logo
Fans 'thrilled' by theme park announcement for fastest ever rollercoaster yet

Fans 'thrilled' by theme park announcement for fastest ever rollercoaster yet

Daily Mirror15-06-2025
News that a brand new coaster is coming to a theme park in California has fans ecstatic but especially because this one in particular has a special feature like no other - the highest speeds ever
If you're a fan of thrills, spills and all things theme park, then you'll be just as over the moon as other avid fans who are delighted with news of a brand new rollercoaster coming to a fan-favourite park. And not just a new coaster, but one with a big name brand attached to it that fans of the movie franchise, that has spanned over 11 movies no less, will revel in.
As if zipping about at ultra high speeds isn't thrilling enough, the new ride coming to Universal Studios Hollywood is the fastest coaster they've ever created, with expected speeds of 72mph - faster than the park's Islands of Adventure ride, Velocicoaster, which reach dizzying speeds of 70 mph, and is located over in Orlando, Florida.

Fast & Furious: Hollywood Drift is the first-ever, high-speed outdoor roller coaster for the Californian park, launching in 2026, and will debut as the fastest roller coaster in the Universal Destinations & Experiences portfolio. Work is already well underway and fans are ecstatic to see the exhilarating Fast & Furious universe brought to light.

Theme park super fan Karen McGregor, revealed the new coaster will see her travelling to the other coast of America. "I'm always in Orlando's Universal parks as an annual passholder, but this news means I'll be looking at flights to LA as soon as I find out the exact opening date.
"It's so exciting to have a new outdoor coaster come to the west coast and I can't wait to ride - and take the whole family. The teens will love it!"
Although an exact date hasn't been released yet, fans already know what they're in for after the ride vehicle was recently released. Riders can expect to zip along 4,100 feet of elaborate track inside a replica of main character Dominic Toretto's car, which will have a groundbreaking 360-degree rotation.
Dom, played in the movie franchise by Hollywood actor Vin Diesel, is famous for driving a black 1970 Dodge Charger. The fully rotational ride vehicles will create a seamless sensation of drifting cars as guests spin in motion at furiously fast speeds while being catapulted along an aerial track that winds its way over sections of the theme park, including the multi-level escalator that connects the Upper and Lower Lots.
And in classic Universal style, the queue sounds just as fun as the ride itself, with fans expected to line up within an expansive garage-like structure before settling into one of four ride vehicles, designed to look like the iconic cars from the films. The ride will be located on the Upper Lot of Universal Studios Hollywood bringing a whole new perspective to the park for visitors.
The ride will join Universal Studios Hollywood's slate of unprecedented groundbreaking attractions, including the interactive land, SUPER NINTENDO WORLD™, featuring the critically-acclaimed Mario Kart™: Bowser's Challenge ride; The Wizarding World of Harry Potter ™, Jurassic World—The Ride; Illumination's award-winning The Secret Life of Pets: Off the Leash as well as the theme park's signature, behind-the-scenes Studio Tour attraction.
If you fancy visiting, then you can buy a one day Universal Studios Hollywood ticket and get a second day free with AttractionTickets.com. Prices for 2026 start from £89 per adult and £85 per child based on Spring arrivals. The second day can be used any time within a week of the first.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Shrek 5 release date pushed back another 6 months and fans have same theory why
Shrek 5 release date pushed back another 6 months and fans have same theory why

Daily Mirror

time39 minutes ago

  • Daily Mirror

Shrek 5 release date pushed back another 6 months and fans have same theory why

Universal and DreamWorks Animation have postponed Shrek 5 for a second time; it is now set to be released in 2027. Fans think their honest opinions are the reason for the push back Shrek fans have been waiting in anticipation for the fifth film about the hilarious ogre, his Princess Fiona, and their companions Donkey and Puss In Boots embark on another adventure together. However, despite a 15 year wait since the last Shrek blockbuster, it has been confirmed that the release date has been pushed back for a second time - and it is now set to be a 2027 film. ‌ The new film, which sees Mike Myers, Cameron Diaz and Eddie Murphy reprise their roles as well as Zendaya join the cast as Shrek and Fiona's daughter, was due to be released in July next year. The release date was pushed back earlier this year to December 23 - with fans predicting it to be a Christmas treat for families. ‌ However, now the date has been pushed back a further six months to Wednesday, June 30, 2027. Fans think they have worked out the reason for this. The release date change comes after the trailer for Shrek 5 came out in February - and fans are not happy with how it looks. ‌ The trailer for the new movie shows Shrek and Donkey asking the Magic Mirror 'who's the fairest of them all?' to which the mirror replies 'why Shrek, of course?'. Fiona, Felicia and even Pinocchio join in on the fun to look at the mirror's depiction of Shrek who is shown to, unusually, have a six pack. Fans of the film series were quick to share their thoughts on the trailer on X. People were left unhappy with how different the animation looks in comparison to the other films in the franchise. One said "the art style is horrible", while another said "this is awful". ‌ Many hope that the criticism of the trailer has made DreamWorks and Universal listen to what fans want. In a post on @DicussingFilm which said: "SHREK 5 has been delayed to June 30, 2027." One individual commented: " listened to the community? That's quite significant, if true." While another said: "That's one step in the right direction." ‌ Someone else insisted"Good, fix the character design," another insisted," as another agreed: "They delayed it to change the animation style, trust." Another echoed: "I hope it's to fix the character design," while another added: "They definitely are changing the animation style after the backlash." Many others were sad it was such a long wait, although they said they wanted producers to get it right. "It sucks, but if this means that Shrek 5 is going to be ten times better, then it's worth the wait," wrote one person. ‌ While another added: "It's okay to wait, but that way it seems a bit too far. Far far Away." Universal Pictures has been approached for comment. Comedic legend Eddie Murphy, the voice behind Donkey, spoke last year about work being done on the fifth Shrek movie and even teased a future film. He told Collider: "We started doing [Shrek 5] months ago. I recorded the first act and we'll be doing it this year, we'll finish it up. "Donkey's gonna have his own movie. We're gonna do Donkey as well. We're doing a Donkey one next."

Fringe theatre reviews: Do You Accept These Charges
Fringe theatre reviews: Do You Accept These Charges

Scotsman

timean hour ago

  • Scotsman

Fringe theatre reviews: Do You Accept These Charges

Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Do You Accept These Charges? ★★★★ Pleasance Courtyard (Venue 60) until 24 August Fast-talking Californian Laurie Magers loves a 'bad boy' – so bad that he's in prison for assault with a deadly weapon. Having sex as soon as possible 'because I'm a feminist', as she repeatedly says, this is the real-life story of a gregarious, sparkly eyed and defiant bisexual Filipino-American who is certainly not a victim but becomes embroiled with a man who seems keen to turn her into one, back in 2014 all while wearing her era-appropriate owl necklace. Magers' comic, uncompromising writing cleverly conceals its intent before slashing through what we've been led to believe with some great twists to explore the psyche of a woman who's actively driving on an increasingly unsettling relationship to achieve her own needs, mainly for sex and drama. Advertisement Hide Ad Advertisement Hide Ad Is it because she's seeking approval from her stoic political activist mother, a 'love addiction' or some excellent theatre school training that left an appetite for a classic story of romance over adversity? It's something that prisoner Evan -- through his long letters – at one point also feels like he might have been captured by. Or maybe he's just saying these things to get things. Through Magers' swirling narration and excitable energy, it's impossible not to get swept up in the fantasy-reality of it all, much of which is kept ambiguous until the very end. A sharp storyteller and comedian parodying herself and her desires -- from childhood to adulthood -- with great honesty, she also introduces us to orange Meghan, the other woman in Evan's life, along with his mother Brenda and the weird world of prison, simultaneously banal and intriguing, including some surreally sequences involving a sexy cat, fridge and security monitoring. When it 'hot' simply violent? How can a person who is a 'nightmare for myself' best manage their love of danger and drama? It's a piece that doesn't answer these questions and a final new partnership with a better man feels a somewhat easy conclusion to what is nevertheless a provocative, funny and fabulous show. Sally Stott Erica Plays Mr Wadigger ★★★ theSpace on the Mile (Venue 39) until 16 August Erica Plays Mr Wadigger could be the lovechild of Noises Off and The Play That Goes Wrong. In this campy split-stage confection, the cast of a period theatre piece discover that their lead actor is unable to perform, and just as the curtain goes up, they are tasked with pulling off a five-person play with only four actors. 'Who's going to be the Big Man?' they panic. The divide between 'backstage' and 'onstage' is navigated with expert comic timing here, as the cast signals the situation to one another from the wings. The chaos continues, with characters disappearing, reappearing, and changing, sometimes mid-scene. In quieter moments, we hear snatches of idle chatter from the dressing room: 'Would you rather have hands for nipples or nipples for hands?' Advertisement Hide Ad Advertisement Hide Ad A hip-hop dance routine featuring Big Man's ghost is particularly entertaining (it is worth buying a ticket for this scene alone), and (mostly intimate, sometimes platonic) relationships between cast members are emotionally manipulative yet keenly self-aware. The white face paint and twirling kohl moustache identifying the ghost and butler characters respectively are as messy as the cast dynamic itself. Smeared across faces, the paint leaves traces, showing who has been with whom and when. Josephine Balfour-Oatts The Thistle and the Rose by Linda Gates ★★★ theSpace @ Surgeons' Hall (venue 53) until 16 August Interestingly, this is not the only piece about Mary, Queen of Scots on in Edinburgh this week, with the Scottish Ballet's production premiering at the Edinburgh International Festival. Her turbulent life continues to inspire artists to create new works, underscoring our enduring fascination with her as a historical and cultural figure. Linda Gates' play begins with a seemingly innocent pair of elderly women meeting at Westminster Abbey, discussing the history surrounding them. Quickly, they transform into Elizabeth I and Mary Queen of Scots, shedding coats to reveal their regal identities. Marion Sybil Lines as Mary and Linda Gates as Elizabeth deliver convincing performances, dressed in gowns, ruffs, and jewels. Both are fine actors who bring weight and presence to these iconic figures. Advertisement Hide Ad Advertisement Hide Ad The script brings together letters and poems exchanged between the two queens, capturing historical detail and genuine emotion without missing a beat. Their complex relationship, constant power struggles, politics, and rivalry are all explored. Additional letters between other figures from their lives – particularly Mary's love interests - help develop the story and give another flavour of their characters. The production is dialogue-heavy and spans decades in mere minutes, requiring sharp concentration. With little to break up the verbal flow beyond tonal shifts, it can be demanding. While not essential, some prior knowledge of the history is helpful. Suzanne O'Brien Relaxing and Balancing – Yin Yang ★★★ Paradise in Augustines (Venue 152) until 16 August Making not just their Edinburgh debut with their first performance this week, but also their stage debut as a theatre company, Hong Kong company On/Off Theatre present a gorgeously evocative – although sometimes unsettling – portrait of the Chinese concept of Yin and Yang brought to life. There are three performers onstage at various points, and one man tangled up in balls of newsprint appears to be in distress. He draws symbols on sheets of paper on the floor and then beats them ritually with a sandal, all the while shouting his frustration, while street noise honks in the background. Later, he finds a sheaf of reeds and begins lightly thrashing himself with them, in an apparent exorcism of his troubles. Meanwhile, interludes featuring a female performer grow longer, as she calms the storm with contemplative singing bowl and tuning fork chimes, and another actor considers the sound and meaning of the waves. Advertisement Hide Ad Advertisement Hide Ad Although there's the sense of a journey being undertaken, it's not really a narrative experience – more a piece of performance art which opens an enlightening window upon aspects of Chinese spiritualism. It also does exactly what it says on the label, ultimately relaxing and balancing its audience ahead of another hard Fringe day. David Pollock In His Own Image ★★ theSpace @ Surgeons Hall (Venue 53) until 16 August In His Own Image uses doctoral research by its director, Ashley Brown, to create a play within a play that explores Scottish masculinity through the ages. Scottish theatre troupe, the Yesterday Men, warm up backstage as they ready themselves to perform. They enact various male historical and cultural figures (including Caesar, Napoleon, and Elvis Presley) who the audience glimpse as they make their entrances and exits. Presumably, this setting is designed to accentuate the relationships shared by the cast (of course, they each have their own complexities and identities), but even so, we never quite make it below the surface. Josephine Balfour-Oatts Something Blue ★★ theSpace at Venue 45 (Venue 45) until 16 August There's a lot of great energy in this light-hearted comedy-drama-mystery about a wedding gone wrong after the bride disappears. The young company – students from Portobello High School – deliver their lines with a self-knowing, well-suited to the farce set-up, but a more consistent tone is needed for a piece that gets increasingly melodramatic as it also draws in characters from Hedda Gabler, Romeo and Juliet and Lorca's Yerma. Advertisement Hide Ad Advertisement Hide Ad Nevertheless, the friends and family filling the audience are loving playing the wedding guests with some nicely woven in audience participation. It's a particularly fun Fringe moment when half of them end up on stage dancing the Gay Gordons with the cast. Sally Stott Static Lives ★★ theSpace @ Niddry St (Venue 9) until 19 August Although well-intentioned, this thuddingly earnest two-hander written and performed by Alex Braglewicz(((CORRECT))) and Luke Ward is crashingly dull. Ward plays Alex, a social media moderator who inadvertently witnesses a man kill himself on a livestream. Disturbed by the lack of effect this has on him, he eventually reveals his concerns to his friend Ben (Braglewicz). Solidly performed but clunkily written, the play draws parallels with the emotional desensitisation everyone is at risk of simply by dint of watching the news. Unfortunately, whether they're trading laddish bantz or shouting their feelings at each other, Alex and Ben never convince as characters — merely cyphers. Some lively, loud dance sequences to club music break up the scenes but they add nothing other than a welcome respite from the dialogue.

Shrek 5: New film's release date delayed for second time
Shrek 5: New film's release date delayed for second time

BBC News

timea day ago

  • BBC News

Shrek 5: New film's release date delayed for second time

The much-anticipated release of Shrek 5 has been delayed for a second Animation originally scheduled the sequel for next summer, but pushed it back to December has now shifted the release back further to June 2027, according to US website Deadline. BBC Newsbeat has approached DreamWorks Animation and Universal for comment. Although the report didn't give a reason, fans and news outlets have speculated that the delay was to avoid competing with Avengers: Doomsday, Dune: Part III, and Ice Age 6, which are all set to hit cinemas in December have expressed disappointment at the delay, with one writing on X: "Another delay? At this point my kids will be showing Shrek 5 to their kids."The first film, released in 2001, followed the story of an ogre who wants nothing more than to be left alone, but ends up on a quest to rescue a princess trapped in a the way, he gets help from a ragtag bunch of misfits, including a chatty donkey and, later, a boot-wearing was a huge hit for DreamWorks, making $487m (£362m) worldwide at the box studio then went on to bring back the characters again and again for three more five will actually be the seventh film in the wider franchise, which includes two spin-off films - Puss In Boots and Puss In Boots: The Last Wish. It has been confirmed that Shrek (voiced by Mike Myers), Princess Fiona (voiced by Cameron Diaz) and Donkey (voiced by Eddie Murphy) are all returning for the new movie's trailer also revealed a new addition to the cast - Fiona and Shrek's teenage daughter Felicia, voiced by actress the reaction to the clip was mixed, with some fans taking to X to say they didn't like the new style of animation and it was ugly. Some have compared the reaction to the original movie version of Sonic the Hedgehog, which Paramount Pictures changed in response to a backlash in couldn't be more excited about a return to the kingdom of Far Far Away. Listen to Newsbeat live at 12:45 and 17:45 weekdays - or listen back here.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store