
CELINE HOMME Winter 2025 introduces an elegant and relaxed silhouette
Image courtesy of CELINE.
Image courtesy of CELINE.
Image courtesy of CELINE.
For a sophisticated yet effortless attitude, pieces can be styled for relaxed daywear or for formal evenings. Also visible in the collection is the CELINE women's wardrobe, in pieces such as the veste chasseur jackets and faire isle jumpers.
Image courtesy of CELINE.
Image courtesy of CELINE.
Image courtesy of CELINE.
Image courtesy of CELINE.
Highlighting the house's craft and savoir faire expertise, you'll also find a fully hand-embroidered coat made of black and silver coloured pearls, and a houndscheck patterned jacket's trim embellished with an ivory and turquoise surf inspired necklace.
The collection features a variety of rich fabrics too, such as cashmeres, yak wool, as well as brushed cottons, shetland, faded wool, and water repellent leather.
Image courtesy of CELINE.
Image courtesy of CELINE.
Other looks to take note of include contrasting volumes, fitted tops paired with baggier bottoms, long supple coats that wrap the silhouette, and trousers with slits, which can be accessorised with a new CELINE 'Boston' bag, crafted from the finest nubuck leather, sunglasses, baseball caps, beanies or berets.
The CELINE HOMME Winter 2025 collection will be available at the boutiques and online at celine.com.

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Nylon
18-07-2025
- Nylon
CELINE HOMME Winter 2025 introduces an elegant and relaxed silhouette
In the CELINE HOMME Winter 2025 collection, the convergence of tailoring and athleisure is explored as a wardrobe, introducing an elegant and relaxed silhouette, where CELINE essentials are infused in tailoring, checked or striped shirts, leather jackets, denim, and knitwear. Image courtesy of CELINE. Image courtesy of CELINE. Image courtesy of CELINE. For a sophisticated yet effortless attitude, pieces can be styled for relaxed daywear or for formal evenings. Also visible in the collection is the CELINE women's wardrobe, in pieces such as the veste chasseur jackets and faire isle jumpers. Image courtesy of CELINE. Image courtesy of CELINE. Image courtesy of CELINE. Image courtesy of CELINE. Highlighting the house's craft and savoir faire expertise, you'll also find a fully hand-embroidered coat made of black and silver coloured pearls, and a houndscheck patterned jacket's trim embellished with an ivory and turquoise surf inspired necklace. The collection features a variety of rich fabrics too, such as cashmeres, yak wool, as well as brushed cottons, shetland, faded wool, and water repellent leather. Image courtesy of CELINE. Image courtesy of CELINE. Other looks to take note of include contrasting volumes, fitted tops paired with baggier bottoms, long supple coats that wrap the silhouette, and trousers with slits, which can be accessorised with a new CELINE 'Boston' bag, crafted from the finest nubuck leather, sunglasses, baseball caps, beanies or berets. The CELINE HOMME Winter 2025 collection will be available at the boutiques and online at


CNA
18-07-2025
- CNA
Jane's Addiction bandmates sue each other over onstage fight that ended tour
The members of alternative rock band Jane's Addiction filed duelling lawsuits Wednesday (Jul 16) over singer Perry Farrell's onstage scuffle with guitarist Dave Navarro at a Boston concert last year, prompting the cancellation of the rest of their reunion tour and a planned album. Navarro, drummer Stephen Perkins and bassist Eric Avery sued Farrell in Los Angeles Superior Court seeking at least US$10 million (S$12.8 million), alleging that Farrell's behaviour on the tour had ranged from erratic to out-of-control, culminating in the assault, where Perry punched Navarro both on stage and backstage. 'With a series of swift blows, he single-handedly destroyed the name, reputation, trademark, and viability of the Band and those who built it,' their lawsuit says. Farrell and his wife, Etty Lau Farrell, sued the three bandmates in the same court Wednesday, blaming them for the conflict and the violence. 'Navarro, Avery and Perkins apparently decided,' the lawsuit says, 'that Jane's Addiction's decades of success should be jettisoned in pursuit of a yearslong bullying campaign against Farrell involving harassing him onstage during performances, including, among other tactics, trying to undermine him by playing their instruments at a high volume so that he could not hear himself sing.' The Farrells said that Navarro and Avery actually assaulted them. Perry Farrell said he was 'blindsided' when the other members cancelled the remaining 15 shows of the tour and broke up the band without consulting him, costing all of them a great deal of money. And he said his bandmates defamed him by publicly saying after the fight that he had mental health problems. Jane's Addiction was an essential part of the Los Angeles music scene in the late 1980s with their combination of elements of punk, goth and psychedelic sounds and culture. They became a national phenomenon with hits including Jane Says and Been Caught Stealing, and through their founding of the Lollapalooza tour, whose first incarnations they headlined in 1991. The group broke up soon after but returned several times in various incarnations. The 2024 tour was the first time the original members had played together since 2010. Farrell missed all seven of the group's rehearsals in the run-up to the tour, his bandmates' lawsuit alleges, and his behaviour during the early shows ranged from erratic to out-of-control. 'He struggled night to night amid public concern for his well-being and apparent intoxication,' their lawsuit says. 'Perry forgot lyrics, lost his place in songs he had sung since the 1980s, and mumbled rants as he drank from a wine bottle onstage.' The lawsuit says Farrell was given many solutions to the volume problem, none of which he followed. Then on Sep 13 at Leader Bank Pavilion in Boston in front of about 4,000 fans, videos partially captured Farrell lunging at Navarro and bumping Navarro with his shoulder before taking a swing at the guitarist with his right arm. Navarro is seen holding his right arm out to keep Farrell away before Farrell is dragged away. But Farrell's lawsuit says the 'video evidence is clear that the first altercation onstage during the Boston show was hardly one-sided'. It says Navarro was deliberately playing loud to drown out the singer, and "what followed was an inappropriate violent escalation by Navarro and Avery that was disproportionate to Farrell's minor body check of Navarro". Farrell alleges that when he was being restrained by a crew member, Avery punched him in the kidneys, and that both Avery and Navarro assaulted him and his wife backstage. Shortly after the fight, Farrell in a statement apologised to his bandmates, especially Navarro, for 'inexcusable behaviour'. Both lawsuits allege assault and battery, intentional infliction of emotional distress and breach of contract, among other claims. 'Now,' Navarro, Perkins and Avery's lawsuit says, 'the Band will never have their revival Tour, to celebrate a new album and 40+ years of deep, complex, chart-topping recordings. Instead, history will remember the Band as suffering a swift and painful death at the hands of Farrell's unprovoked anger and complete lack of self-control."


CNA
08-07-2025
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Celine's new designer Michael Rider makes a strong start
When the first model came out in Michael Rider's debut show for Celine, it was clear Rider planned to respect his predecessor Hedi Slimane's legacy. Skinny jeans are a Slimane trademark and the opening look featured ultra-clingy denim, paired with white boots and a camel-coloured tailored jacket. If there was any doubt as to whether the lean jean is coming back into fashion, there needn't be now. Talking backstage after the show at Celine's headquarters in Paris, Rider said the jeans look was 'like something that was familiar but felt new right now, the right way to start'. The American designer added that when it comes to the different designer eras at Celine, several of which were echoed in the collection, 'I definitely did not want there to be a sense of erasure; it felt right to me to build'. Rider had a direct hand in forming one of those eras, having worked there under Phoebe Philo for nine years from 2008 before he became creative director of Polo Ralph Lauren. Many designers want to reference their house heritage, but when Slimane took the helm at Celine in 2018 he made a volte-face from the luxurious refinement favoured by his predecessor, Philo. Many so-called Philophiles were devastated at the loss of clothes that felt modern, thoughtful and feminist. But Slimane's designs were a commercial success, with annual revenues climbing from around €800 million (US$940 million; S$1.2 billion) in 2017 to €2.6 billion in 2023, according to analyst estimates. Rider takes over a considerably bigger house than he left in 2017 — Slimane added both menswear and fragrance — but he also joins at a challenging time for luxury. 'Celine, like other maisons in the luxury market, is affected, but the maison has exactly what it takes to emerge from periods of turbulence stronger: Through quality and driven by exceptional savoir-faire and creativity,' chief executive Severine Merle wrote via email after the show. 'There are still many territories left for us to explore.' Optimism was running high for Rider's debut, held on the eve of haute couture week in Paris. Some of the seats in the alfresco courtyard were arranged to form the 'Celine' logo underneath a giant Celine scarf, with guests clutching branded umbrellas to shield against the rain. The collection borrowed elements of Ralph Lauren's signature sporty prep in crayon-bright colours mixed with '80s blouson jackets and classic French tailoring. Block colours and clean lines were a foil to armfuls of coloured bangles and rows of rings. Trouser shapes ranged from ultra-skinny to wide tailored culottes, worn with flat Mary Janes and cardigans, and given a more opulent twist with excessive layers of gold necklaces and horn-shaped pendants. Barrel-leg trousers in tan and check came with cinched, pleated waists paired with oversized blazers and nonchalant silk scarves. There was also a dandy element in Chesterfield coats shown, in one example, in white with a white scarf neck top and embellished jeans. Coincidentally, it resembled one of the looks at Jonathan Anderson's recent debut for Dior, and there were other parallels suggesting a trend, such as elevated sweatshirts. It seems like a hybrid dandy bourgeois prep is very much in the fashion ether, offering an alternative to athleisure that takes barely more effort but has a lot more style. 'I think he's making clothes for this new cool girl,' said celebrity stylist Law Roach, who was in the audience. 'We have been seeing all this Y2K fashion and this feels newer and a little bit more modern — easy but not too much of a departure from what we know Celine to be.' Shoes included lace-up heeled shoe boots and Mary Janes as well as soft dance shoes that resembled the pair by Repetto that Serge Gainsbourg used to wear. However, the presence of boxing boots, some with Celine branding, felt a bit predictable as they are already an established trend. Bags are important for the house and alongside logo-printed flat totes, slouchy shoulder bags and huge leather sacks, Rider brought back the Luggage bag from the Philo era. This time, however, the zip resembled a smiley face. 'Having a sense of humour in the luxury space is actually a beautiful thing,' Rider said.