
A star that ignites hearts and screens
For me, acting is not just about playing a role – it's about telling stories that matter. Every rejection, every challenge, became part of my growth. I believe we're all shaped by different cultures and experiences, and as artists, we have a duty to use our voice to inspire change, empower others, and remind people that resilience and hope can rewrite any script.
Born and raised in Italy, Antonella Salvucci first caught the public's attention as a fashion model, gracing the covers of leading magazines in Italy and France. Yet, as she explains, it was her passion for storytelling and her curiosity about the world that soon drew her to acting—a field in which she has found both challenge and fulfillment. 'I really like the globalization of art,' Salvucci told Arab Times. 'I believe that each of us, based on our own background, origins, and experiences, is a kaleidoscope of cultures, languages, and new messages to be transferred. That's why I never stop in the discovery and human evolution that I try in my own way to impress also on the different characters that I go to interpret as an actress!' Her artistic wanderlust has been a defining force in her life. 'As a good Sagittarius, I am always traveling and with my suitcase ready. Since I was about twenty years old, I go especially to America to lock myself in theaters and in international acting masterclasses to feel at one with other artists from different countries, learn from them, compare myself with other methods, and also bring my enthusiasm and my Italian personality. I believe that you have to open your mind also to feel like a more complete human being.' This openness to learning and adaptation has shaped Salvucci's career. She immersed herself in acting workshops with legends like Lino Damiani, Anna Strasberg, and Ivana Chubbuck, and further honed her craft in Los Angeles under renowned coach Bernard Hiller and at the Actors Studio with Oscar-winner Martin Landau.
Lessons from legends — and the power of rejection
Salvucci's journey has not been without obstacles. She credits both her mentors and her detractors for fueling her growth. 'I thank one by one every single person I have met, especially those who closed the door in my face, who did not believe in me or who said no to me: those are the best teachings to not let you relax, to lower your guard, but they are the engine to make you get up with determination and bring out your talent!' She is quick to express gratitude for her family's support: 'I have wonderful parents who are always my best teachers to teach me the harmony of life.' Professionally, she has learned from some of the greatest names in cinema: 'From Martin Landau, who I had the privilege of following in his lessons at the Actors Studio, to Bernard Hiller my acting coach, to Paolo Sorrentino who directed me in 'The Family Friend,' to Peter Chelsom ('Serendipity,' 'Shall We Dance') with whom I worked in the film 'A Sudden Case of Christmas,' to the masters of Italian cinema like Pupi Avati.' Her resilience in the face of rejection has become a driving force, pushing her to continually evolve and excel.
From Italy to the world: Building an international career
Salvucci's versatility and commitment have led to a filmography that reads like a tour of world cinema. After establishing herself on Italian television in dramas such as 'The Marshal Rocca' and 'Carabinieri,' her breakout came with the role of a complex noblewoman in Aurelio Grimaldi's 'L'educazione sentimentale di Eugènie.' This performance caught the eye of Paolo Sorrentino and led to further high-profile roles. Her credits include collaborations with directors like Lamberto Bava ('The Torturer'), Giacomo K. Cimini ('Red Riding Hood'), Alessandro Perrella ('The Night of the Sinner' with Robert Englund), and Marco Carlucci ('Il punto rosso'). She has also worked in American productions filmed in Italy, such as 'The Voice & the Diva' (Michael Oblowitz), 'The American Connection' (Jeff Espanol), and 'The Mission Possible' with John Savage (Brett Roberts). Salvucci's artistic curiosity has taken her to India for commercials and film projects, and she has starred in stage comedies, musicals, and the hit Italian TV show 'I Delitti del Barlume 9.' Her recent credits include 'Lamborghini – The Legend' with Oscar-winner Bobby Moresco and a cameo in 'Kid Santa' alongside Alec Baldwin.
Art meets advocacy: Using fame for good
For Salvucci, acting is more than a profession—it's a platform for change. She is deeply involved in women's empowerment and anti-violence initiatives, seeing her advocacy as inseparable from her creative work. 'I think that every artist has almost a moral duty to commit to humanitarian causes and against violence against women—to use their visibility and influence in favor of important social issues, giving a voice to those who often don't have one and helping to raise public awareness,' she explains. She draws inspiration from actresses like Angelina Jolie, who have become ambassadors for international organizations. 'This is also a bit of my life goal — to unite the light side of the entertainment world with a more solid and structured substratum such as commitment and support for important issues.' Salvucci's advocacy is hands-on: she leads panels at major film festivals, works with the No Violence Project, and participates in global awareness events. 'The commitment for me as an actress and as a woman in these causes comes from the desire to make a concrete difference in the name of popularity to promote justice, solidarity, and social change.'
The roles she loves — and the ones she still dreams of
Salvucci's range as an actress is remarkable, from noblewomen to action heroines. Yet she remains hungry for new challenges. 'I love to continually change and explore different lives—that's why I like acting. It's like living more lives at the same time and going back to being a child with amazement in your eyes and that constant sense of wonder! There are many roles that I would like to play, certainly strong women with a certain personality and charisma, real women who have suffered but who fight with the strength of their smile and who have the ability to inspire and enchant.'
Recent triumphs and future aspirations
Recently, Salvucci filmed with Danny DeVito and his daughter Lucy, describing the experience as 'magical.' 'I have a beautiful memory of the set with Danny DeVito and his daughter Lucy DeVito—loving and simple people who love Italy and this job without ever complaining even in the most difficult scenes with the horses, in the rain, in the middle of the ravines.' Her appearance on 'The Bold & the Beautiful' was another milestone: 'The honor of having been on an iconic set that I dreamed of since I was a child will remain in my heart for a long time, next to actors with enormous sensitivity and generosity immediately ready to welcome new ones without stardom or competition. Now I understand why the series has maintained this great success with the public intact for almost forty years of programming!' Looking ahead, Salvucci is on the set of a new Italian film and preparing to shoot a television series that will take her away from Rome for several months. Yet she remains eager to expand her horizons even further: 'I hope with all my heart to be able to shoot a project in the Middle East and be influenced by that sense of happiness, belonging, elegance that you have always communicated to me!'
A beacon for the next generation
Antonella Salvucci's journey is one of relentless curiosity, artistic integrity, and social commitment. As her career continues to flourish, she remains a beacon of inspiration—an artist who uses her craft not just to entertain, but to empower and uplift.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Kuwait Times
2 days ago
- Kuwait Times
Italian Brainrot: The AI memes only kids know
In a Japanese shop selling pocket-money trinkets, there is a rack of toys, stickers and keyrings based on a global crew of AI-generated characters that almost every child knows about -- and very few adults. A walking shark in oversized sneakers, an orange with muscular arms and a twirling 'Ballerina Cappuccina' with a mug for a head are among the strange stars of the online phenomenon called Italian Brainrot. 'At first it's not funny at all, but it kind of grows on you,' 16-year-old Yoshi Yamanaka-Nebesney from New York told AFP. 'You might use it to annoy someone and find that funny.' The name nods to the stupefying effect of scrolling through mindless social media posts, especially over-the-top images created with artificial intelligence tools. Shouty, crude and often nonsensical Italian voiceovers feature in many of the clips made by people in various countries that began to spread this year on platforms such as TikTok, embraced by young Gen Z and Gen Alpha members. The dozen-plus cartoonish AI creatures have fast become memes, inspiring a stream of new content such as 'Brainrot Rap', viewed 116 million times on YouTube. A YouTube Short titled 'Learn to Draw 5 Crazy Italian Brainrot Animals' -- including a cactus-elephant crossover named 'Lirili Larila' -- has also been watched 320 million times. 'There's a whole bunch of phrases that all these characters have,' said Yamanaka-Nebesney, in Tokyo with his mother Chinami, who had no idea what he was talking about. School-age Italian Brainrot fans can be found from Kenya to Spain and South Korea, while some of the most popular videos reference Indonesia's language and culture instead. 'I went on trips with my boys to Mexico' and people would 'crack jokes about it' there too, Yamanaka-Nebesney said. This photo illustration shows a small bag of novelty merchandise for the online phenomenon called Italian Brainrot, containing collectable cards and a small figure of Frulli Frulla (center), purchased from a shop in Tokyo. 'Melodic language' Internet trends move fast, and Italian Brainrot 'hit its peak maybe two months ago or a month ago', said Idil Galip, a University of Amsterdam lecturer in new media and digital culture. Italian -- a 'melodic language that has opportunities for jokes' -- has appeared in other memes before. And 'there are just so many people in Indonesia' sharing posts which have potential for global reach, Galip said. A 'multi-level marketing economy' has even emerged, with AI video-makers targeting Italian Brainrot's huge audience through online ads or merchandise sales, she added. Nurina, a 41-year-old Indonesian NGO worker, said her seven-year-old loves the mashed-up brainrot world. 'Sometimes when I pick him up from school, or when I'm working from home, he shouts, 'Mommy! Bombardino Crocodilo!'' -- a bomber plane character with a crocodile head. 'I know it's fun to watch,' said Nurina, who like many Indonesians goes by one name. 'I just need to make him understand that this is not real.' Some videos have been criticized for containing offensive messages that go over young viewers' heads, such as rambling references in Italian to 'Bombardino Crocodilo' bombing children in Gaza. 'The problem is that these characters are put into adult content' and 'many parents are not tech-savvy' enough to spot the dangers, warned Oriza Sativa, a Jakarta-based clinical psychologist. Tung Tung Tung Sahur The best-known Indonesian brainrot character 'Tung Tung Tung Sahur' resembles a long drum called a kentongan, which is used to wake people up for a pre-dawn meal, or sahur, during Ramadan. Indonesia has a young, digitally active population of around 280 million, and 'Tung Tung Tung Sahur' is not its only viral export. This summer, video footage -- not AI-generated -- of a sunglass-wearing boy dancing on a rowboat during a race at a western Indonesian festival also became an internet sensation. Noxa, the TikToker behind the original 'Tung Tung Tung Sahur' clip, is now represented by a Paris-based collective of artists, lawyers and researchers called Mementum Lab. 'Noxa is a content creator based in Indonesia. He's under 20,' they told AFP. 'He makes fast, overstimulated, AI-assisted videos.' 'He doesn't call himself a 'contemporary artist', but we think he's already acting like one,' said Mementum Lab, which is focused on complex emerging issues around AI intellectual property, and says it is helping Noxa negotiate deals for his work. Noxa, in comments provided by the collective, said the character was 'inspired by the sound of the sahur drum I used to hear'. 'I didn't want my character to be just another passing joke -- I wanted him to have meaning,' he said. Cultural nuances can be lost at a mass scale, however, with one 12-year-old tourist in Tokyo saying he thought 'Tung Tung Tung Sahur' was a baseball bat. And the generation gap looks set to persist. 'What's that?!' laughed a woman as she puzzled at the row of Italian Brainrot dolls. 'It's not cute at all!' — AFP


Arab Times
7 days ago
- Arab Times
What To Watch This Weekend In Kuwait: Netflix Top 5
Staying in Kuwait this weekend? Whether your exit permit is not approved or it's too hot and dusty outside, you're just in the mood to chill at home, we've got your entertainment covered. From gripping thrillers to heartwarming dramas, these are the top 5 picks on Netflix that are perfect for your weekend binge. Grab your snacks, kick back, and let Netflix turn your living room into the ultimate escape. Wednesday Season 2 IMDB Rating: 8.0 Genres: Comedy, Crime, Fantasy, Mystery Jenna Ortega is back as the eponymous Addams Family daughter in Wednesday: Season 2, and the first reviews affirm that her return was worth the wait. Three years after the show's Netflix debut, Ortega remains the primary reason to watch, while Tim Burton fans continue to receive the best of the filmmaker's trademarks on the small screen. Critics are divided, however, on whether certain changes and uniformities are favorable or not, and the decision to divide the season into two parts sounds frustrating. Beyond the bar IMDB Rating: 8.0 Genre : Drama A young, rookie lawyer with a strong sense of justice joins a top law firm - navigating the complex legal world under a cold, demanding mentor. Evelyn IMDB Rating: 7.2 Genre : Documentary Following his Oscar-winning The White Helmets, Orlando von Einsiedel turns his camera on his own family as they attempt to cope with a devastating loss. When his brother, newly diagnosed as schizophrenic and suffering from intense depression, took his own life at 22, Orlando and his other two siblings buried the trauma, rarely talking about it. Over a decade later, the remaining family set out on a hiking tour, visiting landscapes Evelyn liked to walk, to reflect on his life and death. The result is an intensely personal and moving take on the emotional impact of suicide within a family and a powerful account of the benefits of creating safe spaces for emotional communication. Shot in a subjective style and against the stunning backdrop of the British countryside, Evelyn is an emotionally raw film that documents the difficult, yet rewarding, attempt to navigate the rocky highlands of collective trauma Happy Gilmore 2 IMDB Rating: 6.2 Genres: Comedy, Sports Nearly thirty years have passed since Happy Gilmore famously won the 1996 Tour Championship. For nearly twenty years after that victory, his career continued to flourish. That ended when his wife was tragically killed on a golf course. Distraught he gave up golf and turned to looking after his five kids. Over time, however, he has become an alcoholic and is working in a supermarket. Now his daughter has the opportunity to attend a prestigious dance school and the cost sees him contemplate taking up golf again My Oxford Year IMDB Rating: 6.1 Genres: Comedy, Drama, Romance When Anna, an ambitious young American woman, sets out for Oxford University to fulfill a childhood dream, she has her life completely on track until she meets a charming and clever local who profoundly alters both of their lives.

Kuwait Times
05-08-2025
- Kuwait Times
‘Fantastic Four' stretches lead to 2nd week at North America box office
'The Fantastic Four: First Steps,' Disney's debut of the rebooted Marvel Comics franchise, continued to outperform the competition for a second straight weekend at the North American box office, industry estimates showed Sunday. Actor-of-the-moment Pedro Pascal, Vanessa Kirby, Emmy-winner Ebon Moss-Bachrach and Joseph Quinn star as the titular team of superheroes, who must save a retro-futuristic world from the evil Galactus. The film pulled in an estimated $40 million in the Friday-through-Sunday period, a 66 percent drop from the prior weekend, for a two-week global total of $368 million. Universal's family-friendly animation sequel 'The Bad Guys 2,' about a squad of goofy animal criminals actually doing good in their rebranded lives, debuted in second spot, earning $22.2 million. 'This is a good opening for an animation follow-up sequel,' said David A. Gross of Franchise Entertainment Research. The film edged out Paramount's reboot of 'Naked Gun,' a slapstick comedy starring Liam Neeson as Frank Drebin Jr, son of the bumbling police lieutenant from the original 1980s movie and related television series 'Police Squad!' It pulled in $17 million in its opening weekend. 'Superman,' the latest big-budget action film featuring the iconic superhero from Warner Bros. and DC Studios, slipped from second to fourth at $13.9 million, Exhibitor Relations said. That puts the global take of the film, starring David Corenswet as the Man of Steel, at $551 million. 'Jurassic World: Rebirth' -- the latest installment in the blockbuster dinosaur saga -- finished in fifth place with $8.7 million. Its worldwide total stands at $765 million after five weeks in theaters. Independent horror film 'Together,' which premiered at this year's Sundance Film Festival and was picked up by Neon, claimed sixth spot in its debut weekend with $6.8 million. 'This is a very good opening for an indie horror pic,' Gross said. Rounding out the top 10 were: 'F1: The Movie' ($4.1 million) 'I Know What You Did Last Summer' ($2.7 million) 'Smurfs' ($1.8 million) 'How to Train Your Dragon ($1.4 million) — AFP