Fat Joe accused of sex with underage girls by former hypeman in shock suit
Fat Joe has denied allegations made in shocking new lawsuit that implicates the rap veteran of engaging in 'sexual relations with children who were 15 and 16 years old.'
Fat Joe's one-time Terrence 'T.A.' Dixon, said in court docs obtained by Daily Mail that the 53-year-old musical artist was involved in a number of sordid arrangements with underage girls.
Dixon said in legal docs that he 'personally witnessed' the Grammy-nominated rapper, 54, 'engage in sexual relations with children who were fifteen and sixteen years old.'
One of the teens the New York City native was allegedly involved with inappropriately, according to Dixon, was a Dominican female, who he was engaged with in 'oral sex and other sexual acts.'
The entertainer, whose full name is Joseph Antonio Cartagena, allegedly carried on the relationship with the teen girl 'in exchange for cash, clothing, and payment of her cell phone bill.'
Daily Mail has reached out to Fat Joe, his reps and his lawyer Joe Tacopina for comment on the story.
Fat Joe's one-time hypeman Terrence 'T.A.' Dixon, said in court docs obtained by Daily Mail that the 53-year-old musical artist was involved in a number of sordid arrangements with underage girls
The What's Luv? vocalist allegedly was also involved with a 15-year-old 'Caucasian girl, not from the US' in the wake of a 'concert overseas.'
According to the complaint, The All the Way Up performer had the girl flown to Miami and New York City multiple time, Dixon told the court.
Dixon alleged that the Get It Poppin' artist foot the bill for the underage girl to have a Brazilian Butt Lift operation performed, Dixon said in legal docs.
Dixon told the court that the underage female referred to in the court docs 'eventually left Defendant and is now married to a professional athlete.'
Fat Joe allegedly fell 'in love with' a third female - a Latina female who he met when she was 15, Dixon also claimed in legal docs.
Dixon said Fat Joe 'was in love with' the female, and paid her bills and took her on the road.
'He brought her to Florida and would put her up in a condo he rented a few blocks from his house with his wife,' said Dixon, who told the court he had been working with the rap artist for a stretch from 2006 thru 2019.
Dixon said Fat Joe engaged in 'coercive labor exploitation, financial fraud, sexual manipulation, violent intimidation, and psychological coercion' as his boss.
He added that he was 'consistently underpaid, denied songwriting credits and deliberately concealed from royalties and backend compensation.'
Dixon said he's a 'lyricist, background vocalist, security team member, and creative collaborator.'
Dixon also named in the suit Roc Nation, Sneaker Addict Touring LLC, Slate, Inc. LLC, Pete 'Pistol Pete' Torres, Richard 'Rich Player' Jospitre, Erica Juliana Moreira.
Joe Tacopina, the lawyer who is representing Fat Joe, denied all of the allegations made against the rapper to Page Six.
Tacopina said he's been in touch with the people Dixon alleged were Fat Joe's underage lovers in the suit, and 'they've made it clear that some of them don't even know Fat Joe.'
Fat Joe previously entered into litigation last month against his former associate Dixon over allegations he had engaged in underage sex.
Fat Joe said that Dixon's efforts amounted to a 'money grab' and that Dixon 'enjoyed the perquisites of touring, luxurious travel, and other fringe benefits of a world-renowned musician's team.'
Fat Joe said that in the six years since they had concluded working with another, Dixon had 'never raised any issues or sought any additional compensation.'
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The Guardian
an hour ago
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Hotline TNT: Raspberry Moon review – love lights melodies through the fuzz
The third album by these New York-based indie-rockers rings some crucial changes. First, bandleader Will Anderson is in love, which alleviates some of the gloom that pervaded earlier records. And while the lyrics don't amount to much on the page, when sung in unaffected deadpan and robed in artfully embellished shoegazey noise, Anderson's elliptical poetics carry a compelling weight. Second, and more importantly, Anderson invited his bandmates into the studio to record Raspberry Moon. Where previous albums had been one-man affairs, with Anderson overdubbing layer upon layer of guitar and synth on his lonesome, the presence of other musicians in the room has shaken up the paradigm. Their trademark walls of fuzz remain, but Raspberry Moon also fields tracks such as Break Right, on which the happy/sad melodies flourish with space to breathe, and the lush Lawnmower, which is practically unplugged (save for a keening thread of feedback in the distance) and utterly lovely for it. Other tracks hew closer to the Hotline blueprint, but with renewed sophistication. Their sound remains rooted in 90s indie-rock's fusion of noise and tune (the closing track even shares its title with a landmark Dinosaur Jr LP), but Anderson's articulacy within this soundworld is impressive. The Scene may recall the corrosive buzz of Sugar and the tremolo swoon of My Bloody Valentine, but Anderson's mastery of dynamics is thrilling. And the way he weaves acoustic and distorted guitars and blasts of needling feedback into something as beguiling as Julia's War is evidence of a unique talent operating in a crowded field.
