
Maria Grazia Chiuri to exit Dior
It's the end of an era. After a nine-year run as Dior's creative director of women's haute couture, ready-to-wear and accessories collections, Maria Grazia Chiuri is leaving the French luxury house.
'Christian Dior Couture announces that Maria Grazia Chiuri has decided to leave her position as creative director of women's haute couture, ready-to-wear and accessories collections,' the house said in a statement on Thursday.
'I extend my warmest thanks to Maria Grazia Chiuri, who, since her arrival at Dior, has accomplished tremendous work with an inspiring feminist perspective and exceptional creativity, all imbued with the spirit of Monsieur Dior, which allowed her to design highly desirable collections,' Christian Dior couture chairman and CEO Delphine Arnault said. 'She has written a key chapter in the history of Christian Dior, greatly contributing to its remarkable growth and being the first woman to lead the creation of women's collections.'
'I would like to thank Monsieur Arnault for placing his trust in me and Delphine for her support, Chiuri said. 'I am particularly grateful for the work accomplished by my teams and the ateliers. Their talent and expertise allowed me to realise my vision of committed women's fashion, in close dialogue with several generations of female artists. Together, we have written an impactful chapter of which I am immensely proud.'
A successor has yet to be announced. This comes after Dior appointed Jonathan Anderson as its artistic director of men's collection in April, succeeding Kim Jones, who exited in January.
The Italian designer began her career at Fendi in 1989 as a handbag designer and moved to Valentino in 1999 as an accessories designer before being promoted to co-creative director alongside Pierpaolo Piccioli in 2008. She was appointed at Dior in 2016, becoming its first female designer since the house was founded in 1947—she succeeded Christian Dior, Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano and Raf Simons.
Her debut collection for Spring/Summer 2017, inspired by fencing, featured slogan tees, which read 'We should all be feminists'. That set the tone for her tenure, which consistently referenced women's empowerment. 'The message, really, is that there is not one type of woman,' she told Vogue Runway at the show. Over the years, Chiuri has collaborated with several female artists for show sets, including Judy Chicago, Faith Ringgold, Eva Jospin and Mickalene Thomas. In the Dior SS25 show, Italian artist and competitive archer Sagg Napoli shot arrows at a target as the models did their circuit.
Chiuri also consistently drew on the archives beyond Christian Dior's era. 'Monsieur Dior only [lived] 10 years. It can't only be about him!' she told Vogue Runway at her debut show. 'In some ways, I see myself as a curator of the house.' For example, in 2018, together with CEO Pietro Beccari, who was appointed in 2017, she relaunched the Saddle Bag, one of the house's iconic bags from the Galliano era. For AW24, she paid homage to Marc Bohan's invention of the Miss Dior line, and notably the opening of a (now defunct) Miss Dior boutique in 1967, as a way to offer ready-to-wear to couture clients. 'I'm very fascinated by this collection and this moment of Mr. Bohan's history,' she told Vogue Runway . The Dior AW25 show had 'Dior-isms', including nods to Galliano's Saddle bag and J'Adore Dior T-shirts and to Gianfranco Ferré's white shirts, according to Vogue Runway . Maria Grazia Chiuri poses with models backstage at the Dior resort 2026 show. Acielle/StyleDuMonde
The designer has navigated the course through the whirlwind of runway shows, including women's ready-to-wear couture, cruise, and even pre-fall shows (such as the one in Mumbai, which highlighted the works of artisans, and most recently in Kyoto). It all translated into enormous commercial success. Dior couture sales went from €2.2 billion in 2017 to €9.5 billion in 2023, per HSBC. Dior isn't immune to the wider luxury slowdown, though. In 2024, sales decreased to €8.7 billion, according to HSBC. And in the first quarter of 2025, sales of LVMH's fashion and leather goods division were down 5 per cent. Dior hired Benedetta Petruzzo as managing director, who took up the role on 15 October, reporting to Delphine Arnault, and Pierre-Emmanuel Angeloglou as deputy CEO in April.
In her downtime, as a personal project, Chiuri has been restoring a historic theatre, Rome's Teatro della Cometa.
The Dior resort 2026 show, held on Tuesday, was 'a heartfelt, nearly all-white celebration of Rome, her birthplace', according to Vogue Runway. It was her last show with the house.
The story was originally published on Vogue Business.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Straits Times
14 hours ago
- Straits Times
TBR (To Be Read): In the digital age, books have become art and artefacts
Shredded books at Heman Chong's exhibition This Is A Dynamic List And May Never Be Able To Satisfy Particular Standards For Completeness at the Singapore Art Museum. ST PHOTO: KELVIN CHNG SINGAPORE – In 1855, French graphic artist and illustrator Gustave Dore conceived of a quixotic plan to publish large, expensive folio editions of 'all the masterpieces in literature'. His unique selling point: They would be richly illustrated with his romanticist sketches. The language of his publishers' rejection is strikingly contemporary. Join ST's Telegram channel and get the latest breaking news delivered to you.

Straits Times
2 days ago
- Straits Times
Car review: Lotus Emira is a daily sports car
The Lotus Emira Turbo SE can be mistaken for being a million-dollar exotic sports car. ST PHOTO: CHONG JUN LIANG SINGAPORE – The Lotus Emira looks like a mini Lamborghini and, in its latest Turbo SE guise, is even faster than an Italian supercar. Car enthusiasts of a certain age may find the 'Turbo SE' name familiar, with its distinctly 1980s ring. Famously, American actor Richard Gere's character in the 1990 movie Pretty Woman was terrible at driving the Esprit Turbo SE, clumsily crunching the manual gearbox. Join ST's Telegram channel and get the latest breaking news delivered to you.


Vogue Singapore
2 days ago
- Vogue Singapore
From American Gigolo to Princess Diana—Bottega Veneta celebrates 50 Years of its iconic Intrecciato bags
It's a big year for Bottega Veneta. In September, the newly-installed creative director Louise Trotter will debut her vision for the future of the Italian label. Before that though Bottega Veneta is celebrating the 50th anniversary of its Intrecciato weave, which was introduced a little less than a decade after the brand was founded in Vincenza, Veneto, and quickly established its reputation for craft and creativity. 'In 1960s Italy, the market was dominated by heavy, stiff, and structured handbags,' recalls Barbara Zanin, Bottega Veneta's Director of Craft and Heritage. '[Our] designs were characterised by their great softness—the bags were fluid, supple, simple. The introduction of the Intrecciato gave the bags a fluidity, almost like a fabric.' The first Bottega Veneta ad featured in Vogue's March 1975 issue. Courtesy of Bottega Veneta The Intrecciato technique utilises long leather fettucce, or thin strips, that are woven into a leather base with slits in a diagonal pattern, instead of the more common vertical pattern. Much like cutting a piece of fabric on the bias, this technical development allowed for a softer structure. Its unique appearance became Bottega Veneta's calling card; eschewing the logo-driven trends of other luxury labels, in its first advertising campaigns it boasted: 'People know a Bottega the minute they see one. So we put our name on the inside only.' With Paul Schrader's 1980 film American Gigolo , the Intrecciato bag became an indelible part of the fashion pop culture canon when Lauren Hutton's character carried a burgundy clutch in the crook of her arm. The bag was appropriately re-released as the 'Lauren Clutch' in 2017, and it's since become a favorite of celebrities—and the not-so-famous—who want to show off their good taste in a subtle way; although these days the Intrecciato is as easily recognizable as anything with logos on it. Tina Turner carrying her all-white Intrecciato at Spago, 1984. Getty Brooke Shields at the Death Becomes Her premiere, 1992. Getty There is a world of possibility within Intrecciato. In 2002, when Tomas Maier was the creative director at the brand, he introduced the Cabat bag, which was entirely hand-woven on a wooden frame, a process that was named Intreccio (the Intrecciato utilises a needle for the weaving process). Further experiments with different types of leather have yielded other signature styles; Zanin mentions 'a padded fettucce for a more plush appearance,' or an 'an ultra-soft nappa leather that retains the impression of movements and folds of the weaving process to create a specially textured look.' Madonna at the Los Angeles premiere of Truth or Dare, 1991. Getty There is a world of possibility within Intrecciato. In 2002, when Tomas Maier was the creative director at the brand, he introduced the Cabat bag, which was entirely hand-woven on a wooden frame, a process that was named Intreccio (the Intrecciato utilizes a needle for the weaving process). Further experiments with different types of leather have yielded other signature styles; Zanin mentions 'a padded fettucce for a more plush appearance,' or an 'an ultra-soft nappa leather that retains the impression of movements and folds of the weaving process to create a specially textured look.' To ensure that a passion for craft continues to be at the heart of Bottega Veneta, the house launched the Accademia Labor et Ingenium in 2023, a school that instructs the next generation of artisans on the intricacies of their labor. 'A central pillar of the school is a training program for 50 students a year, with guaranteed employment at Bottega Veneta on completion of the course,' explains Zanin, who helped establish it. 'It's our responsibility to ensure the transmission of our artisanal savoir-faire.' Bottega Veneta's first Intrecciato bag from 1975. A close-up at the Intrecciato process. Matteo de Mayda The Intreccio technique, meanwhile, is all made by hand. Matteo de Mayda The bags are woven on a wooden frame. Matteo de Mayda This story was originally published on