
Aamir Khan Talks Age-Gap Casting With Genelia D'Souza In Sitaare Zameen Par: 'It Is Not A Barrier'
Last Updated:
Aamir Khan talks about playing Genelia D'Souza's husband in Sitaare Zameen Par, despite their Jaane Tu… connection. 'That thought did cross my mind,' he says.
In an unexpected casting move that has caught fans' attention, Aamir Khan will be seen playing the husband of Genelia D'Souza in the upcoming film Sitaare Zameen Par. For many, the pairing may feel unusual — after all, it was Aamir himself who introduced Genelia to the Hindi film industry in 2008, casting her opposite his nephew Imran Khan in the beloved rom-com Jaane Tu… Ya Jaane Na.
Now, more than 15 years later, they're playing a married couple — a decision Aamir acknowledges with a smile. 'Ya, I know. That thought did come to me," he says in a recent interview with Indian Express. 'But that was a long time ago. And ab Imran bhi kaafi meri age ka ho gaya hai (laughs)."
In Sitaare Zameen Par, a Hindi adaptation of the 2018 Spanish film Campeones, both Aamir and Genelia portray characters in their early 40s. While Aamir is now 60, he dismisses concerns about the age difference, crediting modern technology and audience openness for breaking cinematic taboos around age-gap casting.
'We have the advantage of VFX now," he explains. 'Earlier, if I had to play an 18-year-old, I had to rely on prosthetics — like Anil Kapoor did in Eeshwar (1989), when he played an 80-year-old. Today, you can look 80 or 40 or 20 on screen with seamless visual effects. So age is no longer a barrier for actors."
Directed by R.S. Prasanna (Shubh Mangal Saavdhan), Sitaare Zameen Par marks Aamir's return to the big screen after multiple breaks from acting — first during the pandemic, and later after the commercial failure of Laal Singh Chaddha. But as he candidly shares, the right story pulls him back in.
'I have a compulsive streak," he says. 'If something enters my bloodstream, I can't stay away."
Set for release in June 2025, Sitaare Zameen Par promises to be an emotional, coming-of-age drama with Aamir and Genelia at its heart — an onscreen pairing no one saw coming, but one that may just surprise us all.
First Published:
June 08, 2025, 21:14 IST
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Mint
15 minutes ago
- Mint
India's highest paid director, charging ₹200 crore for a film, not Karan Johar, Sandeep Reddy Vanga or Rohit Shetty
Several factors determine whether a film becomes a box office success-- be it star power, chart-topping music, or a stellar screenplay. But at the heart of it all is the director, the true captain of the ship, who brings the entire vision to life. While it is the star actors who are paid hefty to bring the audience, it is India's highest-paid director who charges even more than actors like Salman Khan and Shah Rukh Khan. It is SS Rajamouli who holds the title of India's highest-paid film director. The Telugu filmmaker charges around ₹ 200 crore for each film he directs as per IMDd. It is said to include his upfront fees, profit share, and bonus for the sale of rights. His share can even climb higher depending on the success of the film. For instance, RRR was a global success, fetching even Academy Awards. Rajamouli was reportedly paid ₹ 200 crore after the success of his Baahubali franchise. A ₹ 200 crore paycheck for a single film places the director among the highest-paid film personalities in the country. In fact, some of India's richest superstars like Shah Rukh Khan and Salman Khan are said to earn around ₹ 150-180 crore per film. Rajamouli's remuneration remains higher than theirs. SS Rajamouli's massive paycheck highlights his superstar status among directors. When RRR was promoted in North India, it was marketed as Rajamouli's film, despite having two major actors, Ram Charan and Jr NTR from the South industry. It happened so because of the Baahubali films which made him a household name across India. Baahubali 2 alone earned ₹ 510 crore in Hindi, becoming the highest-grossing Hindi film for six years until Pathaan's release in 2023. Similarly, RRR also did impressive business at the ticket window, collecting over ₹ 270 crore in its Hindi version. If we believe the industry insiders, no other director comes close to Rajamouli's earnings. He charges more than double what others are getting in India. Big names like Sandeep Reddy Vanga and Prasanth Neel are said to earn around ₹ 90 crore per film. Celebrated filmmaker Rajkumar Hirani takes home ₹ 80 crore, as per reports. Directors like Sukumar, Sanjay Leela Bhansali, Lokesh Kanagaraj, and Siddharth Anand also charge a big amount, with each earning over ₹ 40 crore for a single film, yet nowhere close to the RRR director. Meanwhile, Hindi filmmakers like Karan Johar and Rohit Shetty who usually produce their own movies, make money through profit-sharing. They are said to not charge money as their fees.


Time of India
29 minutes ago
- Time of India
Sonakshi Sinha shares COVID-19 negative report, Zaheer Iqbal sings for her as she battles viral fever: 'This girl has gone VIRAL'
Sonakshi Sinha and Zaheer Iqbal continue to charm fans with their infectious chemistry. The couple, who recently tied the knot, gave fans another delightful peek into their personal life. On Sunday, June 8, Zaheer posted a playful yet caring video of Sonakshi , who was down with a viral fever . Zaheer croons 'Ghoongte Mein Chanda' as Sonakshi takes steam for viral fever In the joint Instagram post, Sonakshi is seen taking steam with a towel draped over her head. Meanwhile, Zaheer lovingly sings a quirky rendition of Ghoongte Mein Chanda from Shah Rukh Khan's film Koyla, adding the line: 'Hosh na kho de kahi zor se khaasne wala,' while zooming in on her face. The moment ends with Zaheer kissing her forehead, showing fans just how sweetly he's caring for his ailing wife. The caption humorously read, 'This girl has gone VIRAL,' with laughing emojis. The video had fans and friends flooding the comments section. Actress Huma Qureshi dropped two laughing emojis, while several fans sent Sonakshi get-well-soon wishes. Sonakshi shares COVID test result after fever Later, Sonakshi also took to Instagram Stories to share a photo of her COVID-19 test report, which was thankfully negative. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Esta nueva alarma con cámara es casi regalada en San Fernando (ver precio) Verisure Undo She paired it with a jumping-with-joy emoji, signalling her relief. On the work front, Sonakshi Sinha is preparing to play a lawyer in an upcoming legal drama directed by Ashwiny Iyer Tiwari. She will also be seen in Nikita Roy, a psychological thriller directed by her brother Kussh S. Sinha, alongside Paresh Rawal, Arjun Rampal, and Suhail Nayyar. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .


Time of India
34 minutes ago
- Time of India
Southern films struggle in Hindi: Poor marketing, weak stories to blame
An increasing number of southern language films dubbed in Hindi have failed to attract a favourable response in the past six months, thanks to limited or no marketing, lack of stories containing universal values and stylish larger-than-life characters, a small four-week window in theatres, and ineffective branding through the deliberate casting of prominent actors from across India. The recent washout performance of the Hindi-dubbed version of the Tamil film Thug Life points is the latest example. According to box office research firm Sacnilk, Thug Life collected 1.2 crore in Hindi over the past three days, while the Tamil version earned 26.08 crore in the same period. Apart from Thug Life, dubbed Hindi films such as Retro, HIT: The Third Case and Kanguva have not worked. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Iraq: Jewelry On Sale For Half Price! (See Price List) Luxury Jewelry | search ads Undo Producers believe that the increasing tendency among southern filmmakers to promote films as pan-India offerings is a key reason for their failure. "A pan-India film is a myth. Deliberately casting actors from different states does not make a southern film pan-India. The Hindi belt audience just wants a good, entertaining film. A good film dubbed in as many languages as you want will work," said Naveen Chandra, founder and CEO of 91 Film Studios, a studio that produces, finances, and distributes regional films. Live Events He cites 'Pushpa 2' and 'Kalki 2898 AD' as examples of films that found a strong audience in the Hindi belt. "In Pushpa 2: The Rule, the story has not progressed at all. The cop has not caught the criminal. There is a continuous chase. Yet, the film has worked. This is because almost every scene in the film is entertaining. And the Hindi belt audience has loved it," said Chandra. Pushpa 2: The Rule was released in December last year. It collected Rs 812 crore in the dubbed Hindi version alone-much higher than the film's collection in its original Telugu, which was Rs 341.4 crore. Another reason Hindi-dubbed versions are failing at the box office is their storytelling. "The Hindi belt audience is not interested in stars. They are interested in stories that contain universal values, stylish larger-than-life characters, and a high dose of escapism. Of late, however, southern films have been more realistic, with little escapism. Hence, they are not travelling beyond their home states," said Shaaminder Malik, a film distributor and trade analyst. According to a report by media and entertainment research firm Ormax Media, in 2024, dubbed Hindi films contributed 31% to the total Hindi box office, highlighting the dominance of southern films. But this contribution is likely to drop in 2025. Limited marketing and promotion, along with a four-week theatrical window, have also contributed to the failure of Hindi-dubbed films . "Of late, a dubbed Hindi film is either not marketed or not well enough. Audiences in the Hindi belt are not aware of these films. Importantly, most southern films stay in theatres for only four weeks before being released to streamers. So, the potential of these films is not fully exploited by Hindi belt audiences," said Suniel Wadhwa, a veteran film distributor.