TV's double threats: 10 actors eyeing nominations for both comedy and drama at the 2025 Emmys
The 2025 Emmys could have viewers seeing double when nominations are announced on July 15. This year, several of TV's most versatile stars — true double threats — are vying for spots in both comedy and drama categories. From Catherine O'Hara's wildly contrasting roles in The Studio and The Last of Us to Jon Hamm's dual turn in Your Friends and Neighbors and his hosting stint on Saturday Night Live, the race is shaping up to celebrate TV's finest multidimensional talent.
Historically, it's not uncommon for an actor to score two Emmy nominations in a single year — but being recognized for both a dramatic and comedic performance in the same year is far rarer, and winning both is nearly unheard of. In fact, only two actors have ever managed a double victory of this caliber: Colleen Dewhurst (Murphy Brown and Those She Left Behind in 1989) and Allison Janney (Mom and Masters of Sex in 2014).
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Using Gold Derby's latest odds, we've rounded up this year's most likely double nominees for comedy and drama — showcasing performances that stand out for both laughter and heartbreak.
The two-time Emmy winner (Schitt's Creek, STCV) is back in the spotlight — and doubling her chances — with two standout roles: as Gail Lynden, a resilient therapist in HBO's post-apocalyptic drama The Last of Us, and Patty Leigh, the hilariously chaotic former head of Continental Studios in Apple TV+'s new comedy The Studio. O'Hara is positioned well in both races, currently ranked second for Best Drama Guest Actress, trailing her The Last of Us costar Kaitlyn Dever, and third for Best Comedy Supporting Actress, behind Hannah Einbinder (Hacks) and Liza Colon-Zayas (The Bear).
The two-time Emmy nominee (Fallout, Justified) is seeking his first statuette from the TV Academy — and his best chance comes with HBO's red-hot The White Lotus. Goggins is currently the frontrunner for Best Drama Supporting Actor for his compelling turn as Rick Hatchett in Mike White's celebrated mystery series. But he could also nab a nomination for comedy, with two opportunities to break into the race: Best Comedy Supporting Actor for his scene-stealing role as Baby Billy in HBO's The Righteous Gemstones (where he's ranked 12th) and Best Guest Comedy Actor for his memorable hosting stint on NBC's Saturday Night Live (currently ranked 18th).
A previous Emmy winner for her heartbreaking performance in HBO's limited series Mare of Easttown, Nicholson is now turning heads in comedy. Her best shot this year comes with her hilarious portrayal of "Dance Mom" in Max's Emmy-winning comedy series Hacks, where she's currently ranked second in the Best Comedy Guest Actress race, just behind reigning champ Jamie Lee Curtis (The Bear). On the drama side, Nicholson is also in contention for her role in Hulu's political thriller Paradise, playing the complex and morally conflicted Sinatra opposite Sterling K. Brown. She currently ranks 12th for Best Drama Supporting Actress.
An 11-time Emmy nominee including both comedic and dramatic performances (The Office, The Morning Show), Carell is no stranger to accolades — but he's still chasing his first win. This year, he's back in contention with two standout performances: as the conflicted Nick in Netflix's comedy The Four Seasons and for his emotionally charged (and darkly comedic, but let's call it dramatic) turn as Randall in HBO's TV movie Mountainhead. Carell is currently ranked eighth for Best Comedy Actor and and 10th for Best Movie/Limited Series Actor.
The three-time Emmy nominee (Hacks, Flipped) has been recognized twice before for her role as DJ Vance in Hacks, so it's no surprise Olson is back in the conversation — this time ranked fifth for Best Comedy Guest Actress. However, Olson is also making waves on the drama side, ranked 10th in Best Drama Actress for her portrayal of Morgan Gillory, an intellectually gifted cleaning lady who becomes a police consultant, in ABC's High Potential.
A three-time Emmy winner (Orange Is the New Black, Mrs. America), Aduba is a perennial awards favorite. This year, she's vying for recognition in two standout roles: as Cordelia Cupp, an eccentric detective bringing laughs and intrigue in Netflix's comedy series The Residence, and as Clarice, a perfectionist pianist navigating the complexities of her marriage in Hulu's The Supremes at Earl's All-You-Can-Eat. Aduba is currently ranked ninth for Best Comedy Actress and 12th for Best Movie/Limited Series Actress.
Hot off his Emmy win last year for The Bear, Bernthal is back to defend his title as Best Comedy Guest Actor, currently ranked second behind Bryan Cranston (The Studio). Once again, he portrays Mikey Berzatto, the troubled but charismatic older brother of Carmy (Jeremy Allen White) and Natalie (Abby Elliott), whose battle with drug addiction and tragic death loom heavily over the series. Bernthal is also a dark-horse contender for Best Drama Guest Actor, where he's ranked 26th for his brooding performance as Frank Castle/Punisher in Disney+'s Daredevil: Born Again.
Returning to her Emmy-nominated role as Belinda in Season 3 of The White Lotus, Rothwell was even more captivating in Thailand than she was in Hawaii. She's currently ranked fifth in the race for Best Drama Supporting Actress. Simultaneously, Rothwell shines in Hulu's critically acclaimed comedy series How to Die Alone, where she stars as Mel, "a down-on-her-luck Black woman working at JFK Airport," making Rothwell a dark-horse contender for Best Comedy Actress.
Hollywood legend Harrison Ford is still waiting for his first Emmy nomination, and this year he has two strong opportunities to break through. His best shot is for Apple TV+'s comedy series Shrinking, where he delivers a moving and humorous performance as Dr. Paul Rhoades, a therapist navigating life with Parkinson's disease. Recent nods from the Critics Choice, Golden Globe, and SAG Awards could help bolster his Emmy chances. Ford is also in the mix for his powerful dramatic turn as Jacob Dutton in 1923, Paramount+'s Yellowstone prequel from Taylor Sheridan. Currently, Ford ranks second for Best Comedy Supporting Actor behind Ebon Moss-Bachrach (The Bear), and 38th for Best Drama Actor.
The Emmys have long had a love affair with Jon Hamm, who boasts 18 prior nominations (and one win for the final season of Mad Men in 2015). Just last year, he scored a double nomination for his dramatic roles in Fargo and The Morning Show. This year, Hamm has another chance to secure two nods, showcasing his range once again: as Andrew "Coop" Cooper, a disillusioned financier who turns to stealing from his neighbors after losing his job, in the Apple TV+ drama Your Friends and Neighbors, and for his hosting gig on Saturday Night Live. Currently, Hamm is ranked 10th for Best Drama Actor and 14th for Best Comedy Guest Actor.
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I was living in Los Angeles, I was 18, 19 somewhere around there. I had my first place in the Hollywood Hills, a little one-bedroom that I loved. I would have parties and just never really took anything too seriously. I read the script called Heathers and thought it was kind of fun. I really did get into it, went in, auditioned, met with [director] Michael Lehmann and Winona [Ryder]. I think having done The Name of the Rose with Sean Connery gave me a good foot in the door. … I think I'd also done Tucker: The Man and His Dream at that time. I was working, so it opened the door for me to get in and do something else. Heathers was considered a total failure. When it opened up here, it was not successful at all. I mean, I think people in Los Angeles saw it. But as far as it being a real juggernaut of a movie, [it wasn't]. And I don't know if it is today, but it definitely has taken on several lives since then and been rediscovered and has become a musical. 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If you ever get a chance to do a Western, it's the best, man. I had such a good time. I loved working with those guys. It was remarkable. Pump Up the Volume hadn't come out yet. Going into Young Guns, putting on a cowboy hat and strapping on a couple of six-shooters and spending time rehearsing with my horse, it was the best. I just had a great relationship with that animal, and shooting guns and being a kid was so much fun. It was incredible. There were certain things that the stunt people asked me to do that I was unwilling to do. I was willing to jump through the glass into a store, and be like a bull in a China shop on my horse. But there was one stunt they wanted me to do where I was like, 'No, I want to live. I'm good. I don't want to do that.' It was some crazy stunt. And they let Lou Diamond Phillips do it. And I was like, 'Let him do it.' I think he broke his arm doing it. Not that I wish him ill, but I think I made the right choice. I got into a little bit of trouble right before doing Young Guns, too. And I got sober. I got sober and stayed sober for a few years. But there was pressure and anxiety. Certainly being that age, what success does to the people around you is a little bit confusing and a little bit confounding. It just it changes things and to a certain degree makes you feel less safe and less trustworthy of people. It's like, why are they really there? What do they really want? And dating is tricky. And so all of that is a little bit confusing and you can end up feeling more alone. I did stay sober for a few years, but then I think the anxiety finally got to me, and I needed to escape again. Which I did. And I did that through alcohol and some other substances. And it was fun for a while, until it wasn't. It always starts out fun. It always feels like a relief. But then it always turned on me, it got hard, got very difficult to deal with. So there were absolutely challenges, struggles, hurdles, personal hurdles to overcome, lessons to learn. His star still rising, Slater joined Kevin Costner, Morgan Freeman, and Alan Rickman for what would become one of the biggest movies of 1991 — even if critics thrashed it and Slater earned a Razzie nomination for his role as Will Scarlett (shared with his turn as Lucky Luciano in Mobsters). I mean, look, you can't have everything. I'd had a nice run of some critical successes, I think. And some very complimentary people saying nice things about me. And then, yes, Robin Hood struggled a little bit with the critics. But you know what? It was a fun movie. I loved it, getting to be one of the scoundrel Merry Men was a lot of fun. And we actually shot in Sherwood Forest, which was pretty authentic and pretty amazing. And I'd always been a fan of Robin Hood. I mean, I guess my version of Robin Hood was Errol Flynn, which is just weird. And now here I am on the set with these other merry men dancing around and just having a great time. I love [director] Kevin Reynolds. I loved Alan Rickman. Kevin Costner is a legend. Morgan Freeman, we were friends, so it was a really special, special time. Slater teamed with Patricia Arquette, whom he remains close friends with today, for the Quentin Tarantino-penned, Tony Scott-directed crime thriller about a couple on the run with a suitcase of drugs stolen from the mob. So it was only around the beginning, during rehearsals, [that I met Tarantino]. And Patricia [and I] only had one meeting with him from what I recall, where he talked about what he thought these characters were like and how he based Clarence on himself. And when I heard that, I just thought, 'Well, thank you.' That really gives me some insight and some knowledge into who this guy is and his level of obsessiveness. You can just tell with Quentin Tarantino, he's got a particular energy and particular passion that is unmatched. So I think that is what I wanted to be able to try and accomplish, conveying that uncomfortable in his own skin sort of character, but full of passion, full of life, full of love and determined to do the next right thing. Yeah, I wanted to [channel Tarantino] for sure. I think this is where Tony Scott and I at times had mixed opinions, because Quentin was just sort of becoming well-known. And I don't think he developed the coolness factor that he now has to such a degree. So I think my desire to play the character exactly as being Quentin Tarantino kind of freaked him out a little bit. He was more interested in me being like the character from Heathers, who was a little bit cooler and a little bit smoother. Slater was cast as the interviewer Daniel Molloy alongside Tom Cruise and Brad Pitt after the tragic death of River Phoenix, who was originally hired for the role. It was tragic for sure. River Phoenix was a legend and somebody that I was extraordinarily competitive with. I just thought, "This guy's such a good actor." We're both growing up at the same time, and I just thought we'd be competing for roles for the rest of our lives. I thought we'd be trying to get one job from the next, and battling back and forth, for our whole lives. So I think we lost a great actor. I feel like eventually he and I would have become really good friends. I feel sad about it every day. I tried to make it, to a certain degree, more comfortable for myself by donating the salary from that movie to River Phoenix's charities that he was involved with. Just because there was just a part of me that didn't feel like I wanted to take any money for the job. It happened in such a tragic way that I wanted to honor him in any way that I could. So that's what I did. The majority of my work was with Brad. And I think I was catching him at the end of a long shoot [laughs]. It was a good, long six month shoot. And I feel like he was at the end of his rope at that point. I think he was sick and tired of getting his face painted with those little veins and wearing fangs. But you know what? He was a professional. He was great. Certainly in the role. He did it. … He still showed up. 100 percent. But I just thought it was funny that he was so sick of it by that point. He was just over it. And Tom was amazing. I mean, he's Tom Cruise, and he's a phenomenal human being. He heard somebody else say this about working with a vampire. 'Once a vampire bites you, once you share that experience, you're connected for life.' And he did swoop down on me in that Mustang and he did bite me, and I'll never forget it. That was a special night. I mean, we closed down the Golden Gate Bridge to shoot that scene. So it was just me and Tom going around and around on the Golden Gate Bridge. So again, another moment that I just will always cherish and remember for the rest of my life. He is incredibly generous. He gave each and everybody a beautiful photo album. Like not just a photo album, but high end, probably each one of them cost $1,000. I have it somewhere. … Oh, I think I see it. It's in the bookshelf. Slater had stopped drinking again when he made the debaucherous dark comedy about a bachelor party gone very wrong with Jeremy Piven, Jon Favreau, and Daniel Stern. It was [a good experience]. I got in sober again, so that felt better. It felt better to show up and actually be present on a movie set. I've always felt like I was able to participate. I always felt like I was showing up and giving 100 percent. But you just end up feeling better when you're not drinking the night before. Like, for example, that movie Hard Rain (1998) I did. That was a tough shoot. It was six months. We were shooting in this huge airplane hangar in the dark every day, and it was wet. It was gross … not one of the more fun experiences. Definitely challenging, but I think there was an element of, I'm not going to say needing to have a drink while making it, but there was a great deal of need to escape. It was just a hard one. So anyway, Very Bad Things … I mean, it was Jon Favreau, Jeremy Piven, Daniel Stern, some legends again, that have become more legendary since then and are just people I was grateful to work with. Fantastic, crazy character. To a certain degree, I felt like I was trying to do something that I had done before in a movie, so I wasn't 100 percent comfortable with that. I felt like, 'I'm trying to be the nut again.' But now I really don't judge it, you know? Now I don't put that kind of pressure on myself today. After a string of underseen film and television projects released in the 2000s and 2010s, Slater landed his biggest role of the millennium with the eponymous anarchist who recruits Rami Malek's hacker to his cause in Sam Esmail's Emmy-winning cyber thriller. Yeah, it [felt special from the beginning]. It started off with me and Rami sitting in the Wonder Wheel doing all those scenes together. And that was the perfect way to start it. It put us together in close quarters where we couldn't help but get to know each other and how it was we both like to work. So that was a wonderful accident. Whoever organized that did a great job. Did the same thing on Dexter, too. … It was exciting. And it just drew the two of us together. So I think it just helped with our chemistry throughout the show. Well, I mean, [as far as it being called my comeback], I definitely had done some other TV shows. I was giving it a shot in the TV world a few times, always with the best of intentions. And no matter how they performed, it's not like I was used to huge successes initially, anyway. I was never really used to having huge successes right out of the gate, right? Like a lot of the things that I've done have become popular over time, not initially. ... So when it came to a [movie] or a TV show not really necessarily working out? It didn't disturb me greatly. I just looked at it as an experience. And that somebody will get it later down the line. That's what kept happening, right? But I don't think they're going to be doing a musical of The Forgotten [Slater's short-lived 2009 detective series], unfortunately, but that's OK. But Mr. Robot, it was wonderful to be on that ride. I was definitely proud of the show. You just never know. There's no guarantee something's going to turn up. You just got to keep showing up and not give up. And have the faith that, at some point, people are going to find something interesting and exciting. And I'll find something interesting and exciting to be a part of and just keep swinging. Babe Ruth it, man. Slater has drawn more strong reviews for playing Harry Morgan, the role originated by James Remar in Showtime's long running hit Dexter — a Miami detective who trains his homicidal son (Patrick Gibson) to become a vigilante serial killer. I was a huge fan of Dexter, the original series. So to get the chance to be a part of that show in this capacity was very exciting for me. Dexter was the type of show you watch, and especially if you're an actor, you're like, 'God, I wish I could be on that show.' You just talk to yourself that way. And I loved it. To get to fill James Remar's shoes, who I've always been a huge fan of … and to get to play this character and to get some more insight into the Harry character was very, very fun. And I think Clyde Phillips, the creator, does such an amazing job. It's just a great team. So it made it very special. 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