
Kim Soo Hyun gains fan support after new Kim Sae Ron photos allegedly debunk underage dating claims: 'Please look at the truth'
Fans are rallying behind Kim Soo Hyun after Queen of Tears star's new photos with actress Kim Sae Ron surfaced online. The images, which show her holding an iPhone 11 Pro, are now being used as key proof to back Kim Soo Hyun's original dating timeline, and many believe it clears him of the underage dating rumors once and for all.
The photo that initially sparked controversy was shared by the Garosero Institute and claimed to be from 2016. But these newly surfaced images suggest something very different.
New Kim Sae Ron photos reveal an iPhone 11, debunking the '2016 park date' claim with Kim Soo Hyun, say fans
Garosero previously claimed that a photo of Kim Sae Ron and Kim Soo Hyun wearing red jackets was taken during a park date with Kim Soo Hyun in 2016. That image was used as supposed proof that he dated her while she was underage.
But now, a new set of photos, believed to be from the same day, shows Kim Sae Ron holding an iPhone 11 Pro, which wasn't released until September 2019. The triple-camera setup is a clear giveaway, and fans say this directly supports Kim Soo Hyun's side of the story.
He had said he dated Kim Sae Ron between July 2019 and September 2020, and with the phone model in the photo confirming a late 2019 timeline, fans believe this puts the rumors to rest.
Fans break down the alleged timeline and call out misinformation
The moment the new photos hit social media, fans began analyzing every detail. One user posted: 'It's very clear now that not once did #KimSooHyun lie when he said he dated #KimSaeron from July 2019–September 2020. The first iPhone with a triple-camera was released on September 20, 2019 — and she's holding it. Same outfits, same day. That's not 2016.'
Another wrote: 'All those people saying she looked younger in the photo — it's the angle. The real kicker is the iPhone. And her own grandfather, Kwon Yeong Chan, said, This photo is from December 2019.'
This pic is from 2019 once again superstar #KimSooHyun proven innocent. This pic at seoul forest was taken from iPhone 11 as you can see in the 2nd pictureThose who are crying about how it's from 2016 have please clean your eyes. It proves that KSH is right#김수현#Kimsaeron pic.twitter.com/qDhiZf0oQ6
MORE PHOTOS INDICTS KIM SAE RON'S PARENTS IN FALSE ACCUSATIONS AGAINST KIM SOO HYUN Remember the child and star picture between Kim Sae Ron and Kim Soo Hyun that was misrepresented to push the grooming narrative? Yes that one, turns out she wasn't just the only child he took… pic.twitter.com/FtRroubMSk
Many also took aim at the Garosero Institute, accusing it of spreading false information: 'Garoduck knew what he was doing when he released that photo. It was to push the story that Soo Hyun dated her as a minor. But this photo proves otherwise.'
Support trucks show up for Kim Soo Hyun: 'Facts vs. fabrication'
Offline, fans are also showing up in support. Several coffee trucks and banners were sent to Gold Medalist and other filming locations, all in solidarity with Kim Soo Hyun.
Some of the slogans on display included: 'Consistent facts vs. fabricated evidence. Who is telling the truth?' 'Garo Sero Institute refused forensic analysis and presented false evidence.' 'Don't be swayed by lies and incitement. Please look at the truth.'
#김수현 #KimSoohyun @청계광장 pic.twitter.com/W50dDSrOHg
Others called attention to the legal side of things: 'Formal investigation requested, legal proceedings underway. Clear facts presented.'
With photo proof now backing Kim Soo Hyun's timeline and growing support from fans both online and offline, many believe it's only a matter of time before the full truth is officially recognised.
For all the latest K-drama, K-pop, and Hallyuwood updates, keep following our coverage here.
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What choice does he have, he thinks: in a star-obsessed industry, you need them to guarantee screen numbers and opening weekend earnings. But what happens next would make even Tolstoy rub his pearly white beard in thought. When Stars Eat The Sky: The remaining 20% of the budget now has to become elastic and stretch to cover everything else: the supporting cast (told to think of the "exposure"), the crew (promised future projects), action sequences (downgraded now), and visual effects meant to transport audiences to another world now looking worse than an audition reel. And I almost forgot: this 20% also has to budget for a star's vanity… I mean, vanity van, or vans, and the entourage that comes with the man, which can be a dozen or more people. The film releases. The audience, who apparently didn't get the WhatsApp forward that they should be amazed by star power alone regardless of film quality, collectively shrugs. "Meh," says social media. 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Stars typically negotiate between 5-15% of the gross points on top of their fee, which can be substantial earnings if the film performs well. This creates what business types call "alignment of interests", which mere mortals like us call win-win. When a film succeeds, the producers pop champagne, the studio executives buy another flat, and the star buys another farmhouse in Beverly Hills. The Bigger Pie Philosophy: Think about it this way: should a star rather have 80% of a small, sad, underfunded pie or 20% of a spectacular, crowd-pleasing, critics-adoring, award-winning pie that keeps growing bigger with every box office record it smashes? Some stars have done the math and, guess what, have chosen Door Number Two. Take Aamir Khan, for instance—Bollywood's very own Professor of Economics. He says he doesn't charge upfront fees for his films. Instead, he takes a percentage of the gross revenue. When "Dangal" conquered China faster than the Brits could, Khan's bank account experienced escape velocity. He made significantly more than any fixed fee he'd have taken–by some estimates close to ₹300 crores–while ensuring the production itself had enough resources to tell its story properly. Marvel initially doubted casting Robert Downey Jr. Naturally, they were unwilling to pay him a substantial upfront fee. Instead, they spent time creating quality films in which stories became the main draw. Yet, by the time "Avengers: Endgame" finally rolled around, Downey Jr.–who dies in the film–reportedly made up to $600 million for his roles in the Marvel Cinematic Universe (MCU) movies. His 'gross points' compensation didn't prevent the movie from having spectacular effects, an ensemble cast, and enough marketing to make sure even a Rohtak grandmother knew who Thanos was. Beyond Megastars–The Forgotten Film Family: There's a cinematic family tree that gets overshadowed when just one branch takes all the sunlight. There's the screenwriter fighting monsters in her head to craft the story that'll become the blockbuster; a salt and pepper, bearded director who keeps the vision together; a sunburnt director of photography turning ordinary locations into visual poetry; a costume designer with the magic to turn dull cloth into fairy tales; music composers blessed by the muse to create tunes that'll stay stuck in peoples whistles for decades; the stuntmen and stuntwomen who literally break their back so the stars don't have to; and let's not forget the humble spot boys running around in the scorching heat to make sure everyone stays hydrated. These aren't just "film crew"—they're artists, craftspeople, who've spent years and decades honing their craft and how to keep the beating heart of cinema alive. When a star's paycheck devours a film's budget, these essential contributors get the financial equivalent of table scraps. Over my 15 years of active work in the industry, I've seen many talented professionals leave the industry altogether, frustrated, because, you know, they have this weird desire to pay rent and feed their families. The irony in all this? When stars insist on astronomical fees that handicap the production quality of their own films, they're ultimately shooting themselves right in their foot under the expensive sneaker. A string of mediocre films damages their brand. Audiences naturally wise up, eventually, and the very stardom they're cashing in on begins to fade. Finding the Sweet Spot: No one's suggesting stars should work for peanuts, even if their acting chops remind us of monkeys. If you can command audiences, create cultural moments, and make people forget their troubles even for a few hours in a dark theatre, you deserve substantial rewards. But perhaps there's a sweeter spot: a system where the star shines brightly without eclipsing everyone else. Where the grip, the gaffer, the costume designer, and the composer can all earn dignified livings. Where there is enough budget to actually realise the filmmaker's vision. In Tolstoy's tale, the greedy peasant ends up with just six feet of earth—exactly what we all ultimately need, regardless of our Instagram follower count or how many times our face has appeared on a movie poster. However, the question of "How much money does a superstar need?" is one each performer must answer personally. But perhaps the wisest stars understand that their legacy will be measured by the quality of stories they help tell, not by what they leave behind for their children. And if they want to leave something for their children, they must remember that every paisa wrongfully earned will be squandered by their children or grandchildren. There is no other way. It is the Circe of life. Yes, Circe, not circle, the sorceress from Greek mythology who turns men into swine. Six feet; that's how much land a man needs. How much money does a superstar need? Perhaps this nursery rhyme can answer. Twinkle Twinkle Greedy Star, Bleeding budgets near and far, Up above Tinsel Town, so bright, Dimming others' creative light.