Power outage hits Cannes Film Festival and traffic in southeastern France
About 160,000 households in the Alpes-Maritimes department lost electricity after a high-voltage line fell Saturday morning, electricity network operator RTE said on X. The outage came hours after a fire at an electrical substation near Cannes overnight had already weakened the grid.
Cannes Film Festival organizers confirmed the outage affected the early activities of Saturday and said the Palais des Festivals — the Croisette's main venue — had switched to an independent power supply.
'All scheduled events and screenings , including the Closing Ceremony, will proceed as planned and under normal conditions,' the statement said. 'At this stage, the cause of the outage has not yet been identified. Restoration efforts are underway.'
Still, screenings at the Cineum, one of the festival's satellite venues, were briefly suspended, the festival added.
Traffic lights in parts of Cannes and the surrounding city of Antibes stopped working after 10 a.m., leading to traffic jams and confusion in city centers. Most shops along the Croisette remained closed, and local food kiosks were only accepting cash. Train service in Cannes was also disrupted.
Authorities said restoration efforts were ongoing and urged residents to remain cautious during travel.
___
For more coverage of the 2025 Cannes Film Festival, visit https://apnews.com/hub/cannes-film-festival .
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
7 hours ago
- Yahoo
With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice
With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice BAYEUX, France (AP) — For centuries, the storytelling masterpiece has been a source of wonder and fascination. In vivid and gruesome detail, the 70-meter (230-foot) embroidered cloth recounts how a fierce duke from France conquered England in 1066, reshaping British and European history. The Bayeux Tapestry, with its scenes of sword-wielding knights in ferocious combat and King Harold of England's famous death, pierced by an arrow to an eye, has since the 11th century served as a sobering parable of military might, vengeance, betrayal and the complexity of Anglo-French relations, long seeped with blood and rivalry but also affection and cooperation. Now, the medieval forerunner of today's comic strips, commissioned as propaganda for the Normandy duke William known as 'the Conqueror' after he took the English throne from Harold, is being readied for a new narrative mission. A homecoming for the tapestry Next year, the fragile artistic and historic treasure will be gingerly transported from its museum in Bayeux, Normandy, to star in a blockbuster exhibition in London's British Museum, from September 2026 to July 2027. Its first U.K. outing in almost 1,000 years will testify to the warming latest chapter in ties across the English Channel that chilled with the U.K.'s acrimonous departure from the European Union in 2020. The loan was announced in July when French President Emmanuel Macron became the first EU head of state to pay a state visit to the U.K. since Brexit. Bayeux Museum curator Antoine Verney says the cross-Channel trip will be a home-coming of sorts for the tapestry, because historians widely believe that it was embroidered in England, using woolen threads on linen canvas, and because William's victory at the Battle of Hastings was such a major juncture in English history, seared into the U.K.'s collective consciousness. 'For the British, the date — the only date — that all of them know is 1066,' Verney said in an interview with The Associated Press. A trip not without risks Moving an artwork so unwieldy — made from nine pieces of linen fabric stitched together and showing 626 characters, 37 buildings, 41 ships and 202 horses and mules in a total of 58 scenes — is further complicated by its great age and the wear-and-tear of time. 'There is always a risk. The goal is for those risks to be as carefully calculated as possible,' said Verney, the curator. Believed to have been commissioned by Bishop Odo, William the Conqueror's half-brother, to decorate a new cathedral in Bayeux in 1077, the treasure is thought to have remained there, mostly stored in a wooden chest and almost unknown, for seven centuries, surviving the French Revolution, fires and other perils. Since then, only twice is the embroidery known to have been exhibited outside of the Normandy city: Napoleon Bonaparte had it shown off in Paris' Louvre Museum from late 1803 to early 1804. During World War II, it was displayed again in the Louvre in late 1944, after Allied forces that had landed in Normandy on D-Day, June 6th, of that year had fought onward to Paris and liberated it. The work, seen by more than 15 million visitors in its Bayeux museum since 1983, 'has the unique characteristic of being both monumental and very fragile,' Verney said. 'The textile fibers are 900 years old. So they have naturally degraded simply due to age. But at the same time, this is a work that has already traveled extensively and been handled a great deal.' A renovated museum During the treasure's stay in the U.K., its museum in Bayeux will be getting a major facelift costing tens of millions of euros (dollars). The doors will close to visitors from Sept. 1 this year, with reopening planned for October 2027, when the embroidery will be re-housed in a new building, encased on an inclined 70-meter long table that Verney said will totally transform the viewing experience. How, exactly, the treasure will be transported to the U.K. isn't yet clear. 'The studies required to allow its transfer to London and its exhibition at the British Museum are not finished, are under discussion, and are being carried out between the two governments,' Verney said. But he expressed confidence that it will be in safe hands. 'How can one imagine, in my view, that the British Museum would risk damaging, through the exhibition, this work that is a major element of a shared heritage?' he asked. 'I don't believe that the British could take risks that would endanger this major element of art history and of world heritage.' ___ Leicester reported from Paris. Nicolas Garriga And John Leicester, The Associated Press
Associated Press
7 hours ago
- Associated Press
With the Bayeux Tapestry that tells of their long rivalry, France and Britain are making nice
BAYEUX, France (AP) — For centuries, the storytelling masterpiece has been a source of wonder and fascination. In vivid and gruesome detail, the 70-meter (230-foot) embroidered cloth recounts how a fierce duke from France conquered England in 1066, reshaping British and European history. The Bayeux Tapestry, with its scenes of sword-wielding knights in ferocious combat and King Harold of England's famous death, pierced by an arrow to an eye, has since the 11th century served as a sobering parable of military might, vengeance, betrayal and the complexity of Anglo-French relations, long seeped with blood and rivalry but also affection and cooperation. Now, the medieval forerunner of today's comic strips, commissioned as propaganda for the Normandy duke William known as 'the Conqueror' after he took the English throne from Harold, is being readied for a new narrative mission. A homecoming for the tapestry Next year, the fragile artistic and historic treasure will be gingerly transported from its museum in Bayeux, Normandy, to star in a blockbuster exhibition in London's British Museum, from September 2026 to July 2027. Its first U.K. outing in almost 1,000 years will testify to the warming latest chapter in ties across the English Channel that chilled with the U.K.'s acrimonous departure from the European Union in 2020. The loan was announced in July when French President Emmanuel Macron became the first EU head of state to pay a state visit to the U.K. since Brexit. Bayeux Museum curator Antoine Verney says the cross-Channel trip will be a home-coming of sorts for the tapestry, because historians widely believe that it was embroidered in England, using woolen threads on linen canvas, and because William's victory at the Battle of Hastings was such a major juncture in English history, seared into the U.K.'s collective consciousness. 'For the British, the date — the only date — that all of them know is 1066,' Verney said in an interview with The Associated Press. A trip not without risks Moving an artwork so unwieldy — made from nine pieces of linen fabric stitched together and showing 626 characters, 37 buildings, 41 ships and 202 horses and mules in a total of 58 scenes — is further complicated by its great age and the wear-and-tear of time. 'There is always a risk. The goal is for those risks to be as carefully calculated as possible,' said Verney, the curator. Believed to have been commissioned by Bishop Odo, William the Conqueror's half-brother, to decorate a new cathedral in Bayeux in 1077, the treasure is thought to have remained there, mostly stored in a wooden chest and almost unknown, for seven centuries, surviving the French Revolution, fires and other perils. Since then, only twice is the embroidery known to have been exhibited outside of the Normandy city: Napoleon Bonaparte had it shown off in Paris' Louvre Museum from late 1803 to early 1804. During World War II, it was displayed again in the Louvre in late 1944, after Allied forces that had landed in Normandy on D-Day, June 6th, of that year had fought onward to Paris and liberated it. The work, seen by more than 15 million visitors in its Bayeux museum since 1983, 'has the unique characteristic of being both monumental and very fragile,' Verney said. 'The textile fibers are 900 years old. So they have naturally degraded simply due to age. But at the same time, this is a work that has already traveled extensively and been handled a great deal.' A renovated museum During the treasure's stay in the U.K., its museum in Bayeux will be getting a major facelift costing tens of millions of euros (dollars). The doors will close to visitors from Sept. 1 this year, with reopening planned for October 2027, when the embroidery will be re-housed in a new building, encased on an inclined 70-meter long table that Verney said will totally transform the viewing experience. How, exactly, the treasure will be transported to the U.K. isn't yet clear. 'The studies required to allow its transfer to London and its exhibition at the British Museum are not finished, are under discussion, and are being carried out between the two governments,' Verney said. But he expressed confidence that it will be in safe hands. 'How can one imagine, in my view, that the British Museum would risk damaging, through the exhibition, this work that is a major element of a shared heritage?' he asked. 'I don't believe that the British could take risks that would endanger this major element of art history and of world heritage.' ___ Leicester reported from Paris.
Yahoo
13 hours ago
- Yahoo
Emma Samms Remembers 'General Hospital' Co-Star Tristan Rogers in Heartfelt Tribute
Emma Samms Remembers 'General Hospital' Co-Star Tristan Rogers in Heartfelt Tribute originally appeared on Parade. Following the death of her former General Hospital co-star, Tristan Rogers, Emma Samms shared a heartfelt tribute honoring their friendship and his unforgettable legacy as Robert Scorpio. Emma Samms, who portrays Holly Sutton, and Tristan Rogers, who played Robert Scorpio, made up the 1980s fan favorite General Hospital supercouple, Robert and Holly. The last time fans saw them together on screen, they were leaving Port Charles together in a Casablanca-like scene. When Rogers showed up for a short appearance in July, fans learned that they were living together in France, even though Holly was not shown because Samms's schedule wouldn't allow her to film when the scenes were scheduled. What began as a marriage of convenience in 1983 turned into a love story that spanned over 40 years. A recent storyline revealed that they had a daughter together, and with the birth of her child, a grandchild as well. Fans of the pairing waited decades for the conwoman and the super spy hero to get their happily ever after, and they finally did. As news of Tristan Rogers' passing began to spread, Samms took to social media to post a heartfelt tribute to her friend and co-star. She posted a picture of them from the show with the statement, "I'm incredibly sad to hear the news about Tristan. I loved working with him and we were both so grateful that we got the chance to do that for more than 40 years. He taught me how to be comfortable in front of the cameras and he introduced me to spontaneity and fun even within all the trials and tribulations that Robert and Holly endured. My condolences to his wife and family." 🎬 🎬 In a statement to Parade, General Hospital Executive Producer Frank Valentini said, 'The entire General Hospital family is heartbroken to hear of Tristan Rogers' passing. Tristan has captivated our fans for 45 years and Port Charles will not be the same without him (or Robert Scorpio). I would like to extend my deepest sympathies to his family and friends during this difficult time. Tristan was a one-of-a-kind talent and will be greatly missed. May he rest in peace.' Tristan Rogers was 79 when he passed away from lung cancer. He is survived by his wife of 30 years, Teresa Parkerson, two children, and a grandchild. Emma Samms Remembers 'General Hospital' Co-Star Tristan Rogers in Heartfelt Tribute first appeared on Parade on Aug 15, 2025 This story was originally reported by Parade on Aug 15, 2025, where it first appeared. Solve the daily Crossword
