logo
'Oh, for the days of Tiger Tim' - Can STV beat the big boys of radio?

'Oh, for the days of Tiger Tim' - Can STV beat the big boys of radio?

STV's plans to broadcast to the 35-54-year-old demographic are a clear attempt to grow the brand, and perhaps enjoy a decent revenue boost. (Ah, the glory days of 1957 when the TV station was cited as 'a licence to print money.')
Management signal hope with the promise to 'deliver a new level of cross-platform commercial flexibility, offering advertisers a multi-platform and data-supported targeting opportunity.'
Read more
And intent is reflected in the hiring of Graham Bryce, the former boss at Bauer Media UK, who has been in radio almost as long as the Archers, Managing Director of Audio. Bryce says he is especially keen to capture the morning market where radio listening is highest – and TV viewing at its lowest.
But while plans to 'maximise consumer engagement' may look good on the press release, competition is fierce. Clyde 1 has a weekly reach of more than 700,000 listeners, and there is also the challenge of Heart, nationally now the UK's biggest radio brand, with 13.4m listeners, overtaking BBC Radio 2, with has 13.1m. There is Smooth, which doubled its listening hours from 816,000 to 1,675,000 — a 105 percent increase and STV will also be up against music stations such as Greatest Hits Radio.
While Radio Scotland, with a reach of a little over 800,000 listeners is not a standard music station, much of its output does feature music geared at the demographic which overlaps with the listeners STV are hoping to capture. They will also have to contend with digital stations such as Boom, and Glasgow-based Go Radio, with personality presenters Grado and Zoe and countless niche radio stations to be factored into the mix, such as Absolute Country.
Meanwhile, Virgin Radio looks to be on the decline, but Capital in Scotland is on the increase. (It can't be exaggerated how promiscuous radio fans have become in the past two decades.)
However, the STV outfit will most certainly have to come up with is a definite identity, outside of the cosy comfy corporate logo. Broadcasters at Pacific Quay talk of creating a Scottish station, but what will that mean? Lots of Franz Ferdinand, Lewis Capaldi and Paolo Nutini tunes?
Graham Bryce says he is confident the new national station will 'offer something different and exciting.' But what? The days when personality presenters were encouraged into commercial radio are long gone. Radio all too often recruits from the known safe hands - but bland faces - of television, and as a result we are served up a homogenous lump of ordinariness.
Radio Scotland stalwart Billy Sloan (Image: Jamie Simpson) STV Radio may be offering an 'AI-supported hyper-targeted commercial package' but what of the human voices who will ultimately sell the product. Or not. What will it look for? The light comedic touch of Go Radio's Grado, the knowledge of Radio Scotland's Bryan Burnett or Billy Sloan. Or the cheeriness of Clyde1's Callum Gallacher?
Will STV tackle football in the evening? Will it pay the salaries required to land the best people? Has it factored in the fact that young people who love to play music don't look for a career in commercial radio these days. They look to the clubs.
But there are positives, from an STV perspective. BBC Radio 2 is still the UK's most listened-to station, but it lost 539,000 listeners this year, no doubt a result of the station's decision to lose the likes of radio legends Steve Wright and Simon Mayo. The main single competitor Radio Clyde has lost much of its character and identity over the years, sounding much more generic and network dependent. Oh, for the days Tiger Tim Stevens.
STV is dead right in arguing that some major radio players have moved away from producing 'bespoke' Scottish content. And that's the gap they intend to fill. But will the likes of Emeli Sande songs be enough?
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Tributes as founder and artistic director of Traverse Theatre Terry Lane dies
Tributes as founder and artistic director of Traverse Theatre Terry Lane dies

Scotsman

timean hour ago

  • Scotsman

Tributes as founder and artistic director of Traverse Theatre Terry Lane dies

Terry Lane co-founded the Traverse in 1963 Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Tributes have been paid to the 'vision and passion' of Terry Lane, co-founder of Edinburgh's Traverse Theatre - and the creator of its unusual name - who has died aged 88. The theatre was conceived as a space for experimental art in January 1963, by Mr Lane, arts impresario Ricky Demarco, American bookshop owner Jim Haynes, Scottish actor John Malcolm and Tom Mitchell, the original building's owner. Advertisement Hide Ad Advertisement Hide Ad Mr Lane was responsible for the name of the venue, having misunderstood the word in place of a 'transverse' stage layout. By the time he realised his mistake, the name had recognition and stuck. A spokesperson for the theatre said: 'We're saddened to hear of the passing of Terry Lane, the founder and first artistic director of the Traverse Theatre. Terry designed and built the Traverse Theatre Club in 1962, opening in January 1963. TSPL 'He directed numerous British premieres and helped establish the Traverse as a home for new writing and theatrical risk-taking. The Traverse's name was Terry's own charming misstep, believing 'traverse' described the stage layout.' She added: 'By the time he discovered it was 'transverse,' the name had already taken hold. It's a distinctive part of the Traverse story, and a testament to the spirit in which it was founded. We're deeply thankful for Terry's vision, passion and enduring legacy.' Advertisement Hide Ad Advertisement Hide Ad The first Traverse began life in a former brothel known as Kelly's Paradise, which had been used as The Sphinx Club venue during the 1962 Fringe, run by John Cleese and Tim Brooke-Taylor. Mr Demarco started raising money for a permanent experimental venue and brought on board friend John Malcolm, who in turn brought in Mr Lane. The Traverse was initially sold as a 'theatre club' where patrons would pay up front for a year's membership. After six years in its original home, the Traverse moved to the foot of Victoria Street in the Grassmarket, and into a converted warehouse and sailmaker's loft. In 1992 it found its third home in Cambridge Street after a ten-year hunt for new premises.

We won't splash Lennon Miller cash, but it will stabilise the club, says Motherwell boss
We won't splash Lennon Miller cash, but it will stabilise the club, says Motherwell boss

Daily Record

timean hour ago

  • Daily Record

We won't splash Lennon Miller cash, but it will stabilise the club, says Motherwell boss

Jens Berthel Askou says the club record fee from Udinese will be used sensibly Motherwell boss Jens Berthel Askou says he won't be splashing the cash from Lennon Miller's £5m move to Udinese – but it will help to stabilise the club. ‌ Miller, 18, moved to the Serie A club for a club record fee, on a five-year deal, and while Askou wants to strengthen his squad, he's not going to splash money about carelessly. ‌ On Miller's life-changing move, Askou said: 'The big headline is it's a fantastic deal for Motherwell FC and everybody who's involved in the club, the supporters, everyone who has played a part in his development, his pathway. ‌ 'Obviously for Motherwell in the future it will also benefit us, and it's a fantastic deal for Lennon himself, and also for Scottish football to send one of its most promising talents into a very good and competitive league. 'We are really happy on his behalf, and on everyone's behalf, who is a part of Motherwell FC. 'In the short time I've been here I've seen a very intelligent football player, who is also very composed and relaxed and good at dealing with pressure, and I expect him to do really well there. 'Coming to Italy there is a bit of adapting to the language, the style and a higher level, but I think he will adapt really well. 'I'm excited on his behalf, and I think we should be, all of us, and it's going to be really interesting to see him grow. He's still very young. ‌ 'I'm quite convinced that he's got a very bright future ahead of him at Udinese, and he will be able to take the next step as a football player.' Askou says there will be aspects of the Fir Park club that will be strengthened with the cash, and they'll future-proof themselves. He said: 'We still have a few things to do [with the squad], we've been open about that, but we're not going to name specific positions. ‌ 'We're doing our best and things are moving on in the right direction, and we're still working within our framework and budget, and driving this club forward, sustainably. 'When you make a big deal like we've done now, it's not going to be splashed, it's going to be benefiting Motherwell, a little bit short-term, but in general on the long-term, so we can produce the next Lennon Miller in the future and we'll be able to be more competitive as a club and keep progressing. ‌ 'We're not going to risk the club and the balance within the club, and the structure, because we've been in the Premiership for many years and we want to keep doing what we do. 'But we've taken some steps to modernising the club, within the framework that we have, and we're not going to risk that by over-spending and taking quick decisions. 'We're doing things at the right speed and tempo, so that we have a good and healthy club in months, years and decades to come. 'I'm not going to expose how we approach that [transfer fee], but there's a good and healthy plan, which I back up completely, how to get the best out of the possibilities it has given the club, both in short and long-term. 'We're not going to change our approach to the way we drive the football club, from a financial point of view, but it gives us some stability and opportunities to maybe think of some of the long-term investments we know we need to do, and maybe speed that process up a little bit, which is very positive.'

Italian Oasis fan dies hours before Edinburgh gig
Italian Oasis fan dies hours before Edinburgh gig

The National

timean hour ago

  • The National

Italian Oasis fan dies hours before Edinburgh gig

Alessandro Croce from Teramo had made the trip to the Scottish capital to see Liam and Noel Gallagher's second show at Murrayfield. However, the 30-year-old died at his hotel shortly before the concert, despite the efforts from friends and emergency crews, the Daily Mail has reported. READ MORE: Counter-demonstration against 'hateful' anti-refugee protest announced Mayor of Teramo Gianguido D'Alberto paid tribute to Croce as he said: 'The city of Teramo is united in grief over the loss of Alessandro Croce. 'I offer the Croce family the condolences and closeness of the municipal administration and the whole community in this difficult time.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store