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‘Real Housewives' star Dr. Terry Dubrow warns stars against career-ruining procedures: ‘Trying to pursue perfection'

‘Real Housewives' star Dr. Terry Dubrow warns stars against career-ruining procedures: ‘Trying to pursue perfection'

New York Post19 hours ago
Dr. Terry Dubrow, a plastic surgeon known for his work on shows like 'Botched' and 'Botched Presents: Plastic Surgery Rewind,' as well as for appearing on 'Real Housewives of Orange County' with wife Heather Dubrow, isn't holding back his thoughts about the latest trends in his field.
A big issue, he tells Fox News Digital, is that stars and regular people alike are taking plastic surgery too far in an attempt to 'pursue perfection' – and it's getting to the point where he says 'aging is becoming a disease.'
'Some people do have a certain amount of BDD, body dysmorphic disorder,' he explained. 'And I think there's a spectrum of it, and some people, not necessarily celebrities, but some people just may do plastic surgery for not the greatest reasons, and they're trying to pursue perfection.'
Another reason why people might overdo cosmetic surgery, Dubrow theorized, is because of social media.
'Everybody is portraying, as you know, through filtering and other processes – now AI, of course, is going to be influencing that – idealized versions of themselves. And celebrities are now transparent, admitting to plastic surgery, and are looking really good. So aging is becoming a disease.'
5 Dr. Terry Dubrow warned against celebrities going too far with plastic surgery.
Paige Kahn for Decider
From his perspective, it's more acceptable in Hollywood for a female celebrity to have noticeable work done than men, but for both, he stressed the importance of not changing one's appearance too drastically.
'If you're a female celebrity who's gotten older, it's OK to look a little different, just as long as you don't do the sort of… Jennifer Grey thing, where you go from looking one way on 'Dirty Dancing,' having your nose done, and then you're out of the industry because you changed your whole look,' he said.
Grey famously had work done following her success in 1987's 'Dirty Dancing' – as she wrote in her memoir, 'Out of the Corner,' the nose job made her literally unrecognizable to some. As she explained it, 'Overnight I lose my identity and my career.'
5 Dubrow said actress Jennifer Grey lost work because of her nose job.
CBS via Getty Images; FilmMagic
There are a few examples of other celebrities he suspects may have gotten work done that went about it in a better way, one being Brad Pitt.
'Brad Pitt looks unbelievable,' he said. 'What I love about the way Brad Pitt looks, and I have no inside information about Brad Pitt, is he looks like Brad Pitt. He looks unaltered … If you did anything to alter Brad Pitt's Brad Pitt-ness, even if he looked good, it would be a fail. Because what are you going to do to make Brad Pitt look better?'
Pitt has never admitted to any plastic surgery, though in 2022 he spoke about his youthful appearance to NDTV, saying, 'I could say I eat well, but I don't. I could say I meditate, but not really. I would say I've got a lot of lovely people in my life and I stay creative.'
5 Dubrow said he suspects Brad Pitt got work done at some point.
Getty Images; Variety via Getty Images
Another example of a celebrity who Terry thinks has had good work done is Lindsay Lohan, who he said 'looks really, really good.'
'Whatever she's done was done really well,' he shared. 'I think whatever she's does, it's worked.'
The 39-year-old actress hasn't admitted to plastic surgery despite rumors to the contrary, but earlier this year, she told Elle, 'Everyone does Botox.' She's also been open about other non-invasive procedures she's had, like Morpheus8, a microneedling treatment, and she's praised the work of her dermatologist.
5 Dubrow praised the plastic surgery Lindsay Lohan had done.
FilmMagic; Getty Images
The plastic surgeon also lauded the looks of some of Hollywood's biggest leading men: George Clooney, Matt Damon and Ben Affleck, who he believes all look amazing.
'I don't know what they're doing, but it's working, OK?' he said. 'They look the same. They don't look altered. You know they're doing something there. They're not letting themselves go … It's not just diet and exercise, they're doing whatever they're doing, it's working – they look age-appropriate but wonderful, like Brad Pitt.'
On a more personal note, Heather Dubrow admitted, 'I'm as vain as the next person. Being on high definition television at this age is not for the faint of heart.'
5 Heather Dubrow said she prioritizes 'being strong' over her looks.
Fox News
She said that she's 'always opted for the non-surgical solutions to anti-aging,' and that for her, the most important thing right now is 'being strong' rather than her looks.
'I want to be like a fit mom, meaning I want to have longevity,' she said. 'I remember seeing a picture of Goldie Hawn a few years ago, and she had her granddaughter in a backpack. She was in her 70s, and I was like, 'That's what I want.' I'm not looking at pictures of the girls on the beach in the bikini going, 'Ooh, that's a nice butt.' I'm going, 'Look at her with her granddaughter on her back, and she is fit, and she's moving, and she's flexible, and she's alive.' That's what I think about.'
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‘Sunday Best: The Untold Story of Ed Sullivan' review: How the TV variety show boosted Black talent when segregation was the norm
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‘Sunday Best: The Untold Story of Ed Sullivan' review: How the TV variety show boosted Black talent when segregation was the norm

The documentary 'Sunday Best: The Untold Story of Ed Sullivan' on Netflix examines the pivotal role 'The Ed Sullivan Show' played in spotlighting Black music and culture to TV audiences at a time when segregation was still the norm. In a clip discussing his Sunday night variety show, which ran on CBS from 1948 to 1971, Sullivan keeps his intentions clear and to the point: 'It seemed to me, if you're using public air(waves), the least you can do — or TV can do — in return for this high privilege was to try to do something to bring people a little closer together.' Sullivan died in 1974 and sometimes in the film his voice is drawn from television interviews he gave over the years. But sometimes it's courtesy of artificial intelligence — a synthetic recreation — that gives literal voice to the columns and articles he wrote over the years. I have an ethical problem with this choice. Plenty of documentary projects before the advent of AI handled this by simply hiring a talented actor to voice the written words of their subjects. It's the more honest choice and it doesn't detract from the end result. I wish filmmakers embraced that instead. But otherwise 'Sunday Best,' from director Sacha Jenkins (who died this past May), is a fine effort that explores Sullivan's commitment to pushing back against network forces, sponsors and other interested parties who were opposed to the presence — the celebration, really — of Black people on the show. Sullivan's influence predates all but the boomer generation, and though I've seen clips, I don't think I've ever watched an episode all the way through. My ideas around him were vague and uninformed, mostly of the stiff host tolerating the younger acts. But that impression is inaccurate and undersells his own taste; instead of the reluctant old fogie, he was keeping his finger on the pulse of pop culture and handpicked every entertainer who appeared on his show. Watching his talents more closely here, I have a real appreciation for what he was doing — and how he did it — during a period of profound social change in the U.S. The documentary also offers an opportunity to think through the impact the show had at the time, compared to our current era, where the closest equivalent — the late-night talk show — has lost so much of its cultural relevancy when it comes to showcasing performers to a broad audience. Sullivan's path to TV fame was unintentional. He began as a print journalist in sports. Years later, he would note: 'Sports writers get to be very critical and observant. They can tell you what makes a certain ballplayer click.' Maybe he used some of those same skills when it came to identifying which acts he wanted on his show. Segregation never sat well with him. Using the verbiage of the era, he recalls that when he played baseball in high school, 'there were Negros in the league and some fellows said they would actually not play against a Negro. I always resented (those classmates) very deeply because the Irish had gone through that when we first came.' His parents knew bigotry was wrong. 'They weren't broad-minded, they were just sensible,' is how he puts it. Later, as a sports writer, he covered a college football game played in New York, where the northern school benched its one Black player to appease their opponents from Georgia. Sullivan was disgusted, so he wrote about it. What a shameful state of affairs this is, of a player 'risking his neck for a school that will turn around and bench him because the University of Georgia asks that the color line be drawn.' Sullivan did not mince words: 'If a New York City university allows the Mason-Dixon line to be erected in the center of its playing field, then that New York City university should disband its football season for all time.' He was eventually reassigned from sports to Broadway — the film doesn't explore why, or if that column was the reason — and though Sullivan was unfamiliar with the new beat, it eventually led to gala hosting opportunities, which paved the way for his career in television. He got terrible reviews at first; he wasn't a natural in front of the camera. Not that it mattered. 'I never thought I was the attraction. I just keep looking for the best thing to put on the show.' And that included Black talent. The prevailing idea at the time that 'Negro performers should be barred from TV shows on which white performers appear is both stupid and vicious,' he said. Fifty years after it went off the air, 'The Ed Sullivan Show' is maybe most famous for appearances by Elvis Presley and The Beatles. But the list of Black musical acts Sullivan featured is long and notable, with 'Sunday Best' including clips of Bo Diddley, James Brown, Bill 'Bojangles' Robinson, Cab Calloway, Pearl Bailey, Nina Simone, Mahalia Jackson, Stevie Wonder, The Supremes. Jackie Wilson singing 'Lonely Teardrops' is a standout and a fascinating example of a singer taking the stage alone, without any visible musicians behind him. No dancers, set, or props either. You don't really see that kind of thing today, and it's remarkable how he establishes a presence with nothing more than his voice and charisma. 'Sunday Best: The Untold Story of Ed Sullivan' — 3 stars (out of 4) Where to watch: Netflix

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