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‘The Walking Dead: Dead City' Season 2, Episode 6 Review — Barely Watchable, Unbearably Silly

‘The Walking Dead: Dead City' Season 2, Episode 6 Review — Barely Watchable, Unbearably Silly

Forbes5 hours ago

Dead City
I've been pretty bad at posting reviews for the second season of The Walking Dead: Dead City. Readers have been asking me where my reviews have been, and all I can say is that I was traveling in Ireland and Scotland and didn't want to spend my time there watching this . . . pretty awful TV show. It was my first real holiday in a very long time, and while I did work quite a bit on my travels, I just couldn't bring myself to watch, let alone write about, Dead City.
I caught up on the episodes I missed this past weekend and then went into this one thinking it was the Season 2 finale. Imagine my surprise – nay, my sheer joy – at discovering that we still have a couple more episodes to go!
Before we get to Maggie and the bear, I wanted to comment briefly on the past few episodes. Actually, I just want to comment on one scene from the fifth episode, because it really encapsulates everything wrong with this spinoff. Spoilers ahead.
The scene in question takes place when New Babylon's Major Narvaez (Dascha Polanco) orders the execution of the woman who took them in and Maggie (Lauren Cohan) as well as Marshall Perlie (Gaius Charles) who lied to his superiors about killing Negan (Jeffrey Dean Morgan). Narvaez is a cartoonishly despicable character which, I suppose, is fitting give how cartoonishly villainous most of the bad guys are in this show. In fact, most of the characters in this show are either utterly flat or over-the-top evil.
In any case, she hangs the first woman but before she can hang Maggie, zombies break through a gate and start shambling through the assembled crowd. The weird cult-like group that Maggie and the New Babylonians were staying with has started up a moaning chant after their leader's execution, and as the zombies walk into their midst, biting and grappling them, the people just die without a sound or fear or struggle whatsoever. The New Babylon soldiers, meanwhile, just sort of stand there until the zombies get to them before they start shooting, and when they do start shooting their aim is so bad you suspect they couldn't hit the side of a barn (oops, sorry Carol).
Dead City
The genuinely idiotic Ginny (who is apparently 12 but looks 17) frees Maggie after betraying her earlier (after Maggie weirdly started to free Perlie and the cult lady, Roksana (Pooya Mohseni), but then locked them back in their cell in one of the most baffling moments in the whole series). Maggie rushes off to save Hershel (Logan Kim) from Narvaez but the already-zombified (and somehow freed) cult lady shambles up and bites Narvaez in the neck instead, and she goes down fast . . . without a fight, without a scream.
It's honestly one of the worst staged zombie attacks I've seen in any TWD show, including The Greatest TV Show Of All Time, Fear The Walking Dead. It's just so inert, so lifeless, every character behaves like they could care less about surviving. All these people should be hardened survivors at this point in the apocalypse but they go down without a fight, shooting wildly at the air or just standing there, dying quietly as super slow zombies trudge around them.
Weirdly, Narvaez wasn't the only villain killed this episode. The Dama (Lisa Emery) – who we learn is a critic (oh snap, is this a sick burn from AMC aimed at critics or something?) – is burned to death in a hilariously goofy moment, leaving the Croat (Željko Ivanek) in charge of the Burazi. Of course, in Episode 6 he discovers that Negan has been manipulating everyone when he notices . . . blood on Negan's boot, which can only belong to the dead rat or something. No other blood could possibly have made it onto Negan's boot in this zombie apocalypse filled with violence. When he challenges Negan, he loses and Negan exiles him. So now . . . well now Negan is in charge of the Burazi, who have literally no loyalty to their leaders whatsoever.
Dead City
Much happens in the sixth episode, but most of it is pretty boring like the rest of this season. Maggie and Hershel have some conflict about her being a deadbeat mom (I find it somewhat unbelievable that teens in the apocalypse would be so concerned with this sort of thing, but whatever). She finds him trying to poison everyone's drinking water with zombie blood which seems mildly extreme given that he hasn't really been portrayed as all that radicalized at this point.
The really big moment of this episode, however, comes right after this scene when a bear shows up, hungry for human flesh.
Yes, a bear attacks Maggie and Hershel, breaking down a metal door and then hunting them while killing zombies left and right. It's a massive CGI bear that looks about as bad as you'd expect (though not as bad as that fake deer from Season 7 or 8 of the main show). It's a big angry grizzly bear, the kind that I'm pretty sure is not native to Manhattan, but it has a weakness: Knives. Granted, this is the kind of bear who would be hard to take down with a gun, even a very big gun, but one knife to the head and one knife to the eye (Hershel can aim now!) are enough to get it to act as stupid as the rest of the characters in this show and get its head spiked on a random fence. Turns out killing bears is a lot like killing zombies, after all.
This egregiously goofy moment basically had me in stitches to the point that I could barely (heh) pay attention to the rest of this unbearable (heh) episode. It looks like Bruegel (Kim Coates) is going to be the new Big Bad along with the governor of New Babylon. Coates is doing the lord's work here. He's absolutely fantastic and steals every scene, spinning gold out of a ludicrous script. Any character this good is definitely going to die soon.
Dead City
I wish I could say that JDM is doing a good job also, but frankly this show is basically ruining Negan all over again so I don't know that I can offer up much praise for his performance except to say that he's more watchable than Maggie. But kudos to Logan Kim who has definitely upped his acting game this season. There are honestly a number of pretty good performances this season (Ivanek is consistently entertaining) but they're all dragged down by a terrible script and a story that keeps going nowhere fast. I'm so bored. Even a bear attack can't rouse me from this stupor.
Two more episodes to go and . . . I just want everyone to die. I don't care if New Babylon or the Burazi or Bruegel's group wins. I don't care if Negan or Maggie or Hershel dies. I'm actively rooting for Ginny to kick the bucket. I'm happy Narvaez is dead, but a little let-down that the Dama went out in such a weird way, and so early on.
I'll add more to this section if I think of anything. In the meantime, what are your thoughts on Dead City's second season so far? Let me know on Twitter, Instagram, Bluesky or Facebook. Also be sure to subscribe to my YouTube channel and follow me here on this blog. Sign up for my newsletter for more reviews and commentary on entertainment and culture.

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‘The Last of Us' Creator Neil Druckmann on Directing Pedro Pascal's Last Episode, That Pearl Jam Song and Catherine O'Hara's ‘Beautiful' Improvisation
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However, it did come out to the public in 2013, and it is anachronistic in that it should not exist in our timeline. Initially, when we were making this episode, there would have been a different song. As we were exploring it, just felt like we were prioritizing the wrong thing, this timeline of events and when things would be available. Clearly, we're not in the same timeline as our universe, so we have some leeway. And that song felt so important. Because it was in the game, because it has so much association, not only for fans, but even for myself, we changed course. The thing that we thought we cared about, we ultimately didn't care about, and the emotional truth of the song was more important than the timeline truth of the world that we live in. No. When we were making the game, I knew that scene should exist. I didn't know where it goes. That was true for all the flashbacks. Even pretty late in production of the game, we were moving those flashbacks around. In talking about it with Craig, it's the first time I really thought about the time between seasons. So much of writing is set ups and payoffs, and we would have set certain things up that get paid off years later. That felt too long, especially because this season focuses so much on Ellie's journey and this emotional truth of what did she know? What didn't she know? To wait additional years until Season 3 will come out — or maybe even Season 4, it depends where all the events land and how many seasons we have — I was easily convinced by Craig that that would be too long. It was a day's worth of conversation of us wrestling with it. The way I work is, when a suggestion like that is made, I say, 'Let's play it through.' I just assume that it's correct, and then we play it through and not only talk about this season, but talk about the future seasons, and then say, does it make sense? If the answer is yes, we go with it. If the answer is no, we either keep wrestling with it until we find another solution, or we just go back to how it was in the game. [Long pause] That's right. We knew we had this Eugene mystery, and we had so many iterations on it of just what that sequence should be about. There were versions that had all this action and fighting and shooting infected, and much smaller versions. It went from me to Hallie to Craig, from me to Hallie to Craig. It just didn't feel right for a long time, until we landed on him lying to her about killing Eugene. and then everything just fell into place, as far as, like, Oh, this is how she'll know. It felt like such a dramatic way for her to figure things out. As far as shooting that scene, if no one knew the lie, what I like about that scene is he's being very considerate. Would you want to tell Gail that he wanted to see her, almost in this pitiful way, and I still had to put him down, because those are the rules, and that's the way to keep you safe? Sometimes you could buy the argument that the lie is better than the truth, right? But for Ellie, it wasn't, because of everything else that has come before, because she saw that he betrayed her trust. That meant more than just this moment, it meant that everything that Ellie was worried about, the survival guilt that she's felt all the way back to Season 1 of needing to justify Riley's death and Tessa's death and Henry and Sam and all these people who died along the way so that something good can come of it at the end. It's almost in that moment she realizes nothing good came out of it. That's not entirely true, but that's how she feels about it. So it was just important that all the actors knew the truth they're going into it, and for it to be genuinely shocking. If I may, I just want to sing Catherine O'Hara's praises. It was one of my favorite directing moments. In the scene, she slaps Joel, and then in his shame, he's supposed to take a few steps back. We were struggling with it. 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Why Nicola Coughlan Is the Soul of ‘Bridgerton' and Deserves an Emmy Nomination

Anyone who's seen Nicola Coughlan in 'Derry Girls' knows that she's a brilliant comedic performer. As nerdy teenager Clare Devlin, Coughlan made teenage anxiety immensely physical and palpable — firing her dialogue with all the air in her lungs, walking with so much propulsive energy she was nearly tripping over herself. In 'Bridgerton' Season 3, Coughlan similarly portrays adolescent turmoil, but through subtler and more internal means. As wallflower Penelope Featherington, who harbors a double identity as the controversial Lady Whistledown, Coughlan was tasked not just with making the ton's resident introvert a mesmerizing lead but also with bringing humanity to her character's morally ambiguous actions. 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