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Goodbye to the letters of introduction

Goodbye to the letters of introduction

Spectatora day ago
Re-reading Agatha Christie's A Murder is Announced this week (it's the summer holidays! I can relax like anyone else!), I was struck by one of Miss Marple's wise pronouncements:
And that's really the particular way the world has changed since the war. Take this place, Chipping Cleghorn, for instance. It's very much like St Mary Mead where I live. Fifteen years ago one knew who everybody was. The Bantrys in the big house – and the Hartnells and the Price Ridleys and the Weatherbys… They were people whose fathers and mothers and grandfathers and grandmothers, or whose aunts and uncles, had lived there before them. If somebody new came to live there, they brought letters of introduction, or they'd been in the same regiment or served in the same ship as someone there already. If anybody new – really new – really a stranger – came, well, they stuck out – everybody wondered about them and didn't rest till they found out.
Since 1950, when the book was published, letters of introduction have all but vanished, as anachronistic as spats and stove-pipe hats. I wonder when the last one was written, gravely bestowed on its recipient, and carried reverently (in a battered briefcase, no doubt), bearing hopes of social or financial success.
Decorous and polite, they hark back to an ordered world, and the exchange of reliable information about identity. A tip from the right person could be a conduit into Society, or smooth your way into a job. They boast an ancient lineage: the Ancient Egyptians used them; the Greeks had a manual which explained how to write them; Cicero got worked up about their formulaic nature. Important figures such as Benjamin Franklin were besieged by suppliants desiring their recommendations.
A good letter of introduction was like a passport. If a young man pitched up on your doorstep bearing one from your aunt or a bishop, you'd have a solid indicator of his trustworthiness. Further afield, they really were passports: the travel writer Patrick Leigh-Fermor bore letters which granted him passage to the crumbling palaces of Middle European aristocrats. In practice, they weren't always successful: there's a 19th-century painting by the artist David Wilkie which shows him approaching a potential patron with a letter of introduction. It's worthless, as the patron has no interest in him.
A more sinister application of this custom enabled the introducer to keep tabs on the introduced: an early form of an AirTag. When Lord Chesterfield gave letters of introduction to his son, Philip Stanhope, he warned 'at Leipsig I shall have an hundred invisible spies upon you; and shall be exactly informed of everything that you do, and of almost everything that you say.' They could have fatal consequences, at least in fiction: in The Iliad, the hero Bellerophon carries a missive to a king, which he believes is a letter of introduction. In fact, it contains instructions for his murder.
Benign or not, their absence, says Marple, is a factor of instability. In A Murder is Announced, identity is fluid. Various suspects present themselves as one thing, only to be revealed as impostors. In Miss Marple's pre-lapsarian world, this would have been nigh on impossible (although her view may be rosy-tinted). Even so, that ordered, hierarchical universe, in which you knew everyone from lord of the manor to muck-spreading labourer, has been smashed by the vast machinery of war.
Letters of introduction still eke out an existence in electronic form, though, like everything technology touches, they are much debased. In my twenties, if you were visiting somewhere new, whether in the UK or across the world, you'd be cc'ed into an excitable email from a mutual friend. 'Hi John, Philip's staying in Dorset for three weeks, it would be lovely if you could see him! He's not a murderer!' You would reply, 'Nice to e-meet you!', which is one of the cringiest phrases to have been spawned in recent times. Worse are those now conducted via a hurried WhatsApp: 'Just introducing Whizz here, who was at nursery school (I think???) with me. He'll be in London for two days in October. Have fun!' Little real information is given; we rely on the probity of the mutual friend and, if we are snoopy, on the internet.
Indeed, even sage old Marple could not have foreseen that. We have a much stranger situation than the one she bewails. Despite the reams of information available online, we have little to no guarantee of its truth. People lie on their CVs (even, or perhaps especially, prominent ones: ahem, Rachel Reeves). Curated or locked social media posts baffle and frustrate the inquisitive. Some people eschew social media altogether. Does that make them suspicious, or not? A message purporting to be from 'someone who wants to connect', or even one from a close friend or relative, could be written by an LLM, or be a front for a crook waiting to siphon off your life savings.
How then, are we to know when a new person in our lives is the real deal? Perhaps we will be reverting to St Mary Mead (though the people in 'the big house' are now more likely to be London blow-ins, and the plumbers will be earning more than the toffs). Maybe the physical letter of introduction, as opposed to its ersatz electronic counterpart, will return. Personal connections will become even more important than they already are. Aunts and bishops will once more be in high demand, while high-profile figures may once more be inundated with claims for their (literal) seal of approval.
Printed on headed writing paper, or even hand-written, and sealed in a thick envelope. These may be the only reliable way to confirm your bona fides. And who knows, they might gain their own social cachet, too. Time to start investing in sealing wax.
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Goodbye to the letters of introduction
Goodbye to the letters of introduction

Spectator

timea day ago

  • Spectator

Goodbye to the letters of introduction

Re-reading Agatha Christie's A Murder is Announced this week (it's the summer holidays! I can relax like anyone else!), I was struck by one of Miss Marple's wise pronouncements: And that's really the particular way the world has changed since the war. Take this place, Chipping Cleghorn, for instance. It's very much like St Mary Mead where I live. Fifteen years ago one knew who everybody was. The Bantrys in the big house – and the Hartnells and the Price Ridleys and the Weatherbys… They were people whose fathers and mothers and grandfathers and grandmothers, or whose aunts and uncles, had lived there before them. If somebody new came to live there, they brought letters of introduction, or they'd been in the same regiment or served in the same ship as someone there already. If anybody new – really new – really a stranger – came, well, they stuck out – everybody wondered about them and didn't rest till they found out. Since 1950, when the book was published, letters of introduction have all but vanished, as anachronistic as spats and stove-pipe hats. I wonder when the last one was written, gravely bestowed on its recipient, and carried reverently (in a battered briefcase, no doubt), bearing hopes of social or financial success. Decorous and polite, they hark back to an ordered world, and the exchange of reliable information about identity. A tip from the right person could be a conduit into Society, or smooth your way into a job. They boast an ancient lineage: the Ancient Egyptians used them; the Greeks had a manual which explained how to write them; Cicero got worked up about their formulaic nature. Important figures such as Benjamin Franklin were besieged by suppliants desiring their recommendations. A good letter of introduction was like a passport. If a young man pitched up on your doorstep bearing one from your aunt or a bishop, you'd have a solid indicator of his trustworthiness. Further afield, they really were passports: the travel writer Patrick Leigh-Fermor bore letters which granted him passage to the crumbling palaces of Middle European aristocrats. In practice, they weren't always successful: there's a 19th-century painting by the artist David Wilkie which shows him approaching a potential patron with a letter of introduction. It's worthless, as the patron has no interest in him. A more sinister application of this custom enabled the introducer to keep tabs on the introduced: an early form of an AirTag. When Lord Chesterfield gave letters of introduction to his son, Philip Stanhope, he warned 'at Leipsig I shall have an hundred invisible spies upon you; and shall be exactly informed of everything that you do, and of almost everything that you say.' They could have fatal consequences, at least in fiction: in The Iliad, the hero Bellerophon carries a missive to a king, which he believes is a letter of introduction. In fact, it contains instructions for his murder. Benign or not, their absence, says Marple, is a factor of instability. In A Murder is Announced, identity is fluid. Various suspects present themselves as one thing, only to be revealed as impostors. In Miss Marple's pre-lapsarian world, this would have been nigh on impossible (although her view may be rosy-tinted). Even so, that ordered, hierarchical universe, in which you knew everyone from lord of the manor to muck-spreading labourer, has been smashed by the vast machinery of war. Letters of introduction still eke out an existence in electronic form, though, like everything technology touches, they are much debased. In my twenties, if you were visiting somewhere new, whether in the UK or across the world, you'd be cc'ed into an excitable email from a mutual friend. 'Hi John, Philip's staying in Dorset for three weeks, it would be lovely if you could see him! He's not a murderer!' You would reply, 'Nice to e-meet you!', which is one of the cringiest phrases to have been spawned in recent times. Worse are those now conducted via a hurried WhatsApp: 'Just introducing Whizz here, who was at nursery school (I think???) with me. He'll be in London for two days in October. Have fun!' Little real information is given; we rely on the probity of the mutual friend and, if we are snoopy, on the internet. Indeed, even sage old Marple could not have foreseen that. We have a much stranger situation than the one she bewails. Despite the reams of information available online, we have little to no guarantee of its truth. People lie on their CVs (even, or perhaps especially, prominent ones: ahem, Rachel Reeves). Curated or locked social media posts baffle and frustrate the inquisitive. Some people eschew social media altogether. Does that make them suspicious, or not? A message purporting to be from 'someone who wants to connect', or even one from a close friend or relative, could be written by an LLM, or be a front for a crook waiting to siphon off your life savings. How then, are we to know when a new person in our lives is the real deal? Perhaps we will be reverting to St Mary Mead (though the people in 'the big house' are now more likely to be London blow-ins, and the plumbers will be earning more than the toffs). Maybe the physical letter of introduction, as opposed to its ersatz electronic counterpart, will return. Personal connections will become even more important than they already are. Aunts and bishops will once more be in high demand, while high-profile figures may once more be inundated with claims for their (literal) seal of approval. Printed on headed writing paper, or even hand-written, and sealed in a thick envelope. These may be the only reliable way to confirm your bona fides. And who knows, they might gain their own social cachet, too. Time to start investing in sealing wax.

Woman, 73, told off by council for selling sausage rolls in her front garden
Woman, 73, told off by council for selling sausage rolls in her front garden

Metro

time31-07-2025

  • Metro

Woman, 73, told off by council for selling sausage rolls in her front garden

An elderly woman has been scolded by her council for 'bad food hygiene' after selling sausage rolls from her front garden. Jo Taylor, 73, was handed a letter from Norwich City Council for selling pastries and cakes at the NR2 Yard Sale this month. The council said they received a tip-off that she was 'operating an unregistered food business'. Writing on the yard sale's Facebook group, Jo said: 'Did anyone else receive one of these in the post? 'Obviously, it had to do with the selling of foodstuffs at the NR2 Yard Sale. Does this mean food cannot be sold next time? Someone has a lot of time on their hands, is all I can say.' A council official wrote in the letter that all food businesses must be registered, regardless of whether they're run from a home or not. 'If you sell, cook, store, handle, prepare or distribute food, you may be considered a food business and will need to register with your local authority,' the letter said. The official urged Jo to register her 'food business' with the council, which would then be inspected and given a food standard hygiene rating. But they wouldn't have too long to carry out an inspection, given that Jo only bakes the breakfast food once a year for an annual yard sale. Jo told Norwich Evening News that her sausage rolls have long been a favourite at the annual NR2 Yard Sale, which encourages people to set up a stand at the front of their house. The pensioner usually sells pasties and jams for charity, but kept the cash this time, making £30 on July 19. She received the letter from the council in the post on July 24. The sausage roll, that bit of meat wrapped in a duvet of pastry, is about as British as you can get. But they're not actually from the UK – they come from the ancient Greeks, who regularly wrapped spiced meat in dough before baking it. The French then perfected the flaky puff pastry when giving a sausage roll a go, with the British pretty much seeing it and going: 'Well, go on then.' The rolls became popular in the 1800s as a breakfast snack paired with a pint (it was the Victorian era, after all). The sausage roll hasn't changed too much since, though our very own Metro investigation found that some bakeries are charging well over a fiver for them now. The ancient Greeks would not be amused. 'I was shocked at first and then slightly amused to think that someone really thought that I had a business selling sausage rolls,' she said. 'I just think they do not have anything better to do. Either that, or they are jealous of my sausage rolls.' More Trending Fellow yard sale vendors were similarly puzzled by the letter, with one writing on Facebook: 'Absolutely ridiculous, are they going to start handing out fines to lemonade stands and bake sales next?' Replying to Jo's post, the yard sale organisers said they have 'clarified the position' of the stand with the council. Jo phoned the council and was told she would need to complain about what happened, but stressed no action would be taken and, no, she does not have a police file. Norwich City Council and NR2 Yard Sale have been approached for comment. Get in touch with our news team by emailing us at webnews@ For more stories like this, check our news page. MORE: 'Gangster gran' banned from Asda for 'yellow sticker scam' vows to clear name MORE: Builder who had £12.40 in his bank account wins £1,000,000 on Lottery scratchcard

I'd lost my childhood love of reading – but rediscovered it when I set aside my iPhone
I'd lost my childhood love of reading – but rediscovered it when I set aside my iPhone

The Guardian

time25-06-2025

  • The Guardian

I'd lost my childhood love of reading – but rediscovered it when I set aside my iPhone

Everything changes so everything can stay the same. In the beginning I read a lot. I read paperback books. The Famous Five, the Secret Seven and all that stuff. I had – have, actually – all 21 Famous Five books. They're in paperback, apart from the fifth one, Five Go Off in a Caravan, which is in hardback. A present from my nan. Nice. But I preferred paperbacks. I've never seen the point of hardbacks. They're unwieldy, harder to hold in bed, especially under the sheets when I was supposed to be asleep. In my teens I raced through Agatha Christie, Alistair MacLean and the like, and Reader's Digest too, countless editions of which were lined up beside every toilet in the house. Then schooling started interfering with my tastes and I got into Thomas Hardy in a big way, and other big thick, proper paperback novels. After my A-levels I went cycling in France with a mate, which was a miserable experience, saved only by the enjoyment I got from reading Anna Karenina, the battered doorstop edition of which I still have but am fearful of looking at lest it completely falls apart. Then I went to university to study English literature and had the love of reading sucked out of me. Reading, in my book, was for enjoying, not for studying. I didn't enjoy the studying of it, so I inevitably stopped enjoying the reading of it. Those reading years are a dismaying blur. The only writer to survive the cull in my love of literature was Evelyn Waugh. Everything else seemed to be a struggle. I blamed myself for not being clever enough. When I left university, I all but left reading behind too. I came across Raymond Carver, who I found easy to read and loved very much. And Richard Ford, who I found hard to read but still managed to love. Apart from that, the rest of my 20s and, and my 30s, passed by almost fiction-free. But it all came flooding back, oddly, with the advent of the digital age. The Kindle seemed to free me up to wade back into literature until I was out of my depth and swimming freely again. I'm not sure why this is so. I think it might be that physical books had been triggering strong feelings of intellectual inadequacy from back in the day. Who knows? I didn't care. I was loving reading all over again. But as much as the ebook gave me something beautiful back, slowly but surely it took it all away again. I think the problem has been the smartphone rather than the Kindle. Reading ebooks on the Kindle app on the iPhone rather than on the Kindle itself was too convenient an option. But, just as smartphones relentlessly erode our capacity to focus on life itself, slowly but surely my ability to engage with any one thing on them, certainly anything as long as a novel, drained away as briskly as the phone's battery. So the other week I picked out one of the countless old-style Penguin paperbacks on my bookshelf. It was A Good Man in Africa by William Boyd. Then the peculiarly named Doctor Fischer of Geneva or The Bomb Party by Graham Greene. Then Muriel Spark, Margaret Drabble and anyone else I fancied from shelves at home or in charity shops. I'm back to the paperback format of my childhood and my reading life has begun again. These little beauties are barely 25% bigger than my iPhone and, most importantly, you can't swipe in and out of them. Suddenly I can engage with words again. I put the phone away, open the book, and read, actually read. On the tube, snootily regarding the phone-starers, I feel a bit of a clever dick. This will last until I give in to the temptation to revisit the Famous Five. I can't wait. Adrian Chiles is a broadcaster, writer and Guardian columnist

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