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A life well fed

A life well fed

As is the case in hospitality, Laurie Woolever has spent her career in service to others — feeding the needs of catering clients, the food media machine and a pair of superstar chefs.
For herself, she collects only crumbs of shame-filled happiness.
Woolever's memoir, Care and Feeding, plumbs the depths of her dysfunctional personal life while offering an intimate view of the equally dysfunctional fine dining establishment.
David Scott Holloway photo
Laurie Woolever was a longtime assistant to Anthony Bourdain, who died by suicide in 2018. She penned the 2021 book Bourdain: The Definitive Oral Biography.
Born in upstate New York, Woolever charts her path, in searing detail, from small-town obscurity to culinary school to the employ of famous restaurateurs Mario Batali and Anthony Bourdain.
Cooking for hire and assisting for the diametrically opposed chefs are a means to an end. At least initially. Woolever's aspiration is to become a gainfully employed food writer.
Spoiler alert (not really): She's more than attained that goal over the last three decades as a food magazine editor, cookbook co-author and frequent contributor to major publications such as the New York Times and GQ. She's also author of Bourdain: The Definitive Oral Biography, an illuminating bestseller that aims to capture the complex humanity of her former boss, who died by suicide in 2018.
While Care and Feeding exists in the same universe as Woolever's previous work, with Batali and Bourdain providing gravitational pull, the memoir gives voice to the unsung masses keeping the whole celebrity food system in orbit.
'Very few people are curious about the unknown women who prop up the work of important men,' Woolever writes following a publishing slight in which her name was left off a printing of Appetites: A Cookbook, co-written by Bourdain and herself.
Fresh out of cooking school, Woolever lands a job as Batali's personal assistant. Dubbed 'Woolie' by the red-haired Italian chef, she becomes privy to the disturbing chasm between his public and real-life personas.
There's a lot of nuance in the celebrity profiles thanks to Woolever's close proximity and self-awareness. She grapples with her reverence and revulsion for Batali, who introduced her to Bourdain and who was later accused of sexual assault. And her reflections about 'Tony' (a good and flawed human) in the aftermath of his sudden death are particularly insightful.
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The latest on food and drink in Winnipeg and beyond from arts writers Ben Sigurdson and Eva Wasney.
This coming-of-age autobiography also gives voice to the author's various addictions — alcohol, exercise, love, attention — which she references casually and constantly.
Care and Feeding
Instead of dragons to be slain, Woolever's habits are depicted as toxic friends tagging along for every personal milestone and professional impasse. It's an effective framing that captures the comfort and insidious nature of a functioning addiction.
Despite the dark subject matter, the tone isn't sombre. Woolever is self-deprecating and has a knack for quippy, evocative descriptors — in turn describing herself as 'all turtle, no shell' during a moment of emotional vulnerability or suffering through a hangover with eyes that 'felt like burnt holes in a blanket.'
While some sections are overburdened with minutiae about the publishing or restaurant industries, Care and Feeding is a juicy page-turner and a feat of sharp personal storytelling.
Eva Wasney is an arts and life reporter for the Free Press.
Eva WasneyReporter
Eva Wasney has been a reporter with the Free Press Arts & Life department since 2019. Read more about Eva.
Every piece of reporting Eva produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates.
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Best cake recipes: A roundup of our favourite cakes
Best cake recipes: A roundup of our favourite cakes

Vancouver Sun

time3 days ago

  • Vancouver Sun

Best cake recipes: A roundup of our favourite cakes

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Style Blueprint

time6 days ago

  • Style Blueprint

17 Nashville FINDS for Late Summer: Jewelry, Decor & More

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‘They're real people': Mob focus of JFK assassination flick filmed in Winnipeg
‘They're real people': Mob focus of JFK assassination flick filmed in Winnipeg

Global News

time03-08-2025

  • Global News

‘They're real people': Mob focus of JFK assassination flick filmed in Winnipeg

Nicholas Celozzi has spent much of his life revisiting the events leading up to the assassination of former U.S. president John F. Kennedy. Hushed stories filled his childhood home. Conversations with his uncle Joseph (Pepe) Giancana, brother to Chicago Mob boss Sam Giancana, later helped shed light on his family's possible involvement in one of the most debated moments in American history. After decades of film and television portrayals of Sam Giancana, Celozzi is reconceptualizing the 1963 shooting of Kennedy with a focus on the major players in the Chicago Outfit, a powerful Italian-American criminal organization. For Celozzi, his latest screenwriting endeavour is about more than telling another assassination story. It's about family. 'My family, my cousins, really got tired of people using our name, monetizing our name and telling a fake story,' Celozzi said in an interview. Story continues below advertisement 'These aren't fictional people … they're real people. They're vulnerable, they have nerves, they make mistakes, they are not quite sure about things.' Sam Giancana, head of the Chicago Outfit in the 1950s and 1960s, was widely known for his ties to the Kennedy family. He was gunned down in his home in 1975, and his killing remains unsolved. 2:18 JFK assassination files released on Trump's order Many have speculated the Mob group also played a role in Kennedy's assassination, and this is explored in Celozzi's 'November 1963,' which began filming in Winnipeg this summer. Get daily National news Get the day's top news, political, economic, and current affairs headlines, delivered to your inbox once a day. Sign up for daily National newsletter Sign Up By providing your email address, you have read and agree to Global News' Terms and Conditions and Privacy Policy Relying on Pepe Giancana's stories, Celozzi focuses on the 48 hours leading up to the assassination. Giancana, a fill-in driver for his brother, had been a fly on the wall in the days leading up to the assassination, said Celozzi, who is also one of the producers on the independent film. Story continues below advertisement Many conversations led to what Celozzi calls the 'Pepe chronicles,' a series of stories detailing the family's Mob ties. 'I was always aware of who they were. These aren't things that everybody just kind of goes home and talks about. It's an awareness. It's kind of a strange reality that you're born into,' said Celozzi. Pepe Giancana died in the mid-'90s, leaving his stories with Celozzi. 2:11 Local film industry questions Trump's proposed film tariff The writer said he knew he wanted to do something to honour his family's history without degrading them to caricatures often found in Mob flicks. So he began working with Sam Giancana's daughter Bonnie Giancana to craft the script. Over the course of several years and rewrites, Celozzi said they worked to ensure every detail was accurate. Story continues below advertisement 'I needed to keep that honest with the story Pepe gave me, or why do it at all? If I wasn't going to be truthful to what he gave me, there was no purpose in me doing it,' said Celozzi. He brought veteran Canadian producer Kevin DeWalt of Minds Eye Entertainment on board to produce the movie, which wrapped shooting in Winnipeg last week and goes into post-production in Saskatchewan. 'I don't think the family's proud of what happened … it was important for them to tell the truth before they die,' DeWalt said. The cast includes John Travolta, Dermot Mulroney and Mandy Patinkin and is directed by Academy Award nominated English filmmaker Roland Joffé. When it came time to pick a location that could mimic 1960s Chicago and the landmark Dealey Plaza in Dallas, where Kennedy was killed, producers chose Winnipeg over other major cities such as Atlanta and New Orleans in part because of its Exchange District neighbourhood. Producers decided Winnipeg was a perfect stand-in for the Windy City. Dealey Plaza, and the famous Grassy Knoll, was built from scratch at Birds Hill Provincial Park, northeast of Winnipeg. The film features 1,500 extras and 75 to 80 period cars to accurately portray the time period. DeWalt said he expects viewers will be blown away by the film's ability to bring a new level of authenticity and validity to the moment in history. Story continues below advertisement 'People will walk out of the theatre with their own impressions about what it all means,' he said. 'At the end of the day, at least we've given them the tools for one of these things that's been told, and they can make their own impressions in terms of how they feel about it.' When asked if he thinks the film might ruffle feathers with historians, governments or Mob members, Celozzi said that's not his goal. 'What I'm doing is just putting in that missing piece, not glamorizing, just writing it.'

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