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'I tried The Bear's viral dishes and had to see what all the fuss was about'

'I tried The Bear's viral dishes and had to see what all the fuss was about'

Daily Mirror12 hours ago

FX and Disney+'s The Bear is back for a fourth season and foodies will be treated to more delightful looking dishes as well as hard-hitting stories in the psychological comedy-drama
Food fans get ready as the psychological comedy-drama The Bear series four hits our screens today. After breaking global streaming records, the hit Disney+ offering will get straight into it with the fallout from the Chicago Tribune's review of eatery.
And while the show starring Jeremy Allen White is certainly about more than just culinary delights, the chance for this always-hungry reporter to try some of the viral sensations from the hit series was something my belly couldn't say no to.

In the FX and Disney+ show, viewers watch White portray the role of a young chef called Carmy come from the fine dining world and return home to Chicago following a death to run his family sandwich shop. And it was one of those dishes that allowed me to tickle my taste buds.

Carmy may be a world away from what he is used to by running his business in the drama, but let's just say cooking isn't my forte either. And while an award-winning chef I am most certainly not, I was left craving a trip to Chicago to try the real deal after the three dishes I whipped up.
For this extremely basic cook, a Chicago-Style Steak Sandwich and Fries was the clear winner. As part of Gousto's The Bare limited edition package, which helps recreate the show's most viral dishes, I knew I was onto a winner when I first saw it.
"Can't handle the heat? Go easy!" was the warning on the handy step-by-step guide. Challenge accepted! In it all went to hopefully pack a punch. While there was definitely a kick, it was just right - without sounding like one of the three bears.
TikTok feeds have been overflowing with takes on this iconic Chicago Beef Sandwich and it's clear to see why. Recreating the Italian beef sandwich by moodily frying tender steak with green peppers and smothering in a savoury jus reduction left little to be desired.

Loading it handsomely into a soft baguette and serve with home-cooked fries and dip. Let's just say it's a big fat yes from me.
The other dishes up for grabs were THAT Crispy Omelette that got viewers drooling. It might have divided viewers in episode nine, but it got an impressive thumbs up from yours truly.

Stuffed full of garlic and herb soft cheese and topped with crisps for crunch, it's safe to see why viewers became obsessed.
To finish on a hat-trick of culinary delights (not all in one sitting!) was a family spaghetti with cheesy garlic bread. While I might not have had the presentation of a well-run Chicago restaurant, I was able to capture the spirit and soul of Chicago cooking right here in my North East home.
And let's face it, it all went down the gullet in prompt fashion anyway!
It's safe to that while a career change is definitely not on the horizon, these dishes were a huge success and left me wondering what delicacies might come from season four.
Exclusively available until 15th July, 'The Bare' range includes three limited-edition recipes and also helps Trussell support families who'd otherwise go without the bare essentials this summer.

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The Bear season four review – finally becoming the show it was always destined to be
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  • The Guardian

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Recalibrate your palate: The Bear is not the show it used to be. The relentless drama you were stunned by in season two – when you finished an episode and said it was the best show you had ever seen, then played the next one and said it again – is not coming back. Season four starts with Uncle Jimmy (Oliver Platt), the family friend who has invested in the fledgling Chicago eaterie The Bear, installing a countdown clock that says the business has 1,440 hours to save itself. But much of the new run isn't even about the restaurant. The show is outgrowing its premise, leaving behind 'yes, chef!', lingering closeups of seared beef and screaming matches in the pantry in favour of a different intensity, one that draws even more deeply on the characters and how they fit together. Indulge it – and you will have to indulge it, in a few ways – and you will find this experience just as rich. The restaurant is reeling from negative press – the Chicago Tribune's reviewer reports understatedly that they observed 'dissonance' – but the show returns seeming almost arrogantly relaxed. The first two episodes potter, enjoying extended montages of folk cooking to the artfully curated sounds of the Who, Talk Talk, the Pretenders and, in a preparing-for-service sequence that goes on for longer than you think it would dare, a brilliantly deployed excerpt from Tangerine Dream's soundtrack for the 1981 movie Thief. Between courses, characters set out their self-improvement goals: Tina (Liza Colón-Zayas) wants to train herself to cook a pasta dish in under three minutes; Cousin Richie (Ebon Moss-Bachrach) wishes the little speeches he gives the waiting staff were more inspiring; Ebraheim (Edwin Lee Gibson) would like to help pull the numbers out of the red by becoming a commercial visionary. Dealing with the big stuff as usual are the head chef, Carmy Berzatto (Jeremy Allen White), and his faithful, frustrated assistant, Sydney (Ayo Edebiri). He wants to 'do better': communicate more, apologise more, explain more, shout less. She continues to wonder if she should jump ship to take a job at a flash new startup. A whole episode, co-written by Edebiri and Lionel Boyce (who plays Marcus), is given over to Syd visiting her cousin's house to have her hair done and discuss the dilemma with her cousin's young daughter. It's a lovely digression, but is it necessary? Well, yes. It may not feel like it during this year's slow start, just as it didn't during that apparently directionless third season, but Christopher Storer, the showrunner, knows what he is doing. More than ever, this is a show about family – the traumas they inflict on each other and the power they have to soothe them – and how families extend to friends and colleagues who can be just as beloved and just as maddening. That Richie is not actually Carmy's cousin and Uncle Jimmy is not anyone's uncle has always been an endearing quirk of the setup, but now it becomes essential and endlessly moving. Where once The Bear made pulses pound, now it lets the happy tears flow; the second half of the season is like one long therapy session. Syd isn't just deciding whether or not to take a job – she is deciding whether or not she is becoming a Berzatto. Once again, the centrepiece is a double-length episode dedicated to a family get-together. The whole gang is there, so that unbelievable extended cast – including Sarah Paulson, Bob Odenkirk and John Mulaney, plus new additions Josh Hartnett and a hilarious Brie Larson – is reunited, this time for the wedding of Richie's ex-wife, Tiff (Gillian Jacobs). With the unstable Berzatto matriarch, Donna (Jamie Lee Curtis), in attendance, passive-aggressively transferring her anxieties to whoever she is speaking to, the potential is there for another psychodrama along the lines of that sublime but gruelling Christmas flashback from a couple of seasons ago. But having put his creations and his audience through hell, Storer now lets the light in via a torrent of tenderly written, fiercely performed interactions where broken people who love each other start to heal, saying variations on those two beautiful phrases, 'sorry' and 'thank you'. Payoffs big and small ping in every scene as narrative seeds carefully sown – including in that bad third season! – burst into bloom and these people we have come to adore are rewarded. Not that it's ever easy: if the wedding episode is a classic, so is the painfully fraught, stunningly acted finale, where we don't know whether the most troubled of our cousins will find the courage to open up. Storer has shown a lot of courage in giving them the chance. This new Bear is doing much better. The Bear is on Disney+ in the UK and Australia and on Hulu in the US

The Bear used to be brilliant TV. Now it's pretentious and dull
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