Disney+ unveils packed summer 2025 slate amid £1.99 subscription deal
Disney+ unveils packed summer 2025 slate amid £1.99 subscription deal
Here's what's coming to Disney+ this summer, including new titles from Marvel, The Bear and the Alien franchise
Disney+ is offering a monthly subscription for £1.99 this month
Disney+ has unveiled its summer slate of new and returning TV shows and there's plenty to look forward to. There's new titles from Marvel, FX and a brand-new instalment of the iconic Alien franchise on the way, all of which can be enjoyed with the streamer's latest price-cutting deal.
Until June 30, new and returning Disney+ members can sign up for the Standard with Adverts plan for £1.99, securing the discounted rate for four months. This represents a 60% drop from the usual subscription fee, saving customers £12.
This also includes access to beloved Disney+ series like Welcome to Wrexham, Rivals and Only Murders in the Building. The streamer's packed library can plug the gap between Netflix's Squid Game season three (June 27) and Prime Video's Gen V season two (September 17).
READ MORE: Disney+ deal cuts subscription price to £1.99 - but you'll need to act fast
READ MORE: 'Best pillow ever' from Emma shoppers 'love' is 20% off but not for long
But for those sticking with Disney+, here's what's coming up this summer.
Marvel's Ironheart – June 25
Riri Williams in Marvel Television's Ironheart
Set after the events of Black Panther: Wakanda Forever, Marvel Television's Ironheart pits technology against magic when Riri Williams (Dominique Thorne) – a young, genius inventor determined to make her mark on the world – returns to her hometown of Chicago. Her unique take on building iron suits is brilliant, but in pursuit of her ambitions, she finds herself wrapped up with the mysterious yet charming Parker Robbins, a.k.a. The Hood (Anthony Ramos).
Get Disney+ for £1.99 for four months
£4.99
£1.99
Disney+ Get the deal here Product Description
Disney+ has brought back its popular deal that lets new and returning customers join its Standard with Ads plan for £1.99 per month for four months.
This means members can stream hit shows like Andor, The Bear and Alien: Earth, plus countless titles from Star Wars and Marvel, for a fraction of the usual price.
The Bear Season Four – June 26
Jeremy Allen White as Carmen 'Carmy' Berzatto in The Bear
FX's beloved comedy drama returns for its fourth season later this month, with plenty of drama in store as the sandwich shop-turned-fine dining restaurant is at risk of closure. The new episodes find Carmen 'Carmy' Berzatto (Jeremy Allen White), Sydney Adamu (Ayo Edebiri) and Richard 'Richie' Jerimovich (Ebon Moss-Bachrach) pushing forward, determined not only to survive, but also to take The Bear to the next level.
With new challenges around every corner, the team must adapt, adjust and overcome. This season, the pursuit of excellence isn't just about getting better – it's about deciding what's worth holding on to.
The Secret Lives of Mormon Wives: Reunion Special – July 1
The Secret Lives of Mormon Wives: Reunion Special
After a shocking end to season two, host Nick Viall reunites all of #MomTok and #DadTok to uncover secrets and scandals, never-before-seen footage, and a surprise announcement in the first-ever reunion special for the hit reality series.
Jaws @ 50 : The Definitive Inside Story
Steven Spielberg films the mechanical shark on the set of Jaws
The definitive inside story is the authorised documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Alongside Steven Spielberg, Jaws @ 50 charts the extraordinary journey from Peter Benchley's bestselling novel to one of the most iconic films ever made.
Featuring rare archival footage and interviews with acclaimed Hollywood directors, top shark scientists, and conservationists, the documentary uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today.
Washington Black – July 23
Eddie Karanja in Washington Black
Based on the bestselling novel of the same name, this eight-part drama follows the 19th-century odyssey of George Washington 'Wash' Black, an eleven-year-old boy born on a Barbados sugar plantation, whose prodigious scientific mind sets him on a path of unexpected destiny. When a harrowing incident forces Wash to flee, he is thrust into a globe-spanning adventure that challenges and reshapes his understanding of family, freedom and love.
As he navigates uncharted lands and impossible odds, Wash finds the courage to imagine a future beyond the confines of the society he was born into.
Alien: Earth – August 13
Sydney Chandler as Wendy in Alien: Earth
This sci-fi horror series serves as a prequel to the iconic franchise, set two years before Ridley Scott's original film in the year 2120, when Earth is governed by five corporations: Prodigy, Weyland-Yutani, Lynch, Dynamic and Threshold. In this Corporate Era, cyborgs – humans with both biological and artificial parts – and synthetics – humanoid robots with artificial intelligence – exist alongside humans.
But the game is changed when the founder and CEO of Prodigy Corporation unlocks a new technological advancement: hybrids – humanoid robots infused with human consciousness. The first hybrid prototype named Wendy marks a new dawn in the race for immortality, but after Weyland-Yutani's spaceship collides into Prodigy City, she and the other hybrids encounter mysterious life forms more terrifying than anyone could have ever imagined.
Each of these titles are available to stream with the Disney+ £1.99 deal, with members of the platform highlighting the 'very good selection' as one of its standout features. One customer said: 'Very good selection, friendly support and easy to cancel if you need to. Very easy to navigate their site and the openness and transparency they show should be a model for others.'
Article continues below
However, others have found their experience to be lacking, as this member said: 'The content library is extensive and impressive. However, the streaming quality is inconsistent.'
But this five-star review said: 'Disney+ has consistently delivered high-quality streaming content, from classic Disney movies to new releases, along with a wealth of popular TV shows and original content. The interface is user-friendly, making it easy to find and watch my favourite programs without any hassle.'
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Telegraph
2 hours ago
- Telegraph
The 20 best superhero TV shows of all time
Superheroes might have been a screen staple since the 1950s but capes, tights and masks never go out of style. Indeed, a ceaseless production line of Hollywood blockbusters have made them the dominant genre of the early 21st century. Marvel's latest TV effort is Black Panther/Iron Man spin-off Ironheart, following science student Riri Williams (Dominique Thorne) as she invents an Iron Man-style armoured suit. But what are the best shows ever to pow, zap and fly into our living rooms? Here's our countdown of the all-time TV top 20. How did we select our 20? As Spider-Man's Uncle Ben always had it, 'with great power there must also come great responsibility' (although, sorry, Spidey, you haven't made our cut). We've looked at the entirety of the superhero genre on TV, determined not to fall into the cliché of just relying on Marvel and DC staples. That means, you'll find some more whimsical family favourites nestling between the stern jaws and pumped pecks of some of our line-up. Heartfelt apologies, however, to SuperTed, the 1960s Spider-Man cartoon (of 'does whatever a spider can,' fame) and the Bill Bixby/Lou Ferrigno The Incredible Hulk series; all of which just fell outside our selection. Turns out there's one super-villain that can't be beaten: The capricious TV critic! 20. He-Man & The Masters of the Universe (CBS/ITV, 1983-1985) 'By the power of Grayskull!' The biggest, daftest cartoon of the Eighties was this fantasy romp based on a Mattel toy range. When helmet-haired, muscle-bound Prince Adam held aloft his sword and uttered the magic words, he transformed into the universe's most powerful human and foiled the evil plans of cackling villain Skeletor. It spawned literal sister series, She-Ra: Princess of Power, plus films, reboots and even more toys. Ker-ching. 19. Moon Knight (Disney+, 2022) If you can overlook leading man Oscar Isaac's creaky Cockney tones, which creep into Dick Van Dyke territory, there is much to enjoy in this tragicomic Marvel miniseries. As a mercenary with dissociative identity disorder, Isaac had a ball giving each alter ego a different personality (and accent) as he unravelled a mystery involving nocturnal warriors and Egyptian gods. Wild, weird and witty. Cor blimey, Mary Poppins. 18. Wonder Woman (ABC/CBS/BBC One, 1975-1979) 'All the world is waiting for you / And the power z you possess / In your satin tights / Fighting for your rights / And the old red, white and blue.' It's since had a Hollywood reboot – hasn't everything? – but the DC Comics adaptation about an Amazonian princess coming to America is a true cult classic. Lynda Carter became a pop culture icon as the feminist heroine, battling crime with her bullet-deflecting bracelets and golden lasso. Huge fun and just camp enough. 17. The Thundermans (Nickelodeon, 2013-2018) This surprisingly sophisticated teen-com followed the titular superpowered family as they attempted to live a normal existence in the fictional city of Hiddenville. While the parents struggled not to use their powers, their wisecracking children enjoyed exploring theirs – or, in the case of son Max, dreamed of becoming an evil supervillain – complete with a sassy talking rabbit. 16. Daredevil (Netflix, 2015-2018) British actor Charlie Cox excelled as blind New York lawyer Matt Murdock, who used his heightened senses to lead a double life as a masked vigilante. His nocturnal crusade set him on a collision course with crime lord Wilson Fisk (a skin-crawlingly creepy Vincent D'Onofrio). The bruising combat scenes, memorably a pulverising corridor fight, were widely acclaimed. It was recently resurrected for Disney+ sequel series Daredevil: Born Again. 15. Preacher (AMC/Amazon Prime Video, 2016-2019) A trio of Britons led this western-style comic book adaptation. Dominic Cooper starred as Texan preacher Jesse Custer, who was infused with a supernatural gift during a crisis of faith. He sets out on a quest to understand his new-found cosmic powers, joined by gun-toting ex-girlfriend Tulip (Ruth Negga) and vagabond Irish vampire Cassidy (Joseph Gilgun). Gleefully gory, it blended horror with humour to hugely entertaining effect. 14. Teenage Mutant Ninja Turtles (CBS/BBC One, 1987-1996) It was conceived as a superhero parody but soon took on a life of its own. Leonardo, Donatello, Raphael and Michelangelo – a Renaissance-named quartet of anthropomorphic turtle brothers, trained in ninjutsu (still with us?) – became 'heroes in a half-shell' by fighting evil from the sewers of New York City. The cartoon became a playground phenomenon, birthing a turtle-powered franchise of comics, films, games, toys and even breakfast cereal. Cowabunga indeed. 13. Agent Carter (ABC/Fox UK, 2015-2016) The Marvel universe did period drama – and did it jolly well – in this stylishly rendered series about Captain America's love interest. Our own Hayley Atwell was winningly charismatic as all-action spy Peggy Carter, battling baddies and post-war sexism at the Strategic Scientific Reserve. A perky, pulpy romp with a knowing wink and pleasing Britishisms ('Crikey O'Reilly!' was among her catchphrases). 12. Jessica Jones (Netflix, 2015-2019) The most noirish of the first wave of Marvel series, this brooding, slow-burn thriller followed a traumatised ex-superhero, superbly played by Breaking Bad's Krysten Ritter. Hard-drinking Jessica Jones fought her demons by working as a private eye in Hell's Kitchen. Our sardonic anti-heroine faced off against a worthy foe in David Tennant's monstrous, mind-controlling Kilgrave. 11. Super Gran (ITV, 1985-1987) Is there nothing she cannae do? Like a Beano comic strip come to life, this Tyne Tees caper saw a sweet old lady (Gudrun Ure) acquire superpowers when zapped by a magic ray. As she kept the town of Chisleton safe from villainous Scunner Campbell (Iain Cuthbertson), the series was sold worldwide and won an Emmy. A gallery of guest stars included Billy Connolly, George Best and Barbara Windsor. It just edges out SuperTed, Bananaman and Danger Mouse in our 'quintessentially British children's TV parody' slot. 10. Heroes (NBC/BBC Two, 2006-2010) 'Save the cheerleader, save the world.' Creator Tim Kring's pre-Marvel, post-Lost fantasy yarn was impossibly exciting when it first touched down on our screens. As a seemingly ordinary group of civilians slowly became aware of their special abilities, it delivered globe-straddling, comic book-style thrills. Later series got too wrapped up in mystical mumbo-jumbo and its own mythology but for a while back there, Heroes was ambitious, blockbuster television. 9. The Penguin (HBO/Sky Atlantic, 2024-present) Arguably this dark psycho-drama doesn't quite qualify because its anti-hero is technically a baddie. But the show's sheer quality means we've turned a blind eye. A Sopranos-esque mob saga stars Colin Farrell, near-unrecognisable under heavy prosthetics, as disfigured gangster Oz Cobb on his rise through Gotham City's criminal underworld. Fox drama Gotham – another Batman prequel, this time starring Ben McKenzie as a young Chief Gordon – isn't half bad either. 8. Misfits (E4, 2009-2013) This very British riff on the genre began with a group of gobby young offenders doing community service. When stuck outdoors during a strange electrical storm, they acquired a supernatural power apiece. Think X-Men with an Asbo. Howard Overman's scripts fizzed with street humour, while the bright young cast – Iwan Rheon, Antonia Thomas, Nathan Stewart-Jarrett, Lauren Socha and scene-stealer Robert Sheehan – would go on to bigger things. 7. WandaVision (Disney+, 2021) Marvel's first Disney+ series was unexpectedly eccentric and an utter delight. Witchy Wanda (Elizabeth Olsen) and android Vision (Paul Bettany) were the Avengers-turned-homemakers, trying to conceal their true natures while living in a sitcom-style suburban idyll. Each episode paid loving homage to TV history, slowly peeling back the couple's domestic bliss to expose the darker truths beneath. A love story wrapped in a David Lynchian mystery, this was a thoughtful exploration of grief and nostalgia. 6. Lois & Clark: The New Adventures of Superman (ABC/BBC One, 1993-1997) This sparky screwball-style spin on the Man of Steel made stars out of Dean Cain and Teri Hatcher, who were hugely charming as Daily Planet colleagues Clark Kent and Lois Lane. The pair's will-they-or-won't-they romance provided the backdrop to Clark secretly donning the costume to fight for justice. Airing at Saturday teatimes in the pre-Strictly era, it united the generations. As Superman TV series go, it eclipses teen prequel Smallville, which ran for a few series too long and lost its way. 5. Watchmen (HBO/Sky Atlantic, 2019) Alan Moore's graphic novel masterpiece is traditionally described as 'unfilmable', so Lost creator Damon Lindelof called his miniseries a 'remix'. Smart, cinematic and endlessly surprising, his wild reimagining dropped the masked vigilantes into present-day Oklahoma. A cast led by Regina King, Don Johnson and Jeremy Irons served up a boiling brew of racial tension and dystopian chaos. Defying expectations of a comic book adaptation, this was bold, bravura TV. 4. Supacell (Netflix, 2024-present) The newest UK entry on our list transcended superhero tropes to become something truly ingenious. Created by musician and director Rapman, the distinctive drama saw five South Londoners suddenly develop supernatural abilities. Their contrasting reactions to their newfound powers were compelling. Raising awareness of sickle cell disease while acting as a metaphor for black Britishness, this was supa-smart social commentary. 3. The Boys (Amazon Prime Video, 2019-present) Incongruously, one of Amazon's biggest hits is this near-the-knuckle, anti-capitalist twist on the familiar superhero formula. A welcome antidote to dark origin stories and cinematic pomposity, The Boys is like Marvel's lippy teenage brother, with a taste for ultra-violence and transgressive sex scenes. Pitting the commercialised 'Supes' against a band of black ops vigilantes, it's a nihilistic satire with plenty to say about institutional corruption and corporate America. And it usually says it in luridly vulgar language. In Antony Starr's sociopathic Homelander, it also boasts one of the best villains on TV. 2. Legion (FX/Fox UK, 2017-2019) Writer Noah Hawley, who masterminded the award-winning Fargo anthology and the upcoming Alien: Earth, is one of the most boundary-busting showrunners on TV. His 'anti-Marvel Marvel series' was built around a stunning star turn from Downton Abbey alumnus Dan Stevens as the schizophrenic son of X-Men leader Charles Xavier. Imprisoned in a psychiatric facility, he tried to control his mutant powers and fight the sinister forces who wished to harness them. Dramatising the inner workings of the human mind, it was visually dazzling and utterly unique. 1. Batman (ABC/ITV, 1966-1968) Holy top spot, Batman! Nowadays the Caped Crusader is a brooding, traumatised creature of the night. Once upon a time, he was actually fun. Starring Adam West as Batman and Burt Ward as sidekick Robin, this swinging Sixties crime caper followed the Dynamic Duo as they defended Gotham City from a rogue's gallery of camp supervillains. With hammy performances, tongue-in-cheek humour, a killer theme song and shameless cliffhangers, it gleefully embraced its comic book origins, coming to define the genre for the next three decades. Its only rival in the TV Batverse is Nineties modernisation, Batman: The Animated Series. Ker-pow!
Telegraph
2 hours ago
- Telegraph
Disney legend Alan Menken: The dwarves are the whole point of Snow White
'Are we going to talk about Disney and woke?' Alan Menken makes a horrified face and draws a finger across his neck in a throat-cutting mime. 'I'm going to pull the plug on this interview if there is any mention of Disney and politics!' He's joking. Having composed some of the most memorable scores in the history of animation, including nine for Disney – from The Little Mermaid to Beauty and the Beast – Menken is not about to let a culture-war kerfuffle throw him off balance. 'It's fine,' he says. 'Ask me anything.' We are meeting a few months ahead of the West End opening of Hercules, a new stage-musical version of Disney's 1997 animated riff on Greek mythology, set to Menken's original gospel-driven score (with lyrics by David Zippel). 'It's a very sophisticated score stylistically,' he says. 'It has a lightness to it and a rhythmic propulsion.' A native New Yorker, Menken doesn't do false modesty – and why should he? After all, he's one of only 27 people ever to have achieved the EGOT, winning Emmy, Grammy, Oscar and Tony awards. His last Academy Award came in 1996, for Pocahontas, though he's been nominated multiple times since. 'The Oscars have dried up because I've won eight of them now.' Yet it's another Disney production, the live-action remake of Snow White – not a film that Menken had anything to do with – which is dominating the headlines when we meet and that will, in the weeks that follow its woeful box-office performance, come to be seen as a nadir in the studio's muddled, frequently controversial project to update its much-loved back catalogue. At the time, Rachel Zegler, Snow White's leading lady, was drawing criticism from some quarters for comments she had made about Palestine, while the decision to have computer-generated dwarfs in an otherwise human cast had gone down badly with just about everyone. 'How you deal with all this stuff, it's as tricky as hell,' says Menken, who is in two minds about the whole idea of updating the classics, although he is sympathetic towards Zegler. 'She's just a kid. Yes, she said 'Free Palestine'. It's the kind of thing any of us might have said. We all want people to be free. Although, of course, there are also the nuances of history. 'But when it comes to the dwarfs…' He pauses, takes a breath. 'I'm sorry, but the dwarfs are what Snow White is all about!' There's been a bit of 'that stuff' with Hercules, he admits. The story, in which Hercules, a demigod raised among mortals, learns to embrace his destiny, has been updated for the stage show and, says Menken, now allows for its hero – depicted in the cartoon as a buff, blue-eyed redhead and played on stage by the dark-haired, Surrey-born actor Luke Brady – to be portrayed as 'a racial outsider'. Menken applauds the 'richness' this brings to the character, but laments the toning down of the cartoon's randy satyr, Philoctetes, who, he says with a hint of regret, will not be seen on stage 'running around lusting over nymphs'. 'At the time, you play with certain clichés because it's fun,' he says. 'But each new adaptation has to be sensitive to the passing of time and the way people will look at certain issues.' Menken is a hyperactive speaker; he talks in stops and starts, and is as physically expressive as any one of the animated characters to whom he has given such glorious musical voice over the years. He and his writing partner Howard Ashman are widely credited with reviving Disney's fortunes during the late 1980s after a prolonged period of creative and commercial decline for the studio in the decades that had followed the death of Walt Disney in 1966. The duo, who had already had a theatrical hit in 1982 with Little Shop of Horrors, struck gold three times in quick succession with The Little Mermaid (1989), Beauty and the Beast (1991) and Aladdin (1992), the lyrics for the last completed by Tim Rice following Ashman's death from Aids in 1991. Menken, who proudly calls himself 'the keeper of the flame', would go on to score Newsies, Pocahontas, The Hunchback of Notre Dame, Enchanted and Tangled. For him, the essence of Disney can be traced back to those classics of the 1930s, 1940s and 1950s that have enriched the childhoods of multiple generations, and to the spirit of which his own scores nod. 'Fantasia, Dumbo, the later Winnie the Pooh: they all had a depth and a beauty, a proper form, a moral,' he says. 'When the Aids crisis hit, or when 9/11 happened, I couldn't watch the news, I couldn't watch my favourite action adventure movies, it was just too fraught a time. But I would watch Disney. For me, those films were the only safe space in the world. I grew up on those films, but, by the 1980s, it had all gone. So Howard and I came along and rebooted it.' Now, the company to which he has dedicated his career once again finds itself at a turning point, caught between trying to appease the more progressive yet censorious Left and the diehard traditionalist Right. Although Menken is in favour of a live-action remake of The Hunchback of Notre Dame (initially announced in 2019), he accepts that, given the story's more 'problematic' aspects, it is unlikely to go ahead. 'People will go, 'Let's leave out the fact that Frollo [Quasimodo's clergyman nemesis] is obsessed with the gipsy Esmeralda.' They'll say, 'We can't have Quasimodo as a hunchback.' Well, f--- that. I'd love to make a Hunchback movie [that follows] what Victor Hugo wrote. But it can't be done.' However, he says, swerving onto a more diplomatic course, 'I don't think Disney is having an identity crisis. Obviously, Disney has been very open for gay people and diversity and woke. And then woke became a dirty word. Sometimes, when you press against limits, things push back. But I know Bob,' he says, referring to the Disney CEO, Bob Iger. 'I think he's pretty savvy about the business model.' Menken grew up in a Jewish household in New York City during the dawn of rock 'n' roll in the 1950s and, throughout his early years, set his heart on becoming a pop star. 'I didn't want to go to school, ever,' he says. 'I was very ADHD. My parents were appalled.' When he told them he wanted to be a songwriter, in the mould of his hero Bob Dylan, they insisted that he practise the piano every single day. 'They imprinted on me the need to dig in and work. They would say, 'You want to be a shoe salesman instead?' I find it very depressing to buy shoes now.' After graduating from college in 1972, he attended the BMI Lehman Engel Musical Theatre Workshop – a well-respected incubator for future Broadway talent – partly to placate his parents, who were musical-theatre fanatics. That same year, he met and fell in love with Janis Roswick, a ballet dancer; half a century later, they remain married and have two daughters. Suddenly, the itinerant lifestyle of a touring pop star no longer looked quite so appealing, so Menken dedicated himself instead to composition. It's often said of his Disney music that it lacks an identifying style of his own, unlike, say, the higher-brow Stephen Sondheim, whose musical imprimatur is instantly recognisable. 'You can only pull on the stuff that's in your gut,' Menken says. 'And when it comes to audiences, the great thing about Disney is that it's a leveller.' All the same, he is keen to point out that his scores do have musical and emotional specificity, be it the 'apocalyptic' Phil Spector girl-group sound behind Little Shop of Horrors or the ragtime influence on Newsies. 'I'm not trying to be egotistical, but that was very much my and Howard's approach: we established throughout our scores a specificity of place,' he says. By comparison, 'a lot of the new Disney scores are generic…'. He stops, as if reconsidering what he is about to say. 'I think they have moved into a different place, where a Lin-Manuel score is very much Lin-Manuel,' he continues, referring to Lin-Manuel Miranda, the creator of Hamilton, who wrote the Oscar-nominated score for Disney's 2021 film Encanto. 'That's not what Howard and I did, but, hey, things evolve.' At 75, Menken still has multiple projects on the go – including both a live-action remake and a stage adaptation of Tangled, the 2010 Disney animation loosely based on the story of Rapunzel – and can't imagine himself retiring any time soon. 'Well, I can if I think what I'm producing isn't good enough,' he says, 'but I haven't reached that point yet.'
Wales Online
6 hours ago
- Wales Online
Disney+ unveils packed summer 2025 slate amid £1.99 subscription deal
Disney+ unveils packed summer 2025 slate amid £1.99 subscription deal Here's what's coming to Disney+ this summer, including new titles from Marvel, The Bear and the Alien franchise Disney+ is offering a monthly subscription for £1.99 this month Disney+ has unveiled its summer slate of new and returning TV shows and there's plenty to look forward to. There's new titles from Marvel, FX and a brand-new instalment of the iconic Alien franchise on the way, all of which can be enjoyed with the streamer's latest price-cutting deal. Until June 30, new and returning Disney+ members can sign up for the Standard with Adverts plan for £1.99, securing the discounted rate for four months. This represents a 60% drop from the usual subscription fee, saving customers £12. This also includes access to beloved Disney+ series like Welcome to Wrexham, Rivals and Only Murders in the Building. The streamer's packed library can plug the gap between Netflix's Squid Game season three (June 27) and Prime Video's Gen V season two (September 17). READ MORE: Disney+ deal cuts subscription price to £1.99 - but you'll need to act fast READ MORE: 'Best pillow ever' from Emma shoppers 'love' is 20% off but not for long But for those sticking with Disney+, here's what's coming up this summer. Marvel's Ironheart – June 25 Riri Williams in Marvel Television's Ironheart Set after the events of Black Panther: Wakanda Forever, Marvel Television's Ironheart pits technology against magic when Riri Williams (Dominique Thorne) – a young, genius inventor determined to make her mark on the world – returns to her hometown of Chicago. Her unique take on building iron suits is brilliant, but in pursuit of her ambitions, she finds herself wrapped up with the mysterious yet charming Parker Robbins, a.k.a. The Hood (Anthony Ramos). Get Disney+ for £1.99 for four months £4.99 £1.99 Disney+ Get the deal here Product Description Disney+ has brought back its popular deal that lets new and returning customers join its Standard with Ads plan for £1.99 per month for four months. This means members can stream hit shows like Andor, The Bear and Alien: Earth, plus countless titles from Star Wars and Marvel, for a fraction of the usual price. The Bear Season Four – June 26 Jeremy Allen White as Carmen 'Carmy' Berzatto in The Bear FX's beloved comedy drama returns for its fourth season later this month, with plenty of drama in store as the sandwich shop-turned-fine dining restaurant is at risk of closure. The new episodes find Carmen 'Carmy' Berzatto (Jeremy Allen White), Sydney Adamu (Ayo Edebiri) and Richard 'Richie' Jerimovich (Ebon Moss-Bachrach) pushing forward, determined not only to survive, but also to take The Bear to the next level. With new challenges around every corner, the team must adapt, adjust and overcome. This season, the pursuit of excellence isn't just about getting better – it's about deciding what's worth holding on to. The Secret Lives of Mormon Wives: Reunion Special – July 1 The Secret Lives of Mormon Wives: Reunion Special After a shocking end to season two, host Nick Viall reunites all of #MomTok and #DadTok to uncover secrets and scandals, never-before-seen footage, and a surprise announcement in the first-ever reunion special for the hit reality series. Jaws @ 50 : The Definitive Inside Story Steven Spielberg films the mechanical shark on the set of Jaws The definitive inside story is the authorised documentary celebrating the film that redefined Hollywood, 50 years after its premiere. Alongside Steven Spielberg, Jaws @ 50 charts the extraordinary journey from Peter Benchley's bestselling novel to one of the most iconic films ever made. Featuring rare archival footage and interviews with acclaimed Hollywood directors, top shark scientists, and conservationists, the documentary uncovers the behind-the-scenes chaos and how the film launched the summer blockbuster, inspired a new wave of filmmakers, and paved the way for shark conservation that continues today. Washington Black – July 23 Eddie Karanja in Washington Black Based on the bestselling novel of the same name, this eight-part drama follows the 19th-century odyssey of George Washington 'Wash' Black, an eleven-year-old boy born on a Barbados sugar plantation, whose prodigious scientific mind sets him on a path of unexpected destiny. When a harrowing incident forces Wash to flee, he is thrust into a globe-spanning adventure that challenges and reshapes his understanding of family, freedom and love. As he navigates uncharted lands and impossible odds, Wash finds the courage to imagine a future beyond the confines of the society he was born into. Alien: Earth – August 13 Sydney Chandler as Wendy in Alien: Earth This sci-fi horror series serves as a prequel to the iconic franchise, set two years before Ridley Scott's original film in the year 2120, when Earth is governed by five corporations: Prodigy, Weyland-Yutani, Lynch, Dynamic and Threshold. In this Corporate Era, cyborgs – humans with both biological and artificial parts – and synthetics – humanoid robots with artificial intelligence – exist alongside humans. But the game is changed when the founder and CEO of Prodigy Corporation unlocks a new technological advancement: hybrids – humanoid robots infused with human consciousness. The first hybrid prototype named Wendy marks a new dawn in the race for immortality, but after Weyland-Yutani's spaceship collides into Prodigy City, she and the other hybrids encounter mysterious life forms more terrifying than anyone could have ever imagined. Each of these titles are available to stream with the Disney+ £1.99 deal, with members of the platform highlighting the 'very good selection' as one of its standout features. One customer said: 'Very good selection, friendly support and easy to cancel if you need to. Very easy to navigate their site and the openness and transparency they show should be a model for others.' Article continues below However, others have found their experience to be lacking, as this member said: 'The content library is extensive and impressive. However, the streaming quality is inconsistent.' But this five-star review said: 'Disney+ has consistently delivered high-quality streaming content, from classic Disney movies to new releases, along with a wealth of popular TV shows and original content. The interface is user-friendly, making it easy to find and watch my favourite programs without any hassle.'
