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Unsettling Trailer for the Horror Mystery Thriller SHELBY OAKS From Producer Mike Flanagan — GeekTyrant

Unsettling Trailer for the Horror Mystery Thriller SHELBY OAKS From Producer Mike Flanagan — GeekTyrant

Geek Tyrant4 days ago
The official trailer for Shelby Oaks has finally dropped, and it looks like it'll be a damn scary film. Backed by producer Mike Flanagan, this horror mystery thriller marks the feature directorial debut of YouTube film critic-turned-filmmaker Chris Stuckmann.
The film made waves during its festival run at Fantasia and FrightFest, and now it's creeping into select theaters on October 3rd, 2025.
With a heavy dose of psychological dread and unnerving silence-in-the-dark moments, Shelby Oaks is shaping up to be an atmospheric descent into obsession and paranoia.
The story centers on Mia, played by Camille Sullivan, who becomes consumed with finding her sister Riley, a YouTube ghost hunter who vanished with her crew back in 2008. That mystery fuels the spine-chilling narrative: 'Who took Riley Brennan?'
Fantasia describes the plot like this: "That's the question asked by millions of devoted, even obsessed fans of the popular YouTube series Paranormal Paranoids... Conspiracy theories have run rampant over the years, but none are more determined to get to the truth than Riley's sister, Mia...
'Closure, however, refuses to be found as a series of shocking events opens the door to a deeper mystery... one that leads Mia to follow her ghost-hunting sister's footsteps down a path to confront demons of the past for answers that can only be found somewhere within the darkness of Shelby Oaks..."
It's explained that, 'Stuckmann proves that he's been paying close attention to all those movies he's reviewed over the years, as the results are impressively moody and deftly scripted throughout.'
With a cast that includes Michael Beach, Keith David, Sarah Durn, and Brendan Sexton III, Shelby Oaks looks like the kind of slow-burning supernatural horror that is going to stick in audiences heads. Stuckmann's transition from critic to creator is already making an impact, and this film may be the next big indie horror hit to keep your eyes on.
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Podcasting is bigger than ever—but not without its growing pains
Podcasting is bigger than ever—but not without its growing pains

Fast Company

time2 minutes ago

  • Fast Company

Podcasting is bigger than ever—but not without its growing pains

Greetings, salutations, and thanks for reading Fast Company 's Plugged In. On August 4, Amazon announced that it was restructuring its Wondery podcast studio. The company's CEO and about 110 employees are leaving. Those who remain are being divvied between Amazon's audiobook arm Audible and a new group called Creator Services, reported The New York Times 's Jessica Testa. Observers, including my colleague Grace Snelling, connected Amazon's reevaluation of Wondery's future with YouTube's emergence as, arguably, podcasting's dominant platform. As of October 2024, according to Edison Research, the video giant had more podcast listeners than Spotify or Apple Podcasts. Calling podcast fans 'listeners' may already be an anachronism, though: In February of this year, YouTube itself claimed 1 billion podcast viewers. Overall, says Edison, Americans spend 773 million hours per week consuming podcasts, up more than 350% in a decade. That translates into 7.7 hours per week per podcast consumer. The medium has changed tremendously in those 10 years. Back in 2015, the hottest podcast was the spellbinding true-crime show Serial, which won a Peabody Award that April after debuting in October 2014. It proved that podcasting—like terrestrial radio in its pre-TV golden age—could conjure up a 'theater of the mind.' A podcast could keep you on the edge of your seat, maybe even more so because you provided the visuals yourself. In Serial 's wake, plenty of compelling narrative podcasts did emerge. Still, the field always seemed a little stunted. True crime provided a disproportionate percentage of shows, as you can tell from the titles of such Wondery series as Dr. Death, Killer Privilege, Morbid, American Scandal, and Blood and Vines. As engrossing as tales of murder and scandal can be, I expected more kinds of stories to emerge over time. Instead, storytelling in general has been on the wane. Podcasting is now awash in talking heads—hosts gabbing with guests about a given topic, most often relating to current events. I'm not knocking shows dedicated to discussion of news of the day: I consume scads of them and appear on my share. Yet I do feel a twinge of sadness that they've overwhelmed other types of programming. A medium capable of anything has morphed into a giant talk show. This trend helps explain why podcasts have become so important to YouTube, and vice versa. As the medium has focused on conversation, it's become typified by hosts who are glib and charismatic, such as Joe Rogan, Theo Von, Alex Cooper of Call Her Daddy, and Armchair Expert 's Dax Shepard. You don't have to like all of them to acknowledge that they're vivid personalities and good at expressing themselves in a memorable way. That gives them a lot in common with the creators who have long attracted mass audiences on YouTube. Some audio-only podcasts are repurposed on YouTube without a real visual element. But the ones that feel at home are full-blown video productions. Sometimes, they're shot with fancy equipment in a studio and meticulously edited; other times, their production values are reminiscent of a staff meeting held on Zoom. Either way, video podcasting's popularity on YouTube shows that it can command attention—even if all you're seeing is people sitting around and chatting. Now, video podcasts are hardly new—I've somehow managed to hold on to a few I downloaded 15 years ago using Apple's iTunes, which helped popularize podcasts in the first place. Apple's present-day Podcasts app supports video as well. Meanwhile, Spotify has lately been beefing up its video experience, adding features such as the ability to flip back and forth between video Joe Rogan and audio-only Joe Rogan in mid-podcast. Even so, the recent boom in video podcasting may have snuck up on the rest of the industry. And in case you haven't noticed, it's tough to beat YouTube at creating an environment that's conducive to watching video. App developers taking video at least as seriously as audio might be critical to the future of podcasting, a mode of communication that has thrived in part because it's so open. There's no vast content repository controlled by a single company; instead, podcast feeds run on RSS, which is why you can subscribe to all your favorite shows in the app of your choice. (From 2020 to 2024, when a deal reportedly worth $200 million made The Joe Rogan Experience exclusive to Spotify, it wasn't a podcast by the strictest sense of the term.) By its nature, RSS also respects privacy: Creators can tell how many downloads they're getting, and can detect subscribers' IP addresses, but they can't use data on individual listeners for ad targeting or other purposes. YouTube lets creators pipe RSS feeds of their podcasts onto the platform to automate their distribution. But a pedant might contend that they're no longer podcasts once they get there. They're just YouTube shows monetized via YouTube advertising, inhabiting a parallel universe distinct from RSS-powered podcasting as it exists in other apps. Which is why not all podcasts are available on YouTube and nobody assumes that every YouTube show will be available elsewhere. Last year, Google doubled down on YouTube as its podcasting hub by discontinuing its own podcast app in favor of YouTube Music. As that app's name indicates, it's mostly a portal to stuff on YouTube. But it does let you subscribe to podcasts by plugging in their RSS feeds. That preserves a link to podcasting in its most open form, even if it's more of a backup than the primary interface. None of this matters much as long as the greater podcast ecosystem beyond YouTube remains viable. I'd be alarmed if YouTube started cutting exclusivity deals for popular podcasts, or if its position grew so commanding that creators just didn't bother making their shows available elsewhere. So far, neither scenario is panning out. Here's hoping they never do. It's fine for the lines between podcasting and YouTube to blur a bit—as long as they don't fade away altogether. You've been reading Plugged In, Fast Company 's weekly tech newsletter from me, global technology editor Harry McCracken. If a friend or colleague forwarded this edition to you—or if you're reading it on can check out previous issues and sign up to get it yourself every Friday morning. I love hearing from you: Ping me at hmccracken@ with your feedback and ideas for future newsletters. I'm also on Bluesky, Mastodon, and Threads, and you can follow Plugged In on Flipboard.

Why The 'Winona' Is The Ideal Haircut For Your Fall Reinvention
Why The 'Winona' Is The Ideal Haircut For Your Fall Reinvention

Vogue

time4 minutes ago

  • Vogue

Why The 'Winona' Is The Ideal Haircut For Your Fall Reinvention

Forget 'new year, new me'—I've always sworn by a fall reinvention. With its back-to-school energy and gradual shift in temperature, autumn has always felt like the ideal time for a stylistic switch-up. And the simplest way to feel brand new come September? A haircut, of course. Enter the 'Winona.' And no, it's not a reference to Winona Ryder's short, choppy pixie cut from the early '90s, but in fact her more grown-out 'bixie' (that's bob-meets-pixie) from her 1994 Reality Bites era. You know the one: ©Universal/Courtesy Everett Collection Swept to the side and androgynous, the Winona feels both versatile and low-effort—you can just as easily wear it mussed-up or slicked with gel as you can soft and simple. It's this exact versatility that led 13 Reasons Why actor Katherine Langford to opt for her own recent hair transformation, which in many ways resembles a wavy, ultra-styled version of the Winona. 'There's a certain length that hits a sweet spot,' her hairstylist Halley Brisker says about the cut. 'It gives you multiple haircuts; you can wear it as a pixie, crop, or even a super short, jaw-grazing bob. It's basically three styles in one.'Hairstylist and groomer Charley McEwen, who has styled everyone from Alexander Skarsgård to Lily Allen, has noticed a lot of people asking for this type of bixie—makes sense with all of the nostalgia going on in fashion and beauty right now. 'It carries a bit of that late '90s elegance, which always circles back in fashion but never feels overly trend-led,' he explains. Sam McKnight, hairstylist who has tended the locks of everyone from Princess Diana to Kate Moss, recently posted a video showcasing his own take on the Winona. McKnight describes the haircut as 'fresh and effortless,' adding that: 'For the right hair type and texture it's easy to manage, and still looks great while growing out.' As for how to style the Winona, 'it's all about lived-in texture,' adds McKnight. In Reality Bites, Winona's hair looks borderline grungy, as if she hasn't washed it in two days. Fortunately, it's a look that can be easily recreated with the right product, depending on your hair type. 'It gives the hair texture, yet [also] definition,' says McKnight. 'For finer hair types, a texture mist such as my Cool Girl [Superlift Volumising Spray] is ideal to give the hair volume without weighing it down.'

Rebuilding a movie star: How Lindsay Lohan is staging her Hollywood comeback, one outfit at a time
Rebuilding a movie star: How Lindsay Lohan is staging her Hollywood comeback, one outfit at a time

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Rebuilding a movie star: How Lindsay Lohan is staging her Hollywood comeback, one outfit at a time

Winks to her beloved characters and high-fashion red carpet moments set the tone for Lohan's Hollywood return. 'Well, this is genius,' says Alex Badia as he stares at photos of Lindsay Lohan's designer-fueled Freakier Friday press tour. 'And you know, it hasn't always been that way for her.' Badia is the head of the fashion department at Women's Wear Daily; he's also its on-camera correspondent for awards shows and the Met Gala. Movie stars don't faze him; neither do $20,000 couture gowns. And yet, the been-there-worn-that style expert is more than impressed with the fashion comeback tour currently being staged by Lohan, 39, for her Freakier Friday promo duties. 'This isn't even a fashion thing,' Badia tells Yahoo. 'It's more like a marketing campaign for Lindsay 2.0.' Lindsay 1.0 was already amazing. The Long Island native was drop-kicked into superstardom via The Parent Trap remake (1998), followed by Freaky Friday (2003) and the Queen Bee of teen movies, 2004's Mean Girls. But while Lohan was growing from ingenue to star, her public substance use overshadowed her talent. Years of drunk driving busts and drug possession charges led to 13 days in jail, followed by 15 years in movie jail, making made-for-TV fare and guest appearances (and commercials!) while slowly rebuilding her life. Lohan eventually settled in Dubai and became a mother in 2023, right when comforting Y2K trends like micro mini skirts and Uggs emerged, plus sequels like And Just Like That… and Bridget Jones: Mad About the Boy. That's around the time when Lohan's longtime mentor, Jamie Lee Curtis, stepped up to advocate for the star's second chance at Disney. Freakier Friday is shaping up to be Lohan's global bid for A-list reentry. To honor her comeback, Disney has carefully crafted a press campaign that fashion psychologist and bestselling author Shakaila Forbes-Bell calls 'a classic example of show, don't tell.' Aside from a sparse clutch of high-profile interviews for outlets like Elle and The Tonight Show, Lohan has kept relatively quiet and let her clothes do the talking. The looks have been built by Andrew Mukamal, Lindsay Lohan's current stylist, who is best known for engineering Margot Robbie's Barbie press tour into its own all-pink party. (Mukamal told Yahoo he couldn't comment on this story — another example of the clothes doing the talking here.) Along with Blake Lively's longtime makeup artist Kristofer Buckle and Sabrina Carpenter's regular hairstylist Danielle Priano, Mukamal ensures that Lindsay Lohan's Freakier Friday looks work as megaphones blaring a singular message: she is ready and able to return to stardom. The first rule of fashion redemption: Keep it classic Lohan kicked off her comeback tour on July 22 with a series of classic gowns, including a baby pink Miu Miu twirler and a tiered chiffon dress from Rabanne. 'You see this type of super-glossy look a lot with celebrities who have a bad reputation,' a crisis communications director at a luxury brand, who asked for anonymity, tells Yahoo. (Her company sometimes dresses Lohan.) When a celebrity is in image rehab, Badia explains, 'their job isn't to be trendy. It's to assure people they're reliable.' In that way, wearing an Oscar de la Renta column dress could send the message that she's a pillar of the industry — and that she's still standing. The second rule of fashion redemption: Flash back to move forward On July 28, Lohan appeared in a yellow tweed skirt suit by Balmain. Fans of the actress immediately clocked its similarity to a teenier yellow suit worn by her tween character, Annie James, in The Parent Trap. The same day, Lohan wore a Roberto Cavalli dress that twinned with the other sibling she played in the film, Hallie Parker. 'It's so intentional,' says Badia. 'They know the immediate press it gets.' The fashion flashbacks continued as Lohan wore a 'Pink Slip' T-shirt and pink cardigan that referenced both her Freaky Friday band name and her Mean Girls nemesis, Regina George. A custom-made lavender gown Lohan wore to the U.K. premiere by the emerging French designer Ludovic de Saint Sernin mirrored her final dress from Freaky Friday. 'Redoing these looks is a form of nostalgia, which is really powerful in fashion because it can immediately invoke positive feelings,' says Forbes-Bell. Connecting fashion with childhood memories 'also invites fans to engage with play and childlike wonder.' There's also a gameplay element to the throwback looks. Spotting a movie fashion reference from 20 years ago is the kind of 'if you know you know' brag that bonds internet fandoms and stokes bored group chats. Building Easter eggs into Lohan's wardrobe tour makes the experience more interactive, and lets those watching from afar feel like they're in on a fun secret. The third rule of fashion redemption: Secure the YSL bag As Hollywood moves further into the streaming economy and content gets cheaper to make through AI and TikTok, celebrity salaries can become a casualty. (Witness The White Lotus cast getting paid $40,000 per episode in 2025, when past TV royalty like the Friends cast earned $1 million for 30 minutes of air time in its final seasons.) Because of this new cash crunch, 'it's more important than ever for actresses to secure fashion and beauty campaigns,' says Badia. 'The red carpet is essentially an audition for those campaigns.' To show that she can attract the right kind of press for designer brands, Lohan's third clothing rail is stuffed with runway looks, including slinky gowns from Saint Laurent and Chloé, a suit from Sergio Hudson and a Carrie Bradshaw tutu situation from the edgy French label Jacquemus. Together, these pieces cost nearly $18,000. But a star like Lohan's potential haul as the face of a luxury brand is an estimated $3 million per campaign, according to the New York Times. Nobody who's coveted a $2,900 Miu Miu bag thinks money can't buy a little swing of happiness. Still, Forbes-Bell suspects the real value of Lohan's red carpet tour isn't something she can charge to her American Express. 'She looks like she's having a blast,' says Forbes-Bell. 'As humans, we're drawn to beautiful things, but they have to feel real. Her outfit is gorgeous and her smile is real. That's what fans are here to see.' This weekend, Freakier Friday officially hits global cinemas, and Lohan's bankability will be tested at the box office. So, too, will her ability to sell style along with movie tickets. One early hint? After Lohan wore Cavalli's zany pheasant-print minidress on July 28, searches for the brand spiked nearly 340%. Despite its $3,025 price tag, it zipped from shelves with the speed of a celebrity tabloid rumor. At Cavalli's boutique, every version of the dress is gone. Online at Farfetch, there's literally one left as of press time. In the words of Freaky Friday fans, it's the ultimate. Solve the daily Crossword

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