logo
Channel 4 & Alaska TV 'Discharged Duty Of Care' To John Balson Before Producer Took His Own Life

Channel 4 & Alaska TV 'Discharged Duty Of Care' To John Balson Before Producer Took His Own Life

Yahoo12-03-2025

Editor's note: this article includes mention of suicide and other topics that some readers may find upsetting.
Channel 4 and production company Alaska TV 'discharged their respective duties of care' before producer John Balson took his own life, an independent review has concluded.
More from Deadline
Ben Wheatley's 'Generation Z' Axed By Channel 4 After One Season
'Leaving Neverland 2' Trailer: Sequel Follows James Safechuck & Wade Robson's Fight For Justice After Accusing Michael Jackson Of Sexual Assault
'Leaving Neverland 2: Surviving Michael Jackson' To Premiere On Real Stories YouTube Channel In U.S.
Balson, a true crime TV producer, died by suicide last May shortly after working with Alaska on Channel 4 series In The Footsteps of Killers. In the final few weeks of his life, he raised concerns about 'work-related stress' to family members and health professionals.
Channel 4 engaged Reynolds Porter Chamberlain (RPC) to conduct a review last summer and the law firm has now delivered its findings. Channel 4 stopped short of publishing the report, citing privacy concerns. The UK broadcaster has instead shared a summary of RPC's findings with the media.
The summary declared that Channel 4 and Alaska responded 'reasonably and appropriately' to the information available to them in the period before Balson's death, but the press notice did not address specific issues raised by Balson's family. The family has been contacted for comment.
According to his wife, Yumeno Niimura, Balson felt he was blamed by the In The Footsteps of Killers production for a family declining to take part in the show. Balson also alleged that he received threats from someone associated with a person he was researching.
Furthermore, Niimura said the producer was exhausted, leading to intense physical symptoms associated with vestibular migraine disorder, and a deterioration in his mental health. Niimura told us Balson's death was a 'failure of the industry.' She said Balson had told her that small production companies have 'unrealistically low budgets,' and 'often force extra work and unrealistic assignments on freelancers.'
It is not clear if Channel 4 made RPC's full findings available to Balson's family, but details were shared during a meeting. Balson's family has been clear about wanting an open discussion about the circumstances of his death and potential industry failings.
RPC reached its conclusions 'after a thorough examination – including interviews with relevant individuals, the review of a substantial volume of emails, WhatsApp and text messages, and the analysis of key documentation relating to the production and provided by John Balson's family,' according to Channel 4's summary. 'The investigation team also commented on how the profound tragedy of John's death has deeply affected all those spoken to during the investigation,' it added.
A Channel 4 spokeswoman said In The Footsteps Of Killers will now air over the summer. Now into its third season, the show sees hosts Emilia Fox and David Wilson investigate famous cold cases.
Channel 4 said it has taken on all of RPC's recommendations, which are that 'production companies should ensure timely compilation and circulation of mental health resources,' should 'consider additional ways to encourage dialogue and transparency regarding mental health matters,' 'consider adopting additional monitoring and oversight of freelancer working hours' and 'consider introducing a documented Flexible Working Policy.'
The recommendations suggest that, had these policies been in place prior to Balson's death, it could have improved his working conditions.
'Additional budgetary provision'
Furthermore, Channel 4 said it will bring in extra welfare measures that will include a new Code of Behaviours for Suppliers, which the spokeswoman said was being drawn up prior to Balson's death. Indies will also be asked to assess the nature and subject matter of a production. If concerning, Channel 4 will offer psychological support and resources.
'Channel 4 will consider additional budgetary provision, where necessary, to ensure the specific needs of production staff are properly supported,' said the statement. Content boss Ian Katz said at last summer's Edinburgh TV Festival that the channel was mulling how it could roll out the protections it has introduced for journalists reporting on the Israel-Gaza conflict to the true crime genre.
Channel 4 will also 'introduce formalised mid-production discussions with all production companies to support them in addressing production staff wellbeing,' added the press notice, along with conducting regular anonymous surveys.
Katz said today that the tragedy has 'made it clear that more must be done to better support freelancers in the industry and we need a more robust picture of the demands being made of them.'
'John's case has highlighted the pressures that freelancers can face in our industry and their fear of losing out on future work if they speak openly about their working conditions,' he added. 'In particular, we want to make it easier for them to speak frankly about their working conditions and the demands being made of them. And we welcome an ongoing conversation about how best we can continue to support them in the future. We share and support the ambition of John Balson's family that positive change can be made as a result of John's death, and we will continue to work – independently and with industry partners through initiatives such as [new body] Action for Freelancers – on approaches to help make this happen.'
An inquest into Balson's death last month found that he had told numerous health professionals he was having suicidal thoughts and flagged 'work-related stress' on several occasions to them in the weeks leading up to his death. At the time, Balson's family said they 'felt let down by the system.'
In a statement, Philippa Childs, head of the Bectu union, said: 'John Balson's death is a profound tragedy, and we know today's announcement from Channel 4 will make for very difficult reading for his family, friends and many across the industry.
'No one should have to suffer in silence and we welcome Channel 4's commitment to taking practical steps to encourage people to talk more openly about worker mental health. RPC's recommendations to production companies and Channel 4 regarding better monitoring freelancers' working hours, improving mental health support, and engaging with bodies like Bectu on working conditions, will all be critical to ensuring that the review's findings result in real and sustained change.
'The physical and mental health risks of many elements of working in film and TV, including long hours, tight production schedules and exposure to distressing material, are well documented. We will be holding Channel 4 and the wider industry to account on meaningful and continued engagement on these and other factors that impact freelancers' wellbeing.
'This is critical to uphold both the wishes of John and of his family that positive change come from his tragic death, and to truly drive progress in creating a healthier industry for everyone who works in it.'
Best of Deadline
All The Songs In 'Severance' Season 2: From The Who To Ella Fitzgerald
10 Brand New Emmy-Eligible Shows Coming This Spring
2025 TV Series Renewals: Photo Gallery

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Casting call issued for new Channel 4 property auction programme
Casting call issued for new Channel 4 property auction programme

Yahoo

timean hour ago

  • Yahoo

Casting call issued for new Channel 4 property auction programme

A casting call has been issued for a new television series about the high-stakes world of property auctions. Entrepreneur Sarah Beeny will present the Channel 4 series I Bought It At Auction With Sarah Beeny, which will explore the real-life drama, risks, and potential rewards of buying homes under the hammer. Each episode will follow buyers as they chase their dream homes through auction, "from bargain terraces to sprawling mansions - and even the occasional castle." But with many properties in need of renovation, the journey is rarely straightforward. People who have purchased a property at auction, and who are about to renovate the property or have an interesting story about a past renovation (ideally for residential use), are invited to get in touch with Phil or Rachael at property@ The series is a co-production between Little Gem and Knockers TV.

Jamie's Dyslexia Revolution lays bare shocking figures, but it doesn't have any answers
Jamie's Dyslexia Revolution lays bare shocking figures, but it doesn't have any answers

Yahoo

time8 hours ago

  • Yahoo

Jamie's Dyslexia Revolution lays bare shocking figures, but it doesn't have any answers

Special educational needs and disabilities – better known in the media these days by the punchy acronym SEND – are a hot topic in education. For a long time considered a marginal issue for disruptive children, the discourse has shifted in recent years as parents have pressured schools into better accommodation for young people with neurodiverse conditions, like autism, ADHD and dyslexia. It is the last of these which has found a champion in the form of TV chef Jamie Oliver, whose crusade on behalf of Britain's dyslexics is captured in a new Channel 4 documentary, Jamie's Dyslexia Revolution. 'I've been doing this for 20 years,' Oliver tells a room full of assembled politicians. 'I've been through 17 heads of education and many, many prime ministers.' He is referring, of course, to his 2004 campaign to reform school dinners, which made him, briefly, the most hated man in Britain's schoolyards. It wasn't just children who critiqued his advocacy: he was accused, too, of being part of a wealthy elite propagating top-down paternalism. And yet for all the political and social change since the start of the millennium, Oliver's televisual persona has remained the same. An approachable Jack the Lad, no controversy seems capable of denting his portfolio career, including countless television shows, wildly successful cookbooks and novels aimed at children, and a restaurant group. And this has all been achieved while struggling with a form of dyslexia that makes reading and writing a challenge for him. 'You're probably better at reading than me now,' he tells his eight-year-old-son. 'And I'm the second biggest author in the country.' And so, donning the same hat he used to eradicate turkey twizzlers from school cafeterias, Oliver sets off to raise awareness of how dyslexic children are being failed. The statistics are worrying: 10 per cent of the population are believed to be dyslexic, and, when rolled up with other neurodiverse conditions, that number rises to 25 per cent. More shocking still is the show's claim that 50 per cent of the prison population is dyslexic, which feels, instinctively, a direct corollary of the fact that 90 per cent of excluded children are neurodiverse. SEND parents – who have become one of Britain's most powerful lobbying groups – will know all of this, but for the lay viewer the figures will be troubling. Equally concerning, however, is the lack of answers. And this is an area where Channel 4 and Jamie Oliver struggle to make inroads. Jamie's Dyslexia Revolution involves much rumination on the current state of play, but the mooted insurrection of the education system is harder to pin down. Earlier intervention seems important (children are not assessed until they are eight, and even then, it is not mandatory), but what then? More training for teachers, similarly, is highlighted, but the nature and application of that training remain elusive. It is no bad thing for Oliver to simply use his platform to raise awareness of an issue, but when you call it a 'revolution', it feels like there should be some clearer glimpse of the promised land. Because, as the show suggests, there is little appetite to throw more money at the education system right now. A room full of Britain's politicians show their support for the endeavour (including Liberal Democrat MP Adam Dance revealing that dyslexia-related bullying caused him to attempt to take his own life as a young person), but commitments remain vague. Education secretary Bridget Phillipson, when she appears, looks like she'd rather be anywhere else. 'Will we be seeing some radical, strategic restructuring of teacher training?' Oliver asks her. She lethargically straight-bats his questions. 'Money alone isn't enough,' she mumbles, perhaps thinking of the multimillion-pound bill left to town councils by the collapse of Oliver's restaurant chain. 'I think we have to reform the system.' But reform, like revolution, is an easy word to say, and a harder one to enact. And so, at the climax of Jamie's Dyslexia Revolution, as a crowd of supporters assemble outside parliament, there's an air of optimism. SEND support has never been higher on the political agenda, and Oliver, one of the most effective agitators in Britain, has played his part in this. But the show mirrors the great challenge of modern politics. It's far easier to identify problems – to point to injustice – than it is to locate their solutions, and, in doing so, initiate the sort of change that a revolution requires.

Gogglebox's Malone family announces heartbreaking death of beloved dog
Gogglebox's Malone family announces heartbreaking death of beloved dog

Yahoo

time16 hours ago

  • Yahoo

Gogglebox's Malone family announces heartbreaking death of beloved dog

The Malone family, Gogglebox's fan favourites, have announced a heartbreaking death. Father Tom Sr, mother Julie, and youngest son Shaun made their first appearence on the Channel 4 show back in 2014 during its fourth season. Their other son, Tom Jr quit in 2021 while the rest of his family continued without him. The Manchester based family and their gang of Rottweiler dogs quickly won over fans with their humorous observations on the day's current TV shows. However, the family has recently shared some sad news with Shaun announcing on Instagram that their beloved pooch Bob has passed away. Accompanied by touching clips and pictures of the dog, he wrote: 'Today is the day we had to say goodbye to big Bob, an absolutely great dog like a big cuddly bear.' In the meantime, Julie also paid her tribute by sharing several pictures of Bob, writing: 'We are heartbroken, RIP our beautiful Big Bob xx.' Fan response has been huge, with many sending their love and support. 'The bigger the dog, the bigger the hole in your heart that they leave,' said one person. 'He was such a legend! So sorry for the whole family loss,' added a second fan. 'So sorry to hear this he will be reunited with the big Dave,' wrote a third. Meanwhile, a fourth remarked: 'Run free over the rainbow bridge Bob.' This follows the passing of their family dog Dave back in 2023. At that time sharing the news on their Twitter/X account they wrote: 'There are no words to describe the pain we are feeling or how much we loved you, Dave. 'You helped everyone see the true nature of Rotties. We were blessed to have you for 12 and a half years xx.' They had already gone through the loss of another Rottweiler, Lucy in 2022 and another Rottweiler, Izzey, in 2021. As big Rottweiler lovers, three years ago they adopted Tilly, the newest addition to their family. The family has a third son, named Lee, and a daughter, Vanessa, both of whom have never appeared on Gogglebox.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store