
It's time to ditch Aperol — this is the ultimate summer spritz
An oversized glass of that sunrise-hued, bittersweet, spritzy liquid with a slice of orange bobbing around on top gives me the summer feels.
I've flirted with other spritzes, of course. As we all have. Only last year, the Hugo gave me an elderflower moment, the Campari spritz fixed my bitter orange cravings and Sarti gave me a refreshingly citrussy-tropical hit. I've even given white port and tonic a whirl, Portugal's go-to refreshing aperitif you garnish with a sprig of mint.
But this summer, there's a new spritz in town that's seriously hitting the spot.
We're all familiar with Limoncello, that impossibly yellow, lemony liqueur served in shot glasses after a slap-up Italian meal. Bizarrely though, I didn't know anyone who consumed it unless they were in an Italian restaurant or on holiday in Italy, until now.
Aside from the perception of Limoncello as a freebee at the end of a meal, the problem with many big-brand, imported Limoncellos is that they can be over 50% sugar syrup blended with perfumed lemon peel, with little to no actual juice.
Things are changing thanks to a new wave of craft producers, with our old friend limoncello evolving from sugary, date-night trattoria-fuel to the tart and authentic-tasting main ingredient in this summer's must-drink spritz.
One brand in particular, RamTang Cello, has caught my attention. It centres around a 'Lemon Cello' made by a 72-year-old English lady who lives in Tooting, lovingly known as, 'Mama Cello'. She also makes a Lime Cello, for a unique twist on the citrus liqueur.
Sally Chilton is her name, an ex-chef with two grown-up sons. Sally set out to make a version of Limoncello that was authentic but not quite so sweet, in her own kitchen. She started off, 'playing with lemons and white label vodka' until her son, Christopher, thankfully convinced her that the product was good enough to sell. The result is a range of two citrus cellos, each with 25% less sugar and distilled locally. Well, in Rutland.
Limoncello is traditionally made by steeping lemons (Sally started out with Amalfi, but became frustrated by their seasonality) in a neutral spirit (vodka), then mixing it with sugar syrup. And because Italian Limoncello isn't a legally designated PDO, like say Champagne or Prosecco, it can be made anywhere in the world. Hence, London.
Want to make a delicious drink with RamTang Lemon or Lime Cello? These are the ingredients you'll need. Mix together and garnish before serving…
Adult Lemonade 40 mil RamTang' Lemon cello100-150 mil (small can) Fever Tree Lemonade
Garnish: Ice, lemon wheel and sprig of mint
Sicilian Spritz40 mil Dry white wine (Pinot Grigio or Vino Verde LIDL)20 mil Lemon RamTang'100-150 mil Franklin's Tonic
Garnish: Ice, lemon wheel and sprig of mint
RamTang' Lime Spritz40 mil Dry white wine (Pinot Grigio or Vino Verde LIDL)20 mil Lime RamTang'100 – 150 mil (small can) Schweppes Pink Soda
Garnish: Ice, lime wheel and cucumber
RamTang Sicilian Spritz
I followed Sally's recipe, though I used Balfour Bacchus (as it's English Wine Week) instead of the Lidl wines she suggested. Ultimately I ended up tweaking the levels of alcohol upwards. Shocker. I found 60ml white wine and 40ml RamTang Limoncello intensified the drink nicely. To be honest, I free poured until I was happy with it. The result was a balanced and zesty alternative to an orange aperitivo which I'd score a 9.5/10. If, like me, you miss the vivifying bitterness of an Aperol, upping the limoncello levels gives you a citrussy jolt to replace it.
Many of the new wave UK versions, such as RamTang, Shakespear or Three Wrens slash the sugar, use clarified lemon juice and the zest of actual lemons. This eliminates any artificial, air-freshener notes and gives a ripe citrus intensity which allows them to cut down on sugar.
I tested RamTang Cello against supermarket limoncellos half the price, neat and in a spritz. I even gave the supermarket RTD Limoncello spritzes in cans a go, made for anyone who simply can't be bothered to prepare a spritz from scratch. You know who you are, myself included.
Here are the results… The Cellos
I tasted these neat, straight out of the freezer. And don't worry, an open bottle of limoncello can last for up to a year if it's stored properly, in the fridge or freezer.
RamTang Lemon cello, £26, ramtang.com
Score: 9.4/10
Intensely lemony on the nose, a beautifully textured and pithy palate that smacks of home made lemon meringue pie. Flecks of lemon leaf for added herbaceous balance, very good.
The Cambridge Range Limoncello, £27, saragusta.com
Score: 9.4/10
Part of the new wave of UK limoncello producers, this time from Cambridge. And it's truly exceptional stuff. On the nose, it's 100% reminiscent of Amalfi lemon drizzle cake which follows though to the palate. Creamy with just the right level of sweetness-to-spirit. Nailed it.
Pallini Limoncello, £16.25, Sainsburys
Score: 9.2/10
Slightly spirity on the nose, but the palate is nicely rounded, lightly textured, creamy and full of zesty fresh lemon flavours. Very good and widely available.
Villa Cardea, £12.50, Asda
Score: 8.9/10
Fresh lemons on the nose, a leaner-texture in the mouth with creamy, lemon sherbet notes and a soft and citrussy finish not far off lemon curd. Good.
Limonici Limoncello, £11.99, Aldi
Score: 7.9/10
Very spirit-heavy on the nose, which follows through in the mouth, sadly overpowering some bright lemon notes, a creamy texture and a lively sherbet finish.
RamTang Limecello, £27, ramtang.com
Score: 7.8/10
Beautiful lime-forward nose, though the palate is over-concentrated with notes of lime essence over the fresh kind. Textured and well made with a key lime pie-flavoured finish. Add in a splash to intensify your Margarita cocktail.
M&S Limoncello Spritz, £2.50, M&S and Ocado
Score: 8.3/10
Fresh lemon on the nose followed by a palate of candied lemon and creamy sherbet notes. Not bad.
Funkin Limoncello Spritz, £2.30, Tesco
Score: 7.8/10
Candied lemony nose, the spritz is on the sweeter side with confected lemon flavours. Could do with a spritz of fresh lemon, though not a bad version.
Limoncello Spritz, £4.49, Aldi
Score: 7.5/10
Attractive candied lemon peel nose, with lemony boiled sweet characteristics on the palate with slightly cloying, lemon drop aftertaste. More Trending
Joy Spritz Lemon, £5 (save £2.10), Sainsbury's
Score: 4.8/10
View More »
An enticing nose of zingy lemon zest, though the palate doesn't live up to the promise, unfortunately. There's a lemon air freshener note that jars, and an off-putting bitterness on the finish.
If you count yourself a purveyor of the finer things in life, Metro's Drink Up column is where you need to be.
Immerse yourself in the world of good drink, fronted by industry expert Rob Buckhaven – a place for readers to whet their whistle with the latest and greatest in the world of drinks. From unpacking the best supermarket wines from Aldi, Tesco and Lidl, to introducing audiences to the wallet-friendly Cremant out-bubbling the fanciest of French Champagnes (or the best wines to drink after sex), and finding out what it's like to go on a bar crawl with Jason Momoa, this is a haven for those who love to celebrate.
Stay ahead of the curve as Rob plucks from the vines the wines of the season and the spirits you need to know about; speaking with experts and mixologists while unpacking the latest concoctions, finding the best non-alcoholic options for those looking to moderate, discovering the best food pairings for your drops, and going up against the latest TikTok chatter to demystify the liquid landscape.
What are the best drinks to take to a summer picnic?
Wine that you should never serve at a wedding
And, truly, how should we be storing our wine?
Read More.
Do you have a story to share?
Get in touch by emailing MetroLifestyleTeam@Metro.co.uk.
MORE: Patient who threw bricks at paramedics and smashed ambulance avoids jail
MORE: I helped create M&S picky bits — here's my hack for the ultimate dinner
MORE: McDonald's just made major change to the Filet-O-Fish for first time in 50 years
Your free newsletter guide to the best London has on offer, from drinks deals to restaurant reviews.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Wales Online
an hour ago
- Wales Online
Welsh Labour MP Chris Bryant says he was sexually abused by theatre boss as a teenager
Welsh Labour MP Chris Bryant says he was sexually abused by theatre boss as a teenager The Labour minister said he was left feeling like a '16-year-old whore' by Michael Croft, the head of the prestigious National Youth Theatre Labour Minister Chris Bryant has recounted how he was sexually abused by the disgraced founder of the National Youth Theatre (Image: Visionhaus/Getty Images) Sir Chris Bryant has revealed he was sexually abused as a teenager by the founder of the National Youth Theatre, Michael Croft. The Labour minister became emotional during an interview, describing how he felt like a "16-year-old whore" due to the actions of Mr Croft, who was at the helm of the esteemed drama group. In a conversation with the Sunday Times, Sir Chris Bryant recounted that Mr Croft, who died in 1986, would invite him for dinner every evening when he was part of the company in London during the summer of 1978, at the age of 16. One night, said Sir Chris, he returned from the toilet at Mr Croft's residence to find his host, who was four decades older than him, naked apart from a silk robe. The minster said the abuse left him feeling like a "16-year-old whore" (Image: PA) The MP for Rhondda and Ogmore disclosed that Mr Croft then propositioned him for sex, and he felt he had no choice but to comply, reports the Mirror. Ahead of the launch of his book 'A Life And A Half: The Unexpected Making Of A Politician', Sir Chris admitted: "I don't like telling this very much because I've not told it very often. "It was always the same Italian in King's Cross. He would eat and drink, I would eat, then he would theoretically give me a lift home, except I always ended up at his house." For our free daily briefing on the biggest issues facing the nation, sign up to the Wales Matters newsletter here Sir Chris stated that Mr Croft never made another advance towards him, and they remained friends. As an ordained minister, he even agreed to officiate Mr Croft's funeral. However, he expressed anger over the abuse of power and confessed to internalising the shame. "He behaved absolutely appallingly, it's despicable," Sir Chris said. "Michael, in my case, managed to spot somebody who was gay at a time when nearly all homosexuality was illegal - certainly very frowned on - so presumed that people would keep a secret." He revealed that at least one colleague from his National Youth Theatre days was also abused by Mr Croft. The 63-year-old also disclosed he had been sexually assaulted by five male MPs during his time in Westminster, though he has not identified or reported them. "There was no system for doing so and I was frightened it would make me look bad," he explained. He noted that homophobia in Parliament had decreased during his 24 years as an MP. A statement on the National Youth Theatre website said: "We are grateful to Chris Bryant for disclosing to our team the historical abuse he suffered in the company in the 1970s. We are very sorry that this happened to him and to others who have previously shared with us their accounts of historic abuse by the same perpetrator. "As we set out in a public statement on the case in 2017, we stand in solidarity with all victims of abuse and encourage anyone who has experienced abuse, no matter how long ago, to speak to someone and access support. "In this case the perpetrator has been deceased since 1986, but all reports made to us will be dealt with in accordance with our robust and formalised safeguarding policy and practice. "While Chris writes he doesn't feel damaged by what happened, we recognise that being subjected to an abuse of power can have lasting consequences for many, in different ways. "Anyone getting in touch will be listened to and treated with care and respect by trained professionals, in line with our certified trauma-informed practice. "We are grateful to Chris for his support of our organisation today, and acknowledgement of how different a charity we are in 2025 to the one he encountered in the 1970s, with thorough safeguarding practices and policies in place." Article continues below

Scotsman
4 hours ago
- Scotsman
From Tuscany to Edinburgh: Celebrated pizza chef elevates local dining scene
Giulia Luongo, honoured with Italy's Trofeo Pizza d'Oro, showcases world-class pizza culture at Lothian Road's Frizzante. Sign up to our daily newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to Edinburgh News, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Last week, under the Tuscan sunset at Andrea Bocelli's Teatro del Silenzio, music, art and gastronomy came together for one of Italy's most exclusive cultural events. Among the select chefs invited to prepare gourmet pizza for the legendary tenor's guests was Giulia Luongo, Head Chef at Frizzante Restaurant, Edinburgh. Representing the city on this international stage, Giulia brought her Italian heritage and modern culinary artistry to a distinguished audience. Recognised as a Pizza Chef Star and Chief Inspector with the Guida di Pizza Stellato, Giulia has earned multiple accolades over the years, including the Trofeo Pizza d'Oro Sanremo 2025 and the Italian Excellence Award 2022. These awards position her among the leading pizza chefs in Italy, celebrated for her mastery of dough fermentation, ingredient pairing and authentic Italian flavour. Advertisement Hide Ad Advertisement Hide Ad 'Cooking in Tuscany, surrounded by music and nature, was unforgettable,' says Giulia. 'It's moments like these that remind me pizza is not just food—it's culture, tradition and emotion. I want people in Edinburgh to experience that same passion in every slice.' Giulia Luongo, Pizza Chef Star and Chief Inspector, pictured during a previous Italian culinary awards ceremony, where she was recognised with the Trofeo Pizza d'Oro. Giulia's participation in the Bocelli event highlights Edinburgh's growing reputation for high-quality Italian cuisine. At Frizzante Restaurant (95 Lothian Road), guests can now enjoy pizzas crafted with the same techniques showcased on the Tuscan stage: long-fermented doughs, premium Italian produce and a harmony of flavours that defines true gourmet pizza. 'These recognitions help me share Italian culinary traditions with Edinburgh's food lovers, inspire local chefs, and contribute to the city's growing reputation as a hub for authentic pizza excellence,' Giulia adds.


The Guardian
4 hours ago
- The Guardian
How to make perfect fresh tomato pasta – recipe
'How many versions of fresh tomato sauce can there be?' Catherine, the generous winner of a charity auction to help me with the research for this column, asks when I tell her what recipe we'll be making. On the contrary, I tell her, I've had my work cut out to narrow the selection here down to a mere seven, not least because the simpler the dish, the more argument there is over how it should be prepared, especially in a place as passionate about its food as Italy. Happily, I'll have a lot of assistance, because Catherine has raised yet more money for Hospitality Rides (a fundraising initiative for two very worthy industry charities, Only a Pavement Away and the Licensed Trade Charity), by selling tickets to get other people to do my job for me, effectively. In an attempt to sweeten the deal, I tell my assembled minions (all hospitality professionals, though none, sadly, Italian chefs) that, according to Emiko Davies, this raw sauce is 'quite possibly the best way to enjoy really good, ripe summer tomatoes – as well as making the most of spending as little time in front of a hot stove as possible'. Then I make them chop an awful lot of tomatoes in the service of perfection. Tomatoes are, in fact, a good place to begin, because, as the late, great cook and author Marcella Hazan writes in Marcella Cucina: 'The tomato is the thing. There is hardly anything to the making of the sauce, which really consists just of assembling the ingredients and letting them go to work, but the tomatoes have to be ripe and tasty.' Lynne Rossetto Kasper, host of the long-running Splendid Table podcast, agrees: 'Exceptionally good tomatoes and olive oil you want to eat with a spoon are the only requirements for this recipe.' She recommends 'a variety of tomatoes, if possible – the punchy little sweet 100s or sungolds, mellow beefsteaks and maybe one or two sweet yellow or orange ones', a mixture that certainly looks pretty. Rowley Leigh counsels cherry tomatoes ('datterini, if possible') in A Long and Messy Business, the River Cafe's Classic Italian Cookbook a mixture of plum and cherry tomatoes, and the late restaurateur Alvaro Maccioni suggests mixing fresh and sun-dried fruit in his book Alvaro's Mamma Toscana. While a range of colours pleases the eye, I'd advise going instead for whatever pleases the palate most; we have such a short window of really decent tomatoes in the UK that it's important to select for flavour while you can. My preference is always for plums, if they look good. As I explain to the group while they good-humouredly set about seeding several kilos of fruit, there's a reason these are the variety most often found in tins: they have a higher ratio of flesh to watery seeds than most, which means that, in practice, you get more for your buck. None of us, it turns out, is a fan of using the sun-dried variety in this dish, which, according to Annica, take away from the 'purity of the dish', but perhaps we're not quite over the 1990s yet. However, while I hope that Hazan, Del Conte and all the other gods of Italian cookery will forgive me, I'm with Daniel Gritzer when he writes on Serious Eats that 'I've never eaten some pasta al pomodoro crudo, spat it out and angrily exclaimed: 'Who, pray tell, left the skins and seeds on these tomatoes?' The full tomato has never bothered me in a pico de gallo, it's never bothered me in bruschetta and it doesn't bother me here. Frankly, there's a lot of flavour in those seeds, and it'd be a shame to waste it.' So, by all means peel and seed, if you like, but personally I wouldn't bother – ripe tomatoes are a pain to peel, and there's a fair bit of wastage. (You may also, as in Davies' alternative to her roughly chopped fruit, smash the tomatoes in a mortar, but I prefer a chunkier sauce here; also, if you go down that road, you will probably need to peel them, too.) In the interest of keeping things simple, I bypass recipes such as the one in Lucio Galletto's The Art of Pasta that are 'quasi-cotto', or lightly cooked, in favour of ones that are entirely raw. That said, Del Conte does put her sauce mixture in a moderate oven just while the pasta is boiling, I assume to warm it and perhaps to encourage the juices to run. Marinading rather than cooking is the name of the game here, as Hazan explains: 'Although this sauce is completely raw, you might say that it cooks itself. It is a fine demonstration of the dynamic reaction that ingredients can have to each other, if you give them the chance.' Some happily quick and easy versions give them this chance just for the few minutes it takes to cook the pasta. The River Cafe recommends half an hour, Hazan a full hour. and Del Conte 'at least two hours', the latter adding that 'it does not matter if you leave the sauce to marinate for longer'. If you don't have half an hour, be reassured that such culinary authorities as Davies, Leigh and Rossetto Kasper don't bother with this step at all, though my testers are struck by the richness of the River Cafe recipe: 'The tomatoes have almost broken down to make a sauce,' Catherine observes. At least 30 minutes is ideal, though 15 is better than nothing, and two to three hours won't hurt. It's also worth bearing in mind a top tip from Rossetto Kasper, which I almost miss because it's not included in her actual recipe: 'I discovered a trick for making pasta with raw tomato sauces taste lustier. Slightly undercook the pasta. Drain it. Spoon the juices that raw sauces always throw off into the empty pasta pot. Set it over medium-low heat, add the pasta and toss until the juices are absorbed, then add the pasta to the sauce.' Very little extra work, and well worth it. 'Only boxed factory-made dry pasta is a good match for this sauce,' Hazan instructs, 'and spaghettini, thin spaghetti, is the most strongly recommended shape.' Nevertheless, good old spaghetti is the most common choice in the recipes I try, although the River Cafe's ravioli is a hit with my testers, even though I choose one with an entirely unsuitable asparagus-based filling. Also popular is Maccioni's linguine, which Catherine declares has 'more about it than the spaghetti', and the aforementioned spaghettini, which Anna and I enjoy for its springy, almost ramen-like consistency. (Rossetto Kasper's alternative fusilli does not, according to Olivia, 'look quite as classy … it's a bit of a bully texture-wise, so the tomatoes get lost'.) A common complaint as the dishes go around the table when we're finally at the tasting stage is that some recipes are a bit mean on the tomato. Maccioni uses a mere four tomatoes for four people in contrast to Rossetto Kasper's bountiful loth to reduce the quantity of pasta, I've opted for a similarly generous serving of tomatoes, bearing in mind that this is a pasta dish and not a tomato salad (or, God forbid, a pasta salad. Do Italians even eat pasta salad? Please let me know in the comments below). This is where things really get interesting around the table. Good olive oil is, of course, a must, but the two best-rated recipes, from Hazan and the River Cafe, also contain red-wine vinegar – something I would invariably sprinkle on a fresh tomato salad. The appreciative noises ('almost restauranty', someone says proudly) this elicits strongly suggest that it has to be part of my final recipe – though Claire, in particular, is a fan of the fresh simplicity of Davies' vinegar-free version. Salt is also a must; a tomato is nothing without it, and there is a feeling that those in charge of Del Conte's recipe (I name no names) have perhaps been a little parsimonious on that front: 'I only said did it ask for seasoning?' Karina demands, laughing. Lesson learned; be generous with the salt, unless you fancy Hazan's slightly more complex Ligurian take complete with black and green olives, capers and anchovies, in which case a little restraint might be wise. We all love these additions – 'a really interesting mix of flavours and textures', Claire observes – but I've left them as optional extras, because I do feel that in a pasta con pomodoro crudo the tomatoes should be the star attraction. (The same goes for Maccioni's mozzarella, which, delicious as it is, makes some of us feel as if we're eating an M&S pasta salad on a train.) Herb wise, basil is the most popular choice, and the clear favourite; Leigh's mint, meanwhile, gets mixed reviews. No one can detect Hazan's marjoram or parsley, and fennel seeds divide opinion; we all agree we love them in other dishes, but here, as Anna says, they overpower the tomato. Davies' optional chilli flakes prove more of a crowdpleaser, but, again, they're very much gilding the lily. Garlic, however, is another must, though the quantity is up to you. It's not cooked, so I've been quite restrained, but you may prefer a punchier, fierier result. 'No cheese is necessary with this sauce,' Del Conte says sternly in her brilliant collection On Pasta. Rossetto Kasper disagrees, and her salty pecorino gets many compliments – not least because, well, who doesn't love cheese? That said, Leigh's wonderful savoury, crunchy anchovy pangrattato, or crisp flavoured breadcrumbs, also have their fans – 'these smell really good', Victoria says happily. Though they're certainly not foundational, I do like the contrast in texture, as well as the fact that they're easily veganised (simply omit the anchovy for a fully plant-based dish). Though this isn't a pasta salad, I'm reliably informed that pasta con pomodoro crudo can be served warm or at room temperature – but 'never chilled', Rossetto Kasper counsels, as if the very idea of cold pasta wasn't enough to warn you off in itself. This makes it an utterly brilliant dish for a summer evening: make ahead, enjoy yourself, then casually toss into bowls with a sprinkling of basil when it's time to eat. The Italians know a thing or two about warm weather dining, it turns out. Prep 15 min Cook 12 minSteep 30 min Serves 4 800g ripe but firm tomatoes, preferably, but not necessarily, plum 2 tbsp red-wine vinegar ¾ tbsp flaky salt, plus extra for cooking the pasta4 tbsp extra-virgin olive oil, plus 1 tbsp extra if making pangrattato2-3 plump garlic cloves, peeled4 tbsp dry breadcrumbs (optional)1 tinned anchovy fillet, drained (optional)400g spaghetti, or spaghettini1 small bunch fresh basil Optional extras60g olives, black, green or a mixture, stoned and chopped1 tbsp capers (rinsed if packed in salt), chopped4 anchovy fillets (rinsed if packed in salt), chopped½ tsp chilli flakes Cut the tomatoes into fairly small dice (this is much easier if you have a sharp knife) and put them and all their juices in a bowl with the vinegar, half the salt and all the oil. Mash the garlic to a paste with the remaining salt, then stir that into the tomato bowl, too, along with any of the optional extras. Leave to sit for at least 30 minutes, though longer won't hurt (but don't leave it so long that it requires refrigeration). If making the pangrattato, put a tablespoon of oil in a small frying pan over a medium heat, then mash in the anchovy, if using, until dissolved. Turn up the heat, stir in the breadcrumbs and fry until crisp and golden. Season if not using the anchovy, then set aside. Cook the pasta in plenty of salted water until just shy of the recommended cooking time. Meanwhile, drain the tomato mix, reserving the juices. Drain the pasta. Pour the reserved tomato juices into the empty pan, set it over a medium heat, then return the cooked pasta to the pan and toss until it has absorbed the juice. Turn off the heat, tip in the tomatoes and toss well. If serving immediately, scatter over the pangrattato and tear in the basil; if serving at room temperature, do so just before serving. Pasta con pomodoro crudo – is it a primo or a salad? Which pasta do you favour? And what's your top tip for bringing out the best in the tomatoes?