BigXThaPlug talks Beyoncé featuring his song on tour: 'I became a part of the Beyhive'
Beyoncé recently concluded her Cowboy Carter and the Rodeo Chitlin' Circuit Tour at Allegiant Stadium in Vegas on July 26 after 32 shows in nine cities across the U.S. and Europe.
The tour proved to be a revolutionary spectacle filled with fashion, different music genres and cultural commentary. While the singer was known to change elements like the set list and high-fashion wardrobe, some components stayed the same at each stop — including an interlude that featured BigXThaPlug's song "The Largest."
Born Xavier Landrum, the 27-year-old artist has emerged as one of pop culture's rising stars. This year alone, his crossover music has allowed him to step foot on a wide range of stages — from Coachella Music Festival to Morgan Wallen's inaugural Sand In My Boots Festival and CMA Fest.
When asked about the impact of Beyoncé including his music on her tour, his initial response focused on the community aspect.
"I became a part of the Beyhive," he told the USA TODAY Network, joking that he didn't need to submit an application or know Beyoncé's full discography to be welcomed with open arms.
"I got to skip all of that and just be in the Beyhive, so I'm forever grateful and blessed for that for sure," he said.
He expects fans' embrace to continue.
"Of course it's going crazy in the blogs right now, but as far as like streams and everything — they're listening right now, but I'm not going to see (the full effect) until like maybe three months from now," he said. "Everything's going to spike up out of nowhere ... and I'm going to know exactly where it came from — the Beyhive."
In the last five years, the Dallas-bred rapper has released two studio albums and a handful of EPs. BigX's upcoming project will feature country tracks and a mix of other trap and hip-hop sounds.
As fans know, Beyoncé first released her eighth studio album, "Cowboy Carter," in March 2024. It has since made history and broken multiple records. As Beyoncé's first country album, she deliberately featured country legends and emerging Black country artists while putting a spotlight on country music's Black roots.
BigX said by including his song on her tour, Beyoncé underscored the importance of his music.
"It not only signifies what I'm doing, but it shows that I'm not the only one that is willing to do it," he said. "It makes me feel good that there's somebody out there that's trying to push what I'm pushing."
He ended with a short message to the singer, "I love you Beyoncé."
Follow Caché McClay, the USA TODAY Network's Beyoncé Knowles-Carter reporter, on Instagram, TikTok and X as @cachemcclay.
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USA Today
an hour ago
- USA Today
Morgan Wade talks 'Party is Over' album, intense workouts and wanting to start a family
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Refinery29
2 hours ago
- Refinery29
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The damage to her hair was far too predictable. These Korean braiding extensions — sometimes labelled 'hidden braids' — are being applied to misinformed folks with 1A–2C hair. The aesthetic? Long, flowing, seemingly seamless hair with no visible tracks. The reviews? Subpar, to say the least. In fact, 'I had to cut them out,' 'My scalp is on fire,' and 'This is giving… bald patch' are the kinds of reactions that have been racking up in the comments. But the gag is: this 'new' trend? Yeah... it might not be so new after all.'This is just a rebrand — microbraids, pick-and-drop, whatever you want to call it — we've been doing this for years. It's nothing new,' says Rashidat Giwa, hair educator and head stylist at SouthwestSix London hair salon. And, if you grew up in a Black household or sat through a Saturday at an auntie's kitchen-salon setup, you may already be familiar with this method, although not necessarily for the right reasons. What they're calling 'Korean braiding extensions' are basically microbraids or pick-and-drop braids — a long-standing style in afro hair communities, but perhaps with slightly different outcomes. 'They're very small, neat individual braids, typically done with extensions, that give a seamless, natural finish similar to K-tips,' explains Rashidat. 'The technique has been around for decades.' Small sections of natural hair are parted throughout the head. Synthetic or human hair extensions are added to each section, and the hair is braided individually, often as either three-strand or two-strand twists. The braiding usually only goes a few inches down, and then the rest of the extension is left loose, creating that illusion of free-flowing strands — this is the 'drop' part in 'pick and drop.' ' 'Straighter hair tends to be more fragile when it comes to tension-based styles. The strands can slip out or snap under pressure because they don't have the natural grip or density that afro-textured hair has to hold these styles.' rashidat giwa, hair educator and head stylist at SouthwestSix London hair salon. When installed well, the result is a natural-looking blend of braided roots with flowing hair that mimics the appearance of K-tips or keratin bond extensions without the glue or the excessive heat. It's meticulous and time-consuming, but when done right, it can look flawless. But as the style has been co-opted and applied to straighter hair textures without understanding the cultural and technical foundation behind it, we're now watching 'Black TikTok' shudder. @nutritionbynikki ohhhh to be this blissfully unaware of the damage @T-ANNA HAIR EXTENSIONS ❤️ would cause to my hair after only 7 weeks…watch till the end for my hair (or lack of) post extension removal 💔😭😭😭 #hairtok #hairloss #hairextensions #tannahairextensions #fyp #greenscreen ♬ original sound - Nikki🧿 Can This Hair Extension Method Work On All Hair Types? What the viral videos aren't showing is that this isn't a one-size-fits-all style — and it certainly wasn't designed with fine, straight hair in mind. Giwa breaks it down: 'Straighter hair tends to be more fragile when it comes to tension-based styles. The strands can slip out or snap under pressure because they don't have the natural grip or density that afro-textured hair has to hold these styles.' Basically, if you don't have the structure to support that level of tension, you're setting yourself up for failure. 'If done too tightly or if there is too much hair extension on one strand, especially on fine or straight textures, they can cause breakage or even traction alopecia,' says Giwa. That's not to say microbraids are inherently damaging. 'Microbraids can be gentle if installed correctly — but they're time-consuming and require precision,' Giwa adds. On top of that, many of these viral videos show synthetic hair being used — another red flag. 'Synthetic hair can be rough, especially if not pre-treated. For finer or straighter textures, it can rub and cause breakage or scalp irritation. It also doesn't blend as well, which can look unnatural,' Giwa tells Unbothered. ' Black women are often labelled gatekeepers when it comes to trendy hairstyles. We are loud when it comes to protecting the culture that we've built and enrich every day, and we want to protect it so it maintains its authenticity. ' Then there is a deeper, more nuanced issue at play. Black women are often labelled gatekeepers when it comes to trendy hairstyles. We are loud when it comes to protecting the culture that we've built and enrich every day, and we want to protect it so it maintains its authenticity. When it comes to hair specifically, our concern with women of other races doing, for example, Fulani braids (which once had a fleeting rebrand to 'Bo Derek' braids), or any other afro-rooted hairstyles, goes beyond our fight against cultural appropriation. For the non-afro heads out there, best believe we want to protect our culture just as much as we want to protect your scalp. Not all things that seem cool are for everyone. 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'If someone wants the microbraid look, they should go to a stylist who understands how to adapt the technique to their texture — it's not one-size-fits-all.' Because while the final look might be cute, the aftercare and maintenance are not for the faint of heart. 'Microbraids need regular moisturising of the scalp and hair, gentle cleansing, and zero pulling,' Giwa explains. 'For someone unfamiliar with protective styles, it can be a lot to maintain. You can't just install and neglect your hair — it will cause damage and breakage.' What was frustrating about seeing multiple people deal with the aftermath of hair damage was that it was avoidable. If they'd just asked literally any Black woman, she probably would've told you this style wasn't built for 1A–2C hair, and that rebranding a Black protective style under an 'Asian aesthetic' or 'innovation' was probably not going to go down smoothly. Perhaps the lesson here is that respecting roots, consulting a stylist, and avoiding renaming things that already exist will save a lot of heartache, headache, and the healthy hair strands you have left.


Black America Web
2 hours ago
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From Insecure to Girls Trip: A National Girlfriends Day Watchlist
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