Teogonia Episode 8: Kai Faces Divine Crest Macaques—Recap, Release Date, Where To Stream And More
Vezin assigns him and Nada to remove curses afflicting Jose and Olha. After purging Olha's curse, Nada reveals his goal of appointing Kai as a new god for humanity. Kai refuses, prompting Nada to stab him after completing Jose's ritual in Eda village.
Expected plot in Teogonia Episode 8
Following Nada's attack, Teogonia Episode 8 will begin with Kai critically injured. As he drifts in and out of consciousness, Kai hears a hidden truth. Meanwhile, a group of Divine Crest-bearing Macaques will appear, forcing Kai and Nada into combat.
Despite his wounds, Kai will fight to uphold his principles and fulfill his role as a god. Meanwhile, the Lag village endures another Macaque assault. Amid the chaos, Gandal will act on his own, introducing another unpredictable turn to the unfolding conflict.
Teogonia Episode 8: Release date and where to stream
Teogonia Episode 8, titled 'To Ispi Rio,' is set to premiere at 1:00 am JST on May 31, 2025, in Japan. Although this is the official domestic broadcast time, viewers in other countries may gain access earlier depending on their time zones, potentially on May 30.
Japanese fans can watch it on Tokyo MX, Sun TV, and BS11, with exclusive online streaming available via ABEMA. Japanese pay-per-view services include d-anime Store, DMM TV, Hulu, Lemino, and Prime Video. The global release of Teogonia Episode 8 will be handled by Crunchyroll.
For more updates from the anime, keep an eye on Pinkvilla.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Hindu
13 hours ago
- The Hindu
Flight of stairs at Chennai's Rajaji Hall where intense scenes in Tamil cinema unfold
The flight of stairs at Rajaji Hall on the Omandurar Government Estate has borne witness to some of the most iconic moments in Tamil cinema, ones that remain unforgettable to date. It is on these stairs that actors Mammootty (cast as Devaraj) and Amrish Puri (Kalivardhan) share a subtle yet intense exchange in the presence of Rajnikanth (Surya) in Mani Ratnam's Thalapathi, and even prior to that, it is on these stairs that the character played by actor Karthik is shot dead in broad daylight in front of the character played by actor Revathi as she waits for him to arrive for their wedding, in another of Mani Ratnam's hits Mouna Ragam. The Rajaji Hall, with its grand colonial-era architecture, makes for a popular shooting locale in the heart of the city. Featured in several Tamil films, the building, which was constructed in 1802-03 and served as a public hall attached to the Governor's residence with its wide staircase, iconic columns, and imposing facade, has been the go-to place for scenes involving places such as government offices and courtrooms. In yet another protagonist-antagonist sequence, actors Vijayakanth and Prakash Raj meet on the stairs in the 1996 film Alexander, in which the former plays a Central Bureau of Investigation officer. 'A location like no other' There was no place like Rajaji Hall in Chennai, says director A.M. Nandakumar, who has worked on 38 movies, including ones with directors such as P. Vasu. 'I liked Rajaji Hall for its large working space. Scenes of several movies were shot here. For instance, the Sathyaraj-starrer Rickshaw Mama, in which I worked as an assistant director, had scenes shot there. Some scenes of Walter Vetrivel, Idhu Namma Bhoomi, Sethupathy IPS, and Vaimeiye Vellum were also shot here,' he recalls. In 2000, a grand song sequence was shot here for his movie Kodiesvaran (which is yet to see a theatrical release), featuring actors Eby Kunjumon and Simran. 'We created a set measuring 40,000 here. We had 120 dancers on a stage and nearly 1,000 junior artistes. Such was the grandeur of the place,' he said. In fact, Mr. Nandakumar, who went on to work on a Japanese film Nattu Odoru! Ninja Densetsu, says that their search for a palace setting brought them back to Rajaji Hall. 'We visited some places, including Mysuru, but Rajaji Hall was the best fit. A set for a huge palace was created for the film,' he added. Actor Mohan V. Raman, who played a role in the Japanese film, recalled that Rajaji Hall had then lacked proper amenities for actors. 'Caravans were brought in, and the film crew had put up tents for actors,' he said. The hall, which commemorates the victory of the British over Tipu Sultan, was constructed in the style of a Greek temple. It was remodelled between 1875 and 1895. Currently, the Public Works Department is in the process of renovating the hall and plans to complete the work soon.
Scroll.in
14 hours ago
- Scroll.in
Rajesh Talwar
For children: Churailamma takes custody of Princess Pihu and imprisons her in the Tower of Doom An excerpt from 'The Witch, The Princess and the Tower of Doom', by Rajesh Talwar. Rajesh Talwar · 12 minutes ago Fiction: An older Indian man wants to marry a Japanese woman, but she sets an unusual condition An excerpt from 'Trading Flesh in Tokyo: Nine Short Stories and a Play', by Rajesh Talwar. Rajesh Talwar · Jun 15, 2023 · 05:30 pm A new play for young readers showcases MK Gandhi's boyhood before he became the 'Mahatma' An excerpt from 'The Boy Who Became Mahatma', by Rajesh Talwar. Rajesh Talwar · Mar 16, 2023 · 12:30 pm
Mint
16 hours ago
- Mint
Lounge Loves: ‘The Beast Within', fountain pens and more
For seasoned connoisseurs of fountain pens, the Pilot Elite 95S may not come anywhere close to a Montblanc, Sailor or Pelikan, but it surely is a pocket-friendlier option if you are in the market for premium writing instruments. I have always had a soft corner for fountain pens, especially ones with hooded nibs, and the Pilot Elite 95S is every bit as stylish as a pen can be. It's also incredibly slim and lightweight, just the right size to tuck it into a shirt pocket. You can post the cap to turn it into a full-size pen for ease of writing. It comes in two colour combinations—the black-and-gold version is a classic one, while the burgundy and ivory is more unique—and in different nib sizes. You can either use cartridges or the converter to fill it up with your favourite inks. At ₹ 13,000, it is not an impulsive buy, but one to cherish for a lifetime. The Japanese drama Glass Heart (Netflix) might be schmaltzy but the fashion is on point. The story is about the elusive musician Naoki Fujitani (played by Takeru Satoh), who forms a four-member band. Takeru is draped in billowing trench coats, which, in keeping with his personality, look like shells he can disappear into. His persona transforms on stage, where he's in floral shirts, sleeveless vests and striking accessories like chokers and earrings. Each character is styled differently; band manager Miyako Kai (Erika Karata) slays the double-denim look. But the scene stealer is Toya Shinzaki (Masaki Suda) of the rival band with his ear cuffs, layered chains, tattoos, spiked hair and nail art. He screams rock star. Of late, I seem to be enjoying animated series meant for kids a lot more than any of the gore and horror that seems to be reigning the OTT space. One such series, which I discovered recently, is Amphibia. It centres on three friends, Anne, Sasha and Marcy, who are magically transported to a world inhabited by anthropomorphic amphibians after opening a mysterious Calamity Box. They get caught up in a war between toads and frogs, and end up hopping between adventures and misadventures. The story has underlying subplots of transformation, friendship and coming-of-age. It's a wonderful fantastical world to lose yourself for an hour or two daily. When Lounge writer and former crime reporter Rudraneil Sengupta handed me a copy of his newest book, The Beast Within, I cringed quietly. Gritty police procedurals aren't ever on my reading list, having briefly covered the municipal corporation as a reporter and seen the city's underbelly IRL. If there's murder afoot, I prefer the bodies to be elegantly discovered in libraries and the business of crime solving to be conducted over tea, maybe cocktails. I wasn't wrong; Rudraneil's book is every bit as bleak as it promises to be, and with every page, it gets bleaker, but then, there's a moment when your resistance melts and you can't help but marvel at the language, at the plot and dialogue, at his deep research and his understanding of the people and the systems humming beneath what we see of Delhi. Put it on your reading list.
