logo
Algerian court upholds five-year jail term for writer Boualem Sansal

Algerian court upholds five-year jail term for writer Boualem Sansal

TimesLIVE2 days ago
An Algerian court upheld on Tuesday a five-year prison sentence being served by French-Algerian writer Boualem Sansal for undermining national unity, Ennahar TV said, prompting a call for clemency by France.
Sansal, 80, had been living in France but was detained while visiting Algeria in November and sentenced in March after making statements to a French media outlet in which he endorsed Morocco's position that part of its territory was seized under French colonialism and annexed to Algeria.
Sansal denied the charges. He said his statements were made within the framework of freedom of expression and that he had no intention of offending Algeria.
"France regrets the appeal court's decision to impose a prison sentence on our compatriot Boualem Sansal, which maintains the sentence handed down by the lower court", the French Foreign Ministry said.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Turkish magazine staff in custody over 'disrespectful' cartoon
Turkish magazine staff in custody over 'disrespectful' cartoon

Eyewitness News

time2 days ago

  • Eyewitness News

Turkish magazine staff in custody over 'disrespectful' cartoon

ISTANBUL, TURKEY - Four staff members at satirical Turkish magazine LeMan were remanded in custody Wednesday over accusations they published a caricature of the Prophet Mohammed, a case that watchdogs have called an attack on press freedom. The four, who deny any link between the illustration and the prophet, were held as part of prosecutors' probe into what Justice Minister Yilmaz Tunc called the "disrespectful drawing". He added that a warrant has been issued for two additional suspects who were abroad. The publication of the cartoon and arrests of staff at the opposition magazine led to clashes in Istanbul on Monday. News site T24 published the police deposition of cartoonist Dogan Pehlevan in which he said that he wanted "to talk about peace in this drawing" and condemned "provocateurs". "I have been drawing in Turkey for many years. The first rule you learn is not to address religious issues and not to mock religion," he said. "I have always adhered to this principle. I reject the accusations levelled against me," he added. The drawing in question shows two characters meeting in the sky above a city devastated by bombs. One is named Muhammed and the other Musa. "I just wanted to highlight the absurdity of war, to show that people can get along but do you have to be dead to realise that? That's my only message," he added. On Monday evening, a favourite haunt of LeMan staff in the Istiklal district of Istanbul was attacked. It escalated into a pitched battle between about 300 people, including people defending the magazine and furious at the arrests. On Tuesday, President Recep Tayyip Erdogan called the cartoon a "despicable provocation" and a "hate crime" whose authors will have to answer for "disrespecting the prophet". 'POLITICAL OPPORTUNISTS' Despite a ban, some 300 people also gathered around Taksim Mosque in central Istanbul, shouting "don't forget Charlie Hebdo", referring to a deadly Islamist militant attack on the French magazine in 2015. LeMan's editor-in-chief Tuncay Akgun told AFP that the drawing in question "has nothing to do with the Prophet Mohammed", adding: "We would never take such a risk." "The character is a Muslim killed in Gaza... He was called Muhammed (like) more than 200 million people in the Muslim world," he said. In a joint statement, Turkey's TGS press union and professional organisations said they had "great concern" at the rise in attacks and "violent rhetoric" due to the publication. Media watchdog Reporters Without Borders, the international network Cartooning for Peace and the US association Cartoonists Rights condemned the attack on press freedom in Turkey. They called on the Turkish authorities to ensure the safety of the editorial team. Terry Anderson, of Cartoonists Rights, said the arrests were "based on a lie and are being exploited by political opportunists for intimidation and repression". "We demand the release of those detained and an immediate end to these baseless prosecutions," he added. Many Turks and press organisations drew a parallel with the attack on LeMan and the Sivas massacre in 1993, when a radical Islamist mob set fire to a hotel, killing 33 writers and artists mainly from the Alevi minority. The protesters had been angered by the presence of the writer Aziz Nesin who had questioned the authenticity of the Koran and also sought to translate Salman Rushdie's controversial novel "The Satanic Verses".

Algerian court upholds five-year jail term for writer Boualem Sansal
Algerian court upholds five-year jail term for writer Boualem Sansal

TimesLIVE

time2 days ago

  • TimesLIVE

Algerian court upholds five-year jail term for writer Boualem Sansal

An Algerian court upheld on Tuesday a five-year prison sentence being served by French-Algerian writer Boualem Sansal for undermining national unity, Ennahar TV said, prompting a call for clemency by France. Sansal, 80, had been living in France but was detained while visiting Algeria in November and sentenced in March after making statements to a French media outlet in which he endorsed Morocco's position that part of its territory was seized under French colonialism and annexed to Algeria. Sansal denied the charges. He said his statements were made within the framework of freedom of expression and that he had no intention of offending Algeria. "France regrets the appeal court's decision to impose a prison sentence on our compatriot Boualem Sansal, which maintains the sentence handed down by the lower court", the French Foreign Ministry said.

Are diplomats becoming obsolete in the information age?
Are diplomats becoming obsolete in the information age?

IOL News

time2 days ago

  • IOL News

Are diplomats becoming obsolete in the information age?

Revolution or Relic? Dr Vusi Shongwe delves into the future of diplomacy in a today's data-driven world. Image: Ron AI 'If you want to invest in the future, invest in specialists in information management. If you want to take further risks, concentrate your efforts on linguistics. Of course, we will still need computer engineers and graphic designers, but not as key players.' — Jovan Kurbalija THE knowledge explosion and the speed of information transmission have radically transformed society, including diplomacy. Diplomats now operate in an intensely competitive environment where they must continually prove their relevance. In this information-intensive era, the ability to analyse data, distil insights, and convert information into actionable knowledge is critical. Countries engaged in global politics, in particular, must ensure their embassies are staffed with well-informed representatives. As IB Neumann argues in At Home With The Diplomats, diplomats abroad function as knowledge producers, operating within fleeting social dynamics shaped by their perceptions and sociability. At home, however, their work becomes more bureaucratic, often conforming to institutional consensus rather than personal insight. In 1797, the first Ottoman ambassador to London, Yusuf Agah Efendi, was recalled, but not before Britain's King George III praised him for strengthening the 'ancient friendship' between their nations. This historical example underscores the diplomat's timeless role: fostering trust and continuity in state relations. Traditional diplomacy prizes discretion and tact, qualities increasingly challenged by today's media-saturated world. Yet figures such as Talleyrand and Kissinger demonstrate that professional subtlety can endure, even under scrutiny. Harold Nicolson speaks of diplomatic detachment — not from life itself, but from impulsive reactions. Despite these ideals, diplomacy has long been viewed sceptically. Ambrose Bierce cynically defined it as 'the patriotic art of lying for one's country', while Sir Henry Wotton quipped that an ambassador is 'an honest man sent to lie abroad for the good of his country'. Even Trygve Lie, the first UN secretary-general, suggested a good diplomat should 'cut his neighbour's throat without having his neighbour notice'. Edmund Burke, meanwhile, disparaged 'double diplomacy' and 'mendicant diplomacy'. Yet honesty remains the diplomat's cornerstone. Reputation hinges on reliability, not deception. As former French ambassador Hervé Alphand noted, a diplomat must 'tell the truth to any foreign government without offending, and to his own government at the risk of offending.' This principle, rooted in Proverbs, remains diplomacy's bedrock. History shows that personal qualities define diplomatic success. François de Callières, the 17th-century French diplomat, outlined the ideal envoy: observant, disciplined, judicious, and self-controlled — a skilled listener with broad knowledge, resistant to frivolity. Today's diplomats face new challenges. Volker Stanzel identifies four key shifts: Fragmented public spheres, both within and between societies. Digital transformation reshaping diplomatic tools. Rise of non-state actors influencing foreign policy. Demands on diplomats to represent societal diversity, adapt linguistically, and engage digitally. While these changes challenge state diplomacy, they also empower civil society to shape public diplomacy. Bernard du Rosier declared the ambassador's duty was peace, a sacred mission for the common good. Yet as Barbaro noted, this ideal often clashes with loyalty to one's sovereign. Historically, diplomacy emerged as war-weary princes sought alternatives to conflict. Modern diplomats, like Britain's 1960s ambassador to West Germany, often serve as mediators, presenting 'the other side of the story' to reluctant ministers or foreign governments. Anatoly Dobrynin, in *In Confidence*, saw his role as fostering 'a correct and constructive dialogue' between Cold War rivals. Paul Sharp argues that diplomats embody a 'transformative conception of peace', though their profession is often misunderstood. Some dismiss them as cynical or power-hungry; others see them as realists. Sharp contends that diplomacy demands 'intelligence, tact, and a sense of proportion', qualities that steady nations when emotions run high.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store