Exclusive: Salman Khan recalls building his own bike, doing stunts for Bobby Deol
When asked if he ever performed bike stunts in his films, Salman said, 'Yes, I have. But mostly, I trained at Juhu Beach. Bobby Deol, Dharmendra's son, was training back then too. Bobby was not so interested in training; he wasn't too keen on jumping off ramps, so I'd step in because I liked doing it. When Bobby would leave, Tinu Verma would make me do the stunts and also practice. We practiced horse riding and biking. Even today, we have ramps at the farm, and I ride down dams and dirt tracks.'While Salman's love for motorbikes is no secret, he also highlighted a larger issue - India's lack of proper infrastructure for motorsports.'I think there's a huge scope for sports in our country. India is so heavily populated and has the highest sales of motorcycles and scooters. But there's no place for young kids or guys who love bikes, riding, motocross, or supercross. There's no infrastructure, no league for them to be part of.He added, "If they want to train, they have to go abroad. Why? We can have the facilities here. We can have leagues, train the riders, provide them with motorcycles, and the proper setup. At least then we can aim to win world championships from India.'Salman Khan will be seen next in 'Battle of Galwan'.- EndsMust Watch
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India Today
an hour ago
- India Today
Vaani Kapoor on criticism: If you've nothing constructive to say, don't say at all
With 'Mandala Murders', Vaani Kapoor ventures into darker, more introspective territory, far from the breezy, glamorous roles that first brought her to the screen. The investigative thriller, created by 'Mardaani 2's Gopi Puthran, blends crime with mythology and introspection with this candid conversation with India Today, Vaani opens up about challenging herself, confronting criticism, learning to let go, and why she still hasn't grown a thick from the interview: Q: To have a project like Mandala Murders as your digital debut, was it a conscious decision to take on something you hadn't been offered in films?I was intrigued by it. I was excited. I was happy that somebody saw that potential in me — to picture me in a role like this and envision me in a universe like Mandala. The story is strong. It's fictional, but it's not just about crime. It's blended with mythology. It leaves you thinking about your belief system, the choices you make, the consequences that follow. I feel everyone has a moment when they reflect, 'This is who I am, this is what I believe in.' I do that all the time.Q: When you wrapped the shoot, what did you learn about yourself — something you didn't know you were capable of?Anything except flying like Superman — that's for CGI! (laughs)! But yes, I realised I love challenging myself. I want to test my limits, find my weaknesses and turn them into strengths. Acting is emotionally and physically exhausting. The backstory work, the performance, the action, it's all-consuming. There was a day I shot for 17 hours straight. I was so tired I couldn't even remember my last scene, and I still had to catch a flight! It's unhealthy, and I wouldn't recommend it but I did it. Because I love it.Q: That kind of pressure and intensity, it can wear you down. What happens on days when it gets too much?I cry. I let it out of my system. I'm a deeply emotional person, but I've learnt to not let it overwhelm me to the point where I can't function. People often tell me, 'You should be thick-skinned by now.' But I'm not. And I don't think I want to be. I take things to heart. I overthink — people who know me will agree! But I also try to understand where I might have gone wrong. I always try to be better than I was yesterday, with whatever bandwidth I And when criticism comes your way, especially in this age where everyone has an opinion, how do you deal with that?If it's constructive, I value it a lot. I ask myself, 'Was I not good enough? Did something not connect?' But you won't get a pat on the back from everyone. With social media, everyone's a reviewer. And that's fair, audiences are paying for a ticket or a subscription. They have a right to be honest. But if someone has nothing constructive to say, I don't think they should say anything at all.I scroll past things I don't agree with. I don't write, 'I hate this' or 'You should disappear.' That kind of negativity, I just don't understand it. How much energy are people willing to spend just to tear someone down?Q: That kind of criticism/trolling, it's exhausting and demoralising. Do you ever find yourself questioning your self-worth because of it?Yes, of course. And I feel bad, not just for myself, but for others too. Everyone's going through something. Anxiety, depression, self-doubt. I don't know anyone who hasn't experienced it and, yet, we do this to each other. We pull each other You said earlier that you were grateful someone saw this side of you with Mandala. Do you ever feel like those kinds of opportunities haven't come often enough?There are days when I wish I was part of something. When I think, 'Why didn't that filmmaker see me in that light?' But I've started leaving that to God. If I deserve it, it'll come to me. If someone else was better for the part, so be it. I've learnt to make the most of what's on my plate. I can't afford to say, 'I don't have that, so I don't want this either.' Maybe it'll take me longer to get where I want to be, but at least I'm moving. I'm not stuck. I'm not going backwards.'Mandala Murders' will premiere on Netflix on July 25, 2025.- EndsMust Watch
India Today
an hour ago
- India Today
Exclusive: Sara Ali Khan says trusting Anurag Basu in Metro In Dino came naturally
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India Today
an hour ago
- India Today
Not SRK, but Alia Bhatt and Sharvari Wagh to feature in War 2 post-credit scene
Just when fans were expecting Shah Rukh Khan's 'Pathaan' to make a thunderous post-credit entry in War 2, YRF has taken a bold detour. Instead, India Today has exclusively learnt that the film will introduce the 'Alpha' agents — played by Alia Bhatt and Sharvari Wagh— in a carefully designed post-credit sequence that connects directly to the next YRF Spy Universe source closely associated with the project confirmed, 'The decision to not include Shah Rukh Khan in the post-credit scene is strategic. For 'War 2', the focus is on what comes next — and that's 'Alpha'.'Alia Bhatt and Sharvari, who lead YRF's first female-led spy film 'Alpha' slated for release in December 2025, will be introduced in a short but powerful cameo at the end of 'War 2', similar to how Marvel teases its next chapters. YRF has also been following the same pattern since 'Ek Tha Tiger', 'Pathaan' and 'Tiger 3'. Speaking to India Today, the source said, "It's short, yes, but it has tension, mystery and a hint of what these two women are capable of. It's not just a cameo—it's a setup.'Another source revealed that the post-credit scene was shot separately under tight security. 'The cameo was filmed quietly earlier this year, with minimal crew."The move also helps build early buzz for Alpha, which has been in production under high secrecy. Directed by Shiv Rawail, the film marks a bold step forward for the Spy Universe, focusing on two female agents from completely different backgrounds who join forces.'Alpha is as ambitious as War 2 or Pathaan — it's just more grounded and character-driven,' the source said. 'Bringing Alia and Sharvari in now helps lay the groundwork early. Audiences will walk out of 'War 2' talking about Alia and Sharvari. That's exactly what YRF wants before launching Alpha,' said the source.'War 2', starring Hrithik Roshan and Jr NTR and directed by Ayan Mukerji, releases on August 14, 2025. Alpha will release in December.- EndsYou May Also Like
