
Laura Harrier wanted to 'play on feminine and masculine' with her Met Gala outfit
Laura Harrier wanted to "play on feminine and masculine" with her Met Gala outfit.
The 35-year-old model wore a waistcoat and cream satin trousers designed by Gap, Inc. creative director Zac Posen to attend fashion's biggest night in New York on Monday (07.05.25) evening, and loved how the overall look was a balance between the two genders.
She told US TV show 'Extra': "I've been a fan of Zac for a long time. I love his work; he's a lovely person I've come to know. Gap I just think is such a storied American brand, so this collaboration, I was really excited about.
"I love this play on feminine and masculine that we're doing, where we're able to celebrate black menswear tailoring while still feeling feminine and beautiful."
Meanwhile, Zac explained that he wanted to adhere to the theme of Superfine: Tailoring Black Style by exploring "self-expression" within his design.
He told The Cut: "I've been ideating since the day I was born. Self-expression, identity, the power of dress, and the subversive or rebellious quality of dress have been a theme of self-exploration my entire life. When I first heard the theme, I went into an immense treasure trove of early ideas of identity of dandyism. First, with Oscar Wilde, somebody who embodied dandyism in terms of his intellect, but also his voice and his writing. The same goes with Beau Brummell. He changed fashion by being shocking through his dress at the time and tailoring. It goes into people who are social commentators. You have Charles Baudelaire and his ideas as a writer, critic, and poet. In terms of Black identity, it goes into people using it for identity and defiance — for example, Frederick Douglass, who used dressing as a tool of resistance and self-identity. There was no stopping him through the power of fashion and dress. And then that evolves into music. It's very important to give that space, and it's very interesting to see that expressed and built out through an exhibition."
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"So many unforced errors," Gauff said on court, in one of the understatements of the season. She levelled the contest as Keys looked out of sorts and cantered through the decider. Coco Gauff huffed and puffed into the French Open semi-finals with a 6-7 (8-6) 6-4 6-1 victory against fellow American Madison Keys in a error-infested match both players will quickly want to forget. More than half of Gauff's points came from the Australian Open champion soft mistakes and the world No.2 got away with a total of 10 double faults. Altogether there were over a 100 errors. The 21-year-old will need to make dramatic adjustments when she faces either France's Lois Boisson or Russian sixth seed Mirra Andreeva for a place in Sunday's final. Keys, who was looking to reach the last four at Roland Garros for the second time after 2018, bowed out with her 60th unforced error to end a forgettable contest. "I'm happy to get through this match today, I have a lot more work to do, I'll be ready tomorrow," Gauff said. "I changed something at 4-1 (in the first set). It's tough to play against her because she hits the ball so fast, so low, I was just trying to fight for every point ... to get the ball to the other side of the net." Gauff, who reached the final here in 2022, is the youngest woman to claim 25 main-draw wins at Roland Garros since Martina Hingis (1995-2000). The opening set was a scrappy affair, with the first three games going against serve. Keys secured the first hold to lead 3-1 and broke again before Gauff clawed back a break and held for the first time to close the gap to 4-3. In a flurry of breaks, Gauff levelled at 4-4 and held once more to edge ahead, putting the pressure on Keys, who saved a set point to force a tiebreak. While the quality was patchy at best, the drama was undeniable, with momentum swinging wildly. 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Keys, who was looking to reach the last four at Roland Garros for the second time after 2018, bowed out with her 60th unforced error to end a forgettable contest. "I'm happy to get through this match today, I have a lot more work to do, I'll be ready tomorrow," Gauff said. "I changed something at 4-1 (in the first set). It's tough to play against her because she hits the ball so fast, so low, I was just trying to fight for every point ... to get the ball to the other side of the net." Gauff, who reached the final here in 2022, is the youngest woman to claim 25 main-draw wins at Roland Garros since Martina Hingis (1995-2000). The opening set was a scrappy affair, with the first three games going against serve. Keys secured the first hold to lead 3-1 and broke again before Gauff clawed back a break and held for the first time to close the gap to 4-3. In a flurry of breaks, Gauff levelled at 4-4 and held once more to edge ahead, putting the pressure on Keys, who saved a set point to force a tiebreak. While the quality was patchy at best, the drama was undeniable, with momentum swinging wildly. In the end, Keys edged the tiebreak as Gauff double-faulted three times, handing the opener to her opponent. Things did not get better in the second set. "So many unforced errors," Gauff said on court, in one of the understatements of the season. She levelled the contest as Keys looked out of sorts and cantered through the decider. Coco Gauff huffed and puffed into the French Open semi-finals with a 6-7 (8-6) 6-4 6-1 victory against fellow American Madison Keys in a error-infested match both players will quickly want to forget. More than half of Gauff's points came from the Australian Open champion soft mistakes and the world No.2 got away with a total of 10 double faults. Altogether there were over a 100 errors. 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