logo
Hamilton Nervous about Reaction to New F1 Film

Hamilton Nervous about Reaction to New F1 Film

Barnama23-05-2025

MONACO, May 23 (Bernama-PA Media/dpa) -- Lewis Hamilton admits he was nervous about his fellow drivers seeing his Formula 1 movie and has revealed that he is working on more film projects, PA Media/dpa reported.
The grid's stars were given an exclusive screening of the action movie, titled F1, on Wednesday at the Grimaldi Forum in Monaco, ahead of this weekend's Monaco Grand Prix.
It will see Oscar-winning actor Brad Pitt, 61, play the fictional veteran driver Sonny Hayes, who is returning to the sport after a long absence.
bootstrap slideshow
"All of a sudden, I've got all the drivers there, I was sat in the middle and I was nervous," Hamilton said.
"I was like, 'oh God everyone's seeing it for the first time'. And it was great to look around and see some of the reactions. I really care what the drivers think and I wanted them to think highly of it.
"I think the great thing is the sound is great, the image is incredible. It's something that's never been done in Formula 1 before. So it's something I'm really proud of."
The Apple Original film, which is being co-produced by seven-time world champion Hamilton, will launch internationally on June 25.
The 40-year-old revealed that, having got a taste for directing, he and his film studio Dawn Apollo are working on more upcoming projects.
"To think that it's finally here, after all the work that's gone on, from having (score composer) Hans Zimmer – speaking to Hans and having Hans come on board and doing this score, I'm a huge fan of his – so just the whole project was incredible," Hamilton added.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Studio Ghibli marks 40 years, but future looks uncertain
Studio Ghibli marks 40 years, but future looks uncertain

Malaysian Reserve

timean hour ago

  • Malaysian Reserve

Studio Ghibli marks 40 years, but future looks uncertain

TOKYO — Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation. But the future is uncertain, with latest hit 'The Boy and the Heron' likely — but not certainly — the final feature from celebrated co-founder Hayao Miyazaki, now 84. The studio behind the Oscar-winning 'Spirited Away' has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985. Its popularity has been fuelled of late by a second Academy Award in 2024 for 'The Boy and the Heron', starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world. In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator — raising questions over copyright. The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region. Julia Santilli, a 26-year-old from Britain living in northern Japan, 'fell in love with Ghibli' after watching the 2001 classic 'Spirited Away' as a child. 'I started collecting all the DVDs,' she told AFP. Ghibli stories are 'very engaging and the artwork is stunning', said another fan, Margot Divall, 26. 'I probably watch 'Spirited Away' about 10 times a year still.' 'Whiff of death' Before Ghibli, most cartoons in Japan — known as anime — were made for children. But Miyazaki and Takahata, both from 'the generation that knew war', included darker elements that appeal to adults, Miyazaki's son Goro told AFP. 'It's not all sweet — there's also a bitterness and things like that which are beautifully intertwined in the work,' he said, describing a 'whiff of death' in the films. For younger people who grew up in peacetime, 'it is impossible to create something with the same sense, approach and attitude', Goro said. Even 'My Neighbor Totoro', with its cuddly forest creatures, is in some ways a 'scary' movie that explores the fear of losing a sick mother, he explained. Susan Napier, a professor at Tufts University in the United States and author of 'Miyazakiworld: A Life in Art', agrees. 'In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together' unlike good-versus-evil US cartoons, she said. The post-apocalyptic 'Nausicaa of the Valley of the Wind' — considered the first Ghibli film despite its release in 1984 — has no obvious villain, for example. The movie featuring an independent princess curious about giant insects and a poisonous forest felt 'so fresh' and a change from 'a passive woman… having to be rescued', Napier said. Natural world Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world. A case in point was 1997's 'Princess Mononoke', distributed internationally by Disney. The tale of a girl raised by a wolf goddess in a forest threatened by humans is 'a masterpiece — but a hard movie', Napier said. It's a 'serious, dark and violent' film appreciated more by adults, which 'was not what US audiences had anticipated with a movie about a princess'. Ghibli films 'have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change', she added. Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature. 'That's why some children watch Totoro 40 times,' she said, adding that audiences 'discover something new every time'. – French connection – Miyazaki and Takahata — who died in 2018 — could create imaginative worlds because of their openness to other cultures, Yonemura said. Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation 'The Man Who Planted Trees'. Takahata studying French literature at university 'was a big factor', Yonemura said. 'Both Miyazaki and Takahata read a lot,' she said. 'That's a big reason why they excel at writing scripts and creating stories.' Miyazaki has said he was inspired by several books for 'Nausicaa', including the 12th-century Japanese tale 'The Lady who Loved Insects', and Greek mythology. Studio Ghibli will not be the same after Miyazaki stops creating animation, 'unless similar talent emerges', Yonemura said. Miyazaki is 'a fantastic artist with such a visual imagination' while both he and Takahata were 'politically progressive', Napier said. 'The more I study, the more I realise this was a unique cultural moment,' she said. 'It's so widely loved that I think it will carry on,' said Ghibli fan Divall. 'As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love,' she said. — AFP

Guangxi's Baise City Deepens China-Vietnam Ties Through Cultural Exchange
Guangxi's Baise City Deepens China-Vietnam Ties Through Cultural Exchange

Barnama

timean hour ago

  • Barnama

Guangxi's Baise City Deepens China-Vietnam Ties Through Cultural Exchange

KUALA LUMPUR, June 6 (Bernama) -- A series of cultural exchange events were held in Baise City, Guangxi, China, in April this year to mark the 75th anniversary of China-Vietnam diplomatic relations and the "Year of China-Vietnam Cultural Exchanges". According to the People's Government of Baise City in a statement, the activities aimed to promote mutual understanding and friendship, particularly among the younger generation, and to strengthen people-to-people ties between the two neighbouring countries. Baise City, which shares borders and close cultural ties with Vietnam, welcomed residents from Vietnam's Cao Bang Province, including participants from Cao Bang City, Trung Khanh District and Ha Quang District, to take part in the 2025 China-Vietnam Border Residents' San Yue San Festival Intangible Cultural Heritage Exhibition in Jingxi City. The event featured over 10 cultural programmes, including a China-Vietnam Youth Folk Music Concert at Jinxiu Ancient Town, where young performers from both countries jointly performed the song 'Vietnam-China'. A traditional costume showcase was also held at the Egret Spring Scenic Area, highlighting Zhuang ethnic attire and Vietnam's iconic Ao Dai in a scenic outdoor setting. The festival also included a speciality food exhibition, showcasing Vietnamese coffee, Chinese tea and local handicrafts. Youth participants engaged in a traditional embroidered ball-tossing event, using handmade balls from Jiuzhou Ancient Town in Jingxi. In Tianlin County, a Vietnamese art troupe was invited for the first time to perform at the opening gala of the 2025 Tianlin Zhuang Opera Festival. The troupe performed traditional Vietnamese songs such as 'The Road Home' and 'Gazing at the Moon, Thinking of You', alongside local Zhuang music performances. Meanwhile, Napo County hosted the 2025 Guangxi San Yue San · Napo Xiangdan China-Vietnam Border Residents Gala, featuring joint performances from both countries. Programmes included the 'Ao Dai and Conical Hat Dance' and a series of cultural showcases that reflected the ethnic diversity of the region. Other side events included a football invitational tournament, mountain song performances, and friendly competitions among border residents.

Sharing Four Seasons And Bonds Of Tohoku With World: "Tohoku Four Seasons & Tohoku Kizuna Festival" At Expo 2025 Osaka, Kansai, Japan
Sharing Four Seasons And Bonds Of Tohoku With World: "Tohoku Four Seasons & Tohoku Kizuna Festival" At Expo 2025 Osaka, Kansai, Japan

Barnama

timean hour ago

  • Barnama

Sharing Four Seasons And Bonds Of Tohoku With World: "Tohoku Four Seasons & Tohoku Kizuna Festival" At Expo 2025 Osaka, Kansai, Japan

SENDAI, Japan, June 6 (Bernama) -- The six Tohoku prefectures, Tohoku Tourism Promotion Organization, and Tohoku Kizuna Festival Executive Committee will hold the "Tohoku Four Seasons & Tohoku Kizuna Festival" at the 2025 Osaka, Kansai, Expo. This promotional event expresses the region's gratitude to the world for the support received after the 2011 earthquake, and allows visitors to experience its nature, culture, cuisine, technology, and people. At the venue, the Tohoku Kizuna Festival will deliver the various charms of Tohoku to the world through parades, traditional performing arts, tourism VR experiences, traditional craft workshops, and more. Images:

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store