‘Indigenous nonfiction is vital': Qiane Matata-Sipu's books confessional
The book I wish I'd written
I know it probably takes the fun out of answering these kinds of things, but I don't wish to have written any other books than my own. All the incredible stories and kōrero that I immerse myself in as a reader are a direct reflection of the remarkable writers who penned them. They inspire me to push myself further, to challenge my thinking and to value the stories I have waiting. I wish to champion them and their mahi so we can all make different sized ripples and the puna can overflow.
Everyone should read
Native Ritual: a Mana Wahine Sourcebook by Ngahuia Murphy because it houses mātauranga that colonisation tried to lose in the lashings, scrape off the tongues of tūpuna and bury in the ashes of the whare wānanga. Ngahuia reminds us of the importance of ceremony, rites of passage and ritual, while reviving these teachings. She shares karakia and guides connection to Kurawaka. There is nothing else like it around.
The book I want to be buried with
Don't bury me with anything, it's no good for Papatūānuku, but if you are at my tangihanga please read poetry into the night. Start with words from Hoki Mai by Rangimarie Sophie Jolley, weave in Whai by Nicole Titihuia Hawkins, and light the ahi while reading Raised by the Renaissance by Rangipare Belshaw-Ngaropo. Take everyone on a journey from whenua and whakapapa to whānau, whawhai and whakawātea. Let the words remind us of our complexities. Give yourself permission to celebrate and grieve all at once as you are held in the knowing that we can be lost, and home, and broken, and audacious, and witty, and powerful, and healing, and hopeful, all at once, too. And while we're on tangihanga talk, don't even think about reading biblical verses during the 7am and 7pm wā karakia. Instead, after the owhaowha, let my girls teach you how the karanga of Hinenuitepō will guide me to Hawaiki. They will preach to you the stories from Wāhine Toa by Patricia Grace and Robyn Kahukiwa while preparing a sermon from excerpts of Atua Wāhine by Hana Tapiata.
The book that made me cry
All that we know by Shilo Kino. I was completely fine until the last three pages in the final chapter.
If I could ready only three books for the rest of my life they would be
Taniwha by Robyn Kahukiwa to remind me of the important things; Te Mahi Māra Hua Parakore – a Māori Food Sovereignty Handbook by Jessica Hutchings to ensure we never go hungry; Kāwai by Monty Souter is perfect for such a time as this because it's the only book I have got so lost in that I yearned to be transported into its pages to live out the rest of my life.
The best thing about reading
Reading is an opportunity for me as a māmā to connect deeply with my tamariki. Snuggled under the blanket before bedtime, tucked away from the distractions of the day, we get to make up voices for our fave characters, celebrate learning kupu hōu, share giddy smiles when we accomplish the next chapter of a special story and feel the exhilaration of being challenged, inspired and nourished. Fingers trace intricate illustrations and inquisitive minds ask worldly questions. In those moments when it's just us, and a book, I relish in the simplicity of our joy and aroha.
Most underrated book
Te Whē ki Tukorehe edited by Anahera Gildea and Nadine Hura. In all fairness there were only 200 copies printed, I am privileged to own number 134, but a book that has been guided by literary giants, designed by my fav Chloē Reweti and featuring contributions by the likes of Anne-Marie Te Whiu, Ataria Sharman, Kahu Kutia, Michelle Rahurahu and Te Kahureremoa Taumata, to name a few, should feature on lists of greatness across the motu. It's not just a book, it's a movement of mana and collaboration making marks in the whakapapa of Māori literature by recognising that the process is just as important as the output. Featuring essays, imagery, poetry and prose it is a stunning collection of works. And the paper stock is just yummy.
Fiction or nonfiction
Indigenous nonfiction is vital in our world today, especially in our current political climate. I think it is incredibly important that we have writers documenting and sharing mātauranga, histories that differ from the Western male gaze and kōrero that not only revives Indigenous knowledge but reminds us of who we are and the Indigenous blueprints for living well. I have a series of book shelves at home that are dedicated to pukapuka supporting the growth of te reo Māori, books that speak to the whakapapa of people and place, art books that champion our weavers, painters, carvers and ceramicists, and new age publications that ensure my uri whakaheke have access to wellbeing tools that are relevant to them and their lived experiences.
At the same time, this world can be a shithole and there's no better escape from it than bloody good fiction.
Best place to read
My answer would usually be something along the lines of 'lying outside the tent at a remote beach location, creamy pāua bubbling on the burner and the kids playing in the kaukau'. But at this moment in time, it is on the mustard bean bag in the corner of my pōtiki's room, before her second nap when the kōkōwai-coloured wall is drenched in the just right amount of afternoon sun. Her three-month-old gummy grin dribbling on the corners of Kupu Tauaro by Kitty Brown and Kirsten Parkinson as we make our way through their Reo Pēpi series.
What are you reading right now
I am currently reading the proofs of my next children's book My First Ikura and the reo Māori version, Taku Ikura Tuatahi. It's a story that follows a young girl as she experiences her first ikura (period), guided by the love and support of her whānau. Rooted in a Māori worldview, it explores the sacredness of this stage in life, the important roles of family and community, and the ceremonies that uplift and honour young wāhine. A gentle, empowering read for growing girls and their whānau, this self-published taonga celebrates the journey into womanhood with pride, knowledge and aroha (released in October 2025).
Ngā Kupenga a Nanny Rina by Qiane Matata-Sipu and illustrated by Isobel Joy Te Aho-White ($21, Penguin) is available to purchase through Unity Books.
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The Spinoff
5 days ago
- The Spinoff
‘Indigenous nonfiction is vital': Qiane Matata-Sipu's books confessional
Welcome to The Spinoff Books Confessional, in which we get to know the reading habits of Aotearoa writers, and guests. This week: Qiane Matata-Sipu (Te Waiohua, Waikato, Ngāpuhi, Ngāti Pikiao, Cook Islands), author of Ngā Kupenga a Nanny Rina (illustrated by Isobel Joy Te Aho-White) which is up for the Wright Family Foundation Te Kura Pounamu Award at the 2025 New Zealand Book Awards for Children and Young Adults. The book I wish I'd written I know it probably takes the fun out of answering these kinds of things, but I don't wish to have written any other books than my own. All the incredible stories and kōrero that I immerse myself in as a reader are a direct reflection of the remarkable writers who penned them. They inspire me to push myself further, to challenge my thinking and to value the stories I have waiting. I wish to champion them and their mahi so we can all make different sized ripples and the puna can overflow. Everyone should read Native Ritual: a Mana Wahine Sourcebook by Ngahuia Murphy because it houses mātauranga that colonisation tried to lose in the lashings, scrape off the tongues of tūpuna and bury in the ashes of the whare wānanga. Ngahuia reminds us of the importance of ceremony, rites of passage and ritual, while reviving these teachings. She shares karakia and guides connection to Kurawaka. There is nothing else like it around. The book I want to be buried with Don't bury me with anything, it's no good for Papatūānuku, but if you are at my tangihanga please read poetry into the night. Start with words from Hoki Mai by Rangimarie Sophie Jolley, weave in Whai by Nicole Titihuia Hawkins, and light the ahi while reading Raised by the Renaissance by Rangipare Belshaw-Ngaropo. Take everyone on a journey from whenua and whakapapa to whānau, whawhai and whakawātea. Let the words remind us of our complexities. Give yourself permission to celebrate and grieve all at once as you are held in the knowing that we can be lost, and home, and broken, and audacious, and witty, and powerful, and healing, and hopeful, all at once, too. And while we're on tangihanga talk, don't even think about reading biblical verses during the 7am and 7pm wā karakia. Instead, after the owhaowha, let my girls teach you how the karanga of Hinenuitepō will guide me to Hawaiki. They will preach to you the stories from Wāhine Toa by Patricia Grace and Robyn Kahukiwa while preparing a sermon from excerpts of Atua Wāhine by Hana Tapiata. The book that made me cry All that we know by Shilo Kino. I was completely fine until the last three pages in the final chapter. If I could ready only three books for the rest of my life they would be Taniwha by Robyn Kahukiwa to remind me of the important things; Te Mahi Māra Hua Parakore – a Māori Food Sovereignty Handbook by Jessica Hutchings to ensure we never go hungry; Kāwai by Monty Souter is perfect for such a time as this because it's the only book I have got so lost in that I yearned to be transported into its pages to live out the rest of my life. The best thing about reading Reading is an opportunity for me as a māmā to connect deeply with my tamariki. Snuggled under the blanket before bedtime, tucked away from the distractions of the day, we get to make up voices for our fave characters, celebrate learning kupu hōu, share giddy smiles when we accomplish the next chapter of a special story and feel the exhilaration of being challenged, inspired and nourished. Fingers trace intricate illustrations and inquisitive minds ask worldly questions. In those moments when it's just us, and a book, I relish in the simplicity of our joy and aroha. Most underrated book Te Whē ki Tukorehe edited by Anahera Gildea and Nadine Hura. In all fairness there were only 200 copies printed, I am privileged to own number 134, but a book that has been guided by literary giants, designed by my fav Chloē Reweti and featuring contributions by the likes of Anne-Marie Te Whiu, Ataria Sharman, Kahu Kutia, Michelle Rahurahu and Te Kahureremoa Taumata, to name a few, should feature on lists of greatness across the motu. It's not just a book, it's a movement of mana and collaboration making marks in the whakapapa of Māori literature by recognising that the process is just as important as the output. Featuring essays, imagery, poetry and prose it is a stunning collection of works. And the paper stock is just yummy. Fiction or nonfiction Indigenous nonfiction is vital in our world today, especially in our current political climate. I think it is incredibly important that we have writers documenting and sharing mātauranga, histories that differ from the Western male gaze and kōrero that not only revives Indigenous knowledge but reminds us of who we are and the Indigenous blueprints for living well. I have a series of book shelves at home that are dedicated to pukapuka supporting the growth of te reo Māori, books that speak to the whakapapa of people and place, art books that champion our weavers, painters, carvers and ceramicists, and new age publications that ensure my uri whakaheke have access to wellbeing tools that are relevant to them and their lived experiences. At the same time, this world can be a shithole and there's no better escape from it than bloody good fiction. Best place to read My answer would usually be something along the lines of 'lying outside the tent at a remote beach location, creamy pāua bubbling on the burner and the kids playing in the kaukau'. But at this moment in time, it is on the mustard bean bag in the corner of my pōtiki's room, before her second nap when the kōkōwai-coloured wall is drenched in the just right amount of afternoon sun. Her three-month-old gummy grin dribbling on the corners of Kupu Tauaro by Kitty Brown and Kirsten Parkinson as we make our way through their Reo Pēpi series. What are you reading right now I am currently reading the proofs of my next children's book My First Ikura and the reo Māori version, Taku Ikura Tuatahi. It's a story that follows a young girl as she experiences her first ikura (period), guided by the love and support of her whānau. Rooted in a Māori worldview, it explores the sacredness of this stage in life, the important roles of family and community, and the ceremonies that uplift and honour young wāhine. A gentle, empowering read for growing girls and their whānau, this self-published taonga celebrates the journey into womanhood with pride, knowledge and aroha (released in October 2025). Ngā Kupenga a Nanny Rina by Qiane Matata-Sipu and illustrated by Isobel Joy Te Aho-White ($21, Penguin) is available to purchase through Unity Books.
The Spinoff
16-07-2025
- The Spinoff
‘Immersed in stacks of picture books': Isobel Joy Te Aho-White's reading life
Welcome to The Spinoff Books Confessional, in which we get to know the reading habits of Aotearoa writers, and guests. This week: Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu), illustrator of three books up for awards at the 2025 New Zealand Book Awards for Children and Young Adults. The book I wish I'd written and illustrated Good Faeries, Bad Faeries by Brian Froud. I love his method of putting pen to paper and letting his intuition take over, with no expectation as to what comes out, and then, in the case of Good Faeries, Bad Faeries, giving personalities and backstories to the characters after they've been drawn. I think that approach has helped me when I feel like I have creative block. Just scribble, zone out, and think about it later. Everyone should read Watership Down by Richard Adams – it's a reimagining of Homer and Virgil's Odyssey and Aeneid, but with bunnies, which makes it better. It also brings in other themes such as humanity's propensity for mindless destruction and domination over the animal kingdom. The book I want to be buried with Tough question, because it can change on any given day. So, let's just say a sketchbook for jotting down ideas and observations. The first book I remember reading by myself I remember being immersed in stacks of picture books as a kid (nothing's changed, really), and I'd cycle through them. Some early impressions were Funnybones by Janet and Allen Ahlberg, Animalia by Graeme Base, and The Nicklenackle Tree by Lynley Dodd. I also had the classics: Madeline, Asterix, Tintin, Babar, the books of Richard Scarry, Dr Seuss, The Berenstains. The pictures drew me in – the more detail, the better. If we're talking chapter books, some early ones I enjoyed were The Hobbit, The Song of Pentecost, The Cooper Kids, Anne of Green Gables, The Babysitter's Club and the Famous Five. The book I pretend I've read I have pretended to read Das Kapital by Karl Marx and A Brief History of Time by Stephen Hawking, but to be honest, I found them too dense and only skimmed them. Maybe I need illustrated versions. Dystopia or utopia The stuff I make is usually utopian, but the stuff I enjoy is usually dystopian, crime or horror adjacent. How does that work? Maybe I need something to bounce off. Some faves that come to mind are Animal Farm by George Orwell, Snow Crash by Neal Stephenson, The Long Walk by Stephen King, and Uzumki by Junji Ito. Fiction or nonfiction I appreciate both and read them in completely different ways. Most of my bookcase is filled with nonfiction reference books that I pick up and skim through if I need some information on a subject – mostly books about pūrākau Māori, history, art/design and native plants. But when it comes to novels, it's audiobooks all the way. I listen to them while I'm working. It's a crime against language to This may be an unpopular opinion, but I think books that jump around the timeline without telling you that they're doing it can be really grating. Similarly, I'm not usually interested in reading a prequel to a series that takes place before the series that I just read, because I know what's going to happen, and I've moved on. The book character I identify with most I've always felt an affinity for Alice from Alice in Wonderland and Through the Looking Glass by Lewis Carroll. She gets stuck in a situation that is completely baffling to her, where everyone seems to be marching to the beat of a different drum, and she's rarely given adequate context for anything. To me, that's what it's like being on the autism spectrum and trying to follow social cues. The book I wish would be adapted for film or TV Robin Hobb's Liveship Traders should be adapted for film. I think it would be visually stunning. The serpent sequences could be animated and psychedelic, while the main story could be live action. The character of The Fool/Amber/Lord Golden is probably one of my favourites of all time – I think Hunter Schafer would ace that role. Most underrated book I don't think Gormenghast by Mervyn Peake gets enough love among the fantasy classics. Or maybe it gets the right amount, but Lord of the Rings, The Chronicles of Narnia and the Harry Potter series are comparatively overrated. In any case, it's got a crumbling gothic castle, a catastrophic flood, parkour, cloaks, daggers, and a room full of cats, which in my mind makes it one of the greats. Greatest New Zealand book Wāhine Toa by Patricia Grace and Robyn Kahukiwa had a big impact on me, because it's empowering, grounding and explicit in its Māori feminism. It examines eight archetypes from pūrākau Māori, using bold art and gentle prose that together create a layered and comprehensive study. It's the first book about female divinity that I picked up, looked at the land I know, the women that raised me, and go 'yeah, that makes total sense'. What I'm reading right now On Audible I've got all the JP Pomare books lined up, because I like to binge crime and suspense. On Apple books I've got Performance by my e hoa David Coventry, which is about his experience of living with myalgic encephalomyelitis (ME). On my desk is Treasures of Tāne: Plants of Ngāi Tahu by Rob Tipa, which I'm currently opening at random. And I've just ordered a fresh new copy of Māori Rafter & Tāniko Designs by WJ Philips from Oratia, which I'm looking forward to. Ngā Kupenga a Nanny Rina by Qiane Mataa-Sipu illustrated by Isobel Joy Te Aho-White ($21, Penguin); A Ariā me te Atua o te Kūmara by Witi Ihimaera and illustrated by Isobel Joy Te Aho-White and translated by Hēni Jacob ($25, Penguin); and Ten Nosey Weka by Kate Preece, illustrated by Isobel Joy Te Aho-White ($22, Bateman Books) are all available to purchase through Unity Books.
The Spinoff
09-07-2025
- The Spinoff
‘Keri Hulme brought me thumping back to earth': Ross Calman's books confessional
Welcome to The Spinoff Books Confessional, in which we get to know the reading habits of Aotearoa writers, and guests. This week: Ross Calman (Ngāti Toa, Ngāti Raukawa, Kāi Tahu), author of The Treaty of Waitangi which is a finalist for the Elsie Locke Award for Non-Fiction at the 2025 New Zealand Book Awards for Children and Young Adults. The book I wish I'd written Gee, what a tricky question, there are so many great books, but each is so individual that it's almost impossible to think about them being written by someone else, let alone by me! Without overthinking this one, I'm going to go for Heart of Darkness by Joseph Conrad. I have read this several times and always marvel at its perfection. There is not a word out of place and it builds inevitably to its devastating conclusion. And it blows my mind that English was Conrad's third (or maybe even fourth?) language! Everyone should read New Zealand writers because they speak to us about what is important for us in this country now. I believe that focusing on our local communities is very important, especially in this time when there is so much trouble abroad in the political and environmental spheres. The book I want to be buried with Maybe not actually buried with, but a book I have a lot of fondness for is Sons and Lovers by D.H. Lawrence. It's a book that meant a lot to me when I was aged 18–21. I haven't read Lawrence for a long time and doubt it would have the same impact on me now as I am at a different stage of life, but it is special because I read it when I had just left home and was finding myself as a person. The first book I remember reading by myself It may have been the Berenstains' Bike Lesson, or this may be a memory that I am borrowing from my own children when they were small and could 'read' this book. Either way, it is a brilliant book with wonderful timeless humour – an absolute classic! Fiction or nonfiction I am totally on the fence, I love both and the boundary between the two is getting blurrier all the time! I was a judge for this year's Ockham New Zealand Book Awards and had to read 55 non-fiction books towards the end of last year. Since then, I've read nothing but fiction to compensate, all by New Zealand writers, including Poorhara by Michelle Rahurahu, The Mires by Tina Makereti and Delirious by Damien Wilkins, all of which I have loved! The book that haunts me The Woman in White by Wilkie Collins. It is a compelling ghost story and mystery, and one of my all-time favourite books. The Moonstone by the same author is not far behind. Most underrated book Going West by Maurice Gee. I fricking love everything by Maurice Gee and particularly this book, but you never hear it being mentioned when there are discussions of New Zealand's best novels, or even Maurice Gee's best novels! Encounter with an author In 2000 I was in Dunedin for Aukaha Kia Kaha festival, a Ngāi Tahu arts festival. During the festival I was lucky enough to attend a writing workshop that was being run by Keri Hulme. I remember describing my ideal writing situation, how I had this vision of a cottage by the sea where I would be away from all the distractions of modern life and I would be able to write my masterpieces. Keri brought me thumping back to earth, saying that I was really just procrastinating, that as writers we need to find the time and space to write, wherever we happen to be. It was such good advice that I still follow now. Wherever I am now, I try to start my day with an hour of creative writing (or half an hour if I am pushed for time). Greatest New Zealand book The Bone People, without a doubt. No other book has stayed with me, as this one has, after first reading it more than thirty years ago. I have read it four times and I am looking forward to reading it again soon to find out what it says to me now, in my current phase of life and with the current state of the world. Greatest New Zealand writer I am going to go nonfiction and say James Belich. No other New Zealand writer has brought the past to life with such vibrancy and made it seem so vital. He has had a huge impact on my own career exploring the worlds of my tūpuna. Best thing about reading It's a low-tech activity that you can do alone and in many different spaces: on the bus; waiting for a haircut; in a café; lying on the beach; lying on the couch. Best food memory from a book Midnight in Sicily by the Australian writer, Peter Robb. It's a mix of mafia, recent and more remote Italian history, and Sicilian culture, with lashings of food and wine. I also recommend his A Death in Brazil, where he does the same thing for Brazilian politics and culture. Best place to read I used to love reading in the bath, but now that I wear glasses, this is not so practical, as they fog up. I also love reading while on holiday, at a bach or even in a tent. I walked Te Araroa for two months over the summer of 2023/24 and I used to love the half an hour or so at the end of each day lying in my tent reading. Sometimes I was so tired though, that I could only manage a few pages. What I'm reading right now Owen Marshall's short story collection, Return to Harikoa Bay, and I'm absolutely loving it. Each story is a perfectly constructed artefact, a tiny world that it is fun and stimulating to inhabit. They are the perfect length to read at bedtime. The Treaty of Waitangi by Ross Calman ($30, Oratia Media) is available to purchase through Unity Books.
