
‘Possibly hostile' alien threat detected in unknown interstellar object, a shocking new study claims
'The consequences, should the hypothesis turn out to be correct, could potentially be dire for humanity,' the researchers wrote in the inflammatory paper, which was published July 16 to the preprint server arXiv, South West News Service reported.
3 Comet 3I/ATLAS streaks across a dense star field in this image captured by the Gemini North telescope's Gemini Multi-Object Spectrograph, July 2025.
NSF NOIRLab/Int.Gemini Ob et al. / SWNS
Advertisement
Dubbed 3I/ATLAS, the interstellar entity was discovered on July 1, rocketing toward the sun at more than 130,000 mph, Live Science reported. Less than 24 hours later, it was confirmed to be an interstellar object with initial observations suggesting that it could be a comet that measures up to 15 miles in diameter — larger than Manhattan.
However, in the new paper, the trio of researchers suggested that it might be a piece of extraterrestrial spy technology in disguise.
One of the researchers, Avi Loeb — a prominent Harvard astrophysicist known for linking extraterrestrial objects to alien life — previously made waves after floating the theory that 2017 interstellar object ʻOumuamua could be an artificial recon probe sent by an alien civilization, based on its odd shape and acceleration.
Advertisement
In this study, which he collaborated on with Adam Hibberd and Adam Crowl of the Initiative for Interstellar Studies in London, Loeb postulated that 3I/ATLAS's trajectory suggests a similarly alien origin.
The trio felt the object's speed — which was significantly faster than ʻOumuamua and other objects — and the fact that it entered our solar system from a different angle than its predecessors offer 'various benefits to an extraterrestrial intelligence,' Loeb wrote in a blog post.
3 'The consequences, should the hypothesis turn out to be correct, could potentially be dire for humanity,' the researchers wrote in the inflammatory paper.
ESA/Hubble/NASA/ESO/M.Kornmesser / SWNS
One benefit is that 3I/ATLAS will make close approaches to Jupiter, Mars and Venus, which could allow aliens to stealthily plant spy 'gadgets' there, Loeb wrote.
Advertisement
When the so-called undercover UFO reaches its closest to the Sun (perihelion) in late November, it will be concealed from Earth's view. 'This could be intentional to avoid detailed observations from Earth-based telescopes when the object is brightest or when gadgets are sent to Earth from that hidden vantage point,' Loeb declared.
If this anomaly is a 'technological artifact,' this could support the dark forest hypothesis, which argues we haven't found signs of extraterrestrial entities because they are remaining undercover to shield themselves from predators or prey.
Loeb warns that this could suggest that an attack is likely and would 'possibly require defensive measures to be undertaken.'
3 The Deep Random Survey telescope managed to capture images of interstellar object 3I/Atlas (pictured) in July 2025.
K Ly/Deep Random Survey / SWNS
Advertisement
The problem is that 3I/ATLAS is traveling too fast for an Earth-based spacecraft to intercept it before it exits the solar system. 'It is therefore impractical for earthlings to land on 3I/ATLAS at closest approach by boarding chemical rockets, since our best rockets reach at most a third of that speed,' Loeb wrote.
However, other scientists have thrown cold water on the so-called alien origins of the object, which they believe is a comet.
'All evidence points to this being an ordinary comet that was ejected from another solar system, just as countless billions of comets have been ejected from our own solar system,' added Samantha Lawler, an astronomer at the University of Regina in Canada who studies solar system dynamics, Live Science reported.
In fact, even Loeb admitted in his blog that his alien spy probe theory is a bit far-fetched: 'By far, the most likely outcome will be that 3I/ATLAS is a completely natural interstellar object, probably a comet.'
The researchers also warned the public to take the paper, which has not yet been peer-reviewed, with a grain of salt.
'This paper is contingent on a remarkable but, as we shall show, testable hypothesis, to which the authors do not necessarily ascribe, yet is certainly worthy of an analysis and a report,' they wrote. 'The hypothesis is an interesting exercise in its own right, and is fun to pursue, irrespective of its likely validity.'
Advertisement
However, critics have called their project a mockery of the work of other scientists, who have provided plenty of evidence that 3I/ATLAS is not evidence of a pending close encounter.
'Astronomers all around the world have been thrilled at the arrival of 3I/ATLAS, collaborating to use advanced telescopes to learn about this visitor,' Chris Lintott, an astronomer at the University of Oxford who helped simulate 3I/ATLAS's galactic origins, told Live Science. 'Any suggestion that it's artificial is nonsense on stilts, and is an insult to the exciting work going on to understand this object.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Double meteor shower to peak this week: When and where to best see the shooting stars
NASA says you should give your eyes about 30 minutes to adapt to the darkness outside before you can see the meteors. Two meteor showers will peak at the same time in the early morning hours on Wednesday, a relatively uncommon astronomical occurrence caused by the Earth's orbit passing through two comets' debris trails. The Southern Delta Aquariid and the Alpha Capricornid showers have both been active since July 18 and July 12, respectively, but will peak late Tuesday night, around midnight, and continue into the early hours of Wednesday morning. These two showers combined could produce up to 20 to 30 meteors per hour, Nick Moskovitz, a planetary astronomer with the Lowell Observatory, estimates, according to NPR. Here's what to know about how to prepare for this summer's double meteor shower. What is a meteor shower? Meteorites are falling pieces of debris from comets, asteroids or meteoroids that land on Earth every day, according to NASA. When the material starts to vaporize in Earth's atmosphere, its trail can be visible to people on Earth. This is what we call 'shooting stars.' A meteor shower is what happens when there is a higher-than-usual number of meteors falling in a short period of time. What to know about the Southern Delta Aquariid meteor shower The Southern Delta Aquariid shower has been active since July 18, but its peak will be late at night on July 29 until the early morning hours on July 30, NASA reported. It will remain active until about Aug. 12 and is best seen in the Southern Hemisphere. The meteor shower gets its name from the constellation Aquarius, which is where the shower originates, and the third brightest star in that constellation, which is the Delta Aquarii, reports. What to know about the Alpha Capricornid meteor shower The Alpha Capricornid shower is 'not very strong,' according to the American Meteor Society, and rarely showcases more than five meteors per hour. It has been active since July 12 and will stay active until Aug. 12. What is notable about the Alpha Capricornid shower is that it produces bright, slow-moving fireballs during its activity, which will be visible during its peak on July 29 and July 30. How to watch the meteor showers No special equipment is necessary to watch the meteor showers, but NASA does recommend that viewers try to get as far away from city lights as possible and put away their phones. 'In less than 30 minutes in the dark, your eyes will adapt and you will begin to see meteors,' NASA says. 'Be patient — the show will last until dawn, so you have plenty of time to catch a glimpse.' The best time to try to see the showers will be in the early hours on July 30, after midnight, astronomer Moskovitz told NPR. Stargazers in North America should try to find the best view of the southern part of the sky, specifically for the Southern Delta Aquariid shower, Moskovitz added. The moon is another light source that can sometimes make it hard to see meteor showers from Earth, especially if it's fully visible. Fortunately for stargazers, the moon will be in a Waxing Crescent Phase through Thursday night this week, which means it will be about 25% full, according to Astronomy magazine, so it should not impact the showers' visibility.
Yahoo
6 hours ago
- Yahoo
Double meteor shower to peak this week: When and where to best see the shooting stars
NASA says you should give your eyes about 30 minutes to adapt to the darkness outside before you can see the meteors. Two meteor showers will peak at the same time in the early morning hours on Wednesday, a relatively uncommon astronomical occurrence caused by the Earth's orbit passing through two comets' debris trails. The Southern Delta Aquariid and the Alpha Capricornid showers have both been active since July 18 and July 12, respectively, but will peak late Tuesday night, around midnight, and continue into the early hours of Wednesday morning. These two showers combined could produce up to 20 to 30 meteors per hour, Nick Moskovitz, a planetary astronomer with the Lowell Observatory, estimates, according to NPR. Here's what to know about how to prepare for this summer's double meteor shower. What is a meteor shower? Meteorites are falling pieces of debris from comets, asteroids or meteoroids that land on Earth every day, according to NASA. When the material starts to vaporize in Earth's atmosphere, its trail can be visible to people on Earth. This is what we call 'shooting stars.' A meteor shower is what happens when there is a higher-than-usual number of meteors falling in a short period of time. What to know about the Southern Delta Aquariid meteor shower The Southern Delta Aquariid shower has been active since July 18, but its peak will be late at night on July 29 until the early morning hours on July 30, NASA reported. It will remain active until about Aug. 12 and is best seen in the Southern Hemisphere. The meteor shower gets its name from the constellation Aquarius, which is where the shower originates, and the third brightest star in that constellation, which is the Delta Aquarii, reports. What to know about the Alpha Capricornid meteor shower The Alpha Capricornid shower is 'not very strong,' according to the American Meteor Society, and rarely showcases more than five meteors per hour. It has been active since July 12 and will stay active until Aug. 12. What is notable about the Alpha Capricornid shower is that it produces bright, slow-moving fireballs during its activity, which will be visible during its peak on July 29 and July 30. How to watch the meteor showers No special equipment is necessary to watch the meteor showers, but NASA does recommend that viewers try to get as far away from city lights as possible and put away their phones. 'In less than 30 minutes in the dark, your eyes will adapt and you will begin to see meteors,' NASA says. 'Be patient — the show will last until dawn, so you have plenty of time to catch a glimpse.' The best time to try to see the showers will be in the early hours on July 30, after midnight, astronomer Moskovitz told NPR. Stargazers in North America should try to find the best view of the southern part of the sky, specifically for the Southern Delta Aquariid shower, Moskovitz added. The moon is another light source that can sometimes make it hard to see meteor showers from Earth, especially if it's fully visible. Fortunately for stargazers, the moon will be in a Waxing Crescent Phase through Thursday night this week, which means it will be about 25% full, according to Astronomy magazine, so it should not impact the showers' visibility.
Yahoo
10 hours ago
- Yahoo
The future of Alien, without Sigourney Weaver
In space, no one can hear you scream. But what about down here? Well, we're about to find out. Having spent seven movies in the furthest reaches of the galaxy, the Alien franchise, begun by Ridley Scott in 1979, is about to be, quite literally, brought down to Earth. In Noah Hawley's upcoming Disney+ TV series, Alien: Earth, a research vessel owned by the megacorp Weyland-Yutani, familiar from the films, crash-lands into the Bangkok of 2120 (two years before the events onboard the spaceship Nostromo in the first Alien film). The crash brings HR Giger's unmistakable Xenomorph, plus a whole host of other nasty intergalactic beasties, to our planet. The snappy new tagline tells you all you need to know: 'We were safer in space.' Hawley – the writer-director known for his innovative take on Marvel superheroes in Legion and his daring extension of Coen Brothers' lore in the Fargo anthology series – has given the sci-fi horror franchise another twist. Alongside the familiar 'synths' – the unsettling androids made famous in the franchise by Ian Holm, Lance Henriksen and (in the Prometheus films) Michael Fassbender – and cybernetically enhanced 'cyborgs' (humans with hi-tech additions), Hawley has introduced an even more troubling creation: the 'hybrid'. These are synthetic beings downloaded with human consciousness, created by a shadowy corporation named Prodigy. In this case, the consciousness of a group of terminally ill children, who become known as 'the Lost Boys'. Forget Alien, this is Frankenstein for the 21st century. 'The first idea when I started thinking about Alien was the fact it's not just a monster movie,' says Hawley. 'The Ian Holm reveal – that he was a synthetic. He was artificial intelligence, and that artificial intelligence was trying to kill them.' When Hawley began writing the show, 'ChatGPT didn't exist', but the series' central question about our reliance on and suspicion of AI has become eerily prescient. 'It's like Noah saw into the future,' says Sydney Chandler, who plays Wendy, the leader of the Lost Boys and the central figure of Alien: Earth. It is the past, however, that has inspired Hawley. The look and feel, particularly in the opening scene, is pure 1970s. Andy Nicholson, the production designer, pored slavishly over the original two films (1979's Alien and James Cameron's 1986 follow-up Aliens). He used the Nostromo as a blueprint for the vessels and taking inspiration from 1970s Italian furniture and car interiors. 'We decided it should be the future as imagined in 1979,' says Nicholson, 'and not to go in the direction of Prometheus'. Scott, an executive producer on the project, was happy to let them get on with it. 'Every time I spoke to him, he was storyboarding,' says Hawley. 'First House of Gucci, then The Last Duel, and then Napoleon. He made at least three movies while I was making one season of television.' Both Hawley and Nicholson are careful not to criticise Scott's Prometheus movies, but it's clear they want a clean break from them. 'The 1970s movie-ness of Ridley's film and the very 1980s movie-ness of Cameron's film, those were a big part of it for me,' says Hawley. 'Prometheus is a prequel, but one in which the technology feels thousands of years more futuristic. So I had a choice. And there was just no way to make Alien without the retrofuturism of technology.' Indeed, much of the look has stuck so closely to the first two films' concepts that many of the original designers have been given production credits on Alien: Earth. This is seen most starkly in the very first few minutes of the show, which begins just as Alien did, with a group of workers on board a vessel bound for Earth, the Weyland-Yutani owned Maginot, waking up from cryostasis. The aesthetic – from the furnishings and computer graphics to the sweaters and the moustaches – is pure 1979. 'I really wanted to send a message that the movie I was most inspired by was Ridley's,' explains Hawley. Even Jeff Russo's soaring score apes that of Jerry Goldsmith's memorable intro music – with a twist. 'You want to pay homage to what came before and yet also forge a new identity – that's the trick, right?' says Russo. As we approach the Maginot, Russo's orchestral title track is assailed by distortion and, most disturbingly, human voices. It's Alien, Jim, but not as we know it. Soon the Maginot, and its mason jars of alien lifeforms, are lying in pieces in Prodigy City, 'New Siam', on a sweltering Earth. Those lifeforms were the major challenge. Hawley decided they could not simply rely upon Giger's world-famous, biomechanical Xenomorph. Nicholson felt the pressure: 'The Xenomorph was the scariest space creature you'd ever seen. And these creatures had to be worse.' Before the Maginot goes down in flames, we see the jars and glass boxes filled with all sorts of primordial, unearthly beings. 'The first movie is rooted so much in body horror and a genetic revulsion about parasites,' says Hawley, 'and this really uncomfortable, pseudosexual, penetrative design aesthetic. So I just went with: what is the worst thing? What makes me the most uncomfortable or repulsed or disgusted?' The answer, seemingly, lies in a creature known as T Ocellus, a grotesque, tentacled octopus/jellyfish thing that seems to be made out of eyes. 'That was the one,' says Nicholson, wincing. 'I saw the design and thought, 'Oh God, who came up with that?'' The jury is out on whether it is the creatures that will scare the living daylights out of viewers or whether it will be Boy Kavalier, a 20-year-old tech trillionaire played by Samuel Blenkin who runs Prodigy and has created the synthetic-human hybrids. In the world of Alien: Earth, humanity is controlled by five megacorporations who, in the style of the East India Company, have largely usurped democratic governments. The companies are in an arms race for control of the Earth, the known galaxy and the future of human life itself. Thus when Weyland-Yutani's ship crashes into Prodigy City, Kavalier smells an opportunity. An unscrupulous tech CEO with a god complex? Which real-life equivalent could Hawley have been thinking of? All of them, he says: 'It's narcissism that defines so many of these figures. The 'Great Man' has come back. And yet in many ways none of them want to grow up. If there's a metaphor between our show and our present moment, it's when you look around at all the really deep, complicated, intrinsic problems that we're having on this planet. What they really require to solve them is adults.' Not wanting to grow up is key to the Peter Pan-obsessed Kavalier, who has named his research facility Neverland and reads the book to the children each night. When they transition to their synthetic bodies, Kavalier rechristens them all from JM Barrie's story – alongside Wendy, there's Slightly, Tootles, Curly, Nibs and Smee. Kavalier, of course, is The Boy Who Never Grew Up. 'He likes that analogy,' says Hawley. 'Peter Pan is a dark book. There's a moment where Peter is angry and frustrated, so he breathes in and out as quickly as he can, because he believes that every breath he takes kills a grown-up. And it is implied that as the Lost Boys mature, he 'thins them out', to keep that out of his world. And those elements felt like they fit, thematically.' Chandler's Wendy is the first of the Lost Boys to transition and acts as a big sister to the others as they get used to their new – adult, superhuman, immortal – bodies. Chandler, the 29-year-old daughter of actor Kyle Chandler (Friday Night Lights, Bloodline), is a relative unknown, yet was determined to land the role. She flew out to Canada, where Fargo was being filmed, the morning after reading the script, and convinced Hawley to let her take him for dinner. Her determination (she calls it 'impulsivity') and passion for the role impressed him. It's a great piece of casting – Chandler imbues Wendy with an otherworldly gawkiness, a disarming innocence and an unnerving unknowability. The actress, understandably, wishes to avoid comparison between Wendy and Sigourney Weaver's Ellen Ripley. 'You can't recreate Alien. You can't recreate Ripley. If the scripts had gone in that direction, I wouldn't have wanted to do it. My goal was to bring as much strength and honesty and integrity and backbone to the character [as I could], because that's what I looked up to when I saw Alien for the first time.' For all the ingenious concepts within Alien, what underpins the franchise is human greed and the extent to which corporations are happy to play God. Like all classic sci-fi, the humans in the TV series unleash forces they can no longer control. Does Hawley feel that, via AI, we are at such a point now? 'I don't think AI is going to take my job,' he says. 'But I'm at a rarified level of storytelling, with an idiosyncratic approach. [However] I think if you are a writer on Law & Order, you should be worried.' But Hawley has bigger concerns, and they can be seen in the blood, guts and synth fluid of Alien: Earth. 'Europe does a much better job of regulating technology and thinking about the human implications of it. In the US, it's still about the dollar. And I worry there are no brakes on this train, because the people who would be the brakes are not incentivised to slow it down. I worry it's going to get away from us very quickly. If it hasn't already.' Alien: Earth comes to Disney+ on August 13 Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more. Solve the daily Crossword