Paul Simon's quiet power remains strong in San Francisco concert

San Francisco Chronicle​

14 hours ago

Witnessing singer-songwriters mature over decades can often reveal the true substance of their work.
For Paul Simon, his light, nuanced tenor — that first emerged as part of the folk duo Simon & Garfunkel to help define the sound of the 1960s — has changed into something lower and softer at age 83. It commands that you lean in at times. His growl is like the grain of the wood barrels that age whiskey. It colors and underlines Simon's abilities as a songwriter, the stunning poetry that's been a part of American culture for seven decades.
More Information
Davies Symphony Hall Setlist
Act 1:
'The Lord'
'Love Is Like A Braid'
'My Professional Opinion'
'Your Forgiveness'
'Trail of Volcanoes'
'The Sacred Harp'
'Wait'
Act 2:
'Graceland'
'Slip Slidin' Away'
'Train in the Distance'
'Homeward Bound' (Simon & Garfunkel song)
'The Late Great Johnny Ace'
'St. Judy's Comet'
'Under African Skies'
'Rene and Georgette Magritte With Their Dog After the War'
'Rewrite'
'Spirit Voices'
'Mother and Child Reunion'
'Me and Julio Down by the Schoolyard'
Encore One:
'Father and Daughter'
'50 Ways to Leave Your Lover'
'The Boxer' (Simon & Garfunkel song)
Encore Two:
'The Sound of Silence' (Simon & Garfunkel song)
That lived-in voice, shaped by time and experience, met a fitting match in the intimate setting of Davies Symphony Hall where Simon — onstage just a few weeks after his emergency back surgery — performed the first of three shows on Saturday, July 19, as part of his A Quiet Celebration tour in support of his latest album, 'Seven Psalms.'
One of the most affecting moments of the two hour-long concert came when he sang 'Homeward Bound.' About a young man who seeks his calling in the world but eventually feels the pull back to where he came from, the song has a different poignancy. You feels the miles he's traveled in his voice, and there's a new wisdom Simon now imbues into the 1966 Simon & Garfunkel classic. Tears welled in the eyes of many in the largely baby boomer audience. It was a moment that made clear that some great storytellers and their material can get better with age.
A member of the Rock & Roll and Grammy Halls of Fame, Simon helped form the soundtrack of 1960s counterculture with folk-rock hits written with Art Garfunkel, including 'The Sound of Silence' and 'Mrs. Robinson' — the latter forever tied to the Bay Area thanks to its use in the 1967 film 'The Graduate,' where it plays as Dustin Hoffman drives across the Bay Bridge. Albums 'Graceland' (1986) with its Southern African influences and 'The Rhythm of the Saints' (1990) drawing from Brazilian folk traditions were best sellers and artistic successes.
'This tour is the first opportunity I've had performing with my band since before COVID,' he told the audience referring to his excellent ensemble that included Caleb Burhans (viola), Jamey Haddad (percussion), Gyan Riley (guitar), Mick Rossi (piano, keys), Andy Snitzer (saxophone), Nancy Stagnitta (flute), Mark Stewart (guitar), Eugene Friesen (cello), Steve Gadd (drums) and Bakithi Kumalo (bass)
Then he went on to explaining the first act of the evening would be his 'Seven Psalms' showcase; he promised 'the greatest hits' would come later.
The 'Seven Psalms' acoustic set was performed on a mostly dark stage, the lighting suggesting a campfire. The material, inspired by the Book of Psalms, is nuanced and reflective, with a quiet intensity. The opening track, 'The Lord,' set the mood with lyrics like 'Tribal voices old and young. Celebrations a history of families sung. The endlеss river flows.' It conjured a sense of looking back, tinged with melancholy but also with a sense of eternity.
The night came alive in a new way when singer Edie Brickell, Simon's wife, took to the stage for a transcendent 'The Sacred Harp.' The bends and curves of Brickell's voice gently wounds its way around Simon's lyrics, her sweetness giving lovely contrast to Simon's rougher sounds.
The couple finished the first act with 'Wait,' whose lyrics — 'I'm not ready. I'm just packing my gear. Wait. My hand's steady. My mind is still clear' — remind you that 'Seven Psalms' is a powerful late-career album by Simon that contemplates bigger mortal themes.
Act two began with a spirited 'Graceland,' the title track from Simon's seventh solo studio album released in 1986. 'Slip Slidin' Away' (1977) and 'Train in the Distance'(1983) are among the songs that feel very different in Simon's mature vocals. The lightness on these and others are gone, but a new character colors them.
The ayahuasca-inspired 'Spirit Voices' (Simon joked about the song's source in one of his sparse addresses to the audience) was another smooth, joyful highlight of the second act. So was the concluding 'Me and Julio Down by the Schoolyard' from his 1972 self-titled album, which has become such a shorthand for a certain kind of cool in pop culture (especially after its use by Wes Anderson in his 2001 film 'The Royal Tenenbaums') that it got a roar from the crowd.
For his encores, Simon was joined by his band to sing 'Father and Daughter,' from the soundtrack to 2002 animated film 'The Wild Thornberries,' followed by '50 Ways to Leave Your Lover' (1975) and the Simon & Garfunkel hit 'The Boxer'(1970).
Then, on stage by himself, he performed 'The Sound of Silence,' a fittingly gentle way to bid us goodnight.