Live music: 9 Charlotte concerts in April, including Tyga and Tuck Fest
Charlotte live music fans, here's a quick list of the nine biggest concerts coming to the city in April.
Editor's note: This is not a comprehensive list of all concerts coming here this month.
For shows that are sold out, you can check to see if there are resale tickets available.
April 2: Anberlin
This alt-rock band is bringing its 20th-anniversary tour to Charlotte. Headliner Copeland will perform their album "In Motion" in its entirety.
Location: Neighborhood Theatre
Time: 7pm
Tickets: $42+
April 9: Awolnation
Best known for their hit song "Sail," Awolnation combines electronic elements with rock.
April 10: Trey Songz, Omarion and Bow Wow
Get ready to jam to some throwbacks. The Millennium Tour brings together some of the biggest names in R&B and hip-hop from the early 2000s, including headliners Trey Songz, Omarion and Bow Wow, plus the Ying Yang Twins, Plies, Boosie, Ray J, Sammi, Bobby V, Pleasure P, Nivea and special guest Rock Ross.
Location: Spectrum Center
Time: 8pm
Tickets: $138+
April 12: Disturbed
This renowned heavy metal band is bringing its 25th anniversary tour to Charlotte.
April 13: Carin León
Carin León is a Mexican singer-songwriter who made debut appearances at Coachella and Stagecoach last year. Now, he's bringing his "Boca Chueca Tour" to Charlotte.
Location: Spectrum Center
Time: 8pm
Tickets: $70
Apr. 14: Tyga
Charlotte, or "Rack City"? Tyga's coming to the Fillmore.
Location: The Fillmore
Time: 9pm
Tickets: $36+
Apr. 16: Tyler Childers
Acclaimed country and folk singer-songwriter Tyler Childers is known for his storytelling. He'll be joined by special guest Deer Tick during his Charlotte stop.
Location: PNC Music Pavilion
Time: 7pm
Tickets: $73+
April 22: Amos Lee
Amos Lee's music blends folk, rock, and soul.
Location: Ovens Auditorium
Time: 7:3pm
Tickets: $43+
April 25-27: Tuck Fest
Tuck Fest is a three-day festival celebrating outdoor lifestyle, sports and adventure at the Whitewater Center.
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2 hours ago
Misty Copeland broke barriers in ballet. Now she's retiring and moving to ‘the next stage'
NEW YORK -- Ten years ago this month, Misty Copeland sat in front of a hastily arranged news conference at American Ballet Theatre, fighting back tears of pride over her new role: principal dancer. 'This is it,' she said, with emotion. 'This has been my dream since I was 13.' The occasion was highly unusual — normally, when a dancer is promoted, a brief press release is issued. But this was Copeland, a crossover star with fame far beyond the insular world of ballet. And now she was becoming the first Black female principal in the company's 75-year history — just days after her New York debut as the lead in 'Swan Lake' brought a refreshingly diverse, packed audience to the Metropolitan Opera House. Now, a decade and many accomplishments later, Copeland is retiring from the company she joined as a teenager. 'It's been 25 years at ABT, and I think it's time,' Copeland, 42, told the Associated Press last week ahead of Monday's official announcement of her move. 'It's time for me to move to the next stage.' The company is planning a splashy farewell on Oct. 22, featuring performances by Copeland — for the first time in five years — and other dancers. There will be speeches and film clips. And Copeland, who's been heavily involved in the planning, will get a chance to venture one more time onto that balcony in Verona; she'll dance again in the beautiful 'Romeo and Juliet' pas de deux. Honorary chairs for the evening will be Caroline Kennedy and Oprah Winfrey. A lot has happened in a quarter-century. Copeland, whose success brought new energy to an art form that has always been overwhelmingly white, has authored a number of books, including a memoir and and several works for young people. The second installment of 'Bunheads' arrives in September, and more are already planned in a series she calls 'a reflection of my journey, showing the range of cultures and types of people that can be a part of the ballet world.' Copeland has also made a short film with her production company. And her philanthropic organization, The Misty Copeland Foundation, works on increasing diversity in the dance world and giving more kids who grew up economically disadvantaged, like she did, the chance to dance. 'It was so important for children growing up and seeing somebody like Misty and saying, 'Oh my gosh, she looks like I do,'' says Susan Jaffe, ABT's artistic director, who is overseeing the farewell performance. 'Through her books, through her lectures, even her endorsements, she has really been a trailblazer." Still, progress moves slowly. When Copeland exits ABT, there will no longer be a Black female principal dancer at the company — nor at many ballet companies around the globe. Copeland discussed that continued challenge in the dance world, among other topics, in the AP interview last week. Remarks have been edited for clarity and brevity. COPELAND: You know, I've become the person that I am today, and have all the opportunities I have today, because of ballet, (and) because of American Ballet Theatre. I feel like this is me saying thank you to the company. So it's a farewell. (But) it won't be the end of me dancing. … Never say never. COPELAND: I've noticed that the conversation is not something we shy away from anymore in terms of the lack of equity, the lack of diversity in this (dance) world. That's one of the biggest shifts I've seen … a lot of young people that just can imagine being part of it in some way. They can imagine stepping into Lincoln Center and being at the Metropolitan Opera House. COPELAND: It's definitely concerning, and I think I've just gotten to a place in my career where there's only so much I can do on a stage. There's only so much that visual representation like that can do. I feel like it's the perfect timing for me to be stepping into a new role, and hopefully still shaping and shifting the ballet world and culture. COPELAND: I think about my partnership with (former ABT principal) Roberto Bolle and him giving me so many opportunities to travel the world with him … (Former ABT principal) Marcelo Gomes, he's been such a such a big part of my journey, and of course Herman Cornejo. We've had a beautiful partnership throughout my career and I'm excited to dance with him again (at the October farewell,) COPELAND: It's made me even more patient. I just have a lighter and brighter outlook on life because it's just such an incredible thing to experience and witness... I think ballet has prepared me for being a mother in so many ways. I think it's ... prepared me for life and being resilient and patient and sensitive and empathetic and strong, and all of these things. COPELAND: He doesn't understand at all! (laughs) He's seen very little of me dancing. … But he's very drawn to it. He is a mover. He's very athletic. He is so drawn to music. He started violin on Monday. We live in the museums. He really is drawn to art. I think he's definitely on the artist's track. COPELAND: It's been pretty evenly split between all of then. I think it just depends on what's at the forefront and what needs my focus. ... But it's exciting to be able to utilize dance in so many different mediums, and to me, that's how you get true diversity — by giving people different entry points into learning about dance and feeling like they can be a part of it, which has been my goal. How do I bring dance to as many people as possible in a way that really works for them? COPELAND: It's a difficult time. And I think all we can really do is keep our heads down and keep doing the work. … we're fortunate in that way that we've built great relationships and can continue to do the work right now through my foundation. There's no way to stop the people that feel passionate about this work. We will continue doing it. It is so necessary for the well-being of our societies and communities. I think there are times to speak out and yell from the rooftops. And for me, I feel like this is a time to keep my head down and really stay focused and do the work.
Yahoo
3 hours ago
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Misty Copeland broke barriers in ballet. Now she's retiring and moving to ‘the next stage'
NEW YORK (AP) — Ten years ago this month, Misty Copeland sat in front of a hastily arranged news conference at American Ballet Theatre, fighting back tears of pride over her new role: principal dancer. 'This is it,' she said, with emotion. 'This has been my dream since I was 13.' The occasion was highly unusual — normally, when a dancer is promoted, a brief press release is issued. But this was Copeland, a crossover star with fame far beyond the insular world of ballet. And now she was becoming the first Black female principal in the company's 75-year history — just days after her New York debut as the lead in 'Swan Lake' brought a refreshingly diverse, packed audience to the Metropolitan Opera House. Now, a decade and many accomplishments later, Copeland is retiring from the company she joined as a teenager. 'It's been 25 years at ABT, and I think it's time,' Copeland, 42, told the Associated Press last week ahead of Monday's official announcement of her move. 'It's time for me to move to the next stage.' The company is planning a splashy farewell on Oct. 22, featuring performances by Copeland — for the first time in five years — and other dancers. There will be speeches and film clips. And Copeland, who's been heavily involved in the planning, will get a chance to venture one more time onto that balcony in Verona; she'll dance again in the beautiful 'Romeo and Juliet' pas de deux. Honorary chairs for the evening will be Caroline Kennedy and Oprah Winfrey. A lot has happened in a quarter-century. Copeland, whose success brought new energy to an art form that has always been overwhelmingly white, has authored a number of books, including a memoir and and several works for young people. The second installment of 'Bunheads' arrives in September, and more are already planned in a series she calls 'a reflection of my journey, showing the range of cultures and types of people that can be a part of the ballet world.' Copeland has also made a short film with her production company. And her philanthropic organization, The Misty Copeland Foundation, works on increasing diversity in the dance world and giving more kids who grew up economically disadvantaged, like she did, the chance to dance. 'It was so important for children growing up and seeing somebody like Misty and saying, 'Oh my gosh, she looks like I do,'' says Susan Jaffe, ABT's artistic director, who is overseeing the farewell performance. 'Through her books, through her lectures, even her endorsements, she has really been a trailblazer." Still, progress moves slowly. When Copeland exits ABT, there will no longer be a Black female principal dancer at the company — nor at many ballet companies around the globe. Copeland discussed that continued challenge in the dance world, among other topics, in the AP interview last week. Remarks have been edited for clarity and brevity. AP: What does this moment mean? Is ballet a chapter that's now ending for you? COPELAND: You know, I've become the person that I am today, and have all the opportunities I have today, because of ballet, (and) because of American Ballet Theatre. I feel like this is me saying thank you to the company. So it's a farewell. (But) it won't be the end of me dancing. … Never say never. AP: You've told your story over the years, in multiple ways, of how you rose from difficult circumstances to this unique position in dance. What impact have you seen? COPELAND: I've noticed that the conversation is not something we shy away from anymore in terms of the lack of equity, the lack of diversity in this (dance) world. That's one of the biggest shifts I've seen … a lot of young people that just can imagine being part of it in some way. They can imagine stepping into Lincoln Center and being at the Metropolitan Opera House. AP: You became the first Black female principal at ABT in 2015. But there haven't been any more named since then. Does it concern you that progress has maybe been slow in that area? COPELAND: It's definitely concerning, and I think I've just gotten to a place in my career where there's only so much I can do on a stage. There's only so much that visual representation like that can do. I feel like it's the perfect timing for me to be stepping into a new role, and hopefully still shaping and shifting the ballet world and culture. AP: Who are some of the partners you've most enjoyed working with? COPELAND: I think about my partnership with (former ABT principal) Roberto Bolle and him giving me so many opportunities to travel the world with him … (Former ABT principal) Marcelo Gomes, he's been such a such a big part of my journey, and of course Herman Cornejo. We've had a beautiful partnership throughout my career and I'm excited to dance with him again (at the October farewell,) AP: Three years ago you became a parent (to son Jackson). How has that changed your perspective? COPELAND: It's made me even more patient. I just have a lighter and brighter outlook on life because it's just such an incredible thing to experience and witness... I think ballet has prepared me for being a mother in so many ways. I think it's ... prepared me for life and being resilient and patient and sensitive and empathetic and strong, and all of these things. AP: Does your son know who you are? COPELAND: He doesn't understand at all! (laughs) He's seen very little of me dancing. … But he's very drawn to it. He is a mover. He's very athletic. He is so drawn to music. He started violin on Monday. We live in the museums. He really is drawn to art. I think he's definitely on the artist's track. AP: So you've got the foundation, you've got the writing career, the production company. Which of those areas do you think you'll be focusing most on? COPELAND: It's been pretty evenly split between all of then. I think it just depends on what's at the forefront and what needs my focus. ... But it's exciting to be able to utilize dance in so many different mediums, and to me, that's how you get true diversity — by giving people different entry points into learning about dance and feeling like they can be a part of it, which has been my goal. How do I bring dance to as many people as possible in a way that really works for them? AP: You've always not only spoken about, but acted on the importance of diversity, equity and inclusion, and initiatives that promote that. Are you concerned that this is getting more difficult? COPELAND: It's a difficult time. And I think all we can really do is keep our heads down and keep doing the work. … we're fortunate in that way that we've built great relationships and can continue to do the work right now through my foundation. There's no way to stop the people that feel passionate about this work. We will continue doing it. It is so necessary for the well-being of our societies and communities. I think there are times to speak out and yell from the rooftops. And for me, I feel like this is a time to keep my head down and really stay focused and do the work.
Newsweek
3 hours ago
- Newsweek
Black Woman Left Stunned by Genetics of Both Children: 'Came Out Blonde'
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A mom from Colorado was left stunned by her two children who have defied genetics. Nadiyah Luwan Smith (@nadiismiith) posted a clip on TikTok of her two children—both born with blue eyes and blonde hair, despite having predominantly Black and Puerto Rican heritage. In the video, Smith captures her son, Kuhvari X'Xivion Simmons-Smith, who is three-quarters Black and one-quarter white, and her daughter, Malaïa Louwella Smith, who is half Black and half Puerto Rican. Nadiyah Luwan Smith's 6-month-old baby who is one-quarter white and three-quarters black with blonde hair and blue eyes. Nadiyah Luwan Smith's 6-month-old baby who is one-quarter white and three-quarters black with blonde hair and blue eyes. @nadiismiith Both children, however, have inherited features commonly associated with European ancestry: fair skin, blonde hair and blue eyes. Smith's mind was blown by genetics in her multiracial babies. "My son's father is half Black and half white, I'm full Black, so my son is a quarter white and three quarters Black," the 26-year-old told Newsweek. "My daughter's father is Puerto Rican, so she's half Puerto Rican and Black." She and her husband Charles Robert Simmons, 28, were expecting more brown features, since Black is the most dominant race in both cases. Both Smith's parents are Black, with brown hair and brown eyes—traits she inherited as well. Simmons, though adopted, knows his biological father is also Black with brown hair and brown eyes. His mother, however, is white with blonde hair and blue eyes—a genetic detail that turned out to play a key role in their children's appearance. When their son, was born with blonde hair and blue eyes, "we were honestly stunned," Smith said. "The whole pregnancy we were just picturing a more brown baby considering Black is our most dominant race between us," she continued. "So when he came out blonde hair, blue eyes we had to ask ourselves who he inherited his features from. Sure enough it was grandma!" Smith's clip went viral within a few days of posting. Pinned to her profile, the 20-second clip has been viewed over 312,000 times. Dozens of users commented, many of whom shared their own stories of how genetics have played out in their children. "Mine are opposite! One-quarter Black, three-quarters white. They're all 4 different, but you can tell they're all siblings," one user wrote. "My daughter is half Black, one-quarter Mexican, one-quarter white. She has natural blonde 4a hair," another shared. "My kids are one-quarter Black and three-quarters white and they both didn't get my blue eyes. But my daughter did get light brown straight hair and their dad and I both have dark curly hair. You just never know!"
