
How Raymond Lam went from Hong Kong TV extra to film star, singer and the ‘King of Chok'
biweekly series profiling major Hong Kong pop culture figures of recent decades.
Advertisement
Affectionately dubbed the 'King of Chok' – chok being a Cantonese slang term that means trying to look cool or handsome, often to the point of being pretentious or cocky – Raymond Lam Fung is one of Hong Kong's most successful entertainers of the 2000s.
After training with Hong Kong broadcaster TVB at the beginning of his career, he made a name for himself as a television actor and cemented his status as a heartthrob through shows like La Femme Desperado, Moonlight Resonance and The Mysteries of Love.
In the following years, Lam also became a Cantopop singer – music was his first love – and later ventured into the mainland Chinese market in the 2010s.
Raymond Lam Fung made a name for himself as a television actor early in his career.
Born in 1979 in Xiamen, in mainland China, Lam grew up as part of a wealthy family and moved to Hong Kong as a young child. As the eldest son of a property tycoon, he was expected to take over the family business when he became an adult.
Advertisement
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


South China Morning Post
11 minutes ago
- South China Morning Post
Labubu craze boosts China's ‘toy doctor' careers
The craze for the plush Chinese toy Labubu has boosted the careers of so-called toy doctors in China. A Shanghai 'toy doctor' nicknamed Heartman said he had fixed 100 Labubu toys in the last few weeks and had to ask his wife to help and move to a bigger studio. He said repairs were 10 per cent of the price of the toy, which is considered fair because an ordinary Labubu toy retails at 99 yuan (HK$108 or US$14). Last year, The Monsters became Pop Mart's most popular series, seeing a 726.6 per cent increase in revenue that reached 3.04 billion yuan. One of the reasons behind the craze, according to Pop Mart's investor Wei Zhe, is the toy's portability. This portability also means the toys are subject to more injuries. Many people shared tips on how to fix scratches and how to make its fur as shiny as new on mainland social media. Toy doctors have grown in popularity in recent years by repairing vintage versions of the toys. Some with a background in the fine arts also quit their jobs to become a full-time toy doctor.


South China Morning Post
an hour ago
- South China Morning Post
Hong Kong singer Nancy Kwai discusses love and new music
The latest music from Hong Kong singer Nancy Kwai sees quiet emotions unfold like a flower's petals. Blooms are a main theme in Kwai's second EP, Blossoming. They are used to highlight the cycle of love from joy to heartbreak and how it arrives and departs. 'I wanted to use the language of flowers to express messages I've always wanted to say,' Kwai said. The EP's final track, 'The Last Letter', is special to Kwai because it is the first time she wrote her own lyrics. 'It feels like something truly mine. I didn't use difficult or fancy language. I just wanted it to be honest. Writing it was like recording my feelings as they were,' the 25-year-old said. 'Normally, I wouldn't say these things out loud, not even to myself.' The song tells the story of realising that someone you care for is in love with another person and coming to terms with letting go. 'Regrets like that are hard to say face-to-face,' Kwai said. 'So I wrote them into the song. Maybe it's my way of ... making sense of how I feel.' Nancy Kwai's second EP 'Blossoming'. Photo: Instagram / nancykwai Writing about love The album's opening track, 'Cardigan', is about an old friend – someone you might never meet again. 'For me, it was a kindergarten friend I lost touch with. That friend mattered a lot to me, and the memories we shared were happy ones,' Kwai said. 'People come and go. How we remember them – or whether we remember them at all – is up to us. Maybe this song can gently remind listeners: 'Hey, remember that person from before?' Maybe it'll even inspire them to reconnect.' Kwai's music is driven by emotional connection: 'I hope my songs can give them a sense of comfort … somewhere they feel understood or safe.' A work in progress As a young Hong Kong artist, Kwai said her biggest challenge is staying true to her local roots while trying to reach a global audience. 'Cantopop has always had a strong foundation and a loyal audience,' she noted. 'But younger generations today are listening to so much more from the West, Japan [and] Korea.' One of her goals is to write more in Cantonese: 'Compared to Mandarin, which often leans toward more direct expression, Cantonese has a kind of elegance that I find beautiful,' she said.


South China Morning Post
2 hours ago
- South China Morning Post
Hong Kong artist Man Tsang Wai-man reaches global comic book stage
A massive stage. A sea of fans. Lightsaber beams swept across the screen as the Star Wars theme thundered through the hall. Hong Kong comic artist Man Tsang Wai-man was stunned when he saw his artwork appear on the big screen, greeted by roars from the crowd. It was the Star Wars Celebration 2025, held in April in Tokyo. An artist from Hong Kong's small comic scene, Tsang had achieved something rare – working with Disney on the comic book version of the novel, Star Wars: Thrawn, originally by award-winning author Timothy Zahn. 'The idea that people would cheer for something we made? It's unimaginable,' Tsang said. 'Just being part of it, even in a small way, was exhilarating. It actually made me tremble.' The comic book will be released later this year. Man Tsang Wai-man sketches at his workshop in Tsuen Wan. Photo: Jelly Tse Hong Kong's comics industry Tsang's experience in Tokyo was a stark contrast to the reality back home. Hong Kong's comic industry reached its peak in the late 80s and early 90s, but has since struggled. 'In Hong Kong, we draw comics, and no one really notices,' he said. Tsang has been passionate about drawing since childhood – he became a full-time comic artist at the age of 17. In 2022, Tsang won the Gold Award from the Hong Kong Comics Support Programme. The government initiative helped him release an original title, which he exhibited at an international festival. It gained global attention and has been published in countries around the world. Through these international editions, Disney noticed his work. The new 'Star Wars' graphic novel focuses on Thrawn, a grand admiral and calculating villain. Photo: Instagram / Drawing the mind of a villain When Tsang was illustrating the story of Thrawn, he faced some unexpected challenges. Unlike most Star Wars characters, Thrawn does not have special powers or weapons. The artist found himself drawing a calm, calculating general – a villain defined by his brain. 'Thrawn is like Sima Yi from Romance of the Three Kingdoms,' Tsang explained. 'He doesn't overpower his enemies – he outsmarts them.' But the real challenge was showing what happens in Thrawn's mind, he said. 'He's up against someone with a nuclear weapon, and all he has is his brain. He has to win using mind games. That's way harder,' the artist explained. Tsang has been passionate about drawing since childhood – he became a full-time comic artist at the age of 17. Photo: Jelly Tse A new path for local artists Disney's collaboration with Tsang could create a new path for Hong Kong's comic artists. He hopes this progress does not end with him. To young artists, Tsang offered advice: do what it takes to get your chance to shine. 'Don't be too proud to fight for opportunities,' he said. 'Sometimes, you have to be willing to crawl and clutch for your shot.'