logo
The 1975's Matty Healy warns of ‘cultural erasure' as he backs small venue event

The 1975's Matty Healy warns of ‘cultural erasure' as he backs small venue event

The Seed Sounds Weekender, which will take place September 26-28, will see more than 2,000 gigs take place in more than 1,000 venues in an attempt to unite small venues.
Speaking of the event, Healy told the PA news agency: 'The political neglect behind this crisis, steadily hollowing out arts funding and cultural infrastructure is a class war by omission.
'Councils across England have slashed arts budgets by 20% to 30% over the last decade. Without government-led reforms – like a mandatory stadium-and-arena ticket levy, VAT relief, business rates reform, and real investment in venue survival – this ecosystem collapses.
'The UK music industry delivers £5.2 billion to the economy, supports 228,000 jobs, and exports its soft power globally – but its entire pipeline starts in those 150‑capacity rooms above pubs.
'Lose them, and you aren't just losing venues – you are losing the conditions that made all that possible. That is cultural erasure, and it will not come back.
'And that's precisely why movements like the Seed Sounds Weekender are so important, this festival isn't just a celebration, it's about uniting and sustaining this network, ensuring that art isn't just for the privileged, and that Britain's unique, musical heartbeat keeps beating.'
Last year, the Music Venue Trust's annual report warned that, in 2023, 22.4% of venues closed as a result of 'operational issues', while 42.1% of its members reported 'financial issues'.
Just last month, Sheffield's well-known Leadmill venue saw its last gig in its current form, after losing a long-running eviction battle with its landlord, the Electric Group, with singer Miles Kane performing on June 27.
Tickets for most of the gigs which take place as part of the Seed Sounds Weekender will be free, with events taking place across 20 UK towns and cities including London, Liverpool and Manchester.
Healy added: 'Local venues aren't just where bands cut their teeth – they're the foundational infrastructure of our culture. Without them, you don't get The Smiths, Idles, Little Simz, or Wet Leg, you get silence.
'Since 2007, we've lost 38% of UK grassroots music venues – over 1,200 of them – and venue closures continue at a frightening pace. In 2023 alone, 125 venues shut down, and right now two venues are closing every month.
'These rooms barely scrape by, average profit margins are just 0.5% – under £3,000 per year – and nearly 44% operate at a loss. The sector effectively subsidises live music by £162 million annually.
'That means communities across the country: working-class towns; inner cities; regional centres; lose their only accessible creative spaces.
'When that happens, the only art that thrives is the art already bankrolled, safe, sanitised, and profitable. Art becomes a luxury for the privileged.'
Organised by live music marketplace GigPig, the event will partner with Uber to give attendees discounted rides to and from gig venues, with tickets available from the Seed Sounds Weekender website.
It comes after Healy and his band recently headlined the 2025 edition of Glastonbury Festival, having achieved five UK number one albums and 12 UK hit singles.
The 1975 are best known for songs such as Chocolate, The Sound and Love Me.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Alien: Earth TV series captures aesthetic of original film, says producer
Alien: Earth TV series captures aesthetic of original film, says producer

South Wales Guardian

time2 hours ago

  • South Wales Guardian

Alien: Earth TV series captures aesthetic of original film, says producer

The sci-fi drama, from Emmy-winning producer Noah Hawley, is based on the acclaimed franchise, which began with Sir Ridley's 1979 film starring Sigourney Weaver as warrant officer Ellen Ripley who takes on an extra-terrestrial lifeform called the Xenomorph. The new eight-episode series sees Wendy, played by US actress Sydney Chandler, and a group of tactical soldiers make a discovery that puts them face-to-face with the planet's greatest threat. Speaking to the PA news agency at the European premiere of the series, executive producer David W Zucker said: 'Above and beyond what I think is just a rip-roaring great yarn, is that Noah was able to really capture the aesthetic of the original, the analogue nature of the original, if not some of the literal sets of the original film, but then take us on a journey that's very evocative of what the films have explored. 'But, in a way that one can only do in series television, expanded vertically and horizontally, that feels like a boundless type of story that can explore a lot of the themes and these, even present day challenges of transhumanism, in a way that really compels and fascinates.' Chandler, 29, told PA: 'I learned so much about myself and people while being able to play this character, and how she can hold her own. 'And so I was really gifted a lot from Noah's writing in that way, that surprised me, and that I could actually be scared on set from a full grown Xenomorph chasing you. I mean, it really scared me, which was awesome.' The series is set in the year 2120, when the earth is governed by five corporations: Prodigy, Weyland-Yutani, Lynch, Dynamic and Threshold. In this corporate era, cyborgs and synthetics, which are humanoid robots with artificial intelligence, exist alongside humans, but the world is changed when the founder of the Prodigy corporation unlocks a technological advance: hybrids (humanoid robots infused with human consciousness). 'Wendy', the first hybrid prototype, marks a new advance in the race for immortality and after Weyland-Yutani's spaceship collides into Prodigy City, Wendy and the other hybrids encounter new and terrifying life forms. The cast includes Deadwood actor Timothy Olyphant as Kirsh, Black Mirror star Alex Lawther as Hermit, Mary And George's Samuel Blenkin as Boy Kavalier, Guerrilla actor Babou Ceesay as Morrow and Bottom star Adrian Edmondson as Atom Eins. Alien: Earth will launch on Disney+ on August 13.

YouTube now the second most-watched media service in the UK
YouTube now the second most-watched media service in the UK

South Wales Argus

time2 hours ago

  • South Wales Argus

YouTube now the second most-watched media service in the UK

Overall, people spent an average of four hours and 30 minutes a day watching TV and video content at home in 2024, with broadcast TV still making up 56% of in-home viewing, the regulator said. However, YouTube is 'leading the charge' in the streaming takeover of TV sets, with the service now the first place younger viewers go as soon as they switch on. Young adults are driving the YouTube trend, research shows (Ofcom/PA) At home, people spent 39 minutes a day on YouTube in 2024, with 16 minutes of this on the household's TV set. Younger adults aged 16 to 34 are driving the trend, watching 18 minutes of YouTube a day on TV, while one in five children aged four to 15 (20%) head straight to the app as soon as they turn the set on. Even those aged over 55 have almost doubled the time they spend watching YouTube on their TVs compared with the previous year – up from six minutes a day in January 2023 to 11 minutes in December. YouTube's soaring popularity comes as the platform's content has evolved, with half of its top-trending videos now more closely resembling traditional TV, including long-form interviews and game shows, Ofcom said. On average, people spent 4% less time watching broadcast TV on TV sets than in 2023, with their average viewing dropping to two hours and 24 minutes a day, according to the report. Just as in 2023, a decline was seen across all age groups except adults aged 75 and over. Ed Leighton, Ofcom's interim group director for strategy and research, said: 'Scheduled TV is increasingly alien to younger viewers, with YouTube the first port of call for many when they pick up the TV remote. 'But we're also seeing signs that older adults are turning to the platform as part of their daily media diet too. 'Public service broadcasters are recognising this shift – moving to meet audiences in the online spaces where they increasingly spend their time. But we need to see even more ambition in this respect to ensure that public service media that audiences value survives long into the future.' Gavin & Stacey, Wallace & Gromit: Vengeance Most Fowl and Mr Bates vs The Post Office were the most-watched TV programmes and films of 2024. Gavin & Stacey: The Finale was the most-watched programme of the year, averaging 18.6 million viewers across BBC One and BBC iPlayer on TV sets.

Alien: Earth TV series captures aesthetic of original film, says producer
Alien: Earth TV series captures aesthetic of original film, says producer

Rhyl Journal

time2 hours ago

  • Rhyl Journal

Alien: Earth TV series captures aesthetic of original film, says producer

The sci-fi drama, from Emmy-winning producer Noah Hawley, is based on the acclaimed franchise, which began with Sir Ridley's 1979 film starring Sigourney Weaver as warrant officer Ellen Ripley who takes on an extra-terrestrial lifeform called the Xenomorph. The new eight-episode series sees Wendy, played by US actress Sydney Chandler, and a group of tactical soldiers make a discovery that puts them face-to-face with the planet's greatest threat. Speaking to the PA news agency at the European premiere of the series, executive producer David W Zucker said: 'Above and beyond what I think is just a rip-roaring great yarn, is that Noah was able to really capture the aesthetic of the original, the analogue nature of the original, if not some of the literal sets of the original film, but then take us on a journey that's very evocative of what the films have explored. 'But, in a way that one can only do in series television, expanded vertically and horizontally, that feels like a boundless type of story that can explore a lot of the themes and these, even present day challenges of transhumanism, in a way that really compels and fascinates.' Chandler, 29, told PA: 'I learned so much about myself and people while being able to play this character, and how she can hold her own. 'And so I was really gifted a lot from Noah's writing in that way, that surprised me, and that I could actually be scared on set from a full grown Xenomorph chasing you. I mean, it really scared me, which was awesome.' The series is set in the year 2120, when the earth is governed by five corporations: Prodigy, Weyland-Yutani, Lynch, Dynamic and Threshold. In this corporate era, cyborgs and synthetics, which are humanoid robots with artificial intelligence, exist alongside humans, but the world is changed when the founder of the Prodigy corporation unlocks a technological advance: hybrids (humanoid robots infused with human consciousness). 'Wendy', the first hybrid prototype, marks a new advance in the race for immortality and after Weyland-Yutani's spaceship collides into Prodigy City, Wendy and the other hybrids encounter new and terrifying life forms. The cast includes Deadwood actor Timothy Olyphant as Kirsh, Black Mirror star Alex Lawther as Hermit, Mary And George's Samuel Blenkin as Boy Kavalier, Guerrilla actor Babou Ceesay as Morrow and Bottom star Adrian Edmondson as Atom Eins. Alien: Earth will launch on Disney+ on August 13.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store