Tune in to Manning's first press conference on Monday
You will be able to watch and listen to Liam Manning's first press conference as Norwich City head coach live on the BBC website on Monday.Manning, the first Norwich native to take on the role, will be speaking to BBC Radio Norfolk for the first time.It will also be streamed on BBC Norfolk's news page.Click here to tune in at 10:00 BST on Monday.
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The Sun
19 minutes ago
- The Sun
Brutal Ange Postecoglou sacking leaves burning question for Daniel Levy: What is the point in Tottenham Hotspur?
MATE, oh mate, we'll miss you, mate. Even though you weren't our mate. And we knew that, especially if you called us "mate". 4 4 4 4 Ange Postecoglou, you were the last fair-dinkum footballing romantic inside the cynical world of Premier League football. You staked your reputation, you risked your job, on winning silverware for Tottenham. You told us you always won things in your second season in any job and we laughed at you and said, "Yes, mate, but this is Tottenham". And then you went and won something in your second season. You gambled and it paid off and yet they sacked you anyway. And what could be more cynical than that? You realised that winning the Europa League would mean far more to Spurs fans than finishing in the top half of the Premier League and you told us so. Just like you told us time and again that VAR is ruining the enjoyment of football. Just like you told us that those stats bores who try to suck the joy out of the game spend most of their time spouting nonsense. JOIN SUN VEGAS: GET £50 BONUS Ange Breaks Silence On Tottenham Sacking ANGE Postecoglou issued a statement just moments after being axed. It read: "When I reflect on my time as manager of Tottenham Hotspur, my overriding emotion is one of pride. "The opportunity to lead one of England's historic football clubs and bring back the glory it deserves will live with me for a lifetime. "Sharing that experience with all those who truly love this club and seeing the impact it had on them is something I will never forget. "That night in Bilbao was the culmination of two years of hard work, dedication and unwavering belief in a dream. "There were many challenges to overcome and plenty of noise that comes with trying to accomplish what many said was not possible. "We have also laid the foundations that means this club should not have to wait 17 more years for their next success. "I have enormous faith in this group of players and know there is much more potential and growth in them. I sincerely want to thank those who are the lifeblood of the club, the supporters. "I know there were some difficult times, but I always felt that they wanted me to succeed and that gave me all the motivation I needed to push on. "It's important to acknowledge the hard working people at Spurs who gave me encouragement on a daily basis. "And finally, I want to thank those who were with me every day for the last two years. "A fantastic group of young men who are now legends of this football club and the brilliant coaches who never once doubted we could do something special. 'We are forever connected. Audere est Facere.' You were right about all of those things and plenty more. You were chippy and sarcy and narky but you spoke more good, honest commonsense than any other manager in the Premier League has done for years. You spoke like a true lover of the game, a true fan, with all the heart-on-sleeve emotion and all the 'us against the world' spikiness that entails. You tried to play football the right way, the Spurs way, the glory, glory way, the 'To Dare Is To Do' way. And if it often looked naive and inflexible, then at least you never bored the pants off us. 'Are you not entertained?' you asked us and, invariably, we were. Even if Spurs invariably lost. Your policy of prioritising the Europa League over the Premier League cut to the heart of the essential question any Tottenham Hotspur manager should ask, namely: 'What is the point of Tottenham Hotspur?' For an entire generation, Spurs were the sixth richest club in England and since Newcastle's Geordie Arabia revolution, they are the seventh richest. As a result, Spurs are unlikely to win the Premier League any time soon. The peak of their realistic ambitions are to win knock-out competitions and to consistently entertain, to bring joy to those who pay to watch them. And if that wasn't the case very often last season - when Spurs lost 22 league matches and finished 17th - then at least it was always the intention. The scenes witnessed in Bilbao after the Europa League Final victory over Manchester United - and at the trophy parade a couple of days later - will be remembered by Spurs supporters for as long as they live. You were the last fair-dinkum footballing romantic inside the cynical world of Premier League football." Dave Kidd on Ange Postecgolou And that was down to you, Ange Postecoglou - a bloke who grew up on the other side of the world, where football is a minority sport. An outsider, consistently patronised and belittled throughout your career. A man who never tried to pretend that those attitudes didn't hurt you. And you defended your club. You hated the way we often laughed at it. You railed against long-held perceptions and 'agendas' and you stuck up for Spurs. You were loyal and you were proud and yet, ultimately that loyalty was never repaid. Because ultimately, no major football club, no big company, ever truly gives a stuff about its employees. We will miss you, mate. And if you ever wind up on our shores again, we will welcome you with open arms.
Daily Mail
27 minutes ago
- Daily Mail
Coronation Street's Jack P Shepherd reveals 'shock' over soap awards snub as he reflects on his reaction during ceremony
Coronation Street star Jack P. Shepherd was left gobsmacked after being snubbed at this year's British Soap Awards – and his stunned reaction said it all. The 37-year-old, who has played David Platt since he was 12, had high hopes of adding a third gong to his shelf during Saturday night's star-studded event. But despite being one of the longest-serving and most recognisable faces on the cobbles, Jack lost out to Patsy Palmer and her Eastender's character Bianca Jackson. While he congratulated the winner, Jack couldn't help but reveal how 'shocked' he was and felt the award should have been his, as he declared the was 'fuming'. Speaking on his podcast On The Sofa with co-stars Ben Price and Colson Smith, the star admitted he couldn't hide his reaction when the camera panned on him. From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the Daily Mail's new Showbiz newsletter to stay in the loop. The 37-year-old, who has played David Platt since he was 12, had high hopes of adding a third gong to his shelf during Saturday night's star-studded event but lost out to Patsy Palmer and her Eastender's character Bianca Jackson Colson said: 'You worked so hard to receive this Best Comedy nomination...' to which Jack replied: 'I have. 'I've been trying for years to get a nod for comedy cos I've never been nominated for it before.' Colson then probed: 'And how are you feeling about the result? Your frenemy...' Jack admitted: 'It was a shock. It was a shock. If you watched it, you will notice that my reaction is genuine. 'I'm completely blown away. I didn't win. I couldn't hide it.' Bursting into fits of laughter, Ben, 53, who plays Jack's onscreen brother Nick Tilsey joked: 'I was sat behind you and I'd gone. 'I couldn't think of anything more funny then not winning the comedy and then Patsy winning it who'd been in Big Brother with you - and then name checking you saying "I thought Jack would win"' To which Jack exclaimed: 'And then I said "So did I!"' Ben then asked: 'Were you fuming? Was that your fuming face?' 'Yeah' said Jack. 'I was just blown away. I was as much blown away as winning Big Brother as I was losing that award.' Speaking on his podcast On The Sofa with co-stars Ben Price and Colson Smith (pictured) Jack admitted while he congratulated the winner, he was 'shocked' and felt the award should have been his, as he declared the was 'fuming' Meanwhile Patsy left both the crowd and viewers at home in stitches during the British Soap Awards, as she went off in a tangent about vaginas during her award acceptance speech It was the BBC 's EastEnders that cleaned up on the night with eight awards while Hollyoaks received three, Emmerdale two and Coronation Street only one. Meanwhile Patsy left both the crowd and viewers at home in stitches during the British Soap Awards, as she went off in a tangent about vaginas during her award acceptance speech. The actress, 53, won the prize for Best Comedic Performance at the annual ceremony, held on Saturday night at London 's Hackney Empire. As she took to the stage to accept the gong, Patsy got rather sidetracked, as she deliver an ode to vaginas, that had the audience breaking down into laughter. She made the X-rated remarks in reference to EastEnders' live 40th anniversary special, which saw Bianca having to help sister Sonia (Natalie Cassidy) give birth after they became trapped in the Queen Vic with cousin Lauren (Jacqueline Jossa) following the explosion. The scene had viewers cracking up as Bianca and Lauren argued over who had to help, with both reluctant to get up close and personal with the birth. It culminated with Bianca taking a huge glug from a bottle of brandy for some liquid courage, before declaring the now-iconic line: 'It's only a noony Lauren!' Referencing the hilarious moment, Patsy began her speech: 'Listen I haven't prepared a speech, because I really thought Jack was gonna win. 'To be able to funny in all what of we've seen tonight is nothing short of miracle really. I'd like to thank Shona McGarty for leaving, because if she hadn't have left I wouldn't have come back. 'I wasn't expecting that and I'm so glad I did because then I stayed for the 40th and that was really where we celebrated the women's vagina!' However, Patsy didn't stop there, valiantly continuing on to add: 'I think vaginas have always been funny.' She then changed tone to express her thanks to show and even choked back her tears, as she gushed: 'All jokes aside, coming back to EastEnders after quite some time has been the most amazing experience for me and I'm so grateful. Beyond grateful. 'And I'm not going to cry, so I'm going to go, because it is a comedy award. But you really have no idea what a gift it's been for me to come back.' Viewer Voted Categories: Best British Soap: Coronation Street EastEnders - WINNER Emmerdale Hollyoaks Best Leading Performer: Kellie Bright (Linda Carter, EastEnders) Eden Taylor-Draper (Belle Dingle, Emmerdale) Beth Cordingly (Ruby Miligan, Emmerdale) Villain of the Year: Calum Lill (Joel Deering, Coronation Street) Navin Chowdhry (Nish Panesar, EastEnders) - WINNER Ned Porteous (Joe Tate, Emmerdale) Tyler Conti (Abe Fielding, Hollyoaks) Best Comedy Performance: Jack P Shepherd (David Platt, Coronation Street) Patsy Palmer (Bianca Jackson, EastEnders) - WINNER Nicola Wheeler (Nicola King, Emmerdale) Nicole Barber-Lane (Myra McQueen, Hollyoaks) Panel Voted Categories: Best Family: The Platts (Coronation Street) The Slaters (EastEnders) The Dingles (Emmerdale) The Osbornes (Hollyoaks) - WINNER Best Dramatic Performance: Peter Ash (Paul Foreman, Coronation Street) Steve McFadden (Phil Mitchell, EastEnders) - WINNER Eden Taylor-Draper (Belle Dingle, Emmerdale) Isabelle Smith (Frankie Osborne, Hollyoaks) Best Single Episode: Mason's death (Coronation Street) Phil's psychosis: the Mitchells in 1985 (EastEnders) - WINNER April's life on the streets (Emmerdale) Hollyoaks time jump (Hollyoaks) Best On-Screen Partnership: Alison King and Vicky Myers (Carla Connor and Lisa Swain, Coronation Street) Rudolph Walker and Angela Wynter (Patrick and Yolande Trueman, EastEnders) - WINNER William Ash and Beth Cordingly (Caleb and Ruby Miligan, Emmerdale) Nathaniel Dass and Oscar Curtis (Dillon Ray and Lucas Hay, Hollyoaks) Best Newcomer: Jacob Roberts (Kit Green, Coronation Street) Laura Doddington (Nicola Mitchell, EastEnders) Shebz Miah (Kammy Hadiq, Emmerdale) Isabelle Smith (Frankie Osborne, Hollyoaks) - WINNER Best Storyline: Paul's battle with MND (Coronation Street) Phil Mitchell: Hypermasculinity in crisis (EastEnders) Belle and Tom - Domestic Abuse (Emmerdale) Sibling sexual abuse (Hollyoaks) - WINNER Best Young Performer: Will Flanagan (Joseph Winter-Brown, Coronation Street) Sonny Kendall (Tommy Moon, EastEnders) Amelia Flanagan (April Windsor, Emmerdale) - WINNER Noah Holdsworth (Oscar Osborne, Hollyoaks) Scene of the Year: Amy's deathly plunge reveals a grisly secret (Emmerdale)
The Sun
33 minutes ago
- The Sun
Only in UK could we be forced to pay for BBC then have to cough up for best TV on streaming services – it's got to stop
TURN on your TV today and you'll find schedules filled with true crime thrillers and celebrity reality shows or, at the other extreme, indulgent tripe pandering to Gen Z snowflakes. But unless the Big Five channels stop making so much b****ks and grow some balls, they're going to kill British TV as we know it. 5 5 5 Because BBC One and BBC Two, ITV, Channel 4 and 5 — whose listings increasingly read like a suicide note — are entering the final stages of a fight for their survival. They're up against Netflix, Sky, Prime Video and countless other corporations with deep pockets and big ambitions. Proof came this week in the unlikely form of Blind Date, a much-loved TV format that was once on ITV but has now been snapped up by Disney+. Yeah, that's right, Disney+. Paying through nose Years ago, the subscription services started out providing an alternative to traditional telly, then they began copying the traditional providers and, recently, they've started stealing their big-name talent — Jeremy Clarkson, Emma Willis, Amanda Holden, Holly Willoughby. Now the Blind Date deal shows that the super streamers are literally out to thrash the Big Five at their own game. The gloves have come off . . . but the increased competition won't stop us paying through the nose. Only in Britain could we be forced by law to shell out for a home-grown broadcasting service, only to find the best TV shows are increasingly made by largely foreign-owned streamers. Then — in the ultimate rip-off — we have to cough up even more money to watch them. That's the enraging situation we find ourselves in in the year 2025. Although there are some notable exceptions on the BBC, ITV and Channel 4, the consensus is that subscription services are now making the most electrifying programmes on the planet. Brassic Bids Farewell: Michelle Keegan's Final Series Think about it. Dramas including Adolescence, Baby Reindeer, Rivals, The White Lotus, Slow Horses. And consider the shows that have given us the biggest laughs over the past few years — hits like Last One Laughing, Ted Lasso, Brassic, Clarkson's Farm. None of the above was delivered by the traditional Big Five terrestrials. So, why can't the channels we already pay for make more of the TV that gets us excited? The obvious response from the top UK channels would be that they are still giving us blockbusters — Strictly, I'm A Celebrity, Bake Off, The Traitors, Love Island and dramas like Happy Valley or Mr Bates Vs The Post Office. 5 They are all, to be fair, brilliant. But so much of it is old now. It's predictable. And the new hits are few and far between. Though the streamers obviously have pots of cash to spend, it's not just a money problem either. Look no further than the recent co-production between Disney+ and the BBC on Doctor Who. It's easy to understand why other shows that are laden with CGI and big Hollywood stars end up on the streamers, but why is it that comedies like Ted Lasso never seem to pop up on ITV? Rod It was, by most people's standards, an unmitigated disaster. The studio giant pumped millions into cutting-edge special effects, sets that dazzled rather than wobbled and genuinely monstrous monsters. And what did the BBC do? They squandered it by turning a sci-fi classic into a series of woke lectures that had viewers turning off in droves. Now the Disney+ deal is hanging in the balance and they're having to bring back David Tennant. It's easy to understand why other shows that are laden with CGI and big Hollywood stars end up on the streamers, but why is it that comedies like Ted Lasso never seem to pop up on ITV? ITV, by the way, recently spent millions launching The Genius Game, with David Tennant as host, only to end up with one of their most expensive flops in years. And the one thing I thought while watching the brilliant, gritty drama Adolescence was, this could easily have been done by Channel 4. Neither Adolescence nor Ted Lasso would have cost that much to produce, surely? It's not Star Wars or Bridgerton. Pure extortion Part of the problem, it seems, is that a lot of creatives and execs now don't just chase the money — they also chase trends and credibility. At last month's TV Baftas, around a third of the nominations went to streamers — a figure that's been growing rapidly over the past decade. That, too, could reach a tipping point in a couple of years. The solution is glaringly obvious, but not easy. If Disney+ steal Blind Date, come up with the next Blind Date. If they lose Clarkson to Prime Video, find the next Jeremy. If Netflix do Bridgerton, come up with another twist on the period drama. They need to stop the rot in terrestrial telly, because one day a cluster of these streamers will start offering a one-price-buys-all subscription deal that will make the licence fee look like pure extortion. Then public service broadcasting's days really will be numbered.
