
What does 'Saiyaara' mean? Ahaan Pandya's debut film earns Rs 45 crore in just 2 days and..
Directed by Mohit Suri, the film is winning over both hearts and headlines. Saiyaara has already collected over Rs 87 crore at the Indian box office, well beyond anyone's expectations. Not only fans but Bollywood actors are also gushing over the film and the actors. What does 'Saiyaara' mean?
For those of you who are wondering, what does Saiyaara mean ? Saiyaara, at its heart, is a love story. The name holds poetic weight. In love, a Saiyaara is someone lonely and adrift, much like a solitary soul in the vastness of emotion.
Interestingly, in a scientific context, Earth itself can be referred to as Saiyaara —a planet, floating alone in space. This double meaning adds depth to the film's title and emotional tone. Here's how much Saiyaara has earned so far Day 1 (Friday): Rs 21 crore
Rs 21 crore Day 2 (Saturday): Rs 25 crore
Rs 25 crore Day 3 (Sunday until 10 pm): Rs 37 crore
Rs 37 crore Total Opening Weekend: Rs 87 crore
The film crossed the Rs 50 crore mark in just three days and is now being hailed as one of 2025's biggest surprise successes.
It even surpassed the weekend figures of Akshay Kumar's Kesari Chapter 2, Aamir Khan's Sitare Zameen Par, and Sunny Deol's latest releases. July 2025, the month of big clashes
From Bollywood to Hollywood, this July 2025, big screens are packed with back-to-back releases, and everyone is vying for audience attention. But amidst this crowded lineup, one film has stolen the spotlight, Saiyaara .
While major productions struggle to hold audience interest, Saiyaara is soaring. Within just two days of its release, the romantic drama has raked in an impressive Rs 45 crore, outperforming most of the 2025 releases.

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India Today
19 minutes ago
- India Today
Hari Hara Veera Mallu review: Pawan Kalyan's star power can't save scattered epic
What hurts more than a film failing is when a film with strong ideas stumbles under the weight of generic, dull scenes that don't match the scale or ambition of the concept. In Indian cinema, most historical dramas tend to focus on royal wars or intense love stories rooted in tradition and belief systems. But there's another genre that's rarely explored: the historical Kalyan's 'Hari Hara Veera Mallu' is a bold attempt to explore that space. It starts with the promise of an exciting story: a thief with secret motives is hired to steal the Koh-i-Noor from Aurangzeb's palace. He is joined by a crew of misfits, each talented in their own way. On paper, it's a great setup for an the film adds another layer. It also tries to be a story of resistance, a fight against Aurangzeb's rule and the oppression of Hindus. This shifts the tone towards a drama hinging on people's rebellion, making the hero more than just a thief. There's also a third angle. The film blends fiction with real historical figures. Like 'RRR' or 'Inglourious Basterds', it plays with alternate history. So now we have a heist story, a rebellion, and a fictional take on real events - all in one film! Each idea works on its own. But 'Hari Hara Veera Mallu' struggles to tie them together in a smooth, balanced way. The film shifts the tone too often, and the story never fully commits to one clear direction. There's no question about the ambition behind it. With a star like Pawan Kalyan, a rich period setting, and a genre that offers a lot of potential, this could have been a unique and entertaining experience. Instead, the film gives us a few strong moments but doesn't hold together as a whole. Set in the 1650s, the story follows Veera Mallu (Pawan Kalyan), a Robin Hood-like outlaw drawn into a web of politics, resistance, and legend. Initially recruited by the King of Kollur, Veera escapes with Panchami (Nidhhi Agerwal) and impresses Qutub Shah (Dalip Tahil), who entrusts him with a greater task: steal the Koh-i-Noor from Mughal emperor Aurangzeb (Bobby Deol). But this isn't just about the diamond. Beneath the mission lies a personal journey, marked by buried secrets and emotional film opens with grandeur. The sets in the first half, particularly the palace interiors and the bustling Kollur town, are rich in texture and detail. The Machilipatnam port fight and the Charminar chase are staged with flair, and Pawan Kalyan brings his signature gravitas to the role. His presence is the glue holding everything together. Every scene he walks into gets a little more watchable. Even in moments where the script fumbles, he powers through with MM Keeravani's score complements this world well, though not every stretch lands musically. Some cues feel old-school, but when it works, especially during action set pieces and emotional peaks, the music elevates the action choreography is among the film's biggest assets. The first half features standout sequences: the Machilipatnam port fight and the Charminar battle, to be particular. Each is executed with scale and flair. The second half includes a compelling action block in a Mughal-ruled village, which stands out for its raw intensity. These sequences are uplifted by the energy of the stunts, Pawan Kalyan's involvement, and a sense of cinematic here's where the problems begin: tonal inconsistency. High moments are abruptly undercut by misplaced humour. A scene where Veera converses with wolves could've added mystique but is instead played for laughs. His team of misfits, featuring actors like Nasser and Subbaraju, have the potential to shine but are reduced to mere fillers. You're reminded of Kamal Haasan's squad in 'Vikram', and how underwritten this ensemble feels in comparison. They just exist, without a single standout oscillate between massy and meaningful, but even powerful lines get diluted by awkward editing and staging. A standout line by Sathyaraj comparing the sea approaching land to destruction deserved a better moment than the one it got. The comedy sequences and punchlines feel dated, and their timing often derails the scene's emotional weight. The film's second half is where the energy truly dips. With much of the narrative held back for the sequel, the makers insert filler scenes that test the viewer's patience. These segments, though passable in isolation, feel stretched and repetitive. Several scenes feel like climaxes, creating a sense of VFX is undoubtedly the biggest letdown of the film. For a film this ambitious, several key scenes, including the hilltop confrontation, suffer from subpar CGI. Scenes feel unfinished or patched together. It's clear the film has gone through production hurdles, and that shows in the uneven editing and occasional abrupt cuts. Some portions feel like they lacked footage, while others were oddly there are sparks. Bobby Deol makes a strong impression in his brief moments, bringing menace and intensity. Nidhhi Agerwal delivers her part with grace, though she fades into the background in the second half. Sathyaraj adds gravitas, but his character arc feels underdeveloped. Supporting actors like Sunil, Kabir Duhan Singh, and Raghu Babu serve their roles effectively but don't leave a lasting cinematography by Gnana Sekhar VS and Manoj Paramahamsa adds richness to the film's period setting. Director Krish Jagarlamudi's vision is evident throughout the portions he helmed. His historical detailing and narrative style lend depth to the film. Jyothi Krishna, who took over the reins from Krish, completed the film's remaining portions and handles them decently, but the tonal shift and change of vision is noticeable.'Hari Hara Veera Mallu: Part 1' is a film full of ideas, ambition, and star power, but its execution doesn't quite rise to match them. It sets the stage, offers glimpses of what could be an epic, but stumbles too often to leave a lasting impact. What it needed was tighter writing, better tonal control, and sharper visual storytelling.- Ends2 out of 5 for 'Hari Hara Veera Mallu: Part 1'.


Indian Express
19 minutes ago
- Indian Express
Hari Hara Veera Mallu Review LIVE Updates: ‘Power Star' fever grips Telugu states as Pawan Kalyan's long-delayed actioner hits screens
Hari Hara Veera Mallu Review, Rating and Release LIVE Updates: Telugu star Pawan Kalyan's long-delayed period action-adventure Hari Hara Veera Mallu: Part 1 has finally hit the screens, and a festive spirit has gripped the Telugu states with fans of the 'Power Star' celebrating the return of their beloved action hero to the silver screen with full fervour. One of the most anticipated Telugu films of the year, it is expected that Hari Hara Veera Mallu will rescue the Tollywood box office from the rough patch it has been going through since the beginning of 2025. However, considering that the movie faced multiple postponements, with the premiere date being changed at least three times just this year and filming reportedly continuing until late 2024 — suggesting that the makers had limited time to complete post-production work, including VFX, it remains to be seen if the film can keep the promise it made to Pawan Kalyan 's fans. Nonetheless, the advance booking for the big- budget actioner, as per Sacnilk, has been strong so far. As of 9 pm on Wednesday, the movie's first day pre-sales gross had crossed Rs 30 crore worldwide. While Hari Hara Veera Mallu had grossed Rs 7 crore from the Telugu states alone, the total advance bookings for the first day across India had touched Rs 20 crore. The overseas advance collection currently stands at Rs 10 crore. Going by the current trends, Hari Hara Veera Mallu is showing potential to outperform the last three films of Pawan Kalyan in terms of opening collections. While 2023's Bro grossed Rs 35.2 crore domestically and recorded an India nett collection of Rs 30.05 crore on release day, 2022's Bheemla Nayak registered Rs 43.10 crore gross (Rs 37.15 crore nett) and 2021's Vakeel Saab minted Rs 40.10 crore nett. While addressing the media in Hyderabad on Monday, Pawan Kalyan talked about Hari Hara Veera Mallu. "Director Krish Jagarlamudi approached us with a high-concept story that we all liked. The film faced delays during the pandemic, and later I got busy with my political career. Though Krish stepped back due to varied reasons, Rathnam and (his son) Jyothi Krishna, who took up the task of direction, were relentless and ensured that the film was completed,' he pointed out, adding that the high-action climax episode was shot over 57 days." Also starring Bobby Deol, Nidhhi Agerwal, Nargis Fakhri and Nora Fatehi, the movie was partly directed by Krish Jagarlamudi and, after his exit, AM Jyothi Krishna. Bankrolled by AM Rathnam under the banner of Mega Surya Production, the film features music by MM Keeravani, cinematography by Gnana Shekar VS and Manoj Paramahamsa, and editing by Praveen KL.


News18
26 minutes ago
- News18
‘Paisa Wasool': Saiyaara Audience Gets Bonus Fight Scene Live
Last Updated: In the clip, two men, allegedly dating the same girl, unexpectedly cross paths during the screening of Saiyaara and end up having a tense fight right there. The Saiyaara craze is so real, it's almost unbelievable. The film, starring newcomers Ahaan Panday and Aneet Padda, has taken everyone by surprise with its impressive opening at the box office. Directed by Mohit Suri, Saiyaara has struck an emotional chord with audiences, especially Gen Z. From loud cheers and emotional breakdowns to full-blown drama in theatres, the reactions have been intense. In fact, a recent viral video shows two men, both allegedly dating the same girl, unexpectedly crossing paths during a screening and getting into a tense fight right in the middle of the cinema. The viral clip captures the moment two men unexpectedly come face to face, and things escalate. According to the post, both were dating the same girl. What starts as a confrontation quickly spirals into chaos, with the men kicking and throwing punches at each other, all while the movie continues playing in the background. Other audience members can be seen crowding around, some stepping in to break up the fight, while others pull out their phones to record the mayhem. The girl at the centre of the drama doesn't appear in the video, but the caption claims she's the reason for the explosive scene. Reacting to the post, a user wrote, 'Paisa wasool hogya inka toh." 'The movie can wait, watch the fight first," a comment read. One more added, 'This show was amazing… what was happening here was more entertaining than the movie itself." 'Asli movie to inhone dekhi," added another social media user. Saiyaara's Growing Demand And Box Office Collection According to NDTV, the makers of Saiyaara have added extra shows after noticing the growing demand and the film's strong box office run. Initially, the movie had a limited release of just 800 screens and 8,000 shows, but now it has expanded to over 2,000 screens and more than 11,000 shows daily. This came after Saiyaara consistently earned over Rs 20 crore each day, a rare achievement that even many big-budget films fail to reach. Within just 7 days of its release, Saiyaara has collected Rs 153.25 Crore at the box office, as per Sacnilk reports. The film had the biggest opening of the year, as it earned Rs 21.5 crore on its first day alone. This strong performance has surprised many, especially since the film stars newcomers like Ahaan Panday and Aneet Padda. view comments First Published: July 24, 2025, 08:17 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.