
Review: David Mackenzie's ‘Relay' revives the paranoid thriller for the surveillance age
Director David Mackenzie's first theatrical follow-up to his acclaimed modern Western 'Hell or High Water' is made with the same meticulous, detailed craftsmanship of the time when 'The Conversation,' 'The Parallax View' and 'All the President's Men' put viewers on edge and kept them there.
The film examines how a high stakes, dangerous job works — where it can go wrong and its personal costs — without letting too much tech or explanatory wonkery kill its momentum. Maintaining intelligence as well as tension is becoming a lost art, but 'Relay' for the most part keeps both factors humming.
Riz Ahmed's protagonist — variously called John, James and Ash (we'll go with the last one) — helps whistleblowers who've changed their minds negotiate peace with their former corporate employers. Whatever damning documents they've stolen are exchanged for cash in public settings, with strict security protocols to keep clients safe before and after the transactions.
With an apparently endless wardrobe of streetwear, Ash secretly shadows his wobbling informants whenever they walk around New York City or airports he instructs them to visit. Customer communication, as well as bargaining with intimidating company representatives, is conducted via burner phones with an extra, ID-masking step. All calls are routed through relay operators who usually serve the hearing-impaired. They read aloud whatever Ash inputs types on an teletypewriter, then delete all info once the call is completed.
Ash's in-control, sphynx-like façade ever so slowly crumbles, though, when he becomes a little too protective of his latest client.
Sarah Grant is an on-the-run scientist who has evidence her former biotech firm's new strain of pest-resistant wheat is bad for human consumption. Played by Lily James, she's the kind of trembly damsel a recovering alcoholic loner like Ash would go to extra lengths to protect.
As it turns out, Sarah needs every ounce of it, especially when she fails to follow Ash's foolproof instructions to the letter. A quartet of corporate goons led by the implacable Dawson (Sam Worthington, whose resting baffled face is perfect for all the times he's outsmarted here), are always watching, waiting and ready to do unspeakable things to Sarah.
And when that action kicks into high gear, well, 'Relay' isn't as good as it had been when intensity was conjured out of talking, walking and watching clever strategies unfold. There's a big climactic twist that I saw coming a Manhattan mile away, and which could make some earlier scenes seem incongruous if not outright deceptive.
But we also get an excellent homage to Alfred Hitchcock's 1956 'The Man Who Knew Too Much,' as well as a thought-provoking, 11th hour pivot to the moral implications of Ash's work.
In general, Mackenzie and screenwriter Justin Piasecki build dread in masterful ways, while Ahmed subtly fleshes out Ash from a serene, almost superhumanly competent professional into a flawed fellow with relatable issues. In these ways, 'Relay' rises above mere voyeuristic thrills. The film is at its paranoid best when people's souls are in jeopardy.
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Review: David Mackenzie's ‘Relay' revives the paranoid thriller for the surveillance age
'Relay' is a 1970s-style paranoid thriller updated for the surveillance age. Director David Mackenzie's first theatrical follow-up to his acclaimed modern Western 'Hell or High Water' is made with the same meticulous, detailed craftsmanship of the time when 'The Conversation,' 'The Parallax View' and 'All the President's Men' put viewers on edge and kept them there. The film examines how a high stakes, dangerous job works — where it can go wrong and its personal costs — without letting too much tech or explanatory wonkery kill its momentum. Maintaining intelligence as well as tension is becoming a lost art, but 'Relay' for the most part keeps both factors humming. Riz Ahmed's protagonist — variously called John, James and Ash (we'll go with the last one) — helps whistleblowers who've changed their minds negotiate peace with their former corporate employers. Whatever damning documents they've stolen are exchanged for cash in public settings, with strict security protocols to keep clients safe before and after the transactions. With an apparently endless wardrobe of streetwear, Ash secretly shadows his wobbling informants whenever they walk around New York City or airports he instructs them to visit. Customer communication, as well as bargaining with intimidating company representatives, is conducted via burner phones with an extra, ID-masking step. All calls are routed through relay operators who usually serve the hearing-impaired. They read aloud whatever Ash inputs types on an teletypewriter, then delete all info once the call is completed. Ash's in-control, sphynx-like façade ever so slowly crumbles, though, when he becomes a little too protective of his latest client. Sarah Grant is an on-the-run scientist who has evidence her former biotech firm's new strain of pest-resistant wheat is bad for human consumption. Played by Lily James, she's the kind of trembly damsel a recovering alcoholic loner like Ash would go to extra lengths to protect. As it turns out, Sarah needs every ounce of it, especially when she fails to follow Ash's foolproof instructions to the letter. A quartet of corporate goons led by the implacable Dawson (Sam Worthington, whose resting baffled face is perfect for all the times he's outsmarted here), are always watching, waiting and ready to do unspeakable things to Sarah. And when that action kicks into high gear, well, 'Relay' isn't as good as it had been when intensity was conjured out of talking, walking and watching clever strategies unfold. There's a big climactic twist that I saw coming a Manhattan mile away, and which could make some earlier scenes seem incongruous if not outright deceptive. But we also get an excellent homage to Alfred Hitchcock's 1956 'The Man Who Knew Too Much,' as well as a thought-provoking, 11th hour pivot to the moral implications of Ash's work. In general, Mackenzie and screenwriter Justin Piasecki build dread in masterful ways, while Ahmed subtly fleshes out Ash from a serene, almost superhumanly competent professional into a flawed fellow with relatable issues. In these ways, 'Relay' rises above mere voyeuristic thrills. The film is at its paranoid best when people's souls are in jeopardy.


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RELATED: Black Movies to Watch for the Fourth of July RELATED: 35 Movies Filmed in Texas Amazing Movies Filmed in Washington, D.C. was originally published on 1. All The President's Men (1976) 'All the President's Men' (1976) is a riveting historical drama that recounts the true story of journalists Bob Woodward and Carl Bernstein, played by Robert Redford and Dustin Hoffman, as they uncover the Watergate scandal. Their relentless investigation for The Washington Post reveals a web of political corruption leading up to the highest offices of the United States government, ultimately resulting in the resignation of President Richard Nixon. The film highlights the power of investigative journalism and the determination required to pursue the truth against immense odds. Filming took place in several key Washington, D.C. locations to evoke authenticity, including the Library of Congress and the streets around The Washington Post. Some interior scenes, such as the newsroom, were meticulously recreated on sound stages to match the actual offices. This combination of on-site and staged filming enhances the film's realistic tone and vividly captures the tension of the era. 2. Mr. Smith Goes to Washington (1939) 'Mr. Smith Goes to Washington' (1939) is a timeless political drama directed by Frank Capra. The story follows Jefferson Smith, an idealistic and naive man, portrayed by James Stewart, who is unexpectedly appointed as a U.S. Senator. Once in Washington, Smith's optimism clashes with the harsh realities of corruption and political manipulation. Determined to fight back, he takes a stand by launching a Senate filibuster, passionately defending democracy and exposing the unethical practices surrounding him. The film captures Smith's transformation from a wide-eyed novice to a determined advocate for justice, becoming a symbol of integrity and moral courage. 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Filming prominently took place in Georgetown, a historic neighborhood in Washington, D.C., which adds authenticity to the narrative. Notable locations include the infamous staircase where a climactic scene unfolds, known today as 'The Exorcist Steps.' Some interior scenes were shot on sets in New York, but the D.C. backdrop remains a defining feature of the film's eerie realism. 4. Forrest Gump (1994) 'Forrest Gump' (1994) is a heartwarming drama that chronicles the extraordinary life of its titular character, played by Tom Hanks. Through Forrest's perspective, the film takes viewers on a journey across pivotal moments in 20th-century American history, from the Vietnam War to the civil rights movement. Despite his limited intellectual abilities, Forrest achieves remarkable success in various fields, becomes a war hero, and influences significant cultural milestones—often without fully realizing their importance. 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Kennedy's assassination through the relentless efforts of New Orleans District Attorney Jim Garrison, played by Kevin Costner. Garrison uncovers layers of conspiracy, questioning the official narrative surrounding Lee Harvey Oswald. The film explores themes of political intrigue, justice, and the quest for truth, blending riveting drama with historical reconstruction. 'JFK' was filmed extensively in New Orleans to replicate the locations central to Garrison's investigation. Dallas served as another key filming site, including Dealey Plaza, the actual location of Kennedy's assassination. Additional scenes were shot in Washington, D.C., adding authenticity to its political narrative. 16. Advise & Consent (1962) 'Advise & Consent' (1962) is a gripping political drama directed by Otto Preminger, based on the novel by Allen Drury. The film portrays the power struggles and ethical dilemmas in Washington, D.C., as the Senate evaluates the controversial nomination of Robert Leffingwell (Henry Fonda) for Secretary of State. Filled with suspense, the story weaves through backroom negotiations, political scandals, and personal sacrifices, exposing the complexities of governance. Key scenes were filmed on location in Washington, D.C., including the U.S. Capitol and surrounding landmarks for authentic depictions of political settings. Additional interior shots recreated Senate chambers, adding to the movie's immersive realism. 17. No Way Out (1987) 'No Way Out' (1987) is a tense political thriller directed by Roger Donaldson. The film stars Kevin Costner as Tom Farrell, a Naval officer who becomes embroiled in a murder investigation tied to a powerful Secretary of Defense (Gene Hackman). As Farrell uncovers hidden truths, he finds himself racing against time to prove his innocence while navigating a web of political conspiracy and deceit. Key scenes were filmed on location in Washington, D.C., including the U.S. Capitol and Georgetown neighborhood, adding authenticity to the film's political intrigue. Additional scenes were shot at the Jefferson Memorial and the corridors of Arlington Memorial Bridge. 18. X-Men: Days of Future Past (2014) 'X-Men: Days of Future Past' (2014), directed by Bryan Singer, blends time travel with superhero action as the X-Men fight to prevent a dystopian future. Wolverine (Hugh Jackman) is sent to 1973 to alter history and stop the creation of the Sentinels—robotic enforcers designed to exterminate mutants. The film showcases the collaboration between the original X-Men and their younger counterparts, navigating themes of redemption and unity. Filming took place across various locations, including Montreal, Canada, which stood in for Washington, D.C., and Paris. Notable scenes, like Magneto's dramatic display at the Pentagon, recreated the iconic site with detailed set designs.