Scarlett Johansson Says Dating Men Outside of Hollywood Caused 'Jealousy' Since Actors Get 'Very Intimate'
NEED TO KNOW
Scarlett Johansson discussed strains in relationships with people who don't work as actors
"I've had serious relationships with people that were not in the industry, and I found one of the challenges was that the person had no idea of what I needed to do my job," she said
Johansson is married to Saturday Night Live's Colin Jost, and she was previously married to Ryan Reynolds and Romain Dauriac
Scarlett Johansson is reflecting on relationship strains caused by dating someone outside the entertainment industry.
During Johansson's Interview magazine conversation with Stranger Things and Thunderbolts* star David Harbour published on Tuesday, June 10, the actors discussed their proclivities toward dating actors and artists rather than "normal people," as Harbour, 50, put it.
Advertisement
"I've had serious relationships with people that were not in the industry, and I found one of the challenges was that the person had no idea of what I needed to do my job," said Johansson, 40. "Obviously, if I was dating an oncologist, I wouldn't know what they needed to do for their job. But it's not so abstract."
Johansson shares son Cosmo, 3, with husband Colin Jost and daughter Rose, 10, with ex-husband Romain Dauriac. She also noted that romantic relationships between actors and those who do not work in entertainment sometimes see tensions rise due to the nature of actors' jobs.
"I also think it's easy to create a lot of jealousy when a person is not involved in the industry, because actors by nature are very free-spirited and they create very intimate relationships with people at work," she said. "They can be loyal to a partner and also very engaged in all these other kinds of relationships, and I think it can be a blurry line for some people."
Dave Benett/Getty Scarlett Johansson and Colin Jost on May 21, 2025
Scarlett Johansson and Colin Jost on May 21, 2025
Never miss a story — sign up for PEOPLE's free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories
"Also, to have a relationship with the public can be a complicated thing for people outside of the industry to understand," Johansson added.
Advertisement
Prior to marrying Saturday Night Live star Jost in 2020, Johansson was married to French journalist and art dealer Dauriac, 43, from 2014 to 2017. She was also married to Ryan Reynolds from 2008 to 2011.
Jamie McCarthy/WireImage Scarlett Johansson on May 28, 2025
Scarlett Johansson on May 28, 2025
"When I'm working, and you're probably like this too, I'm pretty hermetic," Johansson told Harbour during the Interview conversation. "If I'm in a town, I like to go to the little restaurant and movie theater, but I don't like a lot of variation. I like things to be, I don't want to say rigorous, but you want a routine."
Johansson and Jost recently appeared together at the 2025 Cannes Film Festival in support of Johansson's directorial debut Eleanor the Great. She most recently appeared on the big screen in Wes Anderson's The Phoenician Scheme, and will star in Jurassic World Rebirth, in theaters July 2.
Read the original article on People
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Black America Web
3 hours ago
- Black America Web
In Control: How Janet Jackson Shaped Her Destiny, Her Way
Source: Bonnie Schiffman Photography / Getty 'This is a story about control. My control . Control of what I say. Control of what I do. And this time, I'm gonna do it my way.' The opening monologue of Janet Jackson's 1986 hit 'Control' was more than just a lyric. It was a mission statement. Before this point, the public mostly regarded her as the baby sister of the Jackson 5. Even as she was already gaining notoriety with TV roles and her first two albums, Janet's career and image were carefully crafted in her family's cookie-cutter image. Then she decided to grab her career (and her life) into her own hands. For many female artists, Janet Jackson serves as the blueprint for how to navigate the business. As a singer, songwriter, producer, actress and all-around entertainer, she has paved the way for the generations that followed her, even as she continues to earn her stripes herself. RELATED: Janet Jackson Announces Las Vegas Residency Jackson's independence in her career was a long time coming, especially since it was a career that, she admitted, wasn't her first choice. As she explained in an interview with BBC News, it was never really her choice to join the family business. As she made her television debut alongside her brother Randy on the Carol Burnett Show, she admitted, 'I don't ever remember being asked. I just remembered doing it.' The same was said about her music career, as her late father, Joe, told her that she was going to sing after discovering a recording of her first song, 'Fantasy,' that she wrote out of boredom at the age of nine. 'I was so embarrassed. The studio door was open and Mike was listening to it,' she says, referring to her brother Michael. 'I think Randy was listening to it, my father was listening. 'Then my father said, 'You're gonna sing'. 'I said, 'No, no, no, I want to go to the college and study business law.'' But when Joe Jackson told his children what to do, they fell in line. 'It was kind of hard [to argue] because, look at where he led my brothers,' she says. 'So I said, 'OK, I'll give it a go.'' After her first two albums failed to sell, it was clear that things needed to shift for her. Ditching her father's preferred producers in favor of revered Minneapolis production duo Jimmy Jam & Terry Lewis, her third studio album, Control, was a landmark project that changed the trajectory of her career and the music industry as a whole. From that moment on, Jackson was her own woman. In the years that followed, Jackson became a history-making entertainer who continued to evolve sonically as she grew into her womanhood. Pushing the boundaries in a variety of ways, she was fearless on wax and on stage. From the politically-charged Rhythm Nation 1814 to the sensuality of Janet. and The Velvet Rope , she has sold more than 100 million albums worldwide, has the most consecutive top-ten entries on the Billboard Hot 100 by a female artist (18) and is the only artist in history to have seven singles from a single album ( Rhythm Nation 1814 ) peak within the top 5 of the Hot 100. And she did it all in the face of several challenges and pushback from the often male-dominated industry. Even as her career was threatened following the infamous 'wardrobe malfunction' at Super Bowl XXXVIII and the subsequent backlash, she continued to move forward on her own terms, putting out 11 studio albums while also maintaining her acting career in films such as Poetic Justice, Tyler Perry's Why Did I Get Married, Nutty Professor 2: The Klumps, and Tyler Perry's For Colored Girls . Source: Kevin Mazur / Getty Today, Jackson has been in the game for nearly 50 years and shows no signs of slowing down. Now at the tail end of her 2nd Vegas residency, her decision to have full autonomy of her career, image, and life has paid off, inspiring the new wave of female musicians to follow in her footsteps. Her career is proof that to have longevity in the fickle music industry, it is perhaps best to take…well… control. SEE ALSO Black America Web Featured Video CLOSE
Yahoo
4 hours ago
- Yahoo
'Teen Mom' Alum David Eason's Ex-Girlfriend's Daughter Dies Unexpectedly at 7
David Eason's ex-girlfriend Olivia Leedham's daughter Lailah has died unexpectedly. A friend of Leedham, who shares 10-year-old son Kaden with the Teen Mom alum, announced the tragic news in a GoFundMe which seeks support to cover living expenses for Leedham and her son over the next couple of months. Leedham's mom confirmed Lailah's death to PEOPLE. "Our friend Olivia Leedham tragically lost her beautiful seven-year-old daughter, Lailah Price, yesterday," the GoFundMe description reads. "She was in the emergency room several times without a diagnosis, and while in the hospital Friday night, she had a seizure and passed away early Saturday morning, June 7th." "Olivia is a single mom to Kaden, age 10, and Lailah, age 7. Lailah was a bright light in our family and loved life and Jesus very much," the description continues. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. Leedham has sole custody of her and Eason's son Kaden after a 2019 court battle. Eason married Jenelle Evans in 2017. The pair share daughter Ensley and went on to separate in 2019 before getting back together in 2020. In 2024, Evans confirmed that she had officially split from Eason. She shared a TikTok and publicly announced the news with a video in which she shared, "I filed for separation." She later posted another video explaining that she had to file for separation in the state of North Carolina before filing for divorce. Evans had previously stood by her estranged husband over the years amid legal trouble. In May 2019, the influencer temporarily lost custody of her two younger children after Eason shot and killed their family dog for biting their then-2-year-old daughter in the face. That July, the reality star confirmed to PEOPLE she had regained custody of her son and daughter. In November 2021, Eason also had a run-in with the law when he was caught driving with a revoked license and being in possession of an open container. Read the original article on People
Yahoo
6 hours ago
- Yahoo
Trump booed and cheered at the Kennedy Center while attending 'Les Misérables'
WASHINGTON (AP) — A tuxedo-wearing President Donald Trump was booed and cheered as he took his seat for the opening night of 'Les Misérables" at the Kennedy Center, bringing his own dose of political drama to the theatrical production that was unfolding onstage. It was his first time attending a show there since becoming president, reflecting his focus on remaking the institution in his image while asserting more control over the country's cultural landscape. 'We want to bring it back, and we want to bring it back better than ever,' Trump said while walking down the red carpet with first lady Melania Trump. The Republican president has a particular affection for 'Les Misérables," the sprawling musical set in 19th-century France, and has occasionally played its songs at his events. One of them, 'Do You Hear the People Sing?,' is a revolutionary rallying cry inspired by the 1832 rebellion against the French king. Opening night had a MAGA-does-Broadway feel. Ric Grenell, the Trump-appointed interim leader of the Kennedy Center, stood nearby as the president spoke to reporters. Attorney General Pam Bondi chatted with other guests. Health and Human Services Secretary Robert F. Kennedy Jr. took selfies with attendees. Vice President JD Vance and his wife, Usha, were also there. There were more precautions than usual, given the guest list, and ticketholders had their bags searched after walking through magnetometers. Canned soda was on sale for $8, while a glass of wine cost $19. Terry Gee, a bartender, bought his ticket for the show in November and didn't mind Trump's presence. It's his sixth time seeing 'Les Misérables,' and he said, 'I'm going to enjoy the show regardless." Hannah Watkins, a nurse, only learned that Trump would be there when the Kennedy Center distributed information about extra security and she searched online to see what was happening. 'I've seen a lot of famous people so far, which is exciting,' said Watkins, who had claimed a spot near the VIP entrance with her mother. 'Honestly, we just like 'Les Mis' and are excited to be here.' However, when the lights went down and the show began, there were empty seats in the balconies and even in the orchestra section. Before Trump, presidential involvement in the Kennedy Center's affairs had been limited to naming members to the board of trustees and attending the taping of its annual honors program in the fall. But after returning to office in January, Trump stunned the arts world by firing the Kennedy Center's longtime director and board and replacing them with loyalists, who then named him as chairman. Trump promised to overhaul its programming, management and even appearance as part of an effort to put his stamp on the national arts scene. His latest moves have upset some of the center's patrons and performers. In March, the audience booed the Vances after they slipped into upper-level seats to hear the National Symphony Orchestra. Trump appointed Usha Vance to the Kennedy Center board along with Bondi, White House chief of staff Susie Wiles and Fox News Channel hosts Maria Bartiromo and Laura Ingraham, among other supporters. Sales of subscription packages are said to have declined since Trump's takeover, and several touring productions, including 'Hamilton,' have canceled planned runs at the center. Actor Issa Rae and musician Rhiannon Giddens scrapped scheduled appearances, and Kennedy Center consultants including musician Ben Folds and singer Renée Fleming resigned. Understudies may have performed in some roles Wednesday night because of boycotts by 'Les Misérables' cast members, but Trump said he wasn't bothered by anyone skipping the performance. 'I couldn't care less,' he said. Since returning to the White House in January, Trump has adopted a more aggressive posture toward the arts. The White House has taken steps to cancel millions of dollars in previously awarded federal humanities grants to arts and culture groups, and Trump's budget blueprint proposed eliminating the National Endowment for the Arts and the National Endowment for the Humanities. Trump has also targeted Smithsonian museums by signing executive orders to restrict their funding and by attempting to fire the director of the National Portrait Gallery. Trump characterized previous programming at the Kennedy Center as 'out of control with rampant political propaganda' and said it featured 'some very inappropriate shows,' including a 'Marxist anti-police performance' and 'lesbian-only Shakespeare.' The Kennedy Center, which is supported by government money and private donations, opened in 1971 and for decades has been seen as an apolitical celebration of the arts. It was first conceived in the late 1950s during the administration of Republican President Dwight Eisenhower, who backed a bill from the Democratic-led Congress calling for a National Culture Center. In the early 1960s, Democratic President John F. Kennedy launched a fundraising initiative, and his successor, President Lyndon B. Johnson, signed into law a 1964 bill renaming the project the John F. Kennedy Memorial Center for the Performing Arts. Kennedy had been assassinated the year before. ___ Associated Press writers Mark Kennedy in New York and Chris Megerian in Washington contributed to this report. Darlene Superville, The Associated Press