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Liam Gallagher calls unique Wonderwall cover ‘absolutely incredible'

Liam Gallagher calls unique Wonderwall cover ‘absolutely incredible'

Yahoo30-01-2025

Liam Gallagher has given an enthusiastic response to Bring Me the Horizon's cover of the classic Oasis hit 'Wonderwall'.
Gallagher is currently preparing for a series of sold-out stadium shows in the UK and Ireland this summer after he and his brother Noel put aside their differences in 2024 and reunited the beloved Britpop band.
Oasis fever has clearly spread to artists from other genres with Sheffield-based metal act Bring Me the Horizon releasing their own take on the classic 1995 song.
The song features Bring Me the Horizon's signature metal sound and piercing vocals, combined with the 'Wonderwall' lyrics that everyone knows and loves. The band also recreated a shot from the original music video for the song's promotional art.
It might be presumptuous to think that Gallagher wouldn't like this type of music, but he has given it his seal of approval. On X/Twitter, he responded to an Oasis fan page that posted the song, simply writing in response 'I f**king LOVE it.'
Later, he responded to a fan who thought that he would be 'p**'ed' over the cover. Gallagher quickly shut this notion down, by saying: 'I'm not it's absolutely incredible made my day I'm off out on my skateboard f*** y'all.'
The cover is in conjunction with Spotify's Singles Club, which has previously seen artists like IDLES, Wet Leg, Sabrina Carpenter and LCD Soundsystem cover a song of their choosing. All profits from the song will go to the Teenage Cancer Trust.
Meanwhile, Bring Me the Horizon will be headlining this year's Reading and Leeds festivals, which have announced their most eclectic line-up in years.
Joining the metal act as headliners are Chappel Roan, Hozier and Travis Scott, with the latter three all making their debut headline appearances at the twin events.
Bring Me the Horizon last headlined Reading and Leeds in 2022 and have received critical praise for recent records such as 2019's Amo and 2024's Post Human: Nex Gen.
Also on the Reading and Leeds lineup are rappers AJ Tracey, Trippie Redd and Blanco, rock bands Enter Shikari, Wunderhorse, Royal Otis, Amyl and the Sniffers, Sea Girls, and the Linda Lindas, and pop acts Suki Waterhouse, Lola Young, Luvcat and Nieve Ella.

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'Eternal Queen of Asian Pop' sings last encore from beyond the grave
'Eternal Queen of Asian Pop' sings last encore from beyond the grave

UPI

timean hour ago

  • UPI

'Eternal Queen of Asian Pop' sings last encore from beyond the grave

To the delight of millions of fans of the late Teresa Teng, the track titled 'Love Songs Are Best in the Foggy Night' will appear on an album to be released June 25. Photo by Van3ssa_/ Pixabay Several years ago, an employee at Universal Music came across a cassette tape in a Tokyo warehouse while sorting through archival materials. On it was a recording by the late Taiwanese pop star Teresa Teng that had never been released. The pop ballad, likely recorded in the mid-1980s while Teng was living and performing in Japan, was a collaboration between composer Takashi Miki and lyricist Toyohisa Araki. Now, to the delight of her millions of fans, the track titled "Love Songs Are Best in the Foggy Night" will appear on an album to be released June 25. Teng died 30 years ago. Most Americans know little about her life and her body of work. Yet, the ballads of Teng, who could sing in Mandarin, Cantonese, Japanese and Indonesian, continue to echo through karaoke rooms, on Spotify playlists, at tribute concerts and at family gatherings across Asia and beyond. I study how pop music has served as a tool of soft power, and I've spent the past several years researching Teng's music and its legacy. I've found that Teng's influence endures not just because of her voice, but also because her music transcends Asia's political fault lines. From local star to Asian icon Born in 1953 in Yunlin, Taiwan, Teresa Teng grew up in one of the many villages that were built to house soldiers and their families who had fled mainland China in 1949 after the communists claimed victory in the Chinese civil war. Her early exposure to traditional Chinese music and opera laid the foundation for her singing career. By age 6, she was taking voice lessons. She soon began winning local singing competitions. "It wasn't adults who wanted me to sing," Teng wrote in her memoir. "I wanted to sing. As long as I could sing, I was happy." At 14, Teng dropped out of high school to focus entirely on music, signing with the local label Yeu Jow Records. Soon thereafter, she released her first album, Fengyang Flower Drum. In the 1970s, she toured and recorded across Taiwan, Hong Kong, Japan and Southeast Asia, becoming one of Asia's first truly transnational pop stars. Teng's career flourished in the late 1970s and 1980s. She released some of her most iconic tracks, such as her covers of Chinese singer Zhou Xuan's 1937 hit, "When Will You Return?" and Taiwanese singer Chen Fen-lan's "The Moon Represents My Heart," and toured widely across Asia, sparking what came to be known as "Teresa Teng Fever." In the early 1990s, Teng was forced to stop performing for health reasons. She died suddenly of an asthma attack on May 8, 1995, while on vacation in Chiang Mai, Thailand, at age 42. China catches Teng Fever Perhaps the most remarkable aspect of Teng's story is that Teng Fever peaked in China. Teng was ethnically Chinese, with ancestral roots in China's Shandong province. But the political divide between China and Taiwan following the Chinese civil war had led to decades of hostility, with each side refusing to recognize the legitimacy of the other. During the late 1970s and 1980s, however, China began to relax its political control under Deng Xiaoping's Reform and Opening Up policy. This sweeping initiative shifted China toward a market-oriented economy, encouraged foreign trade and investment, and cautiously reintroduced global cultural influences after decades of isolation. Pop music from other parts of the world began trickling in, including Teng's tender ballads. Her songs could be heard in coastal provinces such as Guangdong and Shanghai, inland cities such as Beijing and Tianjin, and even remote regions such as Tibet. Shanghai's propaganda department wrote an internal memo in 1980 noting that her music had spread to the city's public parks, restaurants, nursing homes and wedding halls. Teng's immense popularity in China was no accident. It reflected a time in the country's history when its people were particularly eager for emotionally resonant art after decades of cultural propaganda and censorship. For a society that had been awash in rote, revolutionary songs like "The East is Red" and "Union is Strength," Teng's music offered something entirely different. It was personal, tender and deeply human. Her gentle, approachable style -- often described as "angelic" or like that of "a girl next door" -- provided solace and a sense of intimacy that had long been absent from public life. Teng's music was also admired for her ability to bridge eras. Her 1983 album, Light Exquisite Feeling, fused classical Chinese poetry with contemporary Western pop melodies, showcasing her gift for blending the traditional and the modern. It cemented her reputation not just as a pop star but as a cultural innovator. It's no secret why audiences across China and Asia were so deeply drawn to her and her music. She was fluent in multiple languages; she was elegant but humble, polite and relatable, she was involved in various charities, and she spoke out in support of democratic values. A sound of home in distant lands Throughout the 1990s and early 2000s, the Chinese immigrant population in the United States grew to over 1.1 million. Teng's music has also deeply embedded itself within Chinese diasporic communities across the country. In cities such as Los Angeles, San Francisco and New York, Chinese immigrants played her music at family gatherings, during holidays and at community events. Walk through any Chinatown during Lunar New Year and you're bound to hear her voice wafting through the streets. For younger Chinese Americans and even non-Chinese audiences, Teng's music has become a window into Chinese culture. When I was studying in the United States, I often met Asian American students who belted out her songs at karaoke nights or during cultural festivals. Many had grown up hearing her music through their parents' playlists or local community celebrations. The release of her recently discovered song is a reminder that some voices do not fade -- they evolve, migrate and live on in the hearts of people scattered across the world. In an age when global politics drive different cultures apart, Teng's enduring appeal reminds us of something quieter yet more lasting: the power of voice to transmit emotion across time and space, the way a melody can build a bridge between continents and generations. I recently rewatched the YouTube video for Teng's iconic 1977 ballad, "The Moon Represents My Heart." As I read the comments section, one perfectly encapsulated what I had discovered about Teresa Teng in my own research: "Teng's music opened a window to a culture I never knew I needed." Xianda Huang is a doctoral student in Asian Languages and Cultures at the University of California-Los Angeles. This article is republished from The Conversation under a Creative Commons license. Read the original article. The views and opinions in this commentary are solely those of the author.

Best New Tracks: Lil Wayne, Turnstile, Little Simz, and More
Best New Tracks: Lil Wayne, Turnstile, Little Simz, and More

Hypebeast

timean hour ago

  • Hypebeast

Best New Tracks: Lil Wayne, Turnstile, Little Simz, and More

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Hysterics at How Dachshund Reacts to Being Told 'No'
Hysterics at How Dachshund Reacts to Being Told 'No'

Newsweek

time2 hours ago

  • Newsweek

Hysterics at How Dachshund Reacts to Being Told 'No'

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A Florida-based dachshund has gained viral attention on Instagram for his over-the-top response to a simple word: "No." In a lighthearted video shared to the platform on May 4 under @moo_in_miami, the small dog named Moo was captured sitting on a couch, repeatedly whining and growling in a high-pitched, almost comical, tone after being told "no" by his unseen owner. The video, captioned "he really said, 'that's cute, try again,'" quickly ignited reactions online from pet owners who could relate to the bout of canine pushback, and has since been liked more than 1 million times. An overlaid text on the video read: "POV: [Point of view] You told your dachshund no." The dog's animated expressions and indignant vocalizations have struck a chord with viewers on Instagram, many of whom said they were left in hysterics by Moo's dramatic protest. Moo's particular reaction also highlights something deeper—and familiar—for anyone who has spent time with a dachshund: stubbornness seems to be part of the lovable breed's DNA. Bred in Germany centuries ago to hunt badgers, dachshunds were designed to be persistent and fearless. Their long bodies and short legs made them ideal for burrowing, but their real strength lies in their temperament. Dachshunds are notoriously determined and vocal, often pushing boundaries and asserting their will in surprisingly bold ways for their size. Moo's hilarious response to being told off is a textbook example of this temperament. While some dog breeds are known for obedience or calm demeanor, dachshunds have cultivated a reputation for being assertive, sometimes to the point of comedy. Owners often describe them as possessing the mindset of a much larger animal, unafraid to stand their ground—especially when they feel slighted. Commenters have shared their own dachshund tales, with one writing: "Dachshunds and the word NO do not compute." "I'm getting dachshund in 8 weeks can't wait," another viewer said, while another added: "Dachshunds will argue with you with such stubbornness until you give in because there's nothing is as stubborn in this world as a dachshund who wants something." "They run the house you know," another said. Newsweek reached out to @moo_in_miami for more information via Instagram. A stock image of a black and tan dachshund on a carpet. A stock image of a black and tan dachshund on a carpet. Getty Images Do you have funny and adorable videos or pictures of your pet you want to share? Send them to life@ with some details about your best friend and they could appear in our Pet of the Week lineup.

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