Amal Clooney Wore a Stunning Strapless Summer Dress For Dinner Date With George Clooney
Holding her hand, George wore a navy suit over a black polo and a matching baseball cap, plus a pair of shiny black dress shoes. The couple has been friends with Bono and his wife, Alison Hewson, for many years, though the rock star appeared to be solo at dinner. Amal and George were recently separated as they traveled around the world. Amal attended the Cannes Film Festival for a screening of Bono's documentary, Stories of Surrender. There, she wore an off-the-shoulder black gown with a short train. It was an archival Christian Dior gown from John Galliano's time at the fashion house.
On May 29, they were reunited at an event celebrating his hit Broadway play Good Night, and Good Luck.
They were also photographed posing backstage with Nancy Pelosi, Tanya Taylor, Hillary Clinton, Chelsea Clinton, and Huma Abedin.
In 2022, after being named Women of the Year by Time magazine, Amal talked about her marriage and being mom to her twins, Ella and Alexander.
'Marriage has been wonderful,' she shared. 'I have in my husband a partner who is incredibly inspirational and supportive, and we have a home filled with love and laughter.'
Of parenthood, she said, 'It is a joy beyond anything I could ever have imagined. I feel so lucky to have found a great love in my life, and to be a mother—this is how I get my balance.'
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He's been the person I've pictured my whole life. And I'm not even saying that metaphorically. My first crush was Adam Sandler in Happy Gilmore and Big Daddy, and I've been looking for that essence my whole life. I'm like, 'That's Jack.' Most of my girlfriends, most women I know, have had some version of an abusive relationship. Plus, we're kind of all trained to be pitted against each other, as women. It's just such bullshit, you know? I put everything I had into Maid, even casting my real mom as my show mom. I hung out with the girl who played my daughter—her name's Rylea—every weekend for the entire shoot. I really believed in it, and I wanted it to feel as real as it possibly could. It was super intense. I learned that in moments like this, the way that women quietly support each other, in even the most micro ways, is just so beautiful. 5. In its first month on Netflix alone, Maid was watched more than 67 million times, and Margaret was nominated for a Primetime Emmy Award for her role. I learned so much from Maid. Have you ever read bell hooks's All About Love?⁶ I read it after an intense, bad relationship. And I was like, 'Oh, right. This thing that we've been sold is not love.' Someone who loves you wouldn't try to hurt you. And I think that because we're lonely and seeking, we try to tell a story to ourselves that justifies people's actions, when the reality is that real love isn't painful in that way. 6. All About Love: New Visions, by bell hooks, was first published in 1999. It proposes that love and physical abuse cannot coexist. Like there's always a ground below you. You can't fall very far because you're going to be caught. But love is also hard. It's why I feel inspired to make movies about love, whether it's platonic or romantic or whatever. The kind of thing I would be proud to show my kids one day. I want kids. I'm not there this second—I know there's a lot of stuff I don't know—but I've always wanted kids. Even as a little kid, I would imagine having babies. I have, and it's iconic—she looks amazing. Ever since I was young, Cosmo has been the only magazine I've avidly read. I was this gangly thing that so badly wanted to be one of the girls with the spray tan and the blonde hair who played field hockey. I manifested this Cosmo cover. I remember being on a plane with my sister, Rainey, and we'd gotten our hands on a Cosmo. We immediately flipped to the questionnaire, then to the sex-stories-gone-wrong and read the most salacious bits. I was reading this way before I'd had sex. I was a late bloomer. I grew up in the South, and Cosmo was helpful in that it removed shame from sex. I realized that there's a world in which you can have fun and maybe not be so embarrassed about it all. Rainey⁷ is my best friend in the world. I talk to her every day. She just had a baby, Bluebell. She is in California right now but will probably move to North Carolina, where we grew up and where my dad lives. We're both like, 'I want to be there more than in the city' these days. For the longest time, I found it so comforting to be in the middle of chaos. But now I'm 30, and I'm starting to chill out. It feels good to just be able to have some peace and drive to the grocery store. 7. Rainey's album Before Blue is due out later this year. I've been in therapy since I was 16. In my early 20s, I had severe insomnia that got in the way of a lot. I would be awake until 9 in the morning and just begging for sleep. One of the first movies I did was The Nice Guys. It premiered at Cannes, and I didn't go to Cannes because I hadn't slept in four days and I felt like I wasn't going to survive. I'm just getting to the place where I feel like I can stay in my own body instead of shape-shifting to be whatever whoever wants. But I'm still very consistently trying to strengthen my own point of view and feel myself on my feet and in my shoes. The biggest thing I've learned is that the sooner you allow yourself to feel whatever you're feeling, the better. What I know for certain is that I'm happier than I've ever been, by leaps and bounds. I know myself better, and I can enjoy my life. I meditate every day, twice a day, and I feel very in touch with the same person that I was when I was 4 or 9, you know? But as a woman, I feel like, 'How much of this is me?' Like 98 percent is what the world puts on you—it's everyone else's baggage. The Substance was like entering the eye of the storm. It was like dealing with all of my shit, my mom's shit, generations of trauma.⁹ It was a nightmare, being this idyllic, youthful fembot. No one thinks of themselves like that. The movie is not a good touchstone for what femininity is—it is quite masculine in a lot of ways. The thing I'll take home with me, for sure, is Demi Moore. She's such a special person. She's strong and she's wise, but she's also incredibly soft and porous. 8. Margaret was nominated for both a Golden Globe and a Critics Choice Award for this role. 9. When I reach out to Margaret's The Substance costar Demi Moore, she agrees. The movie, Demi says, brought her similar epiphanies: 'It cracked something open in me. It held a mirror to all the ways we're taught to split ourselves in two, the version we are and the version we think we need to be in order to be loved. Womanhood, to me now, is about integrating all of it—the shadow, the shine, the scars, the softness—and knowing that none of it needs to be erased to be enough.' Oh my god! I love Demi, but I don't think we have sexual tension. I learned so much from her. She's become one of my dearest friends. I love the gays, thank you. 10. Of her and Margaret's onscreen romance, Aubrey says, 'It's a soulmate kind of love. A dangerous love.' Of their real-life friendship, she tells me, 'It's rare to do a movie and leave with a lifelong friend. Margaret has helped me get through some of the hardest times of my life. We have each other's backs. I'll defend her to the end. I trust any girl to be able to solve a fucking murder mystery with Instagram, to be honest. But my character is very confident and talkative. She's not a woman of few words. I think that sometimes I've made myself comfortable by knocking myself down. She's the opposite of that. She's in her power and smart and sexy. She's a bit like a cool-guy player. I don't know why, but for some reason, I made my physicality kind of like Matty Healy. I tried to do it like Matty Healy would do it. I got to feel what it would be like to be a guy hitting on a girl.¹¹ 11. Ethan Coen and Tricia Cooke wrote to me that what makes Margaret so special is that she 'doesn't second-guess herself or try to sell the audience some image of herself; she just comes to play.' Cell phones are like cigarettes. I'm a big fan of airplane mode. Because opening your phone is also like going to work, you know? I don't have any apps on my phone except Uber, texting, and Maps. And that's nice, because then it's like if I'm at the grocery store, I don't just pull out my phone. I'm just there, listening to people's conversations. And I feel more immersed in my life. I have another phone at home that doesn't have cell phone service—it just has Wi-Fi, and I can look at Instagram. We are all definitely too plugged in. The best sex comes from making sure you know your body and that your partner knows your body—so you can enjoy yourself. (Cover Image) Versace dress Chanel High Jewelry rings. (Last Video) Courrèges bodysuit, Chanel High Jewelry jewelry. Hair by Evanie Frausto for PRAVANA. Makeup by Romy Soleimani. Manicure by Yukie Miyakawa for Dior. Set design by Nicholas Des Jardins. Production by Dana Brockman at Viewfinders. Shot on location at The Penthouse of 1 East 62nd Street, represented by Zina Raslan with the Gambino Group at Compass, and Classic Harbor Line. (Video/loops) Director and writer: Alana O'Herlihy. DP: Forest Erwin. Edit and color: Amalia Irons.
