Winners of Lewis Capaldi look-a-like contest crowned
The Survive singer announced last week that he had partnered with Greggs to host contests at stores across the UK, including the Sauchiehall Street location in Glasgow.
Up for grabs were 25 pairs of free tickets to Capaldi's upcoming tour which sold-out in minutes after they went on sale.
To be in with the chance of winning, fans had to queue up outside the store in their best cosplay of the Scottish Beyonce from 6pm on Tuesday.
STV News
Fans flocked to the store in Glasgow's city centre dressed in some of the Forget Me's singers most iconic looks.
The first ticket winner was Isabel Hunter who travelled all the way from Dunbar in East Lothian and was queuing from 7am.
Other winners included sisters Rachael and Nicole Gillespie.
STV News
Some fans opted to recreate the singer's jacket, t-shirt and jeans combination often worn onstage with other's wearing masks of his face.
Others went the extra mile and recreated one of Capaldi's most iconic looks wearing a white towel on his head and 90's style sunglasses.
Winners will now be heading to see Capaldi when he plays Glasgow OVO Hydro in September.
His tour announcement came after he triumphantly returned to the stage during a surprise set at Glastonbury.
It followed a two-year hiatus which Capaldi announced after struggling during a set at the same festival in 2023.
Speculation grew in the days leading up to the surprise set, with a billboard in Glasgow suggesting he may be releasing new music.
At midnight on June 27, the singer released a new single titled Survive, announcing the drop on social media, alongside the caption: 'It's been a while…'.
Hours later, he surprised thousands with a performance at Glastonbury, during which he told fans he wanted 'to come and finish what I couldn't finish last time'.
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Scotsman
4 hours ago
- Scotsman
‘There's nothing I've regretted doing'. Succession's Brian Cox is back on stage
Brian Cox | Portrait: Mihaela Bodlovic The Dundonian actor talks about a life well lived as he return to the Scottish stage for the first time in a decade as Adam Smith in Fred Goodwin satire Sign up to our daily newsletter – Regular news stories and round-ups from around Scotland direct to your inbox Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Brian Cox settles into a booth in the cafe at Dundee Rep, happy to be back in his home town for rehearsals and the launch of a new play, Make It Happen, a co-production by National Theatre of Scotland, Dundee Rep Theatre and Edinburgh International Festival, which heads to the capital next month. James Graham's (Sherwood, Dear England) satire stars the multiple-award winning Cox as the ghost of Adam Smith as he returns to the stage in Scotland for the first time in a decade. Advertisement Hide Ad Advertisement Hide Ad Brian Cox during rehearsals at Dundee Rep for Make It Happen, which is staged as part of Edinburgh International Festival. | Portrait: Mihaela Bodlovic Directed by Andrew Panton, the fictionalised account follows the 'rise, fall and fail of the biggest bank in the world – The Royal Bank of Scotland', led by Fred 'The Shred' Goodwin, who steered the bank into collapse and put Scotland at the centre of the 2008 global financial crash. Cox is in great form and in his element on home turf, back at Dundee Rep where his career began as a teenager before he went on to star in the likes of Manhunter, Troy, X-Men 2, Braveheart, Titus Andronicus and Succession. Brian Cox with his Succession co-stars at the 2024 Emmy Awards. | Getty Images As he talks he mingles moments of mirth with exasperation and peppers the conversation with Dundonianisms like 'cundie' and 'plettie' and stories of his childhood and over 65 years in the acting business, which won hom a Primetime Emmy Award, Screen Actors Guild Award and two Olivier Awards, as well as talking about his latest venture. 'Make It Happen is a tremendous play by James Graham, one of our very eminent playwrights,' says Cox. 'Make It Happen' is a phrase of Goodwin's James picked up on for the title and he's created an extraordinary vision. It's an ensemble play, and stylistic, so I'm recognisable as Adam Smith but it's not total period. I have elements - big collars and a wig with bunches, but it's illustrative.' Advertisement Hide Ad Advertisement Hide Ad Cox is delighted that Make it Happen sets the record straight about what he sees as the misrepresentation of Adam Smith, the 'founder of modern capitalism' by the likes of Fred Goodwin and Margaret Thatcher. 'I remember Thatcher kept misquoting Adam Smith and that always really annoyed me, so I suggested to James he should be in the play. It's very important to set it right about him. I do go and haunt Margaret Thatcher, so it's quite funny.' 'And also,' he says, warming to his theme, 'the economics book [The Wealth of Nations] is one book, but there's also Smith's first book, The Theory of Moral Sentiments, which is actually the more important, because it puts everything in context. Smith describes himself as a moral philosopher, not an economist - that word didn't even exist - and he was given the name 'the father of economics'. He says if you don't read the other book, you can't understand this book!' 'So I thought it was potentially comic, and the idea that he comes back, James has taken it further. When Adam comes back to Edinburgh, he's not without his sense of acquiring and discovers John Lewis. He says 'I've become obsessed. I love it, under one roof, all this stuff, here, try this cream, my hands have never been so soft.'' Cox chuckles. Advertisement Hide Ad Advertisement Hide Ad 'So there's a whole other wonderful side of Smith which is deliciously comic. I come on quite late in the play, which is good from the point of view of the play because it's a real ensemble, and this is an incredible cast.' Cox emphasises that the play is mainly Fred Goodwin's story, played by Sandy Grierson, and it features a range of other characters including Gordon Brown, Alistair Darling, Shriti Vadera, Laura Kuenssberg and some Royal Bank of Scotland high heid yins, played by a cast that also includes Sandy Batchelor, Andy Clark, Maya Bassi Curtis and Hannah Donaldson, joined on stage by live musicians. 'It's how Fred Goodwin made the balls up of all balls ups. And he was driven by again, the misreading of Smith. Smith says 'no, I never meant that'. Smith re-wrote quite a lot of the economics because people were getting the wrong end of the stick. 'He never saw himself as an economist, he saw himself as a moral philosopher. He was concerned about the good of all, and what The Enlightenment meant, which was to improve the lives of people. That's one of the great things about Adam Smith. He put it in terms of how we live and earn money, how we exchange, but Fred Goodwin takes it in the wrong way. So it's a really interesting and necessary debate.' Advertisement Hide Ad Advertisement Hide Ad Brian Cox appears in Make It Happen, the story of the downfall of The Royal Bank of Scotland, led by Fred Goowdin. | xxx With its themes of wealth, ambition and avarice, Make It Happen has links to the role that made Cox a global household name as media oligarch Logan Roy in HBO hit Succession, for which he won a Golden Globe. 'Except I think Logan was at one time quite a socialist. I don't think that's how he ended up,' says Cox. 'He ended up creating a paper which was quite right wing. And he was concerned about his creation being passed on to one of his children and none of them could step up. It's about entitlement. We're seeing it now with oligarchies, with Elon Musk, with that clown who calls himself the President of the United States. We see it so evidently in these people who behave in this vigilante way. They think they can do anything. And Trump, well I won't even go there, it's just beyond the pale,' he says, words failing him before he rallies. 'It's interesting we live in a time where we want to embrace stupidity on a mass level. And we're seeing stupidity all the time. I mean what's happened in Gaza, what's happening in the Ukraine. The Ukraine's really worrying and we're not doing nearly enough about that to protect it. What we're doing in Gaza is becoming a genocide. There's no question about it. And I feel for it. I mean I know what Hamas did on October 7 is beyond the pale. It's unforgivable and they should be punished severely. But it's the kids, the bairns, I worry about. All these bairns that are being murdered. In the process of achieving what? And then you get the clown from Washington saying oh well it could be a big riviera resort. We've all gone totally crazy, you know?' Cox is always forthright about his opinions and shoots from the hip but refers it back to the play and his job as an actor. Advertisement Hide Ad Advertisement Hide Ad 'This play addresses those issues in a sidelong way and it's funny and witty. Because it is about what happens when you give power to one person, like Fred Goodwin. 'My job is to get to the root of who people are and why. Because nobody is intrinsically bad. Go into a baby unit and they're all gorgeous. I love babies, toddlers. I think what we do to them is monstrous. We change them, make them into what they shouldn't be. Because it's conditioning that makes you the way you are, and how we condition our children is what's important, teaching them about love, relationships, sharing.' 'That's what the children from Succession suffer from, a belligerent, strong father who never really gave them love, so they've never been given a perspective on who they are. It's not Logan's fault, because he's also had demons to deal with. There's one scene where he goes swimming and we see scars on his back and it's never explained but shows he's been through something horrific, been brutalised, and that's what makes him behave in an off-hand and brutal manner. Brutalised children do not make good men because they carry that with them.' 'That's what's fascinating about my job, which is to look at why we're not evolved. Why do we make these decisions about what we should do with our lives.' Advertisement Hide Ad Advertisement Hide Ad For his part, Cox's own credo is 'live your life and understand and appreciate what's coming at you'. 'That's what I think the theatre is. For me, it's the one true church and its belief system is about human beings. How do we tick? What are our influences? What takes us down the wrong or right path?' Brian Cox and Peter De Jersey in The Score at the Theatre Royal Haymarket in London in February. | Getty Images Cox has been treading the boards again recently in Eugene O'Neill's Long Day's Journey Into Night and The Score to rave reviews since Succession, which he describes as his 'TV show, the one that has given me mixed blessings shall we say… ' 'When I finished Succession I thought I've got to go back to the theatre while I still can. I mean I'm so grateful for the show and loved it. It's one of the best things I have ever done, but at the same time I lost my anonymity. It was always 'Brian Cox, oh weren't you in…? Didn't you do Hannibal Lecter at one point?' - I created the role, what are you talking about?'' he laughs. 'Now everybody knows who I am and they come up and say 'can you tell me to F*** Off?'. So I say 'all right, F*** Off', and then they say 'but we haven't taken a picture' and I say 'you wanted me to tell you to F*** Off, I told you to F*** Off, now F*** Off!' He laughs. Advertisement Hide Ad Advertisement Hide Ad I don't ask him to tell me to do this, although tempted, as I have more questions, including what is it with him and the word f***? He says it when he comes on stage in Make It Happen too. 'I do. I say 'where the f*** am I?' And Adam says 'Good God, I never used such language. I never used such blasphemy.' He chuckles. Unlike the brutalised men Cox talks about, in his autobiography Putting The Rabbit in the Hat he says after therapy as an adult he realised that despite a traumatic childhood where the death of his father through pancreatic cancer when he was eight plunged the family into poverty and his mother into illness, he was very much loved by his mother and the sisters and brother who cared for him. Does he think being loved is key to how we turn out? 'Yes. I do think care and love is the key. And we're so ignorant. We really don't know how to father or mother our kids. Or maybe we get a wee bit enlightened, but at the same time it's a massive improvisation because no two children are the same. I'm very lucky. My kids are pretty good, they're pretty special,' he says referring to his adult children from his second marriage and younger sons from his third to the actor Nicole Ansari-Cox, with whom he lives in Brooklyn, New York and London. Advertisement Hide Ad Advertisement Hide Ad Brian Cox and his wife Nicole Ansari-Cox arrive for the 75th Emmy Awards in Los Angeles in 2024. | AFP via Getty Images How do his offspring feel about having a dad who is famous? Are they used to it? 'They are. My oldest son who will be 55 on his birthday, and my daughter's going to be 48, they had it tough because I was a struggling actor. But I was married to a woman who was very smart with money. I mean that's why…' he says and falters. It's noticeable it's only when talking about his own wealth that Cox's customary eloquence fails him. 'I've always been like that about money,' he says. 'I don't want to know, because of what it did to my mum and dad.' So it's an emotionally fraught subject for him? Advertisement Hide Ad Advertisement Hide Ad 'Yeah. It immediately puts me into a kind of… So the idea that I'm rich. I can't deal with that. I've always had a problem with it and money as a sign of success. I'm deeply suspicious of it.' But nowadays he must know he can just walk into a shop and buy whatever he wants without worrying? 'I can do that, but I'm still nervous about buying stuff. I mean I went into the House of Bruar and bought a load of stuff. Oh my god, it's my favourite place in Scotland! I could live there. I love it! So I went to the House of Bruar and bought these wonderful waistcoats,' he says, sounding a little like Adam Smith discovering John Lewis. He pats his waistcoat, dapper as ever. In fact he's arrived with three outfits as instructed for today's photo shoot. 'Yes, I was up ironing this morning', he says and smiles. 'Oh this is interesting, this is the weirdest thing of all. I love ironing. And I love darning. So I did the American version of Who Do You Think You Are [Finding Your Roots] and they said you're 88% Irish and 12% Scottish. I knew about the Irish side but discovered the Scottish side were all weavers from Fife, so I see where it comes from.' Advertisement Hide Ad Advertisement Hide Ad Always well turned out, but also these days noticeably trimmer… 'Yeah, I've lost weight because I'm on Ozempic. I'm diabetic. It's good because, god I'd eat anything! I do like food. But my eating has changed considerably. And it's good. Especially as I'm not getting any younger. ' He's 79, an age where he can look back on his childhood when he was out playing with his pals on the streets 'from dawn to dark', visiting all 21 of the city's then cinemas to watch the movies - 'my first love' - enjoying the thriving community around his dad's shop in the now demolished Wellgate warren of streets, a time when his life revolved around school, church and the cinema. Brian Cox at the The Lord of the Rings: The War of the Rohirrim world premiere in London in 2024. | Getty Images Cox is also looking forward to making what he does in the years ahead count. Advertisement Hide Ad Advertisement Hide Ad Of all the films, TV, theatre, radio he's done, of which is he most proud? 'I suppose I'm proudest of a film I did with Lindsay Anderson in the Seventies, [1975] an adaptation of a David Storey play called In Celebration, and Alan Bates and Jimmy Bolam played my brothers. It was a beautiful script. And Titus Andronicus at Stratford in the Eighties, was really important for me. And I enjoyed playing Churchill, because I thought I got that right. It's a character performance. The other thing I'm very proud of is a film called The Escapist, which I did in 2008 and produced as well, with Rupert Wyatt. 'I've enjoyed myself, you know. There's nothing I've regretted doing. Je ne regrette rien. I don't go in for regrets. When I commit, I commit.' Looking ahead, there's the release of his directorial debut with Glenrothan, a film set in Scotland, in which he also stars with Alan Cumming as his brother. Advertisement Hide Ad Advertisement Hide Ad 'I made my first film in Scotland last year, working with an all Scottish crew and cast and I realised how much talent's here and doesn't get acknowledged. I think I'm only acknowledged because I'm a Dundonian and not a Glaswegian or from Edinburgh so we're like a rare beast you only see on certain occasions. So I exploit that for all it's worth,' he laughs. There's also the third Super Troopers film, US comedies about a highway patrol unit in which he steals the show as an exasperated police boss. 'I did the first in 1999 and had a great time and they're very gifted and I think it's very important to help young directors so I said I'd do that. And maybe another couple of movies. And I've got the tour.' 'The tour' is All About Me!, a UK and Ireland 18-date talking tour In October where Cox shares memories and anecdotes and takes audience questions, which includes dates in Edinburgh and Dundee. 'It should be a lot of fun.' Advertisement Hide Ad Advertisement Hide Ad Cox shows no sign of letting up, despite all his success, awards, financial and emotional security. So what is it that motivates him to keep going? 'Well, you know, I just like the job!' CREDIT: Make It Happen, Dundee Rep Theatre until Saturday 26 July and Festival Theatre, Edinburgh, as part of the Edinburgh International Festival, 30 July to 9 August. Tickets,
Daily Record
5 hours ago
- Daily Record
Netflix viewers rush to watch 'compelling' reboot of classic Scottish crime series
The recent reboot of the famous Rebus has been added to Netflix as viewers are just discovering the world of Detective Inspector John Rebus and they can't get enough A modern retelling of a legendary Scottish crime drama has quickly become a hit on Netflix, with viewers calling it "absorbing" and "compelling" as it climbs the streaming platform's top TV show charts. The revamped Rebus series originally premiered on the BBC last year and is inspired by Ian Rankin's long-running Inspector Rebus novels. The first book, Knots and Crosses, hit shelves in 1987 launching a franchise that has since grown to include 24 titles. With most of the stories set in Edinburgh, the series follows the investigations of the complex and gritty Detective Inspector John Rebus and has made a massive impact on the British crime fiction scene - accounting for around 10% of the UK's crime novel sales and consistently selling over 500,000 copies per release. Back in 2000 Rebus was first adapted for television, with John Hannah taking on the title role. The show continued until 2007, with Ken Stott leading the cast in later seasons. The new version introduces Richard Rankin, known for his roles in Outlander and Burnistoun, as a younger Rebus bringing a fresh energy to the character while maintaining the dark tone that fans love. The synopsis reads: "The story follows Detective John Rebus as he deals with an infamous Edinburgh gangster, at the same time dealing with the aftermath of his divorce and a changing workplace." Critics were quick to praise the reboot, branding it as "terrific" and describing Rankin's performance as "alluring." Similar fans have praised the reboot, with many taking to Rotten Tomatoes to review the series, with Rebus having an impressive 100% rating on the review site. One fan wrote: "This is a very good series. Richard Raskin is much different from Ken Stott, but he's great in the role. I also liked Rebus' partner and ex-wife, too. This series reminded me of Crime, starring Dougray Scott." Another viewer simply stated: "Very good series with a likable lead." While one viewer praised the casting, saying it had him hooked, as they said: "The casting was great. Rankin is a sympathetic and handsome lead. I like the fact that none of the main characters are without fault and all have their vices. I was sucked into the story and watched the whole season over a number of days." Speaking to the BBC about his role as Rebus, Raskin said: "Rebus is an iconic character in Scottish literature and television. It already has such a huge following. That aside, it was within the first ten pages of episode one that had me absolutely hooked." "I could tell Greggory Burke [the show's screenwriter] was doing something new and exciting with this. It felt real, it felt dark, and it felt charged." He added that the series was a "dark, cinematic and gritty character drama." The show's debut episode drew an impressive 6.3 million viewers across all BBC platforms and later went on to win three RTS Scotland Awards. Now that the series has landed on Netflix, a new wave of viewers are discovering (or rediscovering) the world of Rebus. Fans will be pleased to hear that a second season has already been confirmed. According to the BBC, the upcoming storyline will see the detective "uncover the links between the violent world of the Edinburgh drug trade and the city's law and finance sectors."
Scottish Sun
6 hours ago
- Scottish Sun
Donald Trump breaks his silence after landing in Prestwick as he hails Scottish celebrity
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) DONALD Trump hailed 007 legend Sir Sean Connery for helping him build his golf courses moments after landing in Scotland tonight. The president of the free world wasted no time in name-dropping the acting legend as he stepped off the flight from the States. Sign up for Scottish Sun newsletter Sign up 2 U.S. President Donald Trump waves as he disembarks from Air Force One at Prestwick Airport 2 Sean Connery as James Bond 007 Trump said Connery, from Edinburgh, helped him get the permits for the two courses at the Menie Estate in Aberdeenshire that he will visit next week. The new course will be named after his mother Mary MacLeod who was born and raised on the Isle of Lewis. The plane landed just before 8.28pm before it taxi'd along the tarmac at Prestwick Airport in Ayrshire. Trump eventually surfaced at 8.40 at the door of the aircraft, waving to the crowds. He then took his time going down the stairs before meeting the welcoming comittee including Scottish Secretary Ian Murray. Trump then chatted ot the waiting media. He said: 'There's no place like Turnberry. It's the best course in the world. 'My son is going to cut a ribbon for the second course in Aberdeen. 'Sean Connery helped get me the permits, if it wasn't for Sean Connery we wouldn't have those great courses.' He then launched into criticism of immigration into Europe and 'windmills' across the countryside and in the sea. Protesters hang off bridge in major demo ahead of Trump's Scotland visit He said: 'I say two things to Europe. 'Stop the windmills. You're ruining your countries, killing the birds, it's so sad. 'On immigration, you better get your act together or else you won't have a Europe.' Hundreds of people gathered at the Mound viewing point to catch the iconic aircraft landing. Some plane spotters and Trump fans descended on the spot close to the runway from the morning to wait for his arrival. One supporter waved a Make America Great Again flag, while another man wore a cap with the tongue-in-cheek message Scotland Is Already Great emblazoned on it. Some youngsters were also seen sporting Trump's signature red MAGA hat. The airport area was under heavy security, with scores of cops keeping a close eye on the crowds. Police snipers also stood watch on Prestwick's air traffic control tower and a scaffold platform close to where the Commander in Chief disembarked the iconic modified Boeing 747. Earlier in the day, Marine One, the President's helicopter, was spotted being prepared outside a hangar at Prestwick. Mr Trump's large motorcade was also on standby airside, including blacked out SUVs and the President's heavily armoured car, known as the Beast.
