
‘The Osbournes' changed Ozzy's image from grisly to cuddly, and changed reality TV
For much of his life, the Black Sabbath founder and legendary heavy metal frontman who died at 76 on Tuesday was known to much of the public as a dark purveyor of deeds ranging from decadent to downright Satanic.
Wild stories followed him. Clergy condemned him. Parents sued him.
But with the debut of his family reality show on MTV, the world learned what those who'd been paying closer attention already knew: Ozzy Osbourne was soft and fuzzy under the darkness.
During its relatively short run from 2002 to 2005, 'The Osbournes' became a runaway hit and made stars of his wife Sharon and kids Jack and Kelly. But more than that, it made a star of the domesticated version of Ozzy Osbourne, and in the process changed reality TV.
In 2025, when virtually every variety of celebrity has had a reality show, it's hard to see what a novelty the series was. MTV sold it as television's first 'reality sitcom.'
'Just the idea of the Black Sabbath founder, who will forever be known for biting the head off a bat during a 1982 concert, as a family man seems strange,' Associated Press Media Writer David Bauder wrote on the eve of 'The Osbournes' premiere. But on the show, Osbourne was 'sweetly funny — and under everything a lot like the put-upon dads you've been seeing in television sitcoms for generations.'
Danny Deraney, a publicist who worked with Osbourne and was a lifelong fan, said of the show, 'You saw some guy who was curious. You saw some guy who was being funny. You just saw pretty much the real thing.'
'He's not the guy that everyone associates with the 'Prince of Darkness' and all this craziness,' Deraney said. 'And people loved him. He became so affable to so many people because of that show. As metal fans, we knew it. We knew that's who he was. But now everyone knew.'
Reality shows at the time, especially the popular competition shows like 'Survivor,' thrived on heightened circumstances. For 'The Osbournes,' no stakes were too low.
They sat on the couch. They ate dinner. The now-sober Ozzy sipped Diet Cokes, and urged his kids not to indulge in alcohol or drugs when they went out. He struggled to find the History Channel on his satellite TV. They feuded with the neighbors because, of all things, their loud music was driving the Osbournes crazy.
'You were seeing this really fascinating, appealing, bizarre tension between the public persona of a celebrity and their mundane experiences at home,' said Kathryn VanArendonk, a critic for Vulture and New York Magazine.
The sitcom tone was apparent from its first moments.
'You turn on this show and you get this like little jazzy cover theme song of the song 'Crazy Train,' and there's all these bright colors and fancy editing, and we just got to see this like totally 180-degree different side of Ozzy which was just surprising and incredible to watch,' said Nick Caruso, staff editor at TVLine.
Like family sitcoms, the affection its leads clearly had for each other was essential to its appeal.
'For some reason, we kind of just fell in love with them the same way that we grew to love Ozzy and Sharon as like a marital unit,' Caruso said.
What was maybe strangest about the show was how not-strange it felt. The two Ozzies seemed seamless rather than contradictory.
Weekly
A weekly look at what's happening in Winnipeg's arts and entertainment scene.
'You're realizing that these things are personas and that all personas are these like elaborate complex mosaics of like who a person is,' VanArendonk said.
'The Osbournes' had both an immediate and a long-term affect on the genre.
Both Caruso and VanArendonk said shows like 'Newlyweds: Nick and Jessica,' which followed then-pop stars Jessica Simpson and Nick Lachey after they married, was clearly a descendant.
And countless other shows felt its influence, from 'The Kardashians' to 'The Baldwins' — the recently debuted reality series on Alec Baldwin, his wife Hilaria and their seven kids.
''The Baldwins' as a reality show is explicitly modeled on 'The Osbournes,' VanArendonk said. 'It's like you have these famous people and now you get to see what their home lives are like, what they are like as parents, what they're eating, what they are taking on with them on vacation, who their pets are, and they are these sort of cuddly, warm, eccentric figures.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Winnipeg Free Press
19 minutes ago
- Winnipeg Free Press
Company involved in Coldplay KissCam drama hires Gwyneth Paltrow as spokesperson
BOSTON (AP) — Astronomer — the company whose CEO resigned after being caught on a KissCam at a Coldplay rock concert embracing a woman who was not his wife — is trying to move on from the drama with someone who knows the band pretty well. Actress Gwyneth Paltrow, who was married to Coldplay's frontman Chris Martin for 13 years, announced Friday on X that she has been hired by Astronomer as a spokesperson. Astronomer, a tech company based in New York, found itself in an uncomfortable spotlight when two of its executives were caught on camera in an intimate embrace at a Coldplay concert — a moment that was then flashed on a giant screen in the stadium. CEO Andy Byron and human resource executive Kristin Cabot were caught by surprise when Martin asked the cameras to scan the crowd during a concert earlier this month. 'Either they're having an affair or they're just very shy,' Martin joked when the couple appeared on screen and quickly tried to hide their faces. In a short video, the 'Shakespeare in Love' and 'Ironman' star said she had been hired as a 'very temporary' spokesperson for Astronomer. 'Astronomer has gotten a lot of questions over the last few days and they wanted me to answer the most common ones,' Paltrow said, smiling and deftly avoiding mention of the KissCam fuss. 'We've been thrilled that so many people have a newfound interest in data workflow automation,' she said. 'We will now be returning to what we do best — delivering game-changing results for our customers.' When footage from the KissCam first spread online, it wasn't immediately clear who the couple were. Soon after the company identified the pair, and Byron resigned followed by Cabot. The video clip resulted in a steady stream of memes, parody videos and screenshots of the pair's shocked faces filling social media feeds. Online streams of Coldplay's songs jumped 20% in the days after the video went viral, according to Luminate, an industry data and analytics company.


Winnipeg Free Press
4 hours ago
- Winnipeg Free Press
Berlin celebrates Pride parade with techno beats and rainbow flags
BERLIN (AP) — Tens of thousands of people danced to techno beats across Berlin on Saturday to celebrate the city's Pride parade, one of the largest LGBTQ+ celebrations in Europe. With rainbow flags and bottles of beer, Germany's capital city partied under overcast skies, an upgrade after days of downpours, to observe and honor Christopher Street Day. The annual Christopher Street Day parade commemorates the 1969 Stonewall rebellion in New York, a spontaneous street uprising triggered by a police raid on the Stonewall Inn gay bar on Christopher Street in Greenwich Village. Wednesdays What's next in arts, life and pop culture. Berlin's parade took revelers past the iconic Brandenburg Gate and through the Nollendorfplatz neighborhood, home to the city's gay culture as well as a memorial to the queer people who were persecuted and killed in Nazi Germany. The city's first Christopher Street Day occurred on June 30, 1979, in West Berlin.


Winnipeg Free Press
6 hours ago
- Winnipeg Free Press
When artists die, they leave gifts to us
Opinion Ozzy Osbourne and Aganetha Dyck were very different people who made very different art — and probably have never been included in the same sentence — but I think we can agree that both were pioneers with a rebellious streak. The former was the larger-than-life frontman of the English band Black Sabbath, which basically invented heavy metal. The latter was a fearlessly experimental Manitoba artist who thought to put everything from football helmets to Barbie dolls in beehives to create fantastical honeycomb and wax sculptures and elevated the domestic processes of homemaking into high art, which is also extremely metal. Aganetha Dyck Both died within days of each other. Osbourne died on Monday, and I heard the news while I was doing interviews for a piece about Dyck, who died late last week. I've seen Ozzy in concert three times: at a solo show with one of my best friends when we were in our teens, and then Ozzy with Black Sabbath twice in the 2010s. As for so many others, his music was formative for us. I immediately texted her: she had been dealing with some anticipatory grief over Ozzy since his final concert with Black Sabbath in his hometown of Birmingham, England earlier this month. In between messages with her about Ozzy, I interviewed loved ones about Aganetha. And so, it's been a week of bearing witness to grief, but it's also been a week about art because that's what's left: the art. And we'll always have the art. I wrote this of the Tragically Hip when Gord Downie died in 2017, but I think it's true here, too: Black Sabbath will always be someone's favourite band. Dyck's art will continue to be shown and talked about and exhibited. She will continue to loom large as an influence to all those living artists she mentored, but also all the artists to come who will discover her through her work. The art is the tangible gift they gave us. And what a gift that is. I've written many obits and memorial columns for the newspaper, and it's always a bit strange, because in most cases, these are people I didn't know. Some of them are celebrities; some of them are Manitobans who we have featured in Saturday's A Life's Story feature. Either way, there's an art to these pieces. It's an enormous challenge — and responsibility — to capture a subject without actually interviewing them. It can also be an intrusion, especially if the subject is a newsworthy person whose death has only just happened. (It can also be a complicated assignment because people are complicated, as we've seen with remembrances about Hulk Hogan, who also died this week.) I never got the opportunity to meet Aganetha, but spending time with her this week, in this way, with her friends, family and people she touched with her art, was so special. That's how we're able to bring colour to the black-and-white biographical facts of someone's life: with stories and anecdotes and remembrances. And how she was remembered – her laugh, her fearlessness, her openness — was moving as well. Thinking about a band that was so part of my musical awakening — and so embedded in an important friendship — was also special. Wednesdays What's next in arts, life and pop culture. Writing these kinds of stories inevitably makes you think about how you might be remembered, because no one gets out of this thing alive. You can't control that, of course, but my subjects never fail to inspire me to live better in some way. (Also, you should tell people what they mean to you and what you appreciate about them, and you should do so often.) Sometimes people ask me if these are bummer assignments because we're writing about people who have died. But we're not writing about death. We're writing about life. Jen ZorattiColumnist Jen Zoratti is a columnist and feature writer working in the Arts & Life department, as well as the author of the weekly newsletter NEXT. A National Newspaper Award finalist for arts and entertainment writing, Jen is a graduate of the Creative Communications program at RRC Polytech and was a music writer before joining the Free Press in 2013. Read more about Jen. Every piece of reporting Jen produces is reviewed by an editing team before it is posted online or published in print – part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.