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Groundbreaking '90s drama lands new UK streaming home

Groundbreaking '90s drama lands new UK streaming home

Yahoo22-02-2025

Groundbreaking '90s show Dawson's Creek has found a new streaming home in the UK.
All six seasons of the teen drama, which ran from 1998 to 2003, are now available to watch as part of a Prime Video subscription.
It was previously available to watch in full via ITVX, where it is still available (for now, at least). So if you don't pay for ITVX Premium but do pay for the ad-free Prime Video option, you can now watch all 128 episodes without ads in the middle.
Related: Best film and TV tours for 2025
Starring James Van Der Beek, Katie Holmes, Joshua Jackson and Michelle Williams, Dawson's Creek followed a group of friends in high school and later into college.
It dealt with an issue of topics such as death, homophobia, class differences, and love and heartbreak, and kicked off a wave of American teen dramas, such as The OC, Gilmore Girls, and One Tree Hill, to name a few.
One of the things the show is most remembered for is the crying Dawson meme, something that James Van Der Beek admitted to hating at first but eventually came round to.
Speaking to Digital Spy previously, he said: "I did a television show for six years that has been boiled down to a two-second loop of me crying.
Related:
"Six years of my career and it's just those two seconds. It's like... well, we never called that! But it's hilarious, I love it.
"What I find hilarious about it was it was one of the more sincere moments of that entire shooting experience. For me, that's the reason it tickled me so much. I don't think I was scripted to cry – it's just one of those gifts that happens when you play a character for so long...
"I remember that moment, it happening... so the fact that it's now used to mock people online just gives me endless amusement. So that's one of the happy accidents, you might say, of my career!"
Dawson's Creek can now be streamed on Prime Video and ITVX. Playstation/Getty Images
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Chilled Cole Palmer ready to play ‘wherever' and win spot in England XI
Chilled Cole Palmer ready to play ‘wherever' and win spot in England XI

Yahoo

time13 minutes ago

  • Yahoo

Chilled Cole Palmer ready to play ‘wherever' and win spot in England XI

Things that Cole Palmer is not bothered about – part 89. Golf. Which is a pity as he is spending a warm-weather training week with England at the magnificent Camiral Golf & Wellness resort; the expected venue for the 2031 Ryder Cup. Formula One. Palmer attended the Barcelona grand prix on Sunday with Thomas Tuchel and the rest of the England squad, which he thought was good. 'I went to the one in Abu Dhabi not long ago,' he says, presumably meaning the race in Bahrain or Saudi Arabia. Who knows, who cares? 'But I fell asleep at that one.' Advertisement Related: Eberechi Eze on his bike as England's World Cup 2026 preparations heat up The searing heat in the United States, which Palmer will experience with Chelsea in the coming weeks at the Club World Cup. And then again next summer if and when England qualify for the World Cup, which is also being hosted by Canada and Mexico. 'It will play a part because I'm not used to it, but I don't think it will be a big problem,' he says. Oh, and southerners. Manchester's finest made a comment last summer about how he was finding them hard work after his first season at Chelsea. Has he come to terms with them now? 'No, they're all still moody,' he says. 'I think because it's so busy, they're all stressed. It must be a southern thing. I don't live in central London. Sometimes I go in but I couldn't live there.' If Palmer is a unique talent on the pitch, he is unique to interview, as well. Short shrift is his default setting; plenty of his answers are monosyllabic, some just a sound – hmmm. A shrug. It is impossible to ignore the quintessentially Manc vibe. Advertisement Palmer has a deadpan expression which wonders: 'Why are you asking me that?' Example: how is he spending his downtime at the Camiral? 'Play PlayStation … Fifa,' he replies. Like, seriously? As on the pitch, Palmer is cool, cold. He is highly entertaining. When was the last time Palmer was angry? 'Errr,' he says, after a typically long pause. 'I don't really know. Maybe when I'm playing PlayStation. I'm not just a robot like you guys in the media think I am … and don't show no emotion. Obviously when there's no cameras and I'm on the phone to my mates and I'm doing stuff I enjoy doing …' Palmer is asked where his temperament comes from. 'Maybe my dad,' he says. 'He's laidback like me. My mum says: 'Try and be a bit more involved and a bit more smiley and energetic.' Maybe she's like that but me and my dad are just too laidback, I think.' And yet nobody in the room at the Camiral, which is dominated by a beautiful Jack Nicklaus watercolour, can fail to be assaulted by Palmer's single-mindedness; the steel and hunger. It is there when he talks about Chelsea, how they proved the doubters wrong in the closing weeks of the domestic season to secure a return to the Champions League, sewing up qualification with the final-day victory at Nottingham Forest. Advertisement 'Because we had that little spell where we weren't too great … everyone was saying: 'They're not going to get Champions League,'' Palmer says. 'So to get it was good. We finished well. When we got it at Forest, it was like a relief.' Palmer has a Champions League winners' medal from 2022-23 with Manchester City, although he was an unused substitute in the final against Inter; indeed, he did not get off the bench in any of the knockout rounds. He has only made one start in the competition – in City's dead-rubber final group tie that season against Sevilla. This time, with Palmer having turbocharged his profile and influence, it stands to be different. 'I always say that I don't feel like a Champions League winner,' Palmer says. 'It doesn't really mean anything to me. When people say it … yeah, but I didn't play, I wasn't involved. Obviously I played in the group and stuff like that but it's not the same, is it? I've still got the medal, I've not thrown it away. But it's not like I feel like I've won it.' Palmer's focus is on England. Having missed Tuchel's first camp in March because of injury, he is determined to impress in Saturday's World Cup qualifier against Andorra in Barcelona. There is then the friendly against Senegal in Nottingham next Tuesday. Advertisement The issue for Tuchel is how best to accommodate Palmer when he also has Jude Bellingham and Phil Foden. It is the same issue that his predecessor Gareth Southgate faced; ditto Lee Carsley, who was in interim charge before Tuchel took over. Southgate never started Palmer in a competitive game. He used him exclusively off the bench at Euro 2024 where the 23-year-old came on to score the equaliser in the final against Spain, a game that England would lose 2-1. Palmer has 11 caps to date; four as a starter. Foden has missed out on this camp because of injury. 'It's play well at my club … hopefully people can see it and I can turn into a starter for England,' Palmer says. 'Last season I played all wide [in midfield] and this season I've moved [more centrally]. Wherever he [Tuchel] puts me, I'll play.' Palmer's goal against Spain was the perfect illustration of his ability to live in the moment and seize it, oblivious to the pressure. It was a similar story in Chelsea's Conference League final win over Real Betis last week, albeit the stakes were not as high. One-nil down, Palmer said he was 'sick of going backwards and sideways'. So he trusted his skill, ran at Betis and made it happen with the assists for 2-1. Chelsea won 4-1. Advertisement Palmer is back on the up after an unfathomable dry spell from mid-January when he went 18 matches without a goal. The run ended with the penalty against Liverpool in the fourth-last game of the Premier Leagueseason. He finished with 15 goals and 12 assists in all competitions. 'Things weren't happening for me and it went on a bit longer than I thought it would,' Palmer says. 'But I spoke to people about it and they explained it's going to happen. They said that when I get out of it, I'll be an even better player. When you go to Chelsea and you jump up and then you go into a dip, you think: 'What's going on?' But I didn't mind …' Palmer catches himself, and there is a rare line from him before he remembers who he is. 'Well, obviously, I did mind,' he says. 'But I didn't think: 'Ah, this is the end of the world.''

'The Boys' just dropped an unhinged video poking fun at 'The Bear,' 'The Last of Us,' 'House of the Dragon' and itself
'The Boys' just dropped an unhinged video poking fun at 'The Bear,' 'The Last of Us,' 'House of the Dragon' and itself

Tom's Guide

time16 minutes ago

  • Tom's Guide

'The Boys' just dropped an unhinged video poking fun at 'The Bear,' 'The Last of Us,' 'House of the Dragon' and itself

"The Boys" season 5 is still filming and is tentatively projected for a 2026 release window. But in the meantime, "The Boys" season 4 is campaigning for Emmy nominations, and it's doing it in a way that is as delightfully demented as the twisted superhero show itself. Titled "Acting for Awards Season," this for your consideration (FYC) video is a parody of "Masterclass" that stars "award-winning" director Adam Bourke (P.J. Byrne), who directed the Vought Studios films "Dawn of the Seven" and 'Training A-Train.' In the video, the (entirely fictional) director lays out his guide to dominating awards season and makes fun of several very real shows along the way. None of these shows are explicitly named, but you can pretty easily spot most of them. First up? "Mare of Easttown," and its "Philadelphia accents," which get attacked at the 0:36 mark. Then it's on to skewering "Bridgerton" and its prolific amount of promiscuous people, while possibly also going after "Shogun" and its use of seppuku. Of course, "Game of Thrones" wasn't going to escape Bourke's razor wit. "Dragons. Cheesy as hell," the director declared, clearly taking aim at "House of the Dragon." "But banging your sister on a dragon? Jackpot!" Get instant access to breaking news, the hottest reviews, great deals and helpful tips. From there, we go into a brief musing on whether or not the stars of "The Bear" are qualified to speak on political issues like immigration before giving praise to "The Last of Us" season 1 for being "one-eighth gay." This is, of course, a reference to the season 1 episode "Long Long Time," which is possibly the best episode of any show ever. If you've never seen it, or you don't believe me, go watch it on Max right now, then come back and tell me I'm wrong. You won't be able to because, like Bourke in this video, you'll be too busy choking back sobs, having just watched an absolute masterpiece. Finally, "The Boys" took aim at itself, declaring you should "never do a superhero TV show." Granted, it then couldn't resist a parting shot at "Friday Night Lights," but it was still nice to see a moment of self-deprecating humor amongst the deluge of potshots at other acclaimed shows. So, if you haven't become offended to the point of closing out of this article already, or if, like me, you found this unhinged parody to be hysterical, make sure to follow all our latest "The Boys" season 5 coverage to stay up to date with the show's final season. If you haven't already seen the first four seasons, make sure to go check them out on Prime Video right now to make sure you're caught up before season 5 debuts next year. Malcolm has been with Tom's Guide since 2022, and has been covering the latest in streaming shows and movies since 2023. He's not one to shy away from a hot take, including that "John Wick" is one of the four greatest films ever made. Here's what he's been watching lately:

LEVERAGE: REDEMPTION Season Finale Recap: (S03E10) The Side Job
LEVERAGE: REDEMPTION Season Finale Recap: (S03E10) The Side Job

Geek Girl Authority

time20 minutes ago

  • Geek Girl Authority

LEVERAGE: REDEMPTION Season Finale Recap: (S03E10) The Side Job

For a finale, Leverage: Redemption, 'The Side Job,' doesn't feel all that final. Not to say it isn't a masterclass in building an engaging and layered narrative. But, honestly, that's kind of a given with this series. It also elegantly bookends the season with Hardison (Aldis Hodge) returning and Parker (Beth Riesgraf) holding him to his six-month reflection on the reason they do what they do. We can only hope Prime Video gives them a few more seasons with which to continue doing. RELATED: Catch up with our recap of the previous Leverage: Redemption episode, 'The Polygeist Job' In this episode, the unique use of black-and-white and color footage to denote the scenes 'in' the con versus adjacent is a multi-purpose device. It sells the film noir style of story. It highlights the epically dramatic lie Parker sells to the mark. Most brilliantly, it reminds us that Parker sees the world in black and white. Always has. Always will. It's her con. Her way. Image Credit: Courtesy of Prime Video Leverage: Redemption, 'The Side Job' Cold open on a black and white pan over Puerto Nuevo, Colombia. In a shadowy pub, a hatted man seated at the bar answers his phone, saying that he needs to get to the island to close the deal before 'the blonde' finds him because she's going to kill him. Further down the bar, the camera focuses on Parker glancing over with a grin. In Louisiana, two weeks earlier, at the Ramirez Processing Plant, the hatted man, wearing a suit and no hat, directs a hesitant worker to dump the load into the bone-grinder. In his office, he finds Parker rifling through his files. He's the plant's owner, Edgar Ramirez (Ricardo Chavira). She's [allegedly] Elise Bannister, a social worker. RELATED: Olivia Morris Shares How The Librarians: The Next Chapter Hooked Her From Page One She's investigating the child labor he uses. As he escorts her out of the building, she notes how small his workforce is, height-wise, and gives the bone-grinder a hard look as she passes it. Outside, he's impressed by the sports car she drives. Putting together her surreptitious entrance, her ransacking of his office, and the fancy wheels, he guesses she's up to something and promises to find out what it is. She scoffs and drives off. Reality As Ramirez heads back into the plant, the picture flips to color. Elliot (Christian Kane) and Sophie (Gina Bellman) drive up, looking for Parker. Sophie checks in with the rest of the team to see if they know what Parker's up to. Breanna (Aleyse Shannon) and Harry (Noah Wyle) are in a hospital room, asking a woman about a boy, Rodrigo (Adan Carvacaño), who lies unconscious in the bed, his arm in an external fixator device. She tells them he had told her that he got a good-paying job, but she didn't know it involved dangerous machinery. She tells Harry they can't sue because Rodrigo had fake work papers saying he was old enough. When Breanna asks where he got the papers, Rodrigo wakes up and says it was Ramirez, but he can't testify because Ramirez will punish his undocumented cousins. Boundaries At headquarters, Sophie asks Elliot if the particulars of this case don't have him worried. Harry gets off the phone with his mom and asks them how to get around answering her questions about Leverage. Breanna enters and debriefs Edgar Ramirez, who repeatedly violates child labor laws. He deflects the bad press onto the employment agency, saying Dean Cisco (Garrett Hines) didn't vet the employees properly. However, Breanna's learned that Ramirez actually owns Cisco's company. RELATED: TV Review: Leverage: Redemption Season 3 Harry wants to know why they're so concerned about Parker. Parker arrives and explains that she is triggered by cases involving kids. She's installed bugs and cameras in Ramirez's office and a backdoor to his computer. Breanna has access to all of it. Parker promises to call if she needs help. When Elliot questions her going it alone, she points out that everyone on the team has their personal side job projects. Elliot looks out for veterans. Harry takes on legal clients. Breanna does her white-hat hacking. The team wishes her well. As Parker leaves, Sophie asks Elliot if he believes Parker's explanation. He doesn't. The Set Up Back in black-and-white. Ramirez and Cisco discuss Parker's visit. Ramirez tells Cisco that she was looking for paperwork on his employees connecting them to Isla Nubla, a tiny island off the coast of Colombia. He remembers receiving a voicemail from a Marta Cabrera from Gold Star Properties asking about employees from Isla Nubla. He plans to go see her in person. RELATED: Dean Devlin Dishes on The Librarians: The Next Chapter's Magical Homecoming In color, at the Gold Star offices, Sophie lets herself in. Over the cons, Breanna reminds Sophie that Parker wasn't taking anything from Ramirez's files; she was planting the Isla Nubla stuff, including the voicemails from Cabrera. As Sophie wonders why Parker laid a trail to Gold Star, Breanna realizes that Ramirez should be arriving any second. Sophie finds a blue folder with a sticky note on it that reads, 'FOR SOPHIE.' Grinning, she opens it up, picks up some wardrobe props, and acknowledges that Parker set her up. Drawing Sophie In When Ramirez knocks on Gold Star's door, it's back in black-and-white. Sophie greets him as Marta Cabrera. He says he's there to discuss Isla Nubla. She jumps on the topic, explaining that Gold Star owns the island now, and they're waiting for investors to develop a deep-water cruise ship port. Parker makes her entrance, pointing out that the island is empty because Hurricane Frances forces everyone to evacuate, and no one was allowed back on. However, before they can develop, they need someone born on the island to sign off to satisfy Colombia's government's mandate to respect indigenous claims to the land. That person will get a million dollars a year for life as compensation. RELATED: Geek Girl Authority Crush of the Week: Leverage: Redemption 's Parker Outside, Ramirez tells Parker he doesn't need her now. He'll find someone born on Isla Nubla by the weekend. Parker coerces him back with talk of making even more than the payout Mart Cabrera mentioned. She texts him an address to be at in an hour. Something Like That He leaves, and the picture blinks back into color. Parker returns to the conference room and debriefs with Sophie. They agree that the seat-of-the-pants grift was a lot of fun. Sophie guesses that the real reason for Parker's con is that their current jobs are too safe. Parker allows that might be part of it. Parker tells Breanna to meet her at the address she just texted Ramirez. They arrive on the 34th floor of a partially constructed building. Parker tells Breanna she wants to put the mark under stress to distract from the lie. Playing the building's architect, Breanna guesses that the real reason for Parker's con is that she wants to innovate their cons. Parker allows that might be part of it. RELATED: On Location: The Belgrade Fortress on The Librarians: The Next Chapter Flip to black-and-white for Ramirez's arrival on site. Breanna calls Parker and Ramirez over to where they can't be overheard. They step out onto an unfinished balcony. Breanna tells him that Marta didn't divulge that anyone indigenous to the island will get a piece of any business established there. She wants her firm to be the one to build the port. If Ramirez wants in, he needs to buy in at 10 million dollars. She guarantees a ten-to-one return, minimum. Spinning Stories At headquarters, in color, Harry checks in on Sophie, who is reviewing Parker's sting. Sophie explains how Parker's combined two different cons to convince Ramirez to empty his coffers into an escrow account that the Leverage team will pillage. She's concerned that Parker's placing herself in danger in order to close the deal. In black-and-white, Parker attends one of Ramirez's fundraisers. On the dance floor, he accuses her of being a bigger bad guy than him because she uses people to get ahead. His phone pings, and he shows her that Cisco has doctored papers to prove that Ramirez was born on Isla Nubla. This pulls the rug out from under Parker's plan. Recovery In color, Parker sits in the corner of Rodrigo's hospital room. His aunt comes in and tells Parker that he's improving slowly. She tells Parker that she's a good person for helping them. Parker gets up and leaves. RELATED: A Leverage: Redemption Primer: Get Ready to Steal Season 3 Harry gets into his car, unaware Parker's hiding in the backseat. She startles him. He screams and jumps out of the car. She follows and tells him she admires him because he changed. He points out that she did, too. She admits she did eventually, but it started out as a way to do new crimes, a challenge. She says she changed with the team while he changed on his own. He guesses that the real reason for Parker's con is that she's trying to figure out how people change. Parker allows that might be part of it. She asks him to revert to evil lawyer mode temporarily as a favor. At the plant, in black-and-white, Harry finds Ramirez. Calling himself Dexter Cheeble, Harry asks for employment records on Hector Ortez, a 19-year-old born on Isla Nubla, Colombia. Ramirez tells Harry that if he comes back in the evening, he'll get the paperwork for him, and they can discuss some potential financial accommodations. Shaking hands on it, Harry leaves. Ramirez places a call, saying that they've got a problem. Flipped In his office, he tells Parker about Harry's visit. She recommends they pay Harry off. Ramirez argues that blackmailers just keep on taking. They're better off just killing him. He's already engaged some men from Cisco's bunch. They'll wait for Harry in the plant parking lot and kill him as soon as he arrives. Parker turns to one of her hidden cameras and shoots a meaningful look at Breanna. Breanna's surveillance footage is in full color. She tries to raise Harry on the coms to warn him. Next, she tries Elliot. Meanwhile, Harry arrives at the plant. He gets a warning text from Breanna just as a black SUV squeals up behind him. The goons chase him into the plant. RELATED: Read the Recap of the Best Leverage: Redemption Season 3 Episode, 'The Grand Complication Job' Parker slaps Ramirez in black-and-white, accusing him of screwing up by ordering the hit on the lawyer at the plant. He suggests they leave. In color, Harry fights the goons until Elliot arrives. Harry runs out and confronts Ramirez and Parker in black-and-white. Parker pulls out a gun and shoots Harry twice. Ramirez takes it from her and puts a final slug in his back. Elliot arrives, and Ramirez criticizes his hitman skills, leaving Elliot to dispose of Harry's body in the bone-grinder. Ending It Once Ramirez and Parker leave, the scene reverts to color. Elliot compliments Harry on his fall and helps him to his feet. Back at headquarters, Parker tries to make light of the real hired killers she didn't anticipate. Sophie and Elliot insist she finish the con immediately. She agrees once Breanna assures her that they will get every cent of Ramirez's money. In black-and-white, Ramirez leaves the plant with his papers. Parker drives up and offers him a ride. He gets in, and she stuns him with a taser. Grabbing his phone, she messages the plant supervisor to clear the floor and send everyone home because of a spot inspection. RELATED: TV Review: Cross Season 1 In color, Sophie's waiting at the Gold Star offices and tells Breanna and Harry that Parker's late. They ping her phone and discover she left it at headquarters. Back at the now-empty plant, black-and-white Parker prepares to send Ramirez through the bone-grinder, explaining that a little while ago, someone asked her why she does what she does. When the others asked her, they didn't let her answer: they just kept guessing. Starting up the bone-grinder, she gets ready to tip Ramirez in, stating she's not sure what she's going to do. The bone-grinder stops. Faint with relief, Ramirez sees Elliot and assumes he's there to stop Parker. Elliot denies this and walks away. Got Your Back Parker follows him in color and asks him if he's going to stop her or tell on her. He tells her that they aren't like the others. Whatever she chooses to do, he's got her back. In black-and-white, Parker rushes back to the bone-grinder. She turns it on. Desperate, Ramirez tips the trolley and rolls out. By the time Parker follows him out of the building, he's disappeared. Flashforward to the Colombian pub. Cisco tells Ramirez that the papers he traveled on aren't from him. Parker walks over and ends the call. RELATED: Read our Leverage: Redemption recaps Full color when the phone hits the bar. She tells him his papers are hers. Flashback: After Parker and Breanna pulled the construction site con, she had Breanna use Cisco's software to create new Colombian papers. In the pub, she tells him he's been traveling as a wanted fugitive. Her real reason for the con is redemption. She tells him his redemption begins with empathy. In the U.S., he's dead. Flashback: Parker leaves his shoes, wallet, and cell phone next to the bone-grinder opening. Now that he has to live in a country with no papers or resources, hiding from the law, maybe he'll understand the lives of the people he exploited in his plants. Not Just the Side Job Parker returns in time for Breanna to go pick up Hardison. Before Sophie leaves for a weekend with Jack, Harry asks her to meet his mother because he wants his mother to meet his best friend. Once Hardison's home, Parker gives the team her report, the product of six months of analyzing why she does crime. She's concluded that she's a thief. She breaks the rules because the rules sometimes say it's okay to hurt others, and that's not right. This is her way because it's their way. All three seasons of Leverage: Redemption are now streaming on Prime Video. Come on, Prime Video. Let's give Leverage: Redemption three more seasons. REVIVAL: Check Out 9 First-Look Photos From Melanie Scrofano-Led Series Diana lives in Vancouver, BC, Canada, where she invests her time and energy in teaching, writing, parenting, and indulging her love of all Trek and a myriad of other fandoms. She is a lifelong fan of smart sci-fi and fantasy media, an upstanding citizen of the United Federation of Planets, and a supporter of AFC Richmond 'til she dies. Her guilty pleasures include female-led procedurals, old-school sitcoms, and Bluey. She teaches, knits, and dreams big. You can also find her writing at The Televixen, Women at Warp, TV Fanatic, and TV Goodness.

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