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Pack these books for Coachella: Your music festival reading lineup

Pack these books for Coachella: Your music festival reading lineup

Calling all bookworms! Welcome to the L.A. Times Book Club newsletter.
I'm Meg. I write shut up and read, a book newsletter. I'm also on BookTok.
It's festival season. And no, I don't just mean The Times' Festival of Books happening at the end of the month (see you at my panel…?). I'm also talking about Coachella and, unfortunately, Stagecoach. Whether you're heading out to Indio, or enjoying the annual exodus of Angelenos, here are some books that give Coachella Valley vibes. As usual, you'll also find the latest in lit news below, plus, we hop on the phone with the Best Bookstore in Palm Springs.
Bikini Kill frontwoman and third-wave feminist punk icon Kathleen Hanna looks back on her life with introspection and candor in 'Rebel Girl.' She unburies trauma, writing frankly about personal traumas, including sexual assaults she survived as a teen and young woman, and reflects on how she made it out to the other side.
When I was 18, I went to Coachella. I should have been at home reading Sarvenaz Tash's 'Three Day Summer.' Tash reimagines 1969 Woodstock for the YA crowd, focusing on the budding romance between teens Michael and Cora against the backdrop of Janis Joplin, Jimi Hendrix and the Grateful Dead.
Before the Yuma tent, there was bloghouse. 'Never Be Alone Again' by Lina Abascal is an essential text on an under-documented era of music. Featuring a foreword by A-track, and interviews with everyone from Flosstradamus to Steve Aoki, this book is a time capsule that will have you scrolling through the Cobrasnake's archive and yearning for illegal MP3s.
'The Electric Kool-Aid Acid Test' by Tom Wolfe. Because, duh.
'A Visit from the Goon Squad' by Jennifer Egan is a structural marvel. Egan time travels across 40 years in her postmodern Pulitzer Prize-winning book, passing the baton among 13 protagonists, zig-zagging her way through the story of music mogul Bennie Salazar, his klepto assistant Sasha, and a cast of kooky characters. Reading this book for the first time is a transcendent experience.
Taylor Jenkins Reid's 'Daisy Jones and the Six,' obviously. This list wouldn't be complete without the historical fiction novel loosely inspired by Fleetwood Mac. Told as an oral history, the book weaves together interviews from the band members spanning nearly five decades. When you're done, binge-watch the television adaptation starring Riley Keough.
'The Final Revival of Opal & Nev' by Dawnie Walton follows a fictional iconic and interracial Afropunk rock duo, Opal Jewel and Nev Charles, who are on the brink of reuniting for the first time in over 40 years. Covering their reunion is Sunny, a Black journalist who has a personal connection to Opal, and is determined to land the tell-all story behind the pair. Walton's debut novel feels so authentic that I guarantee you will be double- and triple-checking that these characters aren't based on real people. Don't say I didn't warn you.
Forty years after Woodstock, co-creator Michael Lang and author Holly George-Warren wrote the seminal text for the festival. 'The Road to Woodstock' gives readers more than a behind-the-scenes look, it gives them backstage access, from finding Max Yasgur's farm that would ultimately host the fest, to negotiating with the Who and landing Jimi Hendrix — even if it cost an extra couple thousand dollars.
Lollapalooza's impact cannot be understated. That's the argument convincingly made in 'Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival' by Richard Bienstock and Tom Beaujour. In their oral history, the pair interview hundreds of artists, tour founders and Lollapalooza organizers, among others. In a review for The Times, Marc Ballon calls the account a 'fun, dishy and surprisingly moving read.'
(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)
Even warriors and queens, and warrior queens, risk it all for love. Join me — and legendary romantasy authors Melissa de la Cruz, Kristen Ciccarelli, Rachel Howzell Hall and Amalie Howard — at the Los Angeles Times Festival of Books for a discussion on revolutionary romance. Tickets required.
In early 2020, Albert Jones was sitting in his cell on San Quentin's death row as he had every day for nearly three decades, when reports of a mysterious respiratory illness started to circulate. Through it all, Jones kept detailed journals chronicling his anxiety over catching the 'killer virus.' And when he did contract COVID, he recounted his agonizing recovery. Now, a Sonoma County bookseller who sees Jones' collected works as a rare glimpse into one of America's most notorious cell blocks is selling some of his writing and prison memorabilia at a New York City book fair.
Krysten Ritter was on vacation in Mexico 13 years ago when a man on a bike approached her. He was looking for his partner who vanished without a trace. In her new novel, which she co-wrote with Lindsay Jamieson, she takes that incident and turns it into a 'hall of distorted mirrors' thriller called 'Retreat.'
At 50, Chelsea Handler has it all, including her sixth No. 1 New York Times bestseller, 'I'll Have What She's Having.' 'I'm so proud of myself for never falling into getting married or having a baby when I know those things aren't natural to who I am,' she tells The Times.
In Kevin Nguyen's gripping novel, the U.S. government sets up internment camps for citizens of Vietnamese ancestry following a wave of terrorist attacks. Lauren LeBlanc reviews 'My Documents' for The Times.
This week we hopped on the phone with Paul Bradley Carr, Silicon Valley journalist turned co-owner of the Best Bookstore in Palm Springs. Carr and his partner Sarah Lacy relocated to Palm Springs in 2019. To their dismay, there was no bookstore in town. So in 2022, they opened their own. Though Carr says at his age the ideas of festivals 'exhaust' him, the Coachella Valley local offers up a recommendation for both festival revelers — and avoiders.
What are the most popular titles at your store lately?
The No. 1 thing that's been flying off the shelves is this Facebook book, 'Careless People.' That's just selling by the bucketload. Since Facebook tried to stop it, we can't keep it in stock. That book was not going to do well. ... [Now] everybody wants this book.
And then the other one in Palm Springs is 'The Guncle' by Steven Rowley, which just keeps selling. We sold more than a thousand copies. It won the Thurber Prize last year. It's set in Palm Springs. It's a deeply funny book, but also about grief. It's got something for everyone.
'The Snowbirds' by Christina Clancy has just started flying as well, which just came out a couple of weeks ago.
What are upcoming titles you're excited about?
The No. 1 I'm most excited about is my own book. It's called 'The Confessions.' … It's really a book about how we trust technology with all of our secrets and what happens if technology decides to confess them all on our behalf. It's the AI thriller for people who definitely don't want to read an AI thriller.
I'm also very much looking forward to 'Notes to John,' the Joan Didion book about the letters that she wrote to her husband about her therapy sessions. It's a collection of those. It's wild.
Vauhini Vara's new book, 'Searches.' Her sister died and she got ChatGPT to write an article about it to figure out the connection between humanity and technology and how technology can help us deal with human things. And this is the book spinoff where she explores human consciousness and technology consciousness. It's a really surreal book.
On the mystery side, 'Fair Play' by Louise Hegarty is f— amazing. … It's a really modern, interesting, bizarre take on the murder mystery. I'm only about halfway through, but I cannot wait for this book to be in store. It's brilliant.
Can you recommend a book that gives festival energy?
I'm 45 years old [laughs]. The idea of festivals just exhausts me. I want to stay at home with a book and not go to a festival. But I understand the premise of your question.
I would stay at home and I would read Sarah Tomlinson's 'The Last Days of the Midnight Ramblers,' which is a brilliant book about fame and fandom and rock stars. It's the novel for if you have read 'Daisy Jones and the Six' and you're wondering what else to read.
The Best Bookstore in Palm Springs is located at 180 E. Tahquitz Canyon Way, Palm Springs 92262
See you in the stacks — or on Goodreads!
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EXCLUSIVE: Venus Williams gets own Barbie honoring her push for equal pay
EXCLUSIVE: Venus Williams gets own Barbie honoring her push for equal pay

USA Today

time2 hours ago

  • USA Today

EXCLUSIVE: Venus Williams gets own Barbie honoring her push for equal pay

When Mattel approached Venus Williams to make her own Barbie for the Inspiring Women Series, the American tennis legend was given free rein to select any outfit to be immortalized in. Williams, whose resume is long as her 6-foot-1 frame, had many moments to choose from throughout her trailblazing career. She could've selected the first of her seven Grand Slam singles titles at Wimbledon in 2000 or opted to memorialize her first of four Olympic gold medals at the Sydney Games that same year. Williams could've even took it back to the 1999 French Open, where she won the first of her 14 Grand Slam doubles titles with her little sister Serena Williams in their iconic braids and colorful beads. But Williams ultimately selected her win at the 2007 Wimbledon tournament and not for the reason you may think. It was the first year the women's and men's singles champions earned equal prize money at Wimbledon, a cause that Williams championed long before her win. "Wimbledon 2007 was a huge moment in my career — not just because I won, but because of what was happening off the court," Williams told USA TODAY Sports ahead of her Barbie's release on Aug. 15. "Championing for equal prize money wasn't just about me, it was about pushing for change for all women in sports. To see that moment honored with a Barbie doll is incredibly special. I hope it inspires young girls to speak up, believe in themselves, and know they have the power to change the game too." MORE: How to buy new Venus Williams Barbie, part of the inspiring women collection Venus Williams: 'My Barbie doll told my story' Williams said seeing her own Barbie marked a "full-circle moment." When she didn't have a tennis racket in her hand during her early years training alongside father, Richard Williams, and sister, Serena, Venus channeled her creative energy into giving her dolls one-of-a-kind makeovers. "I've always loved being creative, even as a kid, I used to sew clothes for my dolls," Williams recalled. "Seeing (my) finished doll was so surreal — it made me realize this doll represents something much bigger. It's about inspiring young girls they can dream big and break barriers too." Breaking barriers is Williams specialty. Two years before she triumphantly hoisted Wimbledon's Rosewater Dish for the fourth time in 2007, Williams met with officials from Wimbledon and the French Open. They were the two Grand Slams that didn't pay equal prize money at the time. When no change came from the meeting, Williams refused to leave the ball in the officials' court. She penned an article in The Times at the start of the 2006 tournament titled: Wimbledon has sent me a message: I'm only a second class champion. Williams' article was the catalyst for Wimbledon and the French Open to change. Both tournaments announced equal prize money for all competitors, beginning in 2007. Williams went on to win her sixth major singles title at Wimbledon that year and was the first woman to win the same purse as male champion Roger Federer. "My advice to any woman, not just advocating for equal pay but also advocating for themselves, is this: always bet on yourself and keep pushing, no matter how tough it gets," Williams told USA TODAY Sports. "There's so much power in believing in yourself. When you use your voice, you create space for others to speak up too and that can create real change." Venus Williams collaborated 'closely' on Barbie Williams' Barbie is wearing a two-piece white set identical to what she wore to defeat France's Marion Bartoli, 6–4, 6–1, in the 2007 Wimbledon final. Her "Inspiring Women Series" doll also features Williams' accessories from the match, including her green gem necklace, dangly earrings, wristbands and visors, in addition to Reebok tennis shoes. 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Hannah Einbinder imagines life after ‘Hacks'
Hannah Einbinder imagines life after ‘Hacks'

Los Angeles Times

time2 hours ago

  • Los Angeles Times

Hannah Einbinder imagines life after ‘Hacks'

When casting began in 2020 for the award-winning HBO Max series 'Hacks,' its three creators — Paul W. Downs, Lucia Aniello and Jen Statsky — saw hundreds of actors for the role of Ava Daniels, a 20-something comedy writer who teams up with a Vegas comedian, Deborah Vance (Jean Smart), whose act has grown as dated as her updo and glittery outfits. In choosing Hannah Einbinder, they put a little-known stand-up comic who'd never before set foot on a TV series shoot on a path to four Emmy nominations. So what did they see then that indicated Einbinder could hold her own with Smart, a storied actress who famously can do anything? Downs, who also stars as manager Jimmy LuSaque Jr. on 'Hacks,' says Einbinder caught the trio's attention with her audition scene, in which Ava threatens to kill herself after learning that her tweet about a closeted senator and his gay son has rendered her unhirable. 'A lot of really funny, really talented actresses read for the part, but their reads were emotional,' he says. 'Hannah read it in a way that was dry, sardonic, the way that a comedy writer would say it, and she just had this toughness about her.' Ava's decision to blackmail Deborah into letting her become head writer of her new late-night talk show signaled a power shift in the series, and Season 4, which premiered in April, is distinctly more Ava-centric. Even as her unsinkable, emotionally complicated boss combats Ava's efforts to elevate the show at every turn, Ava's maturation stands out. With some comedic hurdles, of course. Sitting in a conference room at The Times, Einbinder acknowledges that Season 4 showed the 'Hacks' writers knew she could take her performance into fresh territory. 'I think there are moments in the series where they gave me new mountains to climb,' she explains, citing Ava's epic meltdown after realizing her writing staff has exploited her team-building gestures, a reaction that combines high-decibel shouting with the hurling of a $70 branzino. 'Totally enraged is not a place that I've ever gone before as an actor.' Back on Day 1 of her 'Hacks' journey, Einbinder arrived on set knowing so little about making a TV show that her go-to source for the ins and outs of hitting a mark was Michael Caine's legendary how-to handbook, 'Acting in Film.' Downs attributes her rapid growth since to a combination of hard work and raw talent. 'Some people just have a natural-born ability to make dialogue that's written seem like it's said for the first time and they are just living that moment,' he says, adding, 'She's someone who prepares so much. I've seen her scripts, filled with notes. She's always working on lines, thinking about the character.' 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'The type of comedy that late-night hosts do reflects a pretty moderate centrist Democrat position, so it scares me that, like, the middle-of-the-road Dem white guys are being silenced and what that means for people who are really actually speaking truth to power.' Despite this bout of caution, Einbinder can also be an open book. In high school she was diagnosed with ADHD and prescribed a heavy dose of Adderall, and as a result, she says, she doesn't have much access to those years. 'My best friend Phoebe will be, like, 'Remember when you did that crazy thing?' And I'm like, 'Absolutely not. I sound awesome in that story. I'll take your word for it.'' When asked about the first live comedy show she ever attended, she says, 'Bill Maher, which I am kind of humiliated to admit. Sorry, Bill.' A pause. 'Not really.' Then she leans over my digital recorder and gives a quick, wet Bronx cheer. Her 2024 stand-up comedy special for HBO Max, 'Everything Must Go,' is wall-to-wall personal anecdotes, some of them embarrassing. But something else in that hour convinced transfeminine writer-director and indie force Jane Schoenbrun ('I Saw the TV Glow') to cast Einbinder in their upcoming film, 'Teenage Sex and Death at Camp Miasma.' 'It was almost like she was dancing with the camera,' says Schoenbrun. 'I love 'Hacks' and think Hannah displays incredible acting chops, but it's a sitcom, and I'm making something more of an art film. And I found her deranged physicality exciting.' In 'Miasma,' Einbinder, who is bisexual, plays a queer director who, after being hired to direct the latest installment of a slasher franchise, travels to a remote cabin to meet with an original cast member (Gillian Anderson) and falls into what Schoenbrun has described as 'a frenzy of psychosexual mania.' Considering that Einbinder chose 'Miasma' as the first big step she's taken outside of 'Hacks,' it seems like an indicator of the sort of career she is hoping to build. 'Comedy feels really good,' she says. 'But I also want to make sure that the projects I join are emotionally fulfilling. Jane is someone I feel so aligned with, and the work that Jane makes is so deeply personal and queer. It's just exactly the type of thing I wanted to do.' 'I'm on another movie right now — it's a really cool comedy,' Einbinder says of an ensemble film that's yet to be announced. Then, next month, she's expected back at 'Hacks.' Even when its three creators were pitching the series, the plan was to end after five seasons. So mapping out her future path isn't just whimsy. (The series has been renewed for a fifth season, and while there's no official word on an end yet, many viewers have speculated that Season 5 will indeed be its last.) 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LA Times Today: Secrets of the Lucas Museum landscape
LA Times Today: Secrets of the Lucas Museum landscape

Los Angeles Times

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  • Los Angeles Times

LA Times Today: Secrets of the Lucas Museum landscape

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