
I met Ozzy Osbourne at his home after he'd quit boozing – he then offered me a beer at 10am, says Sun photo legend
It was 2006, and the Black Sabbath frontman and his wife Sharon had spent so much time filming MTV reality show The Osbournes in LA, they hadn't returned to the estate in Little Chalfont for several years.
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Legendary Black Sabbath frontman Ozzy Osbourne and wife Sharon
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Sun photographer Dave Hogan reveals how the Prince of Darkness was one of the most down-to-earth celebrities he ever met
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Dave photographed Ozzy at his sprawling home in 2002
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Today, their pal — legendary Sun photographer Dave — reveals how
The snapper, affectionately known in the showbiz world as Hogie, recalls: 'That day, he really did make me laugh.
"I was taking his picture for The Sun, but he didn't want the house shown as they'd been burgled there so didn't want to feature the actual property.
'Instead, we went into the grounds. He suddenly stopped, looked around and said how he'd forgotten they even owned it.
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'It was the kind of thing he would just come out with.' Dave added of Ozzy, who revealed in 2020 that
'There was no filter, he was just honest. He spoke what he thought and that was it.'
Recently, the Osbournes built a 'rehab' wing on the sprawling estate, which included a health and welfare exercise studio, art studio room, pool house and spa.
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Hogie first met Ozzy — known as the Prince of Darkness — in Los Angeles in 1988.
But when he arrived at the family's American mansion, he was stunned to find the star had chopped off his trademark, long, flowing locks.
Ozzy Osbourne is seen in touching final video having breakfast with his family just two days before his death
Describing his first encounter with the Black Sabbath icon, Hogie says: 'Obviously they were a huge band, but as heavy metal wasn't huge for The Sun, I didn't photograph him until the late Eighties.
'When he opened the door and had cut all his hair off, I was a bit shocked. But the pictures were great, he was amazing on camera, he knew how to perform.'
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Sharon was there too, together with Kelly, now 40, and Jack, 39, who were toddlers at the time.
Hogie says: 'They were very welcoming and the kids were really cute.
'We started to chat but, after a little while, Sharon said that they had to go and pick their older daughter Aimee up from nursery.
"The housekeeper was there, but they asked me to help keep an eye on the kids while they went to collect her.
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'He kept pouring beer'
'They were just a normal, down-to-earth couple.'
Hogie says that over the years, that never changed — but the dynamic did.
He explains: 'I remember flying over to LA to do a shoot with them and the focus for the pictures then was Sharon. But
"In fact he loved it. It was like he was her sidekick, her butler; whatever he was, they were a team.
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'And within minutes of me being there, he said, 'Dave, do you want a drink?'.
'I knew he was a reformed alcoholic, so I thought it was a bit odd, but Sharon said, 'Just let him pour you a drink, he likes to pour drinks for other people'. It was about 10am and the last thing I wanted was a beer, but I said yes.
'And he opened a can and poured me this perfect pint. I couldn't drink it as I wouldn't have been able to do my job properly.
'But that didn't stop
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Ozzy in 1988 after chopping off his trademark long locks
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Ozzy working out in the Eighties
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But he grew serious about his sobriety around 2014, after numerous failed attempts at rehab and recovery dating back to 1984.
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In a recent interview, he told The Sun that he once downed 28 gallons of booze to get through the Christmas season.
Hogie says: 'I never saw him drinking. But even though he had stopped all of that, he was still up for a great time.
'I remember, after one MTV Awards, he got a group of people together to carry on partying.
Imagine what a night out with Ozzy would have been like.
Dave Hogan
'There was him and Grace Jones and a few others. Sharon said to me, 'I'm going home, I've given him £500 to go out. You go with him, you'll have a great time'.
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'But I couldn't. I had to send the photos in from the night.
'But it is a regret — imagine what a night out with Ozzy would have been like.'
Hogie pictured the rock 'n' roll legend when he was on stage, too, and says he was a 'born performer', adding: 'He was just great to watch, he would really come alive. I loved photographing him backstage, too.
'After he'd knocked all the drink and drugs on its head, he would be going for it with weights and sitting on his exercise bike.
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'It really was a case of, 'Well done, mate,' to be able to change the way he did and try to focus on fitness instead of booze and drugs.
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A waitress serves Ozzy and fellow rocker Slash in 2008
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Ozzy with Sharon and kids Kelly Jack and Aimee in early Nineties
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'Despite how famous and successful he was, he was never flash.'
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Ozzy died just weeks after a farewell show at which he reunited with his Black Sabbath bandmates on stage at Villa Park.
Performing atop a throne, he told 42,000 adoring fans: 'You've no idea how I feel — thank you from the bottom of my heart.'
Some of his favourite acts also played, including Metallica and Guns N' Roses.
Ozzy and his fellow original Black Sabbath members — Tony Iommi, Terence 'Geezer' Butler and Bill Ward — had reunited for the first time in 20 years.
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Hogie says: 'What a legacy. And Sharon helped organise it, too.
'They were a wonderful couple. Ozzy was always there for his wife and she is going to miss him.
'There are not many people like Ozzy left in this world. A true legend. He is one of the greats.
'One of the people you remember where you were when he died. I'm proud I could call him a friend.'
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Irish Examiner
5 hours ago
- Irish Examiner
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'When we first started talking about this exhibition,' says Cremin, 'I met Gilliam's widow, Annie Gawlak. She came to IMMA and told us about how Gilliam had completed a three-week artist's residency at the Ballinglen Art Foundation in County Mayo in 1993. 'Gilliam normally worked on large canvases with petroleum paints, but he wasn't allowed to bring those paints on the plane, so he dyed and painted fabric and sent it on ahead to Ballinaglen. And when he got there, he worked with a local seamstress to collage pieces of the fabric together, so they're kind of stacked on top of each other. You'll see one of those pieces in the exhibition, it's part of a series of four called Cottages. I think the experience was quite transformative for him.' 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He wasn't making work that was overtly political, he was making art for art's sake. But that said, he was very involved in the establishment of the Studio Museum in Harlem, and he was part of a very important exhibition called X in America. 'And also, I guess he does engage politically, in that a lot of his paintings are called after significant black figures, like Martin Luther King. There's one piece in the exhibition here called Count On Us, which is this beautiful three-coloured canvas that's referencing when Obama was voted in as president. It was a very aspirational and very exciting time. So, he referenced politics in a different way.' Mary Cremin, curator. Sewing Fields was organised in collaboration with the Sam Gilliam Foundation, which is run by the late artist's family. 'Gilliam was very supportive of young black artists, and his foundation has continued that work,' says Cremin. 'They also collaborate on exhibitions such as this, ensuring that Gilliam's work is shown as he would have liked. Some of the work in Sewing Fields has never been shown before, and some of the technicians who'd been with Gilliam since the 1980s came over to help with the installation. 'It's only two years since Gilliam passed, but I guess it's important for his work to continue to grow, and for people to have an increased awareness around him. In terms of contemporary Ireland, this is not just the first time he's been shown here since the 1970s, it's his first museum show here as well. Many of these works have never been exhibited before, and many people are travelling over from America to see the show. It's really exciting for us.' Gilliam's time in Mayo may have been brief, but the landscape had a big influence on his work, says Cremin. 'Even towards the end of his life, he was making these really large paintings, with thick impasto, he called Downpatrick Head and Irish, County Mayo. As Annie says, he always referenced back to his time in Ireland.' Sam Gilliam, Sewing Fields runs at the Irish Museum of Modern Art until January 25, 2026. Further information:


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