Wicked: For Good' Trailer Pits Elphaba Vs. Glinda In Battle For Oz: 'There's No Going Back'
The trailer for Jon M. Chu's Wicked: For Good flew onto the scene Wednesday following limited time return-to-theater screenings of the first film.
The clip gives a look at Cynthia Erivo's Elphaba and Ariana Grande's Glinda, now on separate sides of a battle for justice in Oz. Wicked: For Good arrives in theaters November 21, 2025.
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'Elphaba Thropp, I know your out here,' a white gowned Glinda tells the darkness outside her home before turning to see her once best friend, still cloaked in her black witch's garb, on her balcony.
'There's no going back,' Erivo's Elphaba says as she casts spells in a hidden cave. 'This is between the Wizard and I.'
Wicked: For Good will star the green and pink duo as well as Jonathan Bailey reprising the role of Fiero, Marissa Bode reprising her role of Nessarose, Ethan Slater reprising his role of Boq and — if the soundtrack gives any clues: Jeff Goldblum returning as The Wonderful Wizard of Oz alongside Michelle Yeoh as Madame Morrible.
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'The Wicked Witch can't elude us forever, not with Prince Fiyero and his squadron hot on her trail,' Yeoh's Morrible declares as the clip pans to Bailey's Fiyero in green and gold garb.
As Glinda puts on a swirly, sparkly crown, Elphaba tries her hand at skywriting with her broomstick, scrawling 'Our Wizard Lies' in a cloud. A snippet of 'No Good Deed' can be heard as viewers see Jeff Goldblum's Wizard of Oz working with contraptions, and Elphaba's (and Erivo's) long, manicured nails rest on a pile of bright yellow brick.
'Think of what we could do, together,' Glinda tells Elphaba in an echo from the first film. Snippets of Dorothy in her shiny silver heels and blue gingham dress can be seen throughout the clip as Glind walks down the aisle in a long white wedding train approaching Prince Fiyero.
Chu cut both films side by side in the editing process ahead of the first film's release November 22, 2024.
Some songs fans are greatly looking forward to include Elphaba and Fiyero's duet 'As Long As You're Mine,' Elphaba's 'No Good Deed' and Glinda and Elphaba's duet 'For Good, which can also be heard in the trailer.
[youtube https://www.youtube.com/watch?v=BRt-qexTWy4?version=3&enablejsapi=1&origin=https://deadline.com&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&start=20&wmode=transparent&w=600&h=338]
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ITV For Sale: Behind The Headlines Of A Deal That Everyone And No One Is Talking About
If you've watched ITV's The Assembly, you will know that it involves stars like Danny Dyer and David Tennant subjecting themselves to no-holds-barred questions from a captivating cast of neurodivergent interrogators. It makes for illuminating viewing, producing genuine revelations from its disarmed but obliging subjects, who enter the show in a spirit of openness. Far from the cameras, in a colorless room in the basement of London's 11 Cavendish Square townhouse on Tuesday, ITV chairman Andrew Cosslett was similarly squirming in the face of questioning, with less comical results. Chairing ITV's Annual General Meeting (AGM), Cosslett was grilled, almost heckled, by an angry shareholder demanding to know when the British broadcaster's 78p share price will rise after flatlining for more than three years. More from Deadline 'Inspector Ellis' Back On The Case With Season 2 Order From Acorn TV & 5; All3Media Strikes International Deals For Sharon D Clarke-Starring Crime Drama Crisis? What Crisis? ITV Studios Bosses Reject Talk Of Gloom In The Scripted Market But Note British Limited Series Are Under Threat Legacy Media? UK Pubcasters Balk At Outdated Term & Say "We've Got To Be Phoenixes Rising From The Ashes" 'This is not good enough, you must have some idea, you guys are very highly paid,' said the shareholder. Cosslett struggled to answer, reaching for what by now feels like an old fail-safe. 'If you can explain to me what Donald Trump will do next, then maybe I could,' he said. Questions around ITV's sticky share price — Cosslett and ITV boss Carolyn McCall faced three during the 45-minute AGM alone — are inextricably linked to the constant mutterings around its potential sale. On this matter, ITV has been a little less forthcoming with answers than the celeb bookings on The Assembly. The company that gave the world Downton Abbey has been finding new ways to say 'no comment' to inquiries about whether it will submit to suitors, including RedBird IMI and Banijay. Cosslett did, however, reveal a little more at the AGM, first noting that 'the board has an obligation to review offers,' before positing: 'If someone approaches with an offer we have to take interest and it's very clear from the room that there are lots of people interested in getting the share price up.' This week has been a high watermark for sale speculation. Twenty-six miles west of the AGM, ITV Studios' unscripted producers were gathering for their annual 'creative exchange' in Windsor. The meeting has long been in the diary, and although the sale was not officially on the agenda, it was certainly on the lips of those in attendance, some of whom expressed anxiety about a buyer smashing production labels together. 'People are scared sh**less — a lot of people will be losing their jobs,' said one producer. ITV matters, hence the steady drip of press reports and speculation. 'ITV creates more rumors than dramas,' joked one insider. The £3B ($4B) behemoth is a British cultural icon, which entertains the nation with Coronation Street and Britain's Got Talent. The company is also a world-straddling production titan, with ITV Studios boasting shows from Love Island to Rivals, and a great deal in between. Were the listed company to come under new ownership, or if it were to flog ITV Studios, it would profoundly reshape the British TV sector and reorder the global production power list. Flanked by its banking advisors at Goldman Sachs, Morgan Stanley, and Robey Warshaw, ITV has reportedly been entertaining potential suitors since at least last November. RedBird IMI, run by former CNN chief Jeff Zucker, emerged as the frontrunner to a deal after the Abu Dhabi-backed investment fund acquired All3Media last year. The rumor mill continued to turn last month when The Financial Times reported that French media giant Banijay had held early-stage talks with ITV. The configuration of any deal is opaque, but what is clear is that ITV Studios is the prize for a buyer with production ambition. RedBird IMI's Interest Cools Four sources with knowledge of the talks told Deadline that RedBird IMI's interest has cooled significantly in recent weeks, though the situation remains fluid and could change again quickly. These people said RedBird IMI believes ITV Studios' valuation is too high. Ironically, ITV is said to be citing the £1.15B price RedBird IMI paid for All3Media — around 10 times All3Media's profit that year — as a benchmark for the valuation it is hoping to achieve, though Zucker has previously played down suggestions he overpaid for The Traitors production group. It would put a circa-£3B valuation on ITV Studios, which generated record profits of £300M last year. 'Valuation is always vexed,' someone drily noted. One source said RedBird IMI has reservations about ITV wanting ITV Studios' management team to remain in place post-deal, which has proved a sticking point. Any agreement could see ITV Studios boss Julian Bellamy and All3Media chief Jane Turton vying for the top job, for example. Turton, linked with the soon-to-be vacant Channel 4 CEO role, is said to have frustrations that RedBird IMI has not yet fully unleashed All3Media on the M&A market after it has missed out on targets, such as See-Saw Films. RedBird IMI and All3Media declined to comment. Banijay's talks are said to be tentative. The French production empire behind Big Brother and Peaky Blinders has the appetite for big buys following its €2B ($2.2B) acquisition of Endemol Shine in 2020 and its serious interest in All3Media more recently. Some think ITV Studios might be too big a bite for a company with a net debt pile of €2.6B. The FT reported that Banijay could look to involve other investors if it attempted to acquire all of ITV. 'Banijay is over-leveraged,' said one senior source from the M&A sector. 'They raised money when they bought Endemol but I don't think there are billions of pounds around at the moment to chase down media production content assets. The market is in trouble.' The potential to unlock savings by combining the companies is obvious, this source added, but they questioned whether ITV Studios has a 'game-changing' asset amongst its labels and sales arm to catapult Banijay to the next level. Banijay declined to comment. Sources point out that talks with RedBird IMI or Banijay have not matured to the point where ITV has needed to alert the market to a potential deal. Regulatory rules in the UK required the FTSE 250 company to tell shareholders in June 2023 that it was 'actively exploring' acquiring All3Media. Watching from the sidelines is Liberty Global, ITV's biggest shareholder with a 9.9% stake, which has long been a cheerleader for a sale. Shape Of A Deal Selling ITV Studios could be a simpler transaction, but where this would leave an ad revenue-dependent TV network business is unclear. The so-called Media & Entertainment division boasts sales of £2.1B, of which around a quarter is generated online, including via streaming service ITVX. It is a depreciating asset, but ITV has just been awarded a new license, meaning it is committed to broadcasting public service content for another decade. A full sale would likely attract the interest of UK regulators and lawmakers. This could be particularly thorny for Abu Dhabi-backed RedBird IMI, which has been told it cannot own The Daily Telegraph, let alone a public service broadcaster with guaranteed platform prominence and an audience of millions. Lord Grade, chairman of Ofcom, gestured to this when asked by lawmakers if the media regulator has any concerns about RedBird IMI's interest in ITV. He said this month that RedBird IMI is a 'peculiar' prospect because of its links to the United Arab Emirates government. An industry source told us RedBird IMI has 'never expressed any interest in the broadcast arm,' meaning the foreign ownership questions are not an issue. RedBird IMI's acquisition of All3Media was waived through without so much as an eyebrow being raised by the government. Grade also pointed out that foreign ownership of public service broadcasters is not off the table, given Paramount controls Channel 5. Banijay may be a more palatable option in this respect, with one person suggesting that the French producer could use the ITV network as a testing ground for new shows, akin to the way John de Mol has done at Talpa. There are other options. Some think ITV should explore a joint venture for ITV Studios, allowing it to secure investment and scale while maintaining some control. ITV CEO McCall, who has been in the job for more than seven years, has continued to bolster the production arm, recently sanctioning deals for The Gentlemen co-producer Moonage Pictures and Hartswood Films, the company behind Sherlock. Those close to her say she is unwilling to 'stand on touchlines' as consolidation goes on around ITV in a market where it is competing with Netflix, YouTube, and Meta for eyeballs and revenue. What can be said with certainty is that any deal will be complicated. Thomas Dey, a seasoned media industry M&A broker at investment bank ACF, summed it up like this: 'Achieving the transaction will be hard. I think you've got to be quite special and get quite a lot of support.' For now, ITV's future feels like the subject that everyone and no one is talking about. Best of Deadline Everything We Know About The 'Hunger Games: Sunrise On The Reaping' Movie So Far TV Show Book Adaptations Arriving In 2025 So Far Book-To-Movie Adaptations Coming Out In 2025 Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data
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Banijay Scripted Business Chief Says Lower Budgets Have Made Streamers 'More Stable'
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'As long as we know the rules, it's easier to work in this environment. 'It wasn't purely a great time during peak TV, because everything could be done, and one or two things weren't that great. In the long-term we need to produce great things, because that's the only way audiences will come back to us. We're not just competing against each others, we're competing against games and social media, so we have to be on the top of our game.' Tax breaks versus levies Banijay claims it is now the largest independent producer of scripted in Europe, giving Jensen and Matthews a birds-eye view on dozens of production companies working in multiple territories. It is a market wrestling with how to finance programs and ensure the streamers who pushed prices up dramatically during the peak TV era continue to invest. Jensen said while tax breaks are vital to the new European TV world, he wasn't completely supportive of streaming levies. He noted that while France had landed 'a lot of productions' from its system, Denmark had seen streamers cut back on spend after introduction a mandatory spend system. 'It can go both ways,' he said. 'I'm not that much for putting a tariff on things, but I believe people locally want to watch local things, so if you enter a market, you probably want to do local shows. The streamers pulling out and not spending will probably see they lose some subscribers locally.' Tax incentives on the other hand, can change the shape of a market, but need to be introduced in a methodical way. 'Locally, we'll probably need to have rules between broadcasters and streamers,' said Jensen. 'Tax breaks need to be reliable and understandable. It's benefitting the local territory when you do that, and there are numerous examples of it.' Jensen also used his appearance in Cologne to spell out how Banijay treated investments in scripted, playing down the idea that super-indies push their subsidiaries in certain directions. 'Creativity is the most important part,' he said. 'Banijay is a group that has been acquiring companies and making a lot of talent deals over the years, but what we don't do is go in and put producers in a box. We want the entrepreneurial person running that scripted company to do their thing. We wouldn't go for the talent if we didn't want what they do.' Jensen took on his new role in January, when he and Steve Matthews – who is Head of Scripted, Creative – were upped from their roles as CEO of Banijay Nordics and Content Partnerships Executive, respectively. He described their roles as like a 'door opener to the international market to local producers.' Jensen and Matthews can work with indies to access Banijay's scripted fund to help finesse scripts, strike talent deals or land IP, while they try to add more formalized systems into place. Jensen paid tribute to former HBO Europe exec Matthews for his 'reputation as a great, great creative' who could provide an outsider's view on local productions. Jensen was talking a day after Banijay Entertainment CEO Marco Bassetti sowed some market confusion around Banijay's interest in ITV Studios. While it's been reported several times that Banijay – one of the most active consolidators in the market – has spoken with ITV, Bassetti told a SXSW London audience, 'We're not buying ITV Studios' before going on to talk about the need for scale in the globalized entertainment market. Jensen didn't address the M&A situation, but talked about how scale had been important for Banijay, which claims to be the largest independent scripted producer in Europe through companies such as Kudos, Banijay Studios in several territories, Grøenlandia, Jarowskij/Yellow Bird, Rabbit Track Pictures and The Forge. 'I hope that people think we are a place where they can collaborate,' he said. 'When you look at the current market situation, my feeling for some time now has been you have to be big, like us and some of our competitors, or small, where you're not dependent on constantly selling shows and you control everything yourself. They're two different paths to the same thing.' Jensen also addressed how producers can work with Banijay companies on co-productions – with the current state of the market, strategic partnerships and clever financing models have been the talk of the week here in Germany. 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International Insider: SXSW London's Royal Debut; Evacuations & Events In Germany; Cybercrime Investigation
Welcome back, Insiders. Jesse Whittock with you this week as we report from SXSW, Cologne and further afield. Read on, and don't forget to sign up for the newsletter. SXSW Debuts In London More from Deadline Philipp Käßbohrer Accepts Deadline's German TV Disruptor Award: "You Cannot Be A Disruptor Alone, You Have To Find Other People And Take Fear Away From Them" King Charles III Visits SXSW London Mickey Down & Konrad Kay Reveal The Tarantino-esque Series They Were Working On Before 'Industry' - SXSW London London calling: This week Deadline donned its blazer, t-shirt and specs (and inevitably, an umbrella) for the inaugural SXSW South London, which took place in trendy Shoreditch. The town was abuzz with people and the lineup boasted an impressive bevvy of names ranging from London mayor Sadiq Khan, who kicked off the week by reopening old Donald Trump-shaped wounds, to Idris Elba, to the CEO of OnlyFans. There was even a right royal visit, with King Charles III rocking up to chat with John Lennon's son Julian and Yellowstone star Mo Brings Plenty, of all people. We were right in the mix to hear Banijay boss Marco Bassetti address ongoing speculation about the company's interest in acquiring ITV and Working Title exec Surian Fletcher-Jones reveal the storied indie is working on an adaptation of A Passage to India that will 'reclaim colonial history' with the BBC. Another illuminating session saw a group of top UK agents come together to debate, well, their very existence. 'The vast majority of talent today do not need management,' said Sidemen rep Jordan Schwarzenberger, refusing to mince his words. Plenty to chew through for you there, but that's not all from the Deadline team at SXSW London this week. Tomorrow (June 7), we'll be bringing our ultra-popular Sound & Screen live event to the UK for the first time at Shoreditch Church. A celebration of the music that brings films and TV shows to life, it will feature Deadline journalists sitting down with the likes of Natalie Holt (Chad Powers), Tom Howe (Shrinking and Dog Man), Nainita Desai (Love & Rage: Munroe Bergdorf and Secrets of the Penguin) Anne Dudley (Jeeves and Wooster and The Penguin) and Alex Seaver (Arcane), and an Abbey Road tribute. The culmination will see Dudley – whose credits include The Crying Game, The Full Monty and Signora Volpe and has won Oscars, Ivor Novellos, Grammys and Brits throughout a stellar career – receiving the first-ever Sound & Screen Impact Award. Sounds like the mood music we all need right now. Read our full SXSW London coverage here. This One Time, At Seriencamp Awards and evacuations: While most of the team were zooming around East London on the coat tails of King Charles III, Stewart and I headed across the water to Cologne in Germany for the annual Seriencamp TV industry conference and festival. We were expecting the usual mix of German's top producers, writers and actors, and while we certainly got that, what we had not planned for was getting caught up in the largest evacuation in the city since World War II. The discovery of three huge, unexploded bombs dropped by the U.S. airforce during the conflict led to 20,500 people being moved out of the blast radius to safety as bomb disposal experts dove in. It could hardly have come during a more pivotal week in industry terms, with Seriencamp, tech TV event ANGA COM and a Prime Video Presents showcase all running. The most important thing to report is the bombs were successfully removed and no-one was hurt, but the activity created a surreal atmosphere as execs, journalists and others contemplated how to leave the city with all three major bridges blocked. At Seriencamp, we handed out the annual Deadline German TV Disruptor Award to How to Sell Drugs Online (Fast) co-creator Philipp Käßbohrer from Cologne's own bildundtonfabrik production house. Here's a video of his on-stage talk with Stewart. Elsewhere, I hosted a panel on the fractious relationship between producers and creatives, and an interview with Banijay Entertainment's Johannes Jensen, while Stewart got the lowdown from Europe's increasingly emboldened public broadcasters. All Seriencamp coverage is here. Cybercrime Exposed Scamdal: Scammers are constantly thinking up smart new ways to trick the public into parting ways with their cash, but this one is new on me. Max revealed Wednesday that a person pretending to be British film producer Charlotte Walls and another unnamed industry figure had been reported to the FBI after attempting to fleece up-and-coming writers. The sophisticated scam involved contacting victims via the Stage 32 platform asking them to submit ideas, sign an NDA and then pay between £2,000 and £2,500 ($2,700 and $3,400) as a 'refundable facilitation fee.' Around 100 people were approached by the scammer, whose name, bank details and bank address we and writer Anette Martinsen linked to a person called Agnieszka Falkowska. The situation was then reported to the UK's Action Fraud, while Stage 32 contacted the FBI. It's a fascinating (and slightly terrifying) story, and a warning to remain vigilant. As Ellie Peers, General Secretary of the Writers Guild of Great Britain, told Max: 'If writers are asked to pay someone for something that they should themselves be paid for, that is always a red flag.' Iceland Fired Up A song of ice and desire: These days, everyone wants to attract productions to their shores. Iceland, the small Nordic country nestled way out in the Atlantic Ocean, has a head start on most. Many TV shows and films have been made there thanks to highly-developed production that began being built back in the mid 1980s for Hollywood movies such as James Bond title A View to a Kill, a car commercial production business and, more recently, a tax incentive scheme. However, it's only really in the past decade that Iceland's creatives began writing their own ambitious scripts. With a flurry of series in development, our dive deep examined how the nation's original production sector is outsizing its growth. Among those we spoke with were Severance and Trapped star Ólafur Darri Ólafsson, who was in Cologne at Seriencamp this week before he and Hörður Rúnarsson presented the premiere of their new series, Reykjavik Fusion, on Wednesday night. Read the feature here. Japan's Secret Investor Yoshihiro complex: Many of you won't know much about Yoshihiro Shimamura, but Sara Merican's exclusive interview with the wealthy Japanese investor explains in detail why you should. The man who once went purely by 'Yoshi' in various movie production credits has been building a slate of film investments and taken stakes in Japanese TV networks TV Tokyo and Asahi Broadcasting Group Holdings. Shimamura believes Japan's entertainment biz is run by a 'closed' group of people in charge of the top talent agencies, major production companies and festivals, and is advocating – and enacting – change from within. In his mind, everything goes back to trust – in the films and stations he finances and the people with whom he does his business, as he told Sara: 'In the Japanese countryside, many people still leave the doors to their homes unlocked. They trust each other and the community works well together. My motto is quite similar.' 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