BLUE BEETLE Star Xolo Maridueña Gives Update on the Future of His Character in the DCU — GeekTyrant
This film featured the first live-action Latin superhero to headline his own major studio film, and it was a lot of fun! The movie didn't take itself as seriously as many of the DC flops that came before it, and Maridueña gave a great performance. But we don't know when we will see him back in live-action.
Last year, Warner Bros. announced that Blue Beetle would be getting an animated series, so the character does have something in the works, but we would still like to know how he will fit in Gunn's DCU. Maridueña gave an update on both fronts during recent appearances promoting the Smurfs movie, in which he is playing Brainy Smurf.
In an interview with ScreenRant, the actor said of the animated show:
"The universe is cracked open. Pandora's Box is open, for lack of a better word. I love the animation medium. I love getting to continue to explore and try my best to fit this character. Having already done Blue Beetle, I know the character and know the voice now. I'm excited to see him in the actual format of animation, and to see what stories we can tell that we can't tell in live-action... I'm excited to see how Blue Beetle fits in."
Maridueña also spoke with a YouTube personality (via CBM) while making the interview rounds, where he again touched on the future of Blue Beetle:
"James Gunn, Peter Safran, John Rickard- everybody over at DCU has been so kind in welcoming into the DCU. They just had a really awesome release, and I'm really excited that this is an awesome first step in the direction of opening up that universe," said Maridueña, referencing Superman's opening weekend domestic release.
He continued:
"We've got some animated stuff, some live-action stuff- a whole bunch of areas that Blue Beetle and the greater Reyes family can join in, so I'm blessed. I'm just hoping that it can be with Ángel Manuel Soto- that's my guy."
We will just have to wait and see what happens with the character, but at least we know he's in the mix and his future is being considered at DC.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Hill
4 minutes ago
- The Hill
‘Fantastic Four: First Steps' scores Marvel's first $100 million box office opening of 2025
LOS ANGELES (AP) — Marvel's first family has finally found box office gold. 'The Fantastic Four: First Steps,' the first film about the superheroes made under the guidance of Kevin Feige and the Walt Disney Co., earned $118 million in its first weekend in 4,125 North American theaters, according to studio estimates Sunday. That makes it the fourth biggest opening of the year, behind 'A Minecraft Movie,' 'Lilo & Stitch' and 'Superman,' and the biggest Marvel opening since 'Deadpool & Wolverine' grossed $211 million out of the gate last summer. Internationally, 'Fantastic Four' made $100 million from 52 territories, adding up to a $218 million worldwide debut. The numbers were within the range the studio was expecting. The film arrived in the wake of another big superhero reboot, James Gunn's 'Superman,' which opened three weekends ago and has already crossed $500 million globally. That film, from the other main player in comic book films, DC Studios, took second place with $24.9 million domestically. The box office success of 'First Steps' and 'Superman' means 'the whole notion of superhero fatigue, which has been talked about a lot, can I think be put to rest. I always say it's bad movie fatigue, not superhero fatigue,' said Paul Dergarabedian, senior media analyst for data firm Comscore. 'First Steps' is the latest attempt at bringing the superhuman family to the big screen, following lackluster performances for other versions. The film, based on the original Marvel comics, is set during the 1960s in a retro-futuristic world led by the Fantastic Four, a family of astronauts-turned-superhuman from exposure to cosmic rays during a space mission. The family is made up of Reed Richards (Pedro Pascal), who can stretch his body to incredible lengths; Sue Storm (Vanessa Kirby), who can render herself invisible; Johnny Storm (Joseph Quinn), who transforms into a fiery human torch; and Ben Grimm (Ebon Moss-Bachrach), who possesses tremendous superhuman strength with his stone-like flesh. The movie takes place four years after the family gained powers, during which Reed's inventions have transformed technology, and Sue's diplomacy has led to global peace. Both audiences and critics responded positively to the film, which currently has an 88% on Rotten Tomatoes and promising exit poll responses from opening weekend ticket buyers. An estimated 46% of audiences chose to see it on premium screens, including IMAX and other large formats. The once towering Marvel is working to rebuild audience enthusiasm for its films and characters. Its two previous offerings this year did not reach the cosmic box office heights of 'Deadpool & Wolverine,' which made over $1.3 billion, or those of the 'Avengers'-era. But critically, the films have been on an upswing since the poorly reviewed 'Captain America: Brave New World,' which ultimately grossed $415 million worldwide. 'Thunderbolts,' which jumpstarted the summer movie season, was better received critically but financially is capping out at just over $382 million globally. Like Deadpool and Wolverine, the Fantastic Four characters had been under the banner of 20th Century Fox for years. The studio produced two critically loathed, but decently profitable attempts in the mid-2000s with future Captain America Chris Evans as the Human Torch. In 2015, it tried again (unsuccessfully) with Michael B. Jordan and Miles Teller. They got another chance after Disney's $71 billion acquisition of Fox's entertainment assets in 2019. The 'Fantastic Four's' opening weekend results were a little less than some rival studio projections, Dergarabedian said. Nonetheless, the film is expected to carry movie theater earnings well into August. Holdovers dominated the top 10, but one other newcomer managed to make the chart. The dark romantic comedy 'Oh, Hi!' earned $1.1 million from 866 screens. 'Jurassic World Rebirth' landed in third place in its fourth weekend with $13 million, followed by 'F1' with $6.2 million. The Brad Pitt racing movie also passed $500 million globally. 'Smurfs' rounded out the top five with $5.4 million in its second weekend. The box office is currently up over 12% from last year. Top 10 movies by domestic box office With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'The Fantastic Four: First Steps,' $118 million. 2. 'Superman,' $24.9 million. 3. 'Jurassic World Rebirth,' $13 million. 4. 'F1: The Movie,' $6.2 million. 5. 'Smurfs,' $5.4 million. 6. 'I Know What You Did Last Summer,' $5.1 million. 7. 'How to Train Your Dragon,' $2.8 million. 8. 'Eddington,' $1.7 million. 9. 'Saiyaara,' $1.3 million. 10. 'Oh, Hi!,' $1.1 million.
Chicago Tribune
4 minutes ago
- Chicago Tribune
‘Fantastic Four: First Steps' scores Marvel's first $100 million box office opening of 2025
LOS ANGELES — Marvel's first family has finally found box office gold. 'The Fantastic Four: First Steps,' the first film about the superheroes made under the guidance of Kevin Feige and the Walt Disney Co., earned $118 million in its first weekend in 4,125 North American theaters, according to studio estimates Sunday. That makes it the fourth biggest opening of the year, behind 'A Minecraft Movie,' 'Lilo & Stitch' and 'Superman,' and the biggest Marvel opening since 'Deadpool & Wolverine' grossed $211 million out of the gate last summer. Internationally, 'Fantastic Four' made $100 million from 52 territories, adding up to a $218 million worldwide debut. The numbers were within the range the studio was expecting. The film arrived in the wake of another big superhero reboot, James Gunn's 'Superman,' which opened three weekends ago and has already crossed $500 million globally. That film, from the other main player in comic book films, DC Studios, took second place with $24.9 million domestically. The box office success of 'First Steps' and 'Superman' means 'the whole notion of superhero fatigue, which has been talked about a lot, can I think be put to rest. I always say it's bad movie fatigue, not superhero fatigue,' said Paul Dergarabedian, senior media analyst for data firm Comscore. 'The Fantastic Four' review: In a jet age dream of Manhattan, Marvel's world-savers take care of business'First Steps' is the latest attempt at bringing the superhuman family to the big screen, following lackluster performances for other versions. The film, based on the original Marvel comics, is set during the 1960s in a retro-futuristic world led by the Fantastic Four, a family of astronauts-turned-superhuman from exposure to cosmic rays during a space mission. The family is made up of Reed Richards (Pedro Pascal), who can stretch his body to incredible lengths; Sue Storm (Vanessa Kirby), who can render herself invisible; Johnny Storm (Joseph Quinn), who transforms into a fiery human torch; and Ben Grimm (Ebon Moss-Bachrach), who possesses tremendous superhuman strength with his stone-like flesh. The movie takes place four years after the family gained powers, during which Reed's inventions have transformed technology, and Sue's diplomacy has led to global peace. Both audiences and critics responded positively to the film, which currently has an 88% on Rotten Tomatoes and promising exit poll responses from opening weekend ticket buyers. An estimated 46% of audiences chose to see it on premium screens, including IMAX and other large formats. The once towering Marvel is working to rebuild audience enthusiasm for its films and characters. Its two previous offerings this year did not reach the cosmic box office heights of 'Deadpool & Wolverine,' which made over $1.3 billion, or those of the 'Avengers'-era. But critically, the films have been on an upswing since the poorly reviewed 'Captain America: Brave New World,' which ultimately grossed $415 million worldwide. 'Thunderbolts,' which jumpstarted the summer movie season, was better received critically but financially is capping out at just over $382 million globally. Like Deadpool and Wolverine, the Fantastic Four characters had been under the banner of 20th Century Fox for years. The studio produced two critically loathed, but decently profitable attempts in the mid-2000s with future Captain America Chris Evans as the Human Torch. In 2015, it tried again (unsuccessfully) with Michael B. Jordan and Miles Teller. They got another chance after Disney's $71 billion acquisition of Fox's entertainment assets in 2019. The 'Fantastic Four's' opening weekend results were a little less than some rival studio projections, Dergarabedian said. Nonetheless, the film is expected to carry movie theater earnings well into August. Holdovers dominated the top 10, but one other newcomer managed to make the chart. The dark romantic comedy 'Oh, Hi!' earned $1.1 million from 866 screens. 'Jurassic World Rebirth' landed in third place in its fourth weekend with $13 million, followed by 'F1' with $6.2 million. The Brad Pitt racing movie also passed $500 million globally. 'Smurfs' rounded out the top five with $5.4 million in its second weekend. The box office is currently up over 12% from last year. With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'The Fantastic Four: First Steps,' $118 million. 2. 'Superman,' $24.9 million. 3. 'Jurassic World Rebirth,' $13 million. 4. 'F1: The Movie,' $6.2 million. 5. 'Smurfs,' $5.4 million. 6. 'I Know What You Did Last Summer,' $5.1 million. 7. 'How to Train Your Dragon,' $2.8 million. 8. 'Eddington,' $1.7 million. 9. 'Saiyaara,' $1.3 million. 10. 'Oh, Hi!,' $1.1 million.
Forbes
5 minutes ago
- Forbes
Adam Silverman: LACMA's Seeds and Weeds are Ceramic Art
LACMA Seeds and Weeds, Installation view, Los Angeles, 2025, Ceramics has long oscillated between the functional and the artistic. California has a long tradition of makers who span the chasm between the two, from Beatrice Wood to Jonathan Adler. Among the LA ceramic artists who began making functional pottery and who, in the last decades, migrated to increasingly conceptual artworks is Adam Silverman, who has a show of new work, LACMA Seeds and Weeds, at BLUM in LA on view until August 16, 2025. (BLUM recently announced they will be closing the gallery, so see this while you can). Silverman's early background was in architecture, and he takes special care in how his work is displayed. In the Blum galleries, Silverman has grouped certain pieces that take on additional totemic power together, as well as individual pieces that stand out, positioned around the room, on the floor, on a platform, or on a shelf. Silverman's placement of his work is akin to how a Zen gardener places his rocks, contextualizing the work as worthy of contemplation. Silverman was the 2024 artist in residence at the Skirball Cultural Center, where he showcased his installation Common Ground, a conceptual work for which Silverman collected clay, water, and wood ash from all fifty American states, as well as from Washington DC, and the US Territories of Puerto Rico, the US Virgin Islands, Guam, American Samoa, and the Northern Mariana Islands to make the glazes. The final exhibition includes a tableware set of fifty-six plates, fifty-six bowls, fifty-six cups, as well as fifty-six ceremonial pots. For his exhibition at Blum, Silverman has spent the last five and a half years collecting materials from the LACMA demolition, which he refers to as the 'oozing, living history of the city.' Silverman used the materials to make the glazes; he also would blow matter into the kiln while it's superhot in a manner that affects the surfaces of the pottery. Finally, actual demolition debris was incorporated into the pieces. The total effect does not say LACMA, but rather speaks to the primordial location, sitting as it does near the Tar Pits. LACMA Seeds and Weeds, Installation view, Los Angeles, 2025. FEATURED | Frase ByForbes™ Unscramble The Anagram To Reveal The Phrase Pinpoint By Linkedin Guess The Category Queens By Linkedin Crown Each Region Crossclimb By Linkedin Unlock A Trivia Ladder Some of the works grouped together, which Silverman calls 'seeds,' look like fossilized dinosaur eggs that have bubbled up from the tar pits. Silverman calls other works on display, 'weeds,' as if they sprung from the seeds. Some of the works recall ancient amphora, others are objects that emanate a certain ancient power as if used once for ritual or commemorative reasons. The borders between ceramics, sculpture and painting are increasingly porous. At one end of the spectrum are participants in the 'Maker' culture a DYI aesthetic powered by the lowering of barriers to entry for object making. At the other end are artists engaging with ancient mediums whose possibilities have been enhanced by technology. Silverman's works speak to place, time, history, and our emotional connection to the objects derived from specific sites. The source of Silverman's site-specific additives is not apparent when you look at the works. Yet they do add a conceptual and metaphorical dimension that enhances our connection to the work. Silverman's ceramics both delight us and haunt us because we know they are man-made and yet contain primordial history.
