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Jelly Roll Doubles Up On The Country Chart With A Pair Of Collabs

Jelly Roll Doubles Up On The Country Chart With A Pair Of Collabs

Forbes08-05-2025

Jelly Roll has found success on Billboard charts dedicated to several different genres throughout the years. The Grammy nominee has landed hits on tallies focused on hip-hop, rock, and, most prolifically, country. This week, he ups his career total once more, as two different tunes, both collaborations with other artists and not fronted by him, appear on the most competitive country ranking in the United States.
Both 'Hard Fought Hallelujah' with Brandon Lake and 'Amen' with Shaboozey debut on the Hot Country Songs chart this frame. That tally ranks the most consumed tracks in the U.S. country space, blending sales, streams, and radio attention to determine which compositions fans are engaging with the most — not just buying, streaming, or hearing on the radio individually. Though each of those elements has its own list, the Hot Country Songs ranking brings them together.
With these two new arrivals, Jelly Roll has now collected a total of 20 hits on the Hot Country Songs tally throughout his career.
Between the two duets, 'Hard Fought Hallelujah' is the bigger success. The tune narrowly misses out on becoming a top 10 smash, as it launches at No. 12 on the Hot Country Songs chart. Meanwhile, 'Amen' opens at No. 23.
'Amen' debuts on a handful of Billboard lists this week, most of which are centered around country. The track appears on the deluxe edition of Shaboozey's breakout album Where I've Been Isn't Where I'm Going. The collaboration starts at No. 1 on the Country Digital Song Sales chart and takes the No. 2 spot on the all-genre Digital Song Sales tally, thanks to 6,500 pure purchases (per Luminate). It also places at No. 77 on the Hot 100.
'Hard Fought Hallelujah' has been present on a number of Billboard rankings for weeks. It started as a solo cut by Lake, and as it picked up steam, Jelly joined in. Now, his version is the most successful, so he earns official credit.
The track currently appears on several general consumption lists, including the Hot 100, Streaming Songs, and Digital Song Sales rankings. Its appeal extends beyond country, though it's already a huge win in that arena. 'Hard Fought Hallelujah' shows its cross-genre popularity by also appearing on multiple rock rankings, even leading the Rock Digital Song Sales chart once again this frame.

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Alex Warren's ‘Ordinary' Hits No. 1 on Billboard Hot 100
Alex Warren's ‘Ordinary' Hits No. 1 on Billboard Hot 100

Yahoo

time11 minutes ago

  • Yahoo

Alex Warren's ‘Ordinary' Hits No. 1 on Billboard Hot 100

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Kaytranada: Waves of Rhythm
Kaytranada: Waves of Rhythm

Hypebeast

time13 minutes ago

  • Hypebeast

Kaytranada: Waves of Rhythm

This article originally appeared in Hypebeast Magazine Issue 35: The Wavelength Issue. Whether we inspect the behavioral mechanisms that propel the cosmological motions of the universe or the spiritual shifts within us, the wave is nature's most fundamental rhythm. One either learns the power of its force—or drowns beneath it. For the two-time Grammy-winning artist KAYTRANADA, success—as producer, DJ, and now singer—has been predicated on a profound understanding and manipulation of how the waves flow. This mastery has been both self-evident and continuously evolving throughout his career, as reflected through his production's maturation. Sonic alchemy appears on the track 'Feel a Way,' from 2024's TIMELESS , where his adroit ears transmute the quotidian into gold. It is a seemingly effortless feat in chopping samples to fit his swinging grooves. 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How did you maintain harmony while navigating creative disagreements? That definitely happened. Early on, I struggled to give feedback to artists. I wasn't great at saying, 'Hey, try this.' Sometimes I didn't trust my ideas, or I wasn't sure I had the idea. So I'd let them do their thing while I made the music. It still felt collaborative, but I got a bit more comfortable speaking up by the end of creating the album. I'm shy, and sometimes I feel my ideas aren't the best. Maybe I'm still healing from past trauma where collaborators told me my ideas sucked. That shattered me and made me not want to speak up. But sometimes their ideas are better—so it's about merging ideas. I never want it 100% me or them. I'd rather have a 50/50 approach to show it's truly collaborative. From a listener's perspective, it's hard to imagine you struggling with that, especially with the album's cohesive flow. And it also marks the return of your brother Lou Phelps as a featured artist. 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It's purely self-expression, often dark, nighttime vibes. I found a link to some sub-genres of hip-hop—Dilla, Black Milk, Madlib—because they'd sample synthy new wave tracks, making them sound funky, electronic, but still hip-hop. When I started searching for those samples, I really listened and realized, They're just expressing themselves with synths and drum machines. They're not trying to stand out by doing something over-the-top or calling in extra producers. They're just being themselves. That was inspiring. I wanted that formula for my vocals: no rigid approach, just expression. Right, it's about letting go of those boundaries. In a way, you're paying homage to new wave/noise's ethos: Get on a track, say what you need to say, and move on. Exactly. TIMELESS is like a time capsule. Listening to those '80s and '90s artists, they'd just make an album—12 songs, here's how I feel. It could be their best album, their worst, or mid. Who cares? It's how they express themselves. I want my future albums to be that way, too. Not, 'Oh my God, gotta create the biggest album and do the biggest rollout.' No, just express yourself. Don't overthink it. Frankie Knuckles once quoted Robert Owens, saying, 'Give me roses while they're dead because I can't use them when I lay.' As an artist whose evolution has been visible, do you think you're getting the recognition you deserve, or is it too early to call? I'm still learning. I also feel not everyone hears what I'm doing—listeners can be lazy, skimming tracks too fast, creating quick judgments. So a part of me feels I have something to prove, but at the same time, I don't. Music is self-expression. I do it for myself and the people who are waiting for more—not for those who don't like it.

Tate McRae, Mariah Carey and Ed Sheeran Heading to Vegas for iHeartRadio Music Festival
Tate McRae, Mariah Carey and Ed Sheeran Heading to Vegas for iHeartRadio Music Festival

Yahoo

time2 hours ago

  • Yahoo

Tate McRae, Mariah Carey and Ed Sheeran Heading to Vegas for iHeartRadio Music Festival

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