
‘Touring South Africa is a dream': Calum Scott opens up about upcoming tour
'[My first tour to SA] made me feel special. That kind of moment is hard to forget.'
Calum Scott is coming back to South Africa.
The multi-platinum singer will return in January 2026 for three shows in Cape Town, Durban, and Pretoria as part of his Avenoir tour.
It will be his third time visiting our shores, and he said South Africa makes him feel incredible special, just like his music has moved thousands of people around the world.
The new album, also called Avenoir, is due in September, and is named after a word that means wishing memory could flow backwards. It promises to be personal, emotional and full of the kind of honesty fans have come to expect.
This will be your third time performing in South Africa. What keeps bringing you back?
On my first international visit for the Only Human tour, I remember my first stop in Durban and being blown away by the demand for tickets. It made me feel special. That kind of moment is hard to forget.
Every time I've returned, the love has been the same. Touring is my favourite part of the job, and touring in South Africa is a dream.
Touring SA is like a dream
You've said 'Avenoir' is inspired by the idea of life being like rowing, always facing backward.
Making this album was the first time I truly believed in myself as an artist.
I've worked hard to get here, and I'm proud of that. Looking back at my ten-year career, all the twists and turns brought me to where I am now.
I would not want to look ahead. It's the not knowing that makes life magical.
Also Read: 'Roger Waters: The Wall' is an epic watch of powerful music
Your music often explores regret, sorrow and undying love.
Gone is one of the most thought-provoking songs I've written. It came from the realisation that our time is finite.
In a session with Jon Maguire, I said, 'There will be a time when you hug your daughter, put her down, and never pick her up again.'
It was sad, but as always, we found the hope in that and wrote about it. It's a reminder to live each day with love and laughter.
Your music often becomes the soundtrack to big life moments. How does that feel?
It's the highest honour I can imagine. When people tell me they used one of my songs at their wedding or to remember someone they lost, it makes me proud.
There are millions of songs out there, and for someone to choose mine for something that personal means everything.
Soundtrack to life's big moments
How do you balance vulnerability with universality when writing?
I've always seen vulnerability as universal. When I write honestly, I find that others connect with it too. Of course, I think about how much of myself to share, but I give a lot because I know that my vulnerability helps others. That is something I take seriously.
What has changed most for you since 'Dancing On My Own'?
My fashion sense. Did you see what I used to wear? Back then, I had just left a nine-to-five in Human Resources and was suddenly living my dream. I loved it, but I struggled with impostor syndrome until recently.
Now, I feel more like myself than ever.
If you had to go back on 'Britain's Got Talent' today…
I couldn't do it. And I would not change anything about how I got here, but I'd much rather be a judge.
I have experience now and, more importantly, I have empathy.
Also, I know what it's like to stand there and risk everything for a dream. I think that's something valuable to offer.
LGBTQ anthems and recognition
'Bridges' included LGBTQ anthems like 'Rise'. Does 'Avenoir' continue in that spirit?
I'm proud to be recognised by the LGBTQ community, and it's important to me that people feel seen in my music.
Avenoir touches on many themes, but emotion runs through it all. I love that people take my songs and make them their own, and I'm excited to see how this album resonates.
How important is self-realisation for an artist?
It has played a huge role in my growth. I still care as much as I did when I started, but I don't worry as much now, and that is freeing. It's taken ten years to believe in myself, but nothing worthwhile comes easy.
Has success ever pulled you away from the storytelling you want to do?
If anything, success gave me the confidence to stay true to it. It's hard when a song you believe in doesn't match the streams of your biggest hit, but that's part of it. Fans keep showing me that what I write matters, and that's what counts.
Tickets are on sale through Webtickets and Breakout Events.
NOW READ: A Million Ways To Die, NFOH reincarnated

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The Citizen
20 hours ago
- The Citizen
‘Touring South Africa is a dream': Calum Scott opens up about upcoming tour
'[My first tour to SA] made me feel special. That kind of moment is hard to forget.' Calum Scott is coming back to South Africa. The multi-platinum singer will return in January 2026 for three shows in Cape Town, Durban, and Pretoria as part of his Avenoir tour. It will be his third time visiting our shores, and he said South Africa makes him feel incredible special, just like his music has moved thousands of people around the world. The new album, also called Avenoir, is due in September, and is named after a word that means wishing memory could flow backwards. It promises to be personal, emotional and full of the kind of honesty fans have come to expect. This will be your third time performing in South Africa. What keeps bringing you back? On my first international visit for the Only Human tour, I remember my first stop in Durban and being blown away by the demand for tickets. It made me feel special. That kind of moment is hard to forget. Every time I've returned, the love has been the same. Touring is my favourite part of the job, and touring in South Africa is a dream. Touring SA is like a dream You've said 'Avenoir' is inspired by the idea of life being like rowing, always facing backward. Making this album was the first time I truly believed in myself as an artist. I've worked hard to get here, and I'm proud of that. Looking back at my ten-year career, all the twists and turns brought me to where I am now. I would not want to look ahead. It's the not knowing that makes life magical. Also Read: 'Roger Waters: The Wall' is an epic watch of powerful music Your music often explores regret, sorrow and undying love. Gone is one of the most thought-provoking songs I've written. It came from the realisation that our time is finite. In a session with Jon Maguire, I said, 'There will be a time when you hug your daughter, put her down, and never pick her up again.' It was sad, but as always, we found the hope in that and wrote about it. It's a reminder to live each day with love and laughter. Your music often becomes the soundtrack to big life moments. How does that feel? It's the highest honour I can imagine. When people tell me they used one of my songs at their wedding or to remember someone they lost, it makes me proud. There are millions of songs out there, and for someone to choose mine for something that personal means everything. Soundtrack to life's big moments How do you balance vulnerability with universality when writing? I've always seen vulnerability as universal. When I write honestly, I find that others connect with it too. Of course, I think about how much of myself to share, but I give a lot because I know that my vulnerability helps others. That is something I take seriously. What has changed most for you since 'Dancing On My Own'? My fashion sense. Did you see what I used to wear? Back then, I had just left a nine-to-five in Human Resources and was suddenly living my dream. I loved it, but I struggled with impostor syndrome until recently. Now, I feel more like myself than ever. If you had to go back on 'Britain's Got Talent' today… I couldn't do it. And I would not change anything about how I got here, but I'd much rather be a judge. I have experience now and, more importantly, I have empathy. Also, I know what it's like to stand there and risk everything for a dream. I think that's something valuable to offer. LGBTQ anthems and recognition 'Bridges' included LGBTQ anthems like 'Rise'. Does 'Avenoir' continue in that spirit? I'm proud to be recognised by the LGBTQ community, and it's important to me that people feel seen in my music. Avenoir touches on many themes, but emotion runs through it all. I love that people take my songs and make them their own, and I'm excited to see how this album resonates. How important is self-realisation for an artist? It has played a huge role in my growth. I still care as much as I did when I started, but I don't worry as much now, and that is freeing. It's taken ten years to believe in myself, but nothing worthwhile comes easy. Has success ever pulled you away from the storytelling you want to do? If anything, success gave me the confidence to stay true to it. It's hard when a song you believe in doesn't match the streams of your biggest hit, but that's part of it. Fans keep showing me that what I write matters, and that's what counts. Tickets are on sale through Webtickets and Breakout Events. NOW READ: A Million Ways To Die, NFOH reincarnated

IOL News
26-05-2025
- IOL News
Decade of hits and heart: Calum Scott's ‘The Avenoir Tour' is coming to South Africa
Calum Scott performing with South African flags during a sold-out Cape Town show at Zevenwacht Wine Estate in 2023. Image: Supplied. Following a decade in the entertainment industry and several personal challenges, internationally acclaimed English singer and songwriter Calum Scott insists that he has never felt better. 'I am probably happier than I have ever been,' he explained during an interview with 'Independent Media Lifestyle.' 'I've never been more content in both my personal life and my professional life. I feel like I believe in myself more than I ever have, and I am in a really good place in my life.' With his increased positivity, the 'You Are The Reason' hitmaker is thrilled to be bringing his 'The Avenoir Tour' to South Africa early next year. The former 'Britain's Got Talent' star will be performing in Cape Town on January 14, before making his way to Durban two days later and then ending his Mzansi tour in Joburg on January 17. The Brit Awards-nominated artist is no stranger to South Africa, having previously toured the country several times before, including in 2018, then in 2022 and 2023. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Next Stay Close ✕ 'I love South Africa, she has been a kind mistress to me,' the 36-year-old said. He added: 'South Africa is very special and for me to be so far away from home and to have so many people support my music, that love what I do and have used my music for certain parts of their lives, its an honour so I have maintained that I will be the kind of artist that comes and pays my respect back so if the least i can do is perform in South Africa for an hour and half and that's exactly what I will do.' Calum Scott performs in 2023 at Zevenwacht Wine Estate for a sold-out Cape Town show. Image: Supplied He explained that he has had some eventful experiences during his previous visits to the country. 'I had come back to South Africa not long after Covid, and we were performing at a Botanical Garden. I don't think that they had reset the sprinkler system correctly, so midway through the show, the sprinklers came on and everybody got drenched. "Then it rained, and then there was load shedding, so it turned everything off.' 'It was all going off, but it was one of my most memorable performances because even with the chaos, the crowd was so into it still, which shows the tenacity and passion of my fans in South Africa.' Scott is also excited to be performing brand-new music when he visits the nation, including from his third studio album, called ' Avenoir', which is also the name of his tour and is due to be released in September. He explained that he title is inspired by a book he read and that it is 'a challenge to live in the present and to enjoy every day as it comes, to be blessed and to count your blessings.' 'That's the challenge that I want to put back on my fans, not worry too much about the past and future and to enjoy every moment because life is very short.' Scott also explained this album is different to anything else he has worked on during his decade-long career so far. 'This album feels very intentional, and it feels like I am evolving as an artist and as a person in confidence, happiness and in my creativity, and I am very excited to see what the fans make of it.' 'There is something for everyone on this album, and when I was writing it, as always, I took inspiration from things that happened to me, things that happened to people close to me, so there are quite a lot of personal elements to it.' 'Avenoir' also includes the powerful love song 'Die For You', which was released on Friday, May 23. 'With his single, I wanted to return to that heart-wrenching emotional ballad which represents who I am and the kind of music I like to perform.' Scott added, 'It is a declaration of love, and it is so poetic. With a title like that, what I am trying to get across in that song is like if I could reach into my chest and give you my heart, that's what I would do.' 'I am excited for the journey the song is going to go on and even beyond couples because it is also for friendship for people's kids or anything that they feel that passionate about.' As Scott prepares to visit South Africa, he explained that apart from his many achievements over the past 10 years, being able to tour is one of his greatest accomplishments. 'I have had some amazing success in my life, I have been nominated for Awards several times, I have three songs over a billions streams each on Spotify, 'You the Reason' has over a billion views on YouTube and I have achieved some amazing accolades which I am very grateful for but I don't think that there is anything better than seeing people in the flesh and witnessing the impact that your music and your artistry has on people.' 'It is quite profound and magical.'


The Citizen
24-05-2025
- The Citizen
‘Roger Waters: The Wall' is an epic watch of powerful music
'Roger Waters: The Wall' sees the rock star explore his emotional nostalgia. Music can be powerful. Incredibly powerful. It can agitate for social or political change, lament or celebrate love and speak for the collective. Other music speaks directly to the soul, the afraid in each of us, the trauma and the hurt. It can teach us lessons, inject new ideas, inspire and decelerate thoughts or speed up personal metamorphosis. Such is the power of Pink Floyd's music. And it's been around 45 years since the band released The Wall, toured the album and produced the first cinematic incarnation of the music's narrative. Yet, it's as relevant today and inwardly touching as it was on the first day of release. And Apple TV's now put the Roger Waters 2014 epic live concert documentary on its menu. It is a must-watch, a must-collect. But it makes you wish that you were in the audience, then. The film is long. It stretches over two hours with beautifully shot cinematic scenes of Waters on another kind of journey. While the music and the Alan Parker-directed 1982 film tells of the character's progressive journey as a reluctant rock star and the walls – demons he must manage inside – the clips spaced between the live performance tell a contra-narrative. Waters explores his emotional nostalgia, in many ways quietly faces his own demons and traces the actual moments and people in his family, like his dad and grandfather, who lie at the base of the original music. Biographical account of Waters' life Roger Waters: The Wall, after all, is a biographic recount of Waters' life, his struggle with the death of his dad in the Second World War, and being bullied at school. It's a treatise to the mistrust of the State at a grand scale. The film is Nietzsche's existentialism coupled with Orwell's Animal Farm, along with a measure of emotional turbulence that can resonate with both the dark and lighter side of our inner selves. Roger Waters: The Wall is in forward and reverse motion at the same time. And despite the long running time and numb-bum risk, it's an epic watch. The show is a far cry from the Dome performance in South Africa during the same tour. Here, Waters was close to unplugged and intimate. On stage in the film, he conducts a larger-than-life audiovisual spectacular that showcases his showmanship. Also Read: U2's 'How to Reassemble an Atomic Bomb' is a satisfying throwback If you are a Pink Floyd fan and followed the angry split between Waters and the rest of the band – the copyright punch-ups and mutual dislike between the parties – this is the moment to forget about it and just immerse yourself in the music. Drummer Nick Mason reunites with Waters in the film and, at the end, the pair answer questions from fans around the world. The two also spend some time talking and tracing nostalgia at earlier intervals. Last year David Gilmour joined Waters in celebrating the 45th anniversary of the album. Best-selling double album of all time The Wall remains the best-selling double album of all time with 30 million copies sold and ranks just behind the band's Dark Side of The Moon. The latter musical sortie holds the collective highest sales tally at 45 million copies. Another Brick In The Wall Part 2 – the anthem off The Wall – has been streamed well over a billion times. The band's progressive rock is not for everyone, and is for everyone at the same time. Because the truths in the lyrics are not unlike our own prayers for emotional asylum. Roger Waters: The Wall brings it all full circle. Of course, there are naysayers and when the film was first released it suffered some pretty nasty reviews from critics who relegated the entire effort to an ego trip. But when you watch the work and experience the music, it's easy to see the codswallop and ignorance of negative impressions. To fully understand the show, audiences new to Pink Floyd or anyone who has not seen Bob Geldof as Pink in the original film, must watch it. It is a cinematic masterpiece of its time and a sensory ride unlike any other. From the Nazi references to the evils of conformity, war and inner conflict, The Wall was an explainer film like no other. Roger Waters: The Wall sees it coming full circle. Also Read: Nasreen's the thinking Swiftie's kind of music