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We Might Be Waiting Even Longer For That ‘Constantine' Sequel

We Might Be Waiting Even Longer For That ‘Constantine' Sequel

Gizmodoa day ago

Plus, Colin Trevorrow heads to Area 51 for new movie.
Ralph Ineson teases the scale and aloofness of his Galactus. Joe Locke says he's in the MCU for the long haul. Plus, Wednesday's creative team plays down season 2's horror, and what's coming on the next Rick & Morty. Spoilers get!
Untitled Area 51 Movie
Deadline reports Colin Trevorrow is attached to direct a currently untitled film 'set in the late 1980s' that follows 'the local Las Vegas TV news journalist who first broke the story of Area 51.' Trevorrow will produce the project through his Metronome banner with the help of Ryan Reynolds' Maximum Effort.
Constantine 2
In conversation with The Direct, Peter Stormare suggested Keanu Reeves is unhappy with the current script draft for Constantine 2.
It's a lot of back and forth, because… I think Keanu [Reeves], which I know pretty good, is not so happy with the scripts and usually what comes out of the studios… Because the first one wasn't that successful in the beginning, it became a sleeper and became a cult movie, and now it is one of the biggest cult movies ever. But to do a sequel, the studios want to have, you know, cars flying in the air. They want to have people doing flip-flops and fighting action scenes.
It turns into an action movie, and not like going deeper and deeper into the characters. I think he wants to do his character again, Constantine, as grounded as it was in the first one. It took a long time for you to become a cult movie, it really worked, and it will work on the audience again. You don't have to add a lot of action and shootouts. You have other movies. Don't turn it into big Marvel… [Don't turn it] into us flying around in harnesses all the time and shooting each other up. Don't bring in the big guns. Let it be.
Fantastic Four: First Steps
In conversation with Empire, Ralph Ineson revealed he prepared for his role as Galactus by standing atop 'a lot of tall buildings.'
He's a cosmic force. He's a god, of sorts. [I drove through the tunnels of Mont Blanc] 'just imagining that as his windpipe and his trachea. I also went to a lot of tall buildings. We went to a wedding at the top of the Gherkin building in London, and I spent most of the afternoon just staring out, ruminating. I got in trouble with my wife — she was like, 'You've got to say hello to the bride and groom at some point!'
Ready or Not: Here I Come
During a recent interview with Comic Book, Ready or Not screenwriter Guy Busick stated the upcoming sequel 'isn't even the same genre' as the first.
Things that we reference … Radio Silence, the producers, Ryan and myself … over and over again are Aliens and Terminator 2. How do you blow it up in a way that isn't even the same genre, but hits all the notes and has the same DNA? Here I Come is a horror movie with humor, just like the first one. But what's the crazy, bigger world of it?
A Bright Future
In an ant-infested future specifically tailored to the needs of the elderly, chosen young people are shipped to 'The North' to make their families proud in the trailer for A Bright Future.
Agatha All Along
Speaking with The Playlist, Joe Locke discussed his forseeable contractually obligated future with Marvel, suggesting Billy Maximoff could be around for a good while yet.
Kevin Feige doesn't ring you up, but when I signed my contract, I signed for my whole life. But so you sort of wait for them. You're in limbo to them, which is, there are worse things to be in limbo for.
Ms. Marvel
Meanwhile, Red Dagger actor Aramis Knight told Screen Rant he believes his time in the MCU is officially over. Referring to a potential second season of Ms. Marvel, Knight answered:
I don't think so. I mean it's been a long time now, so I am not really sure. I mean I would love to. I was supposed to make appearances and other things but it didn't end up working out and some logistical stuff and COVID stuff and I think also creative stuff. But I mean that was also an amazing show, but I dunno, I'm still waiting for the call to be honest.
Wednesday
In conversation with Entertainment Weekly, Wednesday co-creator Miles Millar reiterated the show's more horror-focused second season will still be family friendly.
Season 2 definitely has some moments which are more straightforward horror, and we're very aware that the show is watched by everybody in terms of the age groups. So we want to make sure that it's never torture porn, but that there's enough bite to it that it feels that there are real stakes and that people die in this world, and it's scary at moments. And I think that's the great tonal shift that the show makes between comedy and horror.
Rick and Morty
Finally, Space Beth's plan to assassinate the Gromflomite Queen goes awry in a clip from this Sunday's episode of Rick and Morty.

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Did Avengers: Endgame ruin the MCU for good?
Did Avengers: Endgame ruin the MCU for good?

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timean hour ago

  • Digital Trends

Did Avengers: Endgame ruin the MCU for good?

Marvel Studios seems ready to make a comeback with Avengers: Doomsday and Avengers: Secret Wars around the corner. As Doomsday is still in development with the Russo Brothers directing, one can only wonder what the filmmakers have in store for fans in 2026 with their next superhero crossover film. However, until Doomsday arrives, it is questionable whether the film can match the success that Avengers: Endgame achieved in 2019. Having garnered extraordinary reviews and nearly a record-breaking $2.8 billion worldwide, according to Box Office Mojo, Avengers: Endgame seemed to be the best movie that the MCU would ever produce. Since the film premiered, Marvel has struggled to recapture the magic that it presented in cinemas with their ongoing Multiverse Saga. While the MCU was never going to be the same after Endgame, it appears that this blockbuster phenomenon was the peak of a franchise now struggling to keep its footing. Recommended Videos Avengers: Endgame set an impossibly high bar for the MCU Following the many hit-or-miss movies and shows that came out after Endgame, it seems like Doomsday may not achieve the same level of hype from fans as the former movie. Critics have repeatedly described MCU films like Spider-Man: No Way Home, Deadpool & Wolverine, Guardians of the Galaxy Vol. 3, and Thunderbolts* as the best Marvel movie since Endgame, showing how it is now widely considered the gold standard for all MCU projects. However, whenever someone compares a new MCU film to Endgame, it seems to nullify all the positives about the many great post-Endgame movies. Avengers: Endgame shouldn't even be considered the top benchmark for the MCU, as the film isn't without its flaws. There are multiple plot holes, some fan service is forced, Hulk's character arc is rushed, and the jokes made about Thor's weight go too far. In many ways, Infinity War was arguably a superior film. Nevertheless, audiences had never seen a superhero blockbuster like Endgame before it came out, and it will be hard for the sequels to live up to everyone's expectations set by the Avengers' exciting fourth film. Endgame left a massive MCU without a clear roadmap The story for Endgame was the product of over ten years of buildup that began with 2008's Iron Man, with Thanos lurking in the shadows since 2012's The Avengers. After the extraordinary success of Endgame and the conclusion of the Infinity Saga, the MCU seemed to be going off in several different directions, with the studio unsure of what to do next. As Marvel was trying to create more and more content for audiences to enjoy in theaters and on streaming, it was still trying to figure out the plot for its next crossover event, not knowing how all these pieces would come together in the end. That isn't to say that Marvel Studios had the entire Infinity Saga planned out from the beginning. The Infinity Saga succeeded as Marvel focused on releasing one to three films each year, with critical and commercial failures becoming rare as they prioritized quality or quantity. However, as Marvel tried to keep the hype train rolling after Endgame with a steady supply of films and TV shows, the MCU seemed to lose its way as the studio focused on keeping people on board instead of setting up a clear destination, leading to several rushed and clunky stories. Marvel has trouble moving on from its original cast Due to the events of Avengers: Endgame, the film made it difficult for the MCU to move forward in a new direction. Specifically, the movie featured the heartbreaking deaths of Tony Stark and Natasha Romanoff, as well as the disappearance of Steve Rogers. The legacies of these beloved heroes and the actors who played them have been hard to live up to in the post-Endgame era. Even with younger proteges like Peter Parker, Sam Wilson, and Yelena Belova standing tall on their own, the MCU is still struggling to fill the void left behind by some of Earth's Mightiest Heroes. Right now, it seems Marvel is still trying to capitalize on Robert Downey Jr.'s popularity as Iron Man by having him play Doctor Doom, replacing Kang the Conqueror as the main villain of the Multiverse Saga. This move invokes memories of Disney bringing Emperor Palpatine back as the villain of Star Wars: The Rise of Skywalker after the divisive reaction to The Last Jedi. While there will be more buildup for Doom's introduction with The Fantastic Four: First Steps, Marvel risks pulling a hasty course correction with legacy casting in order to bring the franchise back to its Endgame glory days. Overall, Avengers: Endgame didn't exactly ruin the MCU. While there have been some poor decisions with the franchise following the film's release, there have been several outstanding movies and shows that prove that Marvel still has it. While Avengers: Doomsday may not stick the landing and achieve the love and success garnered by Endgame, final judgment about the film can't be passed until it hits theaters.

I Rewatched Black Widow After Seeing Thunderbolts*, And It Has Me A Lot More Emotional Over Florence Pugh's Yelena Belova
I Rewatched Black Widow After Seeing Thunderbolts*, And It Has Me A Lot More Emotional Over Florence Pugh's Yelena Belova

Yahoo

time2 hours ago

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I Rewatched Black Widow After Seeing Thunderbolts*, And It Has Me A Lot More Emotional Over Florence Pugh's Yelena Belova

When you buy through links on our articles, Future and its syndication partners may earn a commission. It's hard to believe, but Fantastic Four: First Steps is the only title left among upcoming Marvel movies before we get our first Avengers movie since Endgame, Avengers: Doomsday. And while I probably wouldn't have believed you if you told me before seeing it, Thunderbolts* is my favorite MCU movie in years, and I have to say a lot of that is thanks to Florence Pugh's Yelena Belova. Never mind the actress already being some of my favorites in movies like Dune: Part 2 or Midsommar, her character is quickly rising in the ranks in the current superhero lineup. And when I rewatched her first appearance in Black Widow, it only made me appreciate her more. I remember digging Black Widow when it came out, but I'll be honest, I've kind of forgotten about it since I saw it. Of course, there's the fact that it probably came out at the wrong time, given the COVID-19 pandemic was still heavily affecting theaters and Disney was experimenting with its Disney+ service, perhaps to the detriment of the movie's performance. But, I need to talk about how seeing Thunderbolts* reminded me to go back to the 2021 release and deepen my love for Yelena Belova further. SPOILERS are ahead for Thunderbolts* and Black Widow. There's a lot to love about Thunderbolts* in my opinion, but the biggest highlight of the movie for me is the relationship between Yelena and her 'dad,' the Red Guardian. My favorite scene was definitely in the third act of the movie when Yelena gets honest with him about how she's been feeling really alone and having a lot of regrets about her life. In response, Red Guardian tells Yelena that when he looks at her, he 'doesn't see' her mistakes. Instead, he remembers who she was as a kid, and how she wanted to be the goalie on her childhood soccer team in order to be the 'person everyone relies on when they make a mistake.' Without that scene in the movie, I just don't think Thunderbolts* would be as good as it is. It had me thinking back to when Yelena and Red Guardian's relationship was established in Black Widow. I remember the two actors being just as funny and grounded in the 2021 movie, and yet I hadn't placed the movie high in my mind to realize this going into seeing Thunderbolts*. So I made it my mission to revisit Black Widow after seeing the latest Marvel movies. When it comes to Marvel movies in order, I had actually forgotten that the movie takes place in 2016 in the MCU timeline, two years prior to the events in Infinity War and the events of Thunderbolts* takes place a little over a decade after Black Widow (with the five-year gap of the snap in between to think about). And after seeing Black Widow again, I think the movie does a good job of establishing an older Yelena who has dealt with a lot more life and loss, and having the context of her upbringing with the Red Guardian and Melina really helped me understand her better. It was so much fun to see how the character was introduced in the movie, because Pugh very much stays true to who Yelena is between them. Oh, and it slipped my mind how quotable Yelena was in Black Widow to the point of actually stealing the thunder off of Scarlett Johansson's MCU sendoff. But the one thing that really caught me off guard is how much Yelena clearly looks up to Natasha Romanoff throughout the movie, even if she's always taking shots at her Avengers position and "posing". While I read it more as MCU banter the first time I saw it, this time I noticed how much that relationship really gives sister energy, and while Natasha kind of brushes Yelena off (as big sisters often do), Natasha means a lot to her. I realized getting to do a mission with her and reunite with their 'parents' is kind of the best thing for Yelena, because she's spent a lot of time alone. Throughout the movie, you see how, while Natasha has kind of lost her respect for her parental figures, Yelena is still attached to them. As she says in one memorable line: "It was real to me." It made me extra sad about the death of Natasha in Endgame, and how in Thunderbolts*, Yelena feels like she wants to make a difference like her sister did, but she's having problems making the transition (inwardly and outwardly). So, when I finished Black Widow, knowing that her second MCU movie ends with her becoming a new Avenger, I found it especially poignant. She still clearly feels the loss of Natasha, now she's going to get the chance to serve with the Avengers and be the person she has always looked up to: her sister! I'm not crying, you are. Disney+: from $9.99 a month w/ ad-supported planYou can stream Black Widow now as I did with a Disney+ subscription. In fact you can check out every MCU movie on Disney+, starting at $9.99 a month for its new ad-supported plan. Go ad-free and pay $15.99 a month or save 16% and pre-pay $159.99 for a Deal While the Thunderbolts* director has suggested the movie isn't a Black Widow sequel, I would argue the new Marvel film wouldn't have worked for me as well as it did if it weren't for the 2021 movie. If I hadn't seen the scene where Yelena and Red Guardian sing 'American Pie' together, I wouldn't have bought into their continued father-daughter dynamic as much, and there's a kind of twisted found family element in the Kate Shortland film that spiritually carries over into Thunderbolts*, I think. The only thing that really bummed me out after seeing Black Widow is how the movie perfectly served Thunderbolts* the chance to feature Scarlett Johansson one more time through the shame rooms created by Sentry. I think it would have been really beautiful if she had shown up for a moment and allowed Yelena to get some closure or something. But, I also understand that Johansson is hesitant to return to the MCU after her long stint, and I was kind of into the fact that Thunderbolts* wasn't packed full of cameos. Because while Yelena Belova kind of sees herself as not as good as Natasha, the fact is she's being given way more to do in the MCU already than her sister was. Sure, it was different times, but I've always felt so conflicted about how Black Widow was handled as a character. She's very much in the center of things going into Doomsday, and I love that for her, but now I'm never getting out of my mind how the character will be constantly missing her sister as she becomes a hero in her own right.

‘Stick': The First TV Golf Sitcom Hits Most of Its Marks
‘Stick': The First TV Golf Sitcom Hits Most of Its Marks

Epoch Times

time3 hours ago

  • Epoch Times

‘Stick': The First TV Golf Sitcom Hits Most of Its Marks

TV-MA | 10 episodes | Comedy, Drama, Sports | 2025 Having grown up with golf (my dad was a pro golfer), I'm particularly drawn to features about the sport. There haven't been many of them, and, of those, only a few are very good. There's 'Tin Cup' (1996), 'Caddyshack' (1980), and 'The Greatest Game Ever Played' (2005). That's pretty much it. Adam Sandler's 'Happy Gilmore' (1996) has a big cult following, but I didn't care for it as I don't care much for Sandler in general.

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