12 times Anna Wintour created a cultural moment through the cover of Vogue
The March 2009 issue starring Michelle Obama was only the second time a first lady had appeared on the cover of the magazine, after Hillary Clinton in 1998. Obama would go on to feature on the cover twice more. Here, she appears in a magenta Jason Wu dress, the same designer behind her inaugural ball gown.
April 2014
Kim Kardashian and Kanye West's appearance on the April 2014 cover of Vogue, shot by Annie Leibovitz, was a watershed moment for the magazine. For years, the publication had sought to distance itself from the ostensibly low-brow world of reality television that had given birth to the Kardashian empire.
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'Kim and Kanye were a part of the conversation of the day. And for Vogue not to recognise that would have been a big misstep. You are leading, not following – and that's a very important lesson to always keep in your mind,' Wintour has since said.
Published a month before the now-divorced couple's nuptials, Kardashian appears in a white Lanvin dress, her lavish engagement ring front and centre, with West's arms wrapped around her.
March 2018
The March 2018 issue, starring actor Alicia Vikander, may seem fairly innocuous at first, but the cover was criticised for its use of Photoshop, with Vikander's arm appearing rather long. Throughout her tenure at Vogue, Wintour faced backlash for what were sometimes perceived to be overly airbrushed photo shoots, particularly of older figures like Hillary Clinton. Wintour has defended her use of Photoshop, stating it is only ever used to airbrush small 'imperfections' but not to make women appear thinner.
September 2018
In September 2018, Beyoncé appeared on the cover of Vogue, shot by Tyler Mitchell, the first-ever African American photographer to produce a cover for the magazine.
'It's important to me that I help open doors for younger artists. There are so many cultural and societal barriers to entry that I like to do what I can to level the playing field, to present a different point of view for people who may feel like their voices don't matter,' said Beyoncé of her decision to work with the then 23-year-old Mitchell.
December 2020
Gracing the December 2020 issue of Vogue in a black tuxedo jacket and Gucci lace dress, pop star Harry Style's appearance was notable for two reasons: he was the first man to grace the magazine's cover solo, and he was both criticised and lauded for his championing of gender-fluid fashion.
Despite the controversy, the cover certainly cemented Styles as a fashion icon, who was voted GQ' s 'Most Stylish Man of the Year 2020' and included in The Business of Fashion 's 'Class of 2022″ index.
His blue Gucci dress appeared in the Fashioning Masculinities: The Art of Menswear exhibition at London's Victoria & Albert Museum.
October 2024
In October 2024, then vice president and democratic presidential nominee Kamala Harris appeared on the cover of Vogue for the second time.
Shot by Annie Lebovitz, Harris wore her own chocolate brown suit under the cover line 'the candidate for our times' – a clear political endorsement from the publication.
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News.com.au
2 hours ago
- News.com.au
Star's daughter ‘frontrunner' to replace Anna Wintour as Vogue editor
Chloe Malle is the frontrunner to take over at Vogue from fashion's legendary ice queen Anna Wintour, Page Six reports. Malle — the daughter of actress Candice Bergen and French film director Louis Malle — is currently editor of and is in the 'final rounds' of interviews to be the new head of editorial content for US Vogue. Chloe, 39, is a favourite of staff at Vogue and recently interviewed Lauren Sanchez for her Vogue cover ahead of her lavish Venetian wedding to Amazon billionaire Jeff Bezos. We're told that Condé Nast bosses, including CEO Roger Lynch and Anna Wintour, who is stepping down as Vogue' s editor-in-chief, have whittled the shortlist down to the final few candidates. Vogue declined to comment. Nicole Phelps, global director of Vogue Runway – the online platform of Vogue dedicated to fashion shows – is also in the running. The new editor should be announced by the beginning of New York Fashion week, which starts September 11 and runs through September 16. There are believed to be four to five favourites left, including some external candidates. However, Instagram's Eva Chen, a pal of Wintour's, is no longer believed to be in the running as her role is so big at Meta. Chen, who is Head of Fashion Partnerships at Instagram, previously worked on Condé Nast's Teen Vogue and Lucky. 'Eva is making a ton of money at Instagram,' said an industry insider. 'There is no reason for her to move over.' W Magazine owner Sara Moonves has also been linked to the role, but another source pointed out that she's too entwined with her publication to make the move. Similarly, Chioma Nnadi, who replaced Edward Enninful as Head of Editorial Content at British Vogue in October 2023, is happy in London and doing a great job. Wintour, 75, broke the news that she was stepping down as editor-in-chief of American Vogue in June after helming the fashion bible for 37 years. 'When I became the editor of Vogue, I was eager to prove to all who might listen that there was a new, exciting way to imagine an American fashion magazine,' she told staff. 'Now, I find that my greatest pleasure is helping the next generation of impassioned editors storm the field with their own ideas, supported by a new, exciting view of what a major media company can be.' As previously reported, the new boss won't get Wintour's editor-in-chief title, and will be a head of editorial content instead. They will also report to Wintour, who is staying on as Vogue 's global editorial director and chief content officer for Condé Nast. '[I'll be] paying very close attention to the fashion industry and to the creative cultural force that is our extraordinary Met Ball, and charting the course of future Vogue Worlds, and any other original fearless ideas we may come up with,' Wintour has said.

Courier-Mail
2 hours ago
- Courier-Mail
Anna Wintour closing in on Vogue successor
Don't miss out on the headlines from Celeb Style. Followed categories will be added to My News. Chloe Malle is the frontrunner to take over at Vogue from the fashion bible's legendary editor Anna Wintour. Malle — the daughter of actress Candice Bergen and French film director Louis Malle — is currently editor of and is in the 'final rounds' of interviews to be the new head of editorial content for US Vogue. Anna Wintour is stepping down after 37 years as Vogue's editor. Picture: AFP The 39-year-old is a favourite of staff at Vogue and recently interviewed Lauren Sanchez for her Vogue cover ahead of her lavish Venetian wedding to Amazon billionaire Jeff Bezos. The New York Post reported that Condé Nast bosses, including CEO Roger Lynch and Anna Wintour, who is stepping down as Vogue's editor-in-chief, have whittled the shortlist down to the final few candidates. Vogue declined to comment. Nicole Phelps, global director of Vogue Runway – the online platform of Vogue dedicated to fashion shows – is also in the running. Chloe Malle, pictured with her famous mum Candice Bergen, is a hot favourite to succeed Anna Wintour at Vogue. Picture: Supplied The new editor should be announced by the beginning of New York Fashion week, which starts September 11 and runs through September 16. There are believed to be four to five favourites left, including some external candidates. However, Instagram's Eva Chen, a friend of Wintour's, is no longer believed to be in the running as her role is so big at Meta. Chen, who is Head of Fashion Partnerships at Instagram, previously worked on Condé Nast's Teen Vogue and Lucky. 'Eva is making a ton of money at Instagram,' said an industry insider. 'There is no reason for her to move over.' W Magazine owner Sara Moonves has also been linked to the role, but another source pointed out that she's too entwined with her publication to make the move. Similarly, Chioma Nnadi, who replaced Edward Enninful as Head of Editorial Content at British Vogue in October 2023, is happy in London and doing a great job. Wintour, 75, broke the news that she was stepping down as editor-in-chief of American Vogue in June after helming the fashion bible for 37 years. Anna Wintour after being made a Companion of Honour at an Investiture ceremony at Buckingham Palace in February. Picture: Getty Images 'When I became the editor of Vogue, I was eager to prove to all who might listen that there was a new, exciting way to imagine an American fashion magazine,' she told staff. 'Now, I find that my greatest pleasure is helping the next generation of impassioned editors storm the field with their own ideas, supported by a new, exciting view of what a major media company can be.' As previously reported, the new boss won't get Wintour's editor-in-chief title, and will be a head of editorial content instead. They will also report to Wintour, who is staying on as Vogue's global editorial director and chief content officer for Condé Nast. '[I'll be] paying very close attention to the fashion industry and to the creative cultural force that is our extraordinary Met Ball, and charting the course of future Vogue Worlds, and any other original fearless ideas we may come up with,' Wintour has said. This article was originally published in the New York Post Originally published as Anna Wintour closing in on Vogue successor

The Age
2 hours ago
- The Age
How actress Emily Browning learnt to embrace the funny side of failure
For Emily Browning, few things are more terrifying than the prospect of embarrassment. And until recently, few things were more embarrassing than trying to be funny, and potentially failing. 'I guess people have different levels of things they find embarrassing,' says the 36-year-old actress who burst onto the global stage as a 15-year-old in the Lemony Snickett film A Series of Unfortunate Events opposite Jim Carrey. 'I've gotten naked in a million films before, and that didn't embarrass me. [For me the threshold is] not wanting to look stupid or something.' That all changed with her first foray into comedy, in the Paramount+ series Class of '07, about a high school reunion that goes from bad to worse when the apocalypse causes massive flooding that traps the former students of a Sydney girls' school in the building where the best and worst years of their lives played out. 'Before I started doing comedy I'd kind of reached the limit of what I could do without being willing to embarrass myself, if that makes sense,' she says. 'And now I want to look stupid, I want to fail – failure is so interesting to me. I want to just be kind of dumb and not worry about it.' In One More Shot, a time-travelling rom-com that is screening at MIFF, Browning gets every opportunity. She plays Minnie, a self-absorbed anaesthetist who attends a party on New Year's Eve 1999 hoping to win back her ex-boyfriend (Sean Keenan), only to find everything going wrong. Luckily, the bottle of tequila she's brought along gives her the chance to set things right, as each swig transports her back to the beginning of the night. Though it's very funny, One More Shot is grounded in truth: young parents (Ashley Zukerman and Pallavi Sharda) struggling with the impact a baby is having on their lives and marriage; drug and alcohol dependency; a solipsism that stands in the way of ever really connecting with others. And, of course, the whole panic about Y2K. Browning was just 11 years old when all that played out. Her father worked (and still does) in computing, 'and he was like, 'meh',' she says of the predictions that the banking system would crash and planes would fall from the sky simply because of the way dates had been coded into operating systems. For her, 1999 was all about her bedroom. 'I had this blue vinyl blow-up chair and a blue Sony boombox,' she says. 'I just remember it aesthetically. It was gorgeous.' For Nicholas Clifford, whose debut feature this is, there's a strange echo of a more recent societal panic (as well as a chance to unearth some classic tracks from the era by the likes of Spiderbait, Deadstar and the Cranberries). 'What's been really rewarding is the line between COVID and Y2K, and the way some younger audience members can grasp the concept of a great, big, bad unknown on the horizon,' he says. 'Our cross-section of characters are all at different ends of it – some don't care, some really care. I like that. It sort of represents the world in a way.' Though there's plenty of smarts in the script from husband-and-wife team Greg Erdstein and Alice Foulcher (who made the terrific low-budget comedy That's Not Me in 2017), there's also some terrific physical comedy, including a dance scene in which first Aisha Dee (from Apple Cider Vinegar) and then Browning do the splits – the first elegantly, the latter less so. Thankfully for Minnie, every misstep is only a swig away from being erased from everyone's memory but hers. And that's something Browning can definitely see the appeal in. 'I really relate to that feeling of grief that comes from knowing that when you make a choice, you're letting 100 other choices die,' she says. 'I can't make a decision to save my life, I really just want all the options open to me at all times. 'As I've gotten into my mid-30s, I've had that realisation of, like, 'Oh, wow. I have one life, and that means saying goodbye to 1000 other lives that I thought maybe I would have had.' So that just really resonated with me.' Not that she's moping about the road less travelled. 'I feel like all the things that are interesting to me right now and that I'm enjoying have at least an element of humour,' she says. 'I can't think of anything worse right now than doing a dead-serious drama.'