arrest and had since left the country. 'No one works faster than President Trump's administration!' Loudon wrote, following news of Lame's departure. ICE has not confirmed Loudon's involvement publicly, and did not provide further information when contacted by The Independent. Lame, whose real name is Serigne Khabane Lame, is a Senegalese-Italian TikToker known for his deadpan reactions to other videos. His viral videos have earned him a following of more than 162 million. While in the country, Lame attended the Met Gala in New York City on May 5. He has not commented publicly on the allegations that he overstayed his visa. It is also unclear if Lame returned to Italy immediately and posted an Instagram Story of himself in São Paulo, Brazil, after leaving the U.S. Despite barely being old enough to vote, Loudon and Barron Trump were unofficially recruited to help the oldest presidential candidate in history tap into the manosphere and capture the 'bro vote' in the run-up to the 2024 presidential election. Loudon, from Palm Beach, Florida, is the son of Dr Gina Loudon, the conservative television pundit and former co-chair of Women for Trump in 2020, and John Loudon, a former Missouri state senator.
Yahoo
35 minutes ago
- Yahoo
Sabrina Carpenter's 'Manchild' Is Clawing Toward a Hot 100 #1 Debut
Sabrina Carpenter is no longer the rising pop princess. She's a fully formed femme fatale with diamond fangs, and her latest venom-laced single, 'Manchild,' is biting deep into the Billboard charts and possibly clawing its way to a #1 debut on the Hot 100. What started as a sleek feminist kiss-off has exploded into a bona fide streaming juggernaut, and as of this moment, Sabrina is in a deadly close race with TikTok heartthrob Alex Warren's 'Ordinary' for the top spot. According to projections, the songs are now within just 10 chart points of each other, an astonishingly tight margin that could tip in Sabrina's favor if her streaming momentum continues through the week. 'Manchild' didn't just whisper its way onto streaming platforms it stomped in, six-inch heels and all. The track debuted at #1 on the Global Spotify Chart on June 6 with a staggering 8.05 million streams worldwide, marking the biggest debut of the year by a female artist. Let's be very clear: this isn't just a fluke. These numbers obliterate the previous 2025 record set by Chappell Roan's 'The Giver' and cement Sabrina as not just a pop girl but a pop girl. In the U.S. specifically, 'Manchild' dropped jaws with 3.3 million streams on its first day, giving it a firm grip on the #1 spot on the U.S. Spotify Chart. That's right: Sabrina Carpenter is topping streaming charts in the same week as new releases from Post Malone, Cardi B, and even a surprise drop from The Weeknd. The girl is unfazed, unbothered, and undeniably unstoppable. Here's the breakdown of 'Manchild''s first three days on Spotify: Day 1: 8,752,217 Day 2: 4,766,328 Day 3: 4,526,518 (down only 5.03% from the day before) Total so far? A cool 18,045,063 streams. And she's just getting started. Sabrina isn't just relying on vibes she's playing this game with ruthless pop star precision. 'Manchild' has been discounted to 69 cents on digital platforms, making it one of the best-selling singles of the week on U.S. iTunes, where it now sits pretty at #1. This is Sabrina's first #1 on iTunes, and with digital sales factored heavily into Billboard's Hot 100 formula, this price drop could be the razor-sharp move that slices Alex Warren's lead. For those doing the math: digital sales + massive streaming + Spotify dominance + strong radio adds starting this weekend equals a serious threat for a #1 debut. Let's not ignore the elephant in the studio: 'Manchild' is a banger. It's a breathless, flirtatious slap in the face to immature men wrapped in syrupy vocals and a glossy, hyper-pop beat. It's 'thank u, next' for the Gen Z TikTok generation—but with better shoes and sharper claws. The lyrics? Savage. The delivery? Pornographicly confident. And if TikTok is any indication (over 350,000 video creations and counting), the girls, gays, and emotionally neglected situationships are all eating it up. Here's what we know. Alex Warren's 'Ordinary' has been the sleeper hit of the season, riding high on streaming and viral sentimentality. But streaming alone won't be enough to guarantee him the top spot if Sabrina keeps firing on all cylinders. If 'Manchild' continues to hold its streaming velocity and expands its sales lead through the week and if radio jumps in with last-minute spins it's entirely possible that Sabrina Carpenter could debut at #1 on the Billboard Hot 100 next Monday. That would make her the first solo female artist to debut at #1 in 2025 a stat that's almost too poetic for a song this petty and perfect. The narrative has shifted. Sabrina isn't just the girl next door with a pretty voice she's a chart-dominating pop dominatrix, and 'Manchild' is her scorched-earth campaign against the industry's lingering doubt. Every stream, every sale, every sexy smirk in the song's viral lyric video is evidence: this woman came to conquer. So buckle up. The Hot 100 is about to get very, very interesting and Sabrina Carpenter might just be sitting at the top of it all. The post Sabrina Carpenter's 'Manchild' Is Clawing Toward a Hot 100 #1 Debut appeared first on Where Is The Buzz | Breaking News, Entertainment, Exclusive Interviews & More.
Yahoo
an hour ago
- Yahoo
A portrait taken in North Philly in the 1980s reconnects poet with cherished memories of her own beloved father
To celebrate Father's Day, The Conversation U.S. asked Philadelphia anthropologist, playwright and poetic ethnographer Kimmika Williams-Witherspoon to reflect on a poem she recently performed to accompany a 1986 photograph by Philadelphia photographer Joseph V. Labolito. Williams-Witherspoon, who also serves as senior associate dean of the Center for the Performing and Cinematic Arts at Temple University, shares how the collaboration came about, and why one of Labolito's photos in particular brought back a rush of cherished memories of being a little girl hanging out with her dad. The whole poem is a tribute to my father, Samuel Hawes Jr., who lived from 1920 to 1989, and the many men like him who were always present and participatory in the parenting of their children and the providing for their families. Because of stereotypes and popular culture – media, movies, news stories – that tend to demonize and pathologize Black men, there's a myth that men in our communities are all cut from the same cloth. For me, the poem discounts that stereotypical narrative and celebrates the African American men that I knew growing up – Daddy, my uncles, the deacons in our church, the neighborhood dads on my block. The men in this photograph represent men like Daddy, who at one point worked two jobs to provide for his family. He drove a yellow cab and worked the graveyard shift as a presser at the U.S. Mint. He took me to school every morning when I was in high school. He made it to every school function or occasion, drove me to and from parties so I could hang out with friends, took me to church every Sunday morning and on those special road trips to Cleveland, Akron, Ohio, and Fort Lauderdale, Florida, throughout my life. Joe Labolito is a Philadelphia photographer whose work, I believe, is visual ethnography at its best. Throughout the '80s, '90s and 2000s, he documented the people, streets and neighborhoods of Philadelphia. His photographs are housed in several public and private collections, including the Special Collections Research Center at Temple University and the Free Library of Philadelphia's Print and Picture Collection. About a year ago, I saw an exhibit of Joe's work at Temple. Since that time, I have been using some of his photographs as a visual prompt for my students, while he and I talked about doing something together down the road. When I was asked to participate in Temple University President John Fry's investiture events in March 2025, I asked Joe if he wanted to do something with me. Right away he said 'Yes … whatever it is.' I asked him to send me maybe 25 of his favorite photos, and instead, he sent me about a hundred. When I got a minute to sift through them, there were 11 that, as soon as I looked at them, immediately prompted lines of poetry. This photograph of the two men and the little girl, however, made me remember an old poem, 'There Are Black Fathers,' I had written a long time ago – on Father's Day on June 19, 1983 – for my father before he passed away from prostate and bone cancer. I went digging through my old journals until I found the poem that I had written for Daddy, and I performed that poem to this photograph at the event. The juxtaposition between the men and the little girl – their beautiful, bright smiles, the joy they seemed to radiate – it all made me think about and remember how much I loved Daddy my entire life but especially as a little girl. That's the power in these kinds of artistic, material and visual artifacts. This photograph transported me right back to my childhood, filled with the warmth of a summer's day, hanging out with my dad, and the promise of a banana Popsicle later in the afternoon. Whatever the prompt – a photograph, a landscape, a person I've passed on the street, a word or phrase – the first draft is a free-write sensory download dump. I ruminate and then write down everything that comes to me in whatever order it comes. And then with each subsequent draft or pass at it, I start reading the poem out loud and tweaking it, making edits, moving and changing things while crafting lines that frame and build the story. I read the piece aloud over and over and over again until the poem tells me when I've got it right. I don't know how, but my ear will tell me when it's done and right with my spirit. Ethnography is an area of anthropology. From the Greek word 'ethnos,' ethno simply means people or culture, and graphy, from the Greek word 'graphia,' is the writing about said people or culture. Traditional ethnographies are usually written in a diarylike journal form. You end up jotting things down – thoughts, feelings, expressions, verbatim texts from interview participants – alongside bits and pieces of theory that correlate. Field notes are a combination of prose and scientific inquiry. I am a proponent of compiling poetic ethnographies – turning my observation and investigation of cultures, communities, and my field notes, into poetic form. Growing up in Philadelphia and a product of Philadelphia public schools, my primary language is mainstream U.S. English, but I tell people that my actual language is poetry. I see the world through poetry, and through the medium of poetry, I think I am better able to articulate the world I see. Read more of our stories about Philadelphia. This article is republished from The Conversation, a nonprofit, independent news organization bringing you facts and trustworthy analysis to help you make sense of our complex world. It was written by: Kimmika Williams-Witherspoon, Temple University Read more: Nurturing dads raise emotionally intelligent kids – helping make society more respectful and equitable Fathers need to care for themselves as well as their kids – but often don't From 'dada' to Darth Vader – why the way we name fathers reminds us we spring from the same well Kimmika Williams-Witherspoon has received funding from Lumena Foundation's Fund for Racial Justice and Equity (2018-19) and PEW Charitable Trusts Arts Grant (2020). Joseph V. Labolito owns the copyright to Philadelphia Collections. Philadelphia Collections research and operations is supported and partially funded by the Bridge award; an internal grant provided by the Office of the Vice President for Research (OVPR) at Temple University for the 2024 - 2025 year.
